“I know everyone is expecting to see cool ninjas. These are not those ninjas.”
Japan Society’s annual Japan Cuts Film Festival for 2017 started on July 13th and is running through July 23rd. My thoughts on 2015’s festival can be read starting here, and on last year’s starting here.
Mumon’s home of Iga is a territory of mercenary ninjas who care little of anything but practice and pay, and certainly not about each other. Mumon’s among the best and greediest (in attempts to impress and satisfy his bride), and sees little value in anything outside his immediate sphere. But an ambitious warlord’s son’s hopes to complete domination of the countryside will have repercussions for everyone.
Not being previously familiar with the director nor the star, I came into Japan Cuts 2017’s opening movie without any framework or preconceptions. It’s an engrossing tale that both embraces and subverts the conventions of being a period piece and ingeniously blends a variety of tones, themes, and genres. It develops at a excellent pace, keeping things moving with humor and action while deeper themes and schemes are slowly formed and revealed.
The balance is pitch perfect throughout and the juxtaposition of intense, visceral scenes of drama and violence and a light touch of comedic moments. I was really impressed with how it all came together and with the heavy themes of money, duty, and what’s really important that were expertly woven within the overlaying war conflict plot and often over the top (and amusing) battles. Even some individual conflicts turn on a dime from humor to poignant, unsettling drama seamlessly and effectively.
One of the key successes of the movie is that both sides of the conflict have characters with complex motivations and goals that change throughout as said personal considerations come into conflict and new points of view and information are presented to each of them. It’s wonderfully acted, with a handful of key people on each side anchoring the story and providing logical progression for each film’s major changes in direction.
Director Yoshihiro Nakamura introduced the film (including the wonderful quote I opened with), participated in a Q&A afterwards, and met with fans during the after party. He was friendly and approachable, and seemed genuinely excited to be there. His answers during the Q&A were quite interesting and gave some nice further insight into the film.
Really enjoyed this one overall. Great start to the festival.
Update: There is a Japanese translation of this review. Thanks to Junko Czerny!
14 replies on “Japan Cuts 2017: Mumon: The Land of Stealth Review”
[…] Japan Society’s annual Japan Cuts Film Festival for 2017 started on July 13th and is running through July 23th. My thoughts on 2015’s festival can be read starting here, on last year’s starting here, and on the opening film Mumon: The Land of Stealth here. […]
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I found your review very interesting, and was surprised that you did grasp so much by just watching the film only once. Is it alright if I translate this into Japanese, and shared with my friends in Japan? I’ll link to your original article.
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Thank you. Glad you enjoyed the review. Yes, with a link back to the original that would be fine. Please also let me know where the translation is posted. Thanks!
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Thank you for your reply, and here is the link where the translation is posted. http://ameblo.jp/jun-yumemakura/?frm_id=v.mypage-ameblo–myblog–blog
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[…] here and on last year’s starting here. This year I’ve previously seen and reviewed Mumon, Tokyo Idols, and The Tokyo Night Sky is Always the Densest Shade of […]
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[…] here and on last year’s starting here. This year I’ve previously seen and reviewed Mumon, Tokyo Idols, and The Tokyo Night Sky is Always the Densest Shade of […]
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[…] Japan Society’s annual Japan Cuts Film Festival for 2018 started on July 19th and is running through July 29th. My thoughts on films from 2015’s festival can be read starting here, 2016’s starting here, and last year’s starting here. […]
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[…] Also check out my features on films from 2015’s, 2016’s, and last year’s festivals. […]
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