Comic card collecting is normally another format to view and appreciate images of comic book characters. Art can be original for the card set or reproduced from associated comics and can be shown on a variety of materials, but cards are usually a step removed from the inspiring items. However there are types of cards that directly tied to the original material in a physical sense: comic cuts.
Comic Clippings / Comic Cuts are exactly what they sound like. Some portion of actual printed comics cut out and put into a card. The cardstock has an opening on the front side to frame/show the clipping.
Clippings used to this are most often a single panel that can be spotlighted on the small surface of the standard 2.5 x 3.5 inch size for trading cards.
Comic cuts can be controversial, as some collectors don’t see the point of them and/or object to comics being cut apart to make them. I’m not going to wade into a debate of the merits. I personally like them as unique and unusual chase insert subsets.
Like many other collectors of this type of insert, I concentrate on collecting cuts of favorite characters and storylines. Infinity Gauntlet, which I read as it came out when it was originally published in 1991, remains one of my favorite comic stories of all time. It contains the broad strokes storyline that was the basis for Thanos’ role in the MCU. A good chunk of my comic cut card collection feature panels from that six issue series, with special focus on Thanos himself, Lady Death, and Nebula’s brief time with the gauntlet.
Other cuts I’ve sought out relate to specific favorites, including Emma Frost, Psylocke, and a host of other X-Men characters.
I adore cuts of characters that visually stand out. In particular the Spider-Man related cuts in my collection tend to focus on black suit Spidey and Venom. The design is striking and looks great spotlighted in this format. A couple of these cuts come from another classic, favorite storyline of mine, Kraven’s Last Hunt.
One of the cooler variations of comic cuts feature autographs of creators of the comic issue the cut is from. These can be from the artist of the shown panel, but also the writer or editor of the issue.
Occasional, rare dual signature cards are signed by writer/artist or writer/editor pairs. I have several with signatures by Jim Starlin, many on Infinity Gauntlet panels and a couple duals from Warlock with editor Marvel Wolfman, as well as some by legendary X-Men writer Chris Claremont.
These cuts feature smaller clippings, as the border surrounding the cut needs to leave room for the autograph. Autos are typically done via sticker rather than directly on card for these likely for both space and production reasons.
Perhaps even more so than regular cards a comic cut’s desirability varies wildly from person to person due to a variety of factors. Personal taste is of course foremost, with individual meaning to stories and characters as discussed above often having even more significance than normal due to these containing actual pieces of the comics.
But there are numerous other considerations as well that don’t apply to other inserts. Cuts from issues that are rare or particularly significant can become more sought after. The condition of clipping is important, as older comics paper quality can have declined and the printed image san fade. Printing mistakes, imprints, or other imperfections can also affect perceived value.
One of the most interesting aspects that’s largely unique to cuts is how well the panel stands on its own. Uncluttered images and poses of popular characters tend to work best as opposed to half cut off panels overrun with text bubbles.
That said some collectors don’t mind mid-story text heavy cuts, and in certain cases a bit of context via speech bubbles or captions can more strongly tie back to the comic the cut was taken from.
Card design varies from set to set, which affects the shape and size of the opening and amount of border that will be surrounding it. This will impact how the cut looks and feels, as panels are very rarely going to measure the exact same as the display opening. As mentioned above pieces of other panels encroaching on the featured image can be less than ideal.
On the other hand cuts forced into displays smaller than the panel can sometimes provide a more dramatic focus on the subject. And so on. These are highly individualized collectibles that have a million little details that can determine whether any particular card speaks to a collector.
Beyond just the graphic design of the card set, there are some variations on the idea of comic cuts that make for unique implementations.
One interesting insert type is Upper Deck’s “Coinage,” in which actual coins are imbedded into the cards. For their comic related sets that had this subset they featured classic comic cuts as well, with the imbedded coin(s) equal to the cover price of the comic the clip is from when it was originally published.
Another interesting variation on the comic cut concept are cover cuts. Cover cuts feature an entire cover from a comic divided into card sized pieces, forming a multi-card “puzzle” that together show the original cover.
Cover cuts are usually only available via special redemption methods that allow multiple cards to be awarded together, such as ePack achievements, so that the collector is getting the whole cover and not just one random 16th of it. These were rewards for difficult to complete collecting tasks.
Milage on these varies, and they are even more susceptible to some of the things I’ve been discussing than normal cuts. Card borders are even more attention grabbing when they are crisscrossing a larger combined image, and can block key parts of the cover. Sometimes obscuring character’s faces, or otherwise hiding key portions of the image.
That said I personally think they look pretty great in some cases, and having a couple of them of key issues of favorite characters is one of the highlights of my collection.
I hope everyone’s enjoyed this look at a literal intersection of cards and the comics they spotlight. Best of luck with wherever your personal collecting tendencies take you.
Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts will hopefully be on the way soon.
If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.
WWE’s other fastest rising superstar, who’s a longtime personal favorite of mine, has also appeared Ice Ribbon. So likewise I’d like to share a couple of her matches from those appearances.
Stephanie Vaquer was already a world traveled star with over a decade of experience when she first appeared for Ice Ribbon. I had heard a lot about her but hadn’t seen her wrestle prior.
These two matches were chosen by the rigorous process of being the only two of her matches in Ice Ribbon that I have on DVD. That said it’s a pretty good sample, as one is her first match for the company and the other is a singles against a rising star.
Both of these shows are available in the subscription archive portion (called ICE RIBBON LIVE plus) of Ice Ribbon’s ippv platform.
Dalys & Stephanie Vaquer vs Hikari Shimizu & Kaho Matsushita – Summer Jumbo Ribbon 7/31/22
This was Vaquer’s first match in Ice Ribbon. She had wrestled in Japan before years prior on a tour for Stardom.
Dalys is likewise a star from Mexico with a decade plus career at the time of this match making her Ice Ribbon debut.
Shimizu is from GPU COLOR’S, a freelance group that evolved out of Actwres girl’Z when Actwres transitioned into wrestling based acting instead of being a straight up wrestling company. She debuted in 2017, so had about five years of experience here.
Kaho was one of Ice Ribbon’s newest rookies at the time, with under a year of experience after her debut on November 13, 2021.
Handshakes before the bell. Matching red gear for Dalys & Vaquer.
Vaquer and Shimizu start. Vaquer quickly pushes out of a collar and elbow tie up and throws Shimzu to the mat out of a waistlock. Shimizu grabs her leg though and pulls Vaquer down. Leg lace is quickly countered by Vaquer into an arm bar, which is quickly countered by Shimizu into a rollup for just 1. Standoff and they circle each other into another collar and elbow in the middle of the ring.
Shimizu arm ringer into a wristlock right into a hammerlock. Nice bit of technical wrestling as she adjusted holds throughout what was essentially just twisting Vaquer’s arm more and more. Vaquer with a sweet break as she used her free arm to pull her leg up behind her, hooked her foot onto Shimizu’s arm, then kicked down to break the hold.
Vaquer grabs a wristlock and really torques it. Shimizu rolls forward out of the pressure, kips up with Vaquer still holding her arm, then drops back down to arm drag Vaquer over. The standard exchange of leg sweep counters for 1 counts (if you watch wrestling regularly you’ve seen this at some point) leads to another momentary face off. Big smile on Vaquer’s face at the fight she’s getting out of Shimizu.
Kick to the mid section by Shimizu. That’s the second time I was expecting a double tag out and they continued fighting instead. Side headlock by Shimizu. Vaquer pushes her off into the ropes, then drops down and leapfrogs Shimizu on subsequent rebounds. Shimizu dives over Vaquer as the later rolls backwards after one last rope bounce.
Both up. Shimizu motions Vaquer to come at her, leading to a trade of arm drags and then both going for dropkicks simultaneously. Third stalemate. NOW we get the change up. Really strong start to the match.
Dalys gets right in the rookie’s face and flexes at her.
They trade trips to put each other down, then Kaho hits several dropkicks as Dalys is on her knees trying to stand. Dalys absorbs them and roars in defiance for more. Eventually a single kick to the face in return knocks Kaho down.
Shimizu comes in as Dalys drags Kaho up, but gets caught with a boot to the midsection. Dalys puts them both into front facelocks and hits a double suplex. Off camera Vaquer had climbed to the top turnbuckle and comes down with a splash on both right after the suplex landing.
Vaquer goes back to her corner and Kaho rolls out of the ring. I don’t think there was a tag on the other side, but Shimizu now seems to be officially in with Dalys. Could be this is under lucha tag rules. Not that it probably matters much to Dalys which crumpled opponent remains in with her regardless.
Shimizu fights back though with a nice flying headscissors off the ropes after ducking a clothesline. She follows with a one leg sliding dropkick but Dalys is right back up and nails Shimizu with a chest kick to end the rally.
Tag to Vaquer. Double whip into the far corner is followed with a clothesline by Vaquer and a flying hip attack by Dalys. The vets are in firm control. Dalys grabs suplex position and hits a beautiful sitout facebuster.
Vaquer swarms the fallen Shimizu and hits Devil’s Kiss (headscissor repeated mat pounding: yeah that’s the best description I’ve got – look it up if unfamiliar as it really needs to be seen).
Shimizu rolls towards the ropes for a breather and Dalys kicks her to the outside. Lucha tag rules confirmed as Kaho comes in to fight with Vaquer. Under these rules it’s a legal switch to come in when your partner leaves the ring, in addition to the traditional hand slap tag.
Vaquer dodges a dropkick from Kaho, but the latter hits an enzuigiri after getting up and follows with a soccer kick for 2. Nice deep cover from the rookie folding Vaquer near in half.
Running dropkick to a seated Vaquer. Kaho picks Vaquer up and hits the ropes, but Dalys cheap shots her with a knee to the back and Vaquer runs over with a clubbing blow to the neck. Dalys reaches over the ropes to choke Kaho with a chinlock from the apron. She adds some shots to the head and a bit of biting while doing it until the ref makes her break.
Dalys comes in from the apron, as Vaquer left the ring so Dalys is now legal. She still has a hold of Kaho, and … tags right back out to Vaquer who was back in the corner. A little odd, but they go right into a double team so it makes some sense.
Dalys whips Kaho into a Vaquer drop toehold, which leaves Kaho draped across the far middle rope. Running dropkick to Kaho’s back by Dalys is followed by a 619 (Tiger Fight Kick) by Vaquer.
Dalys intercepts Shimizu, and Vaquer and Kaho exit the ring making the others the legal competitors. Hard overhand chop by Dalys. She absorbs two retaliatory forearms, but gets rocked by a high kick by Shimizu. Second kick is blocked though and Dalys levels Shimizu with a spinning side kick. Dalys applies a camel clutch style chinlock for all of two seconds before deciding to bite Shimizu’s forehead and pull her hair instead. She’s slowly gone into full bully heel mode as the match progresses and it’s pretty great.
An attempt to whip Shimizu into the corner is reversed, but when Shimizu charges and goes for a monkey flip the powerhouse catches her and spins around to put Shimizu on the turnbuckles. Shimizu jumps off the middle turnbuckle and wipes out Dalys. Literally just crashes into her and m maybe kind of hits a kneestrike. Could have been going for a dropkick or another kind of strike but her opponent was too close. It was effective enough though. Dalys stumbles back up and Kaho hits a top turnbuckle missile dropkick from a different corner.
Unfortunately it knocks Dalys all the way back into her own corner to tag Vaquer, who wipes out Kaho with a dropkick. But then Shimizu hits one on Vaquer. And the Dalys completes the dropkick party with one on Shimizu.
All four wrestlers are down on the mat. There are no covers, but the ref starts counting by slapping his hands against the mat as if there were. Must be another rule variant in play. Normally there’d be a (verbal only) ten count when all participants are down, but this was approached like a pinfall. Everyone gets up at 2.
Shimizu and Kaho’s rush at their opponents is ducked and they’re momentarily rolled up, but they get right back up and hit dropkicks. They try to whip Vaquer and Dalys into opposite corners but end up reversed into the corners themselves. Vaquer and Dalys run by each other across the ring and hit Kaho and Shimizu with a double knee strike and flying hip attack respectively.
Dalys applies a sharpshooter to Shimizu as Vaquer ties Kaho into a pretzel and viciously cranks back on her arm. Kaho immediately gives up and this one is over.
Dominant first impression from Vaquer and Dalys. They immediately came across as stars, while their less experienced opponents still looked good putting up what fight they could. The action they all packed into seven and a half minutes was crazy. Couple rough spots, but nothing too distracting and overall this was a really good, extremely faced paced tag match that was quite enjoyable.
———-
Stephanie Vaquer vs Ibuki Hoshi – Ice Ribbon 8/28/22
Ibuki Hoshi is a second generation wrestler, and her mother Hamuko Hoshi also wrestles for Ice Ribbon. The two have both fought on a number of occasions and been International Tag Ribbon Champions together.
Ibuki debuted on June 11, 2017 at the age of 14. At the time of this match she had been wrestling for 5 years and was 19, and was a rising star who would hold the company’s top title about a year after this.
Hype package seems to show Ibuki getting a big surprise pin on Vaquer then challenging her to this singles match. Looked it up and Ibuki & partner Maika Ozaki were victorious over Vaquer & Ibuki’s mother Hamuko in tag action with Ibuki pinning Vaquer just a couple weeks before this (pretty much right in the middle between the above match and this one). Should be quite interesting.
(Special guest appearance by this blog for this one, as I’d sponsored Yuuki Mashiro’s banner which is visible in the background.)
Ibuki starts hot with a running dropkick on Vaquer in the corner while the latter is removing her ring robe. Ref calls for the bell and we’re officially underway.
Still in the corner, Ibuki lays in several hard chops. Vaquer ducks under a double chop attempt and charges back towards Ibuki in the corner with a boot, but Ibuki dodges out.
We finally have some separation and the two stare each other down and jaw a bit in the center of the ring.
Ibuki grabs the hair for intimidation but Vaquer latches onto that arm into a top wristlock. She forces Ibuki down towards the mat with it but Ibuki uses her other arm to trip Vaquer and break the hold. Side headlock by Vaquer is transitioned into an arm wringer as they stand up. She yanks on Ibuki’s arm then settles into a standing wristlock.
Ibuki quickly reverses into one of her own, which becomes a momentary hammerlock before Vaquer does the sweet counter from the above match to break out of it and go back to a wristlock of her own.
Ibuki carefully pulls her hand free then grabs a side headlock. Vaquer back her up into the ropes and then we’re off to the races as the pace considerably quickens for a few moments. Ibuki’s shot into the far ropes. Vaquer drops down on the rebound then charges at Ibuki off her second rebound, but Ibuki sidesteps and pushes Vaquer along into the ropes herself. Ibuki arm drag off the rebound, Vaquer holds on, kips up, and hits an arm drag of her own.
Ibuki kips up and there’s a momentary face off before Ibuki lands a kick to the midsection. She follows it up with several forearms to the kneeling Vaquer’s back. Once Vaquer drops to all fours Ibuki sits on her back and lands more forearms. Vicious.
Vaquer reverses an attempted whip and faceplants Ibuki out of the air when the latter tries a crossbody of the rebound. She angrily pulls Ibuki up by the hair then faceplants her right back down.
Vaquer stands behind a seated Ibuki for a moment, so I expected a Devil’s Kiss, but instead she pulls Ibuki up and sends her headfirst into the corner. She trips Ibuki down into seated position and steps onto Ibuki’s chest, hanging off the top rope and putting all her weight on her opponent. She breaks on 3 of the ref’s count.
Back into the center of the ring Ibuki kicks at Vaquer, but gets kneed in the midsection when she hits the ropes. Snapmare into the canter of the ring and NOW we get the Devil’s Kiss. A groggy Ibuki rolls right out of the ring to the floor afterwards.
Vaquer follows her out and throws her into the ringpost. She beats Ibuki around outside a bit. No barricades for Ice Ribbon shows so this is all happening inches from the front row crowd.
Vaquer rolls Ibuki back in, hits a nice snap suplex, and immediately goes into a rear chinlock. Ibuki makes the ropes with her foot, so Vaquer backs them up and applies a wicked dragon sleeper variant (she used her leg to immobilize Ibuki’s arm, and linked her hands behind her own back to apply more pressure). Ibuki struggles to the ropes again for another break.
Vaquer ties Ibuki up in the ropes, pulls on her trapped arms to keep her in place, and lifts her foot into choke position. Crazy flexibility. Breaks on the ref’s count of 3 and whips Ibuki off the far ropes but gets caught by a crossbody. Ibuki sends Vaquer into the corner, splashes her, then brings her out with a faceplant for 2.
Vaquer pushes away when Ibuki pulls her up and they go into a forearm exchange. After a few Ibuki lands a big one so Vaquer knocks her back into the ropes with a nasty headbutt. So Ibuki starts a chop exchange. The pace has slowed a little as the effects of the big hits are felt, which is great. Ibuki is giving as good as she’s getting and rocking Vaquer as much as vice versa. Eventually Ibuki blocks a big right hand coming in and just unloads on Vaquer with numerous slaps to the head.
Ibuki hits the ropes but gets tripped, and Vaquer applies a Japanese stranglehold with Ibuki stretched back across her knees. Ibuki floats over pretty quickly and reverses the hold. She can’t quite keep Vaquer across her knees so keeps rolling about with it looking for a definite advantage. Vaquer forces them up to their feet and twists around until she can kick out of it. Ibuki lands in the corner and Vaquer chokes her again for a second, then runs to the opposite corner to come back charging. Ibuki dodges but Vaquer stops herself before crashing into the corner and catches Ibuki in the midsection with a kick.
A few head slams into the corner and several headbutts later and Ibuki’s seated down in the corner again. Back to the opposite corner and Vaquer nails the running double knees this time. She drags Ibuki into the center and a deep cover gets 2.
Vaquer jumps up to the top rope and goes for a double stomp. Vaquer rolls through the miss after Ibuki got out of the way, but when she turns back around Ibuki hits a kick to the head. Thrust kick knocks Vaquer back against the ropes, and Ibuki hits the far ropes for a running facewash kick. Ibuki throws Vaquer back into the center of the ring and covers for 2.
Ibuki goes up to the top turnbuckle and needs a couple extra seconds to get her balance but then successfully hits a crossbody for 2. Vaquer hits a chin breaker as Ibuki pulls her up, but her followup kick is ducked and Ibuki double chops her back down. Samoan Drop gets 2. She sets up for what looks like a Lightning Spiral attempt, but Vaquer twists out and swings for a clothesline. Ibuki ducks it and levels Vaquer with a falling clothesline off the ropes. Lightning Spiral gets 2.
Ibuki tries an octopus hold but Vaquer elbows out. Vaquer sends Ibuki into the ropes and catches her on the rebound into a rolling takedown that ends up with Ibuki in a triangle choke variant. Ibuki refuses to give up but quickly passes out in the hold. Three arm drops later and Vaquer wins due to ref stoppage. Vaquer holds on a few extra seconds for emphasis before the ref pulls her off.
Great, hard hitting match with a ton of impressive technical wrestling to boot from both. Ibuki was very much up to the task of keeping pace with Vaquer. This was action packed and felt longer (in a good way) than the eleven minutes it went.
Stephanie Vaquer’s always a joy to watch, and these were a solid pair of matches. Fun stuff.
Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts will hopefully be on the way soon.
If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.
“There are no such things as happy endings. Never. They’re totally manufactured by fiction writers who choose to end the story on a high point.”
Peter David was self described a Writer of Stuff, and it’s really the perfect epithet. He was a mainstay in comics for decades, also a prolific writer of novels and short stories, and shared opinions of all sorts over the years in essays, blog posts, and his But I Digress column.
Peter was one of my favorite writers and I’ve read a ridiculous amount of his stuff, starting pretty early on in his career.
I was an avid comic reader when I was young, and I am one today. In between my interest and ability continue with them waned, except for Peter’s work. There was a period where his comic were pretty much all I was reading, remaining thoroughly engrossed in titles like Aquaman, Supergirl, X-Factor, and Young Justice.
While he did great work on a number of popular characters, one of the things Peter is known for was taking second string characters and making something special with the freedom such things involve.
One great example of this was his work on X-Factor, spanning three different conceptual iterations featuring different lineups of misfits over the course of years. During his first run on X-Factor, he’d write one one of the most interesting and beloved single issue stories of all time. X-Factor #87 portrayed his government sponsored X-Factor team going to mandated therapy sessions in the aftermath of an X-men crossover event. It was an unusual aspect of Earth shaking events in comics that was captivating to see explored. Peter dug deep into the characters and created an enduring, compelling tale will little more than 36 pages of characters talking to each other.
The Incredible Hulk itself, the comic Peter’s best known for, was a low selling title before he originally took it over leading to an award winning run. During that run he notably explored the concept of Hulk as an aspect of Banner’s fractured psyche, leading to his creation of the Banner Hulk combined version of Hulk that would eventually inspire MCU’s “Smart Hulk.”
One of my favorite stories of all time is David’s two part Future Imperfect from 1994, showing the Hulk faced with his own dark potential.
Echos of his work also reverberate through the stories that followed and adaptations, such as Miguel O’Hara’s appearance in Across the Spider-Verse. Peter co-created and was the primary writer of Spider-Man 2099.
Peter pushed boundaries in his work, willing to test limits of subject matter, creative direction, and format.
One of his early comic stories that groundbreaking at the time and helped establish Peter as a writer, The Death of Jean DeWolff, created waves off the bat by proclaiming its intention to kill a popular supporting character in the title of the story.
His work crossed and combined genres and styles. Sometimes his over the top humor with mountains of wordplay and puns inundated the reader. Sometimes drama and heavy topics anchored his stories. And often those elements are more combined in ways no one else would dare.
His approach and convictions sometimes led to controversy and conflict, and occasionally didn’t land in the stories themselves, but Peter always kept trying and overall things came together into an incredible catalog of writing that will endure.
Another of Peter’s strengths was fitting stories within past continuity without heavy reconning, attempts to add context and depth between existing stories. Several of his well loved Star Trek novels took this approach.
A lot of his later work also focused on this concept, including writing stories that fleshed out Spider-Man’s time unknowingly wearing the alien symbiotic costume that would later become Venom. Given Peter’s start as a comic writer was in the aftermath of the original symbiote comics (when Peter was wearing a cloth replica of the black suit), it was nice bookend to an incredible career.
Peter had been facing severe health issues for quite some time, and passed away on May 24, 2025.
Thank you for a lifetime of stories Peter. Rest in Peace.
Pre-WWE, new Women’s US Champion Giulia is best known for her time in World Wonder Ring Stardom.
However I was originally familiar with her primarily from her time in the promotion she was trained and debuted in, Ice Ribbon. Her two years there coincided with when I was regularly making trips to Japan and attending a lot of wrestling shows. It’s always interesting to look back on someone’s early days, and in particular I’d like to focus on two specific matches of hers with personal significance to me.
I’ll be watching these off my DVD collection, as they pre-date Ice Ribbon’s currently maintained various streaming archives. So I’ll try to do as full play-by-play as possible in lieu of being able to direct readers to any easy way to view these.
Giulia’s a year and a half into her career here, having debuted on October 29, 2017. This is a main event challenge for company’s top title.
One fall, 30 min time limit. Time limits in Ice Ribbon title matches have extra weight due to a rule in place that means there’s no champion advantage for time limit draws. If a championship match goes to the time limit, the championship is vacated.
I was at this live and it was among my top matches of that trip (all the pictures here are from my live viewing). But I haven’t watched it in years, and I’m interested to see how it holds up.
Maya is draped in belts. In addition to the ICE Cross Infinity Championship she’s defending, she was reigning Triangle Ribbon Champion, International Tag Ribbon Champion (with Risa Sera as Azure Revolution), and Oz Academy Tag Team Champion (with Saori Anou as Ozaki-gun).
They just stare down each other without leaving their corners for several seconds after the bell starts the match. Crowd’s behind both, which is expected as it’s a rising star against a well loved champ in her second title defense.
Hard lockup as they come to the center. Maya pushes Giulia back into the ropes, but gives a clean break and they circle each other back into another collar and elbow tie up. Giulia gains a little ground but then Maya powers her back into the ropes again. Giulia reverses in the ropes and teases a clean break, but repeatedly forearms the hell out of Maya instead. Maya tries to reverse Giulia into the ropes but the latter spins Maya right back into position for more forearms. Maya tries to respond in kind again but AGAIN Giulia spins right through the reversal and puts Maya into the corer for more forearms. The challenger is being super aggressive to good effect.
Giulia fires up the crowd, then whips Maya into the opposite corner and follows with a running boot. She hits the ropes to try to sustain the offense as Maya stumbles out of the corner but the champ finally strikes back and levels Giulia in the center of the ring with a high kick.
Maya pulls Giulia up several times in a row for hair mares back down, then controls for a bit with a head vice into a Camel Clutch style chin lock. Giulia reaches back with her leg to get the ropes break.
Arm ringer into a Fujiwara arm bar takes Giulia back down. The challenger rolls out but Maya keeps ahold of the arm and tries for a different submission hold. Giulia fights it off and rolls Maya back into a sunset flip style pin for 2. Maya kicks out right into a seated waist lock and grabs Giulia’s arm again. Giulia’s on her back but forces a head scissors to fight off a hammerlock attempt. They keep grappling through reversals until Maya ends up on top of a face down Giulia with Giulia’s legs tied up and Maya pulling back on her arms. Maya transitions to another chin lock from behind and Giulia bites her way out of it. Phenomenal extended stretch of mat wrestling with the challenger finally getting tired of coming up a touch short and bending the rules to escape.
Both back to their feet, but Maya catches Giulia with a kick to the stomach and puts her back down to the mat with a snap mare. Seated position is never great to be in against Maya, and sure enough she lays into Giulia’s back with a stiff kick. Giulia roars in challenge so the next one is right to her chest. Another each to her back and chest and the challenger is in rough shape. Maya paintbrushes Giulia across the face with the bottom of her boot then kicks her challenger out of the ring.
She nails Giulia in the back with a double slap as she hops down from the apron, takes a drink of water from a nearby second, then kicks Giulia across the face again. Champ’s in firm control. They trade overhand chops and are really hammering each other.
After Maya lands a series of chops they separate a bit to different corners, all still on the outside. Giulia drops to her knees to recover and gets a drink of water of her own, then spits water in Maya’s face when the champ comes back over. An enraged Maya goes for a high kick but Giulia ducks and Maya nails the ring post. She crumples to the floor in pain and Giulia is instantly all over the …other leg, stomping away, stepping on the knee, and applying a heel hook. They’re still on the floor though so she has to break to drag Maya back into the ring.
Giulia then immediately drags Maya into the corner, goes back outside herself, and wraps Maya’s leg around the ring post. She pulls and grinds it into the post a bit as the ref yells at her to get back in the ring. When she does Maya is crumpled in a pile in the corner clutching her leg. Giulia pulls her up into a handstand and slams her leg into the mat in a unique bit of viciousness. Giulia slams Maya’s leg against the mat some more then ties her legs up and pulls back on her ponytail. I don’t think that an entirely legal hold. Ref counts to 4 and Giulia breaks.
Back up and Giulia does an elevated shin breaker to Maya’s right leg (the one that originally kicked the ring post). Giulia’s just destroying both legs now so we’re all good.
She ties Maya up in the ropes and instead of pounding on the mat to fire up the crowd she slaps Maya’s back for it. That’s cold. She hits the opposite ropes and comes charging back with a big boot to the back of Maya’s head. Cover gets 2.
Maya blocks a whip out of the corner temporarily, then reverses it when Giulia powers through. But when she charges Giulia in the other corner she eats another boot. Giulia hops up to the second rope into a crossbody for 2.
STF applied but Maya rolls out quickly into one of her own. Giulia counters that with her previously established go-to of biting Maya’s arm. Maya stays on top of Giulia though and fights for a seated Fujiawara (Becky Lynch’s Dis-arm-her). Giulia keeps her arm from extending, then rolls out into a leg lace. She adds a stretch muffler on the other leg and Maya’s in trouble. But Maya is able to grab Giulia’s weakened arm and transitions out into another Fujiwara variation. They been twisting each other in knots all match.
Giulia claws and scrapes to get her leg to the ropes for the break. Maya’s unsteady on her damaged legs but tries a suplex anyway. Giulia fights off, but eats a slap to the side of the head from Maya. Then another. And another. A series of knees put Giulia down against the ropes, but Maya’s a touch slow on the run to the opposite ropes and Giulia dodges the knee strike. Giulia tries a running boot with Maya against the ropes but it’s also dodged. Maya has Giulia’s leg tied in the ropes, and nails her in the face with a kick from the apron. Back in she unties Giulia and covers for 2.
Giulia fights off another suplex attempt and catches a kick. She drops into a leg lace and applies almost a seated cloverleaf variant. Maya fights to the ropes. Giulia breaks immediately and hits the far ropes to wipe Maya out with several big boots to the head as she tries to get up. Cover gets 2.
They fight back and forth over a reverse DDT attempt by Giulia with Maya repeatedly trying to counter into an STO. Giulia prevails and the reverse DDT gets 2. However back up Maya nails the STO for 2.
Maya hits the ropes and lands a hard kick to the face, but she kicked with her damaged foot from earlier so she collapses against the ropes nursing it. She hobbles out and forearms Giulia as the later stands, only to get hit with a forearm when she tries to reverse a Giulia whip attempt. Giulia off the far ropes… into a spin kick to the mid section. Knee lift keeps her stunned, and Maya follows up with a hard big boot. The champ looms over the fallen Giulia, then knees and kicks her head repeatedly when she tries to get up.
Giulia’s out against the bottom rope, and hers the running knee Maya wanted earlier. She goes right through the ropes with it absolutely leveling Giulia (like Sareee and Mizuki do with their against the ropes dropkicks for those familiar with them). Maya tries to shake some feeling back into her leg on the apron, then climbs up top. Missile dropkick folds Giulia in half and gets 2.
Maya hits the ropes for another knee strike but Giulia follows her in for a big boot. Maya returns the favor as Giulia hits the far ropes. Maya hits the opposite ropes again but runs into a big boot in the middle of the ring off the rebound. Cover gets 2 then Giulia goes up to the top turnbuckle.
Maya catches her with a palm strike then hair mares her down. Champ up top … and Giulia catches her with a palm strike. The back and forth in this match is just fantastic. Giulia climbs up and powers the champ into an avalanche power slam for close 2.
Giulia looked for a hammerlock slam but Maya floats out into an arm drag. Another high kick knocks Giulia down but the exhausted champ also collapses. Ref starts counting them both down, but they’re up before 5.
They go into a brutal forearm exchange where they are running at each other for more impact on them. Giulia eventually lands three in a row, then boots Maya when she runs at Giulia to try to return the shots. Maya approaches again and another boot. Third time Maya brushes the foot away, runs behind Giulia to hit the ropes, then runs right into another boot anyway for 2. Giulia’s putting up a hell of a fight.
Giulia up top and a missile dropkick gets 2. Maya’s kickouts at this point are just barely a roll of the shoulder. She’s been through a war and is spent. Giulia goes for the hammerlock spin slam again and hits it for 2. She stays on top of Maya and locks in an STF.
She cranks back on the champ repeatedly as the crowd screams for Maya to claw her way to the ropes. When she gets close Giulia releases and drags her back to the center of the ring. Hammerlock slam set up again, but this time Giulia drops Maya right onto her knees. Man that looked nasty. Back into the STF and she’s cranking the hell out of it. Maya powers to the ropes, but is wiped out.
Giulia pulls her up and reaches for the hammerlock again. Maya pushes away while still holding on to Giulia and just starts kicking her repeatedly in the head. She lets go after a few and backs up for a savate kick. She winds up and nails a side kick in the head for 2. Maya lifts Giulia but the latter floats out and grabs the hammerlock slam position again. This time she drops into a shoulder breaker. I forgot how many variant moves she does from that setup. Closest 2 yet on that cover.
Maya up and swings at Giulia but gets tied up in an octopus hold. Short lived though, as Maya drops into a slam and covers for… barely 1. Shocked awe from the crowd on that quick kickout. Maya just kicks her in the face though and covers again for 2.
Maya’s Crystal of Snow (Iconoclasm, sitout power slam) connects this time and gets 2. She lifts the challenger up one last time and destroys her with a butterfly package piledriver to finally get the 3 count.
Loved this live and love it now. Giulia looked great, especially for so early in her career, and fought like mad for twenty five minutes until the champ was finally able to batter her down. This totally holds up and was a hard hitting war laden with a ton of great grappling to boot.
———-
Giulia vs Asahi – Yokohama Ribbon 9/24/18
This one’s a bit different and significant for a mix of reasons, some admittedly heavy.
Asahi was a wrestler who debuted in Ice Ribbon on August 27, 2017 at the age of 14. She worked for Ice Ribbon until early 2023, then spent the remainder of her career in Actwres girl’Z. Asahi sadly passed away in early 2024 at the age of 21.
She was a personal favorite of mine, as I really enjoyed her style of wrestling and cheering her on. I was at her debut match against the legendary Manami Toyota and was lucky enough to have met Asahi and seen her wrestle numerous times over the years. She is missed.
Asahi was a key rival of Giulia’s in their early careers, as they had debuted just a couple months apart. They had a lot of great encounters and interactions, including during a really unique trios match they were partners in I attended in early 2019 .
So for the second match of this entry I’d like to take a look at a singles encounter between the two from September 2018.
Somehow I’ve never watched this particular match before, so in contrast to the above this’ll be a completely new experience. This is right around a year into the career of both competitors, and roughly six months before Giulia would challenge Maya for the title in the above match. This match was the “semi-final” (second to last match) of the show.
These two had crossed paths in tag matches several times prior to this, mostly as opponents but a couple times as partners. They had also faced in one prior singles contest, that went to a draw.
Hot start to this as Giulia only poses briefly during her entrance, then hurries out of the ring to run up the other path and ambush Asahi behind the curtain before the latter can even be announced or come out. She drags Asahi to the ring by her hair and the match is officially underway.
Asahi gets in Giulia’s face and screams in defiance as they enter the ring but Giulia just tosses her down, kicks her into the corner, and steps on her head. Asahi might have the tiniest bit more experience, but the smaller, younger competitor is being overwhelmed and is definitely the underdog here.
Giulia drags Asahi to the center for a snap mare, then hits the ropes and runs right through her seated opponent with a kick to the head for 2. She then throws Asahi into the corner and chokes Asahi with her foot. That turns into standing face washes with the soles of her boots.
Back to the center and a hair mare puts Asahi down again. Asahi grimaces in pain as Giulia applies a rear chinlock. In short order Giulia opts to release it so she can just mockingly slap Asahi over the head a few times. Slap to the back and a cover for 2. She’s in straight up bully mode.
Dragon sleeper applied and Asahi keeps struggling to repeatedly bridge up until she’s able to inch to the ropes for a break. Giulia drags her up by the hair again and ties her in the ropes. Another slap to the head then more embracing facewashes and slaps to the back follow.
Giulia hits the far ropes and comes running for a boot but Asahi quickly jumps out to the apron and ducks the kick. Asahi pushes Giulia’s leg away, then catches Giulia’s attempted wild punch in an armbar over the rope. After a few seconds she has to break due to the ref’s count and does so by dropping off the apron and snapping Giulia’s arm over the rope. First offense by Asahi of the match.
Asahi goes up top. Giulia catches her and throws her down, but Asahi lands in a roll and quickly gets up, turns around, and dropkicks Giulia back into the corner.
Whip attempt reversed in Giulia’s hammerlock slam position, but Asahi floats out and slaps Giulia across the face. She had that coming at this point. It’s not well received though and Giulia hit Asahi upside the head again, hairmares her down again, and steps on her head again.
Asahi’s had enough and as the ref tries to count to make Giulia get off Asahi the latter speeds up the process by biting Giulia’s leg. Well, her boot at least, but close enough. She finally gives back the abuse she’s been enduring in kind and stomps and steps on Giulia’s face a bit. Although Giulia’s a fast learner and copies Asahi’s counter technique, sinking her teeth into Asahi’s leg.
Once that’s caused some separation, she boots Asahi into the ropes. Off the far ropes and she gets the boot to the back she tried for earlier. Asahi is stretched across the bottom rope and takes more kicks to the face and choking.
Asahi catches Giulia with a faceplant though and stomps on her arm several times. Giulia tries to kick at Asahi from the mat, so Asahi drops into a cover. Giulia immediately kicks out at 1, but the motion swings her arm that Asahi had been working over straight into an armbar. Asahi transitions into a seated Fujiwara, then twists Giulia wrist to apply more pressure.
As Giulia gets closer to the ropes, Asahi suddenly changes her grip and falls backwards still holding Giulia’s arm to switch into a cross arm breaker. Giulia manages to get a foot on the ropes to escape though.
They trade several scoop slams, while slapping, kicking, and shouting at each other in defiance in between them.
After three each Giulia tries to block and counter Asahi’s fourth, but Asahi fights back out and powers through to complete the slam and covers for 2. Back up they lay into each other with forearms. Both give good shots, but the size difference means Giulia’s are more effective and knocking back Asahi more. They proceed to simultaneous forearm shots and Asahi’s eventually laid out while Giulia is affected but able to get up.
She goes over to Asahi and drags Asahi up by her hair, but Asahi drops into a surprise small package for a close 2 count. Asahi hits the ropes with a burst of energy and hits a dropkick, then jumps into a rollup for 2. Deep schoolboy rollup gets another 2.
Asahi goes up top. Giulia runs over and tries to slam her down, but Asahi climbs onto Giulia shoulder. Back towards the center she twists into kind of a crossbody from above. Cover gets 2, but Asahi keeps at repeating the cover several times without letting Giulia up for a series of successively closer 2 counts. I adore when wrestlers fight for a pin like that.
Asahi climbs to the middle turnbuckle and hits a missile dropkick, then repeats it in the opposite turnbuckle and covers for 2. The she kick and slaps at Giulia trying to pull Giulia up, but when Giulia gets to her feet she gathers herself and boots Asahi in the face.
They grab hands and keep swinging at each other with their other arms, but after several mutual blocks Giulia spins Asahi into reverse DDT position and hits a stepover drop. She ties Asahi up tight and the latter barely rolls backwards out of the pin to kickout.
She applies an STF and cranks away until Asahi’s able to drag herself to the ropes for a break. Giulia immediately goes for the hammerlock sideslam and connects, but Asahi kicks out just in time to the crowd’s delight.
Asahi knows she’s in trouble and desperately wraps her arms around the top and middle ropes, struggling to hold on as Giulia tries to pry her away with a waist lock. Some knee strikes and leveraging her bodyweight back eventually rolls Asahi way from the ropes into a facedown position in the middle of the ring. Giulia wraps her legs around the head and shoulder of her screaming, struggling opponent, then pulls back with an armbar and Asahi is forced to tap.
This was thirteen intense minutes of two rookies completely conveying that they had had quite enough of each other. They used their basics well while giving glimpses of the great potential everyone already knew they both had. A little rough around edges at times, which was not only understandable at their level but also completely appropriate for the type of raw battle they were having. There was a good deal of innovation too, and it all came together in a really compelling match. Asahi rocked as the overwhelmed underdog determined to keep clawing and scraping until the end, and after a brutal start fought back to the point of having Giulia in danger. Giulia made the perfect bully who kept at it until she got the win.
It was a treat to be reminded of how much emotion Asahi put into her matches. I’m really glad I watched this, and that’s exactly what the point of wrestling should be.
Overall these were two thoroughly captivating matches and an interesting look back into the early career of today’s Beautiful Madness.
Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts will hopefully be on the way soon.
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Derailments of Thought 