“When you decide to up the ante on getting in deep shit, you don’t mess around, do you? You’re just like, hey, what’s the worst that could happen? That’s the worst that could happen? Great. Let’s do that.”
As a changeling knight with a unique perspective and even more unique abilities, October Daye’s priorities have always been a bit different from many of the ruling purebloods of Faerie. But when a favorite treat of the purebloods’ that’s an addictive, deadly drug to changelings starts resulting in an increasing number of dead bodies October becomes even more confrontational…
Unfortunately for Toby, the Queen of the Mists has had enough.
This is the seventh book in the October Daye series, and several long running plotlines come together here. Start reading with Rosemary and Rue (book 1).
There’s a lot going on in this one, and again I marvel at how wonderfully McGuire has laid in the foundations of her epic in previous books. The meaning and significance of past hints become illuminated in stages in each new book, and there’s a number of significant developments in this one.
“I can’t believe I just said those words, in that order, like they meant something.”
Toby is in WAY over her head this time and the actions she takes, willing and unwilling, will have long lasting effects. There are a number of big reveals as well, with a definite feeling of escalation beyond what has come before.
I adore the way people’s strengths and weakness go hand and hand and sometimes morph in McGuire’s books. This series has many wonderful examples of it, as does her engrossing Indexing stories. Toby and her allies are extremely powerful, but not infallible and within specific, and often dire, constraints.
October Daye has become perhaps my favorite urban fantasy series of al time, and Chimes at Midnight is another tense and gripping installment with big twists and far reaching implications.
“Nothing is ever simple or easy when Faerie meets the mortal world. There are just times when I find myself wishing it didn’t have to be quite so hard.”
October Daye may have avoided a war, but the heavy personal costs continue to haunt her as time inexorably passes in the Summerlands. But she isn’t the only one with secrets and regrets, and she may be the only one who can help her friends find an overpowered missing changeling who’s existence could be a threat to the foundations of Faerie itself.
This is the sixth book in the October Daye series, and it addresses the aftermath of major events from the prior book, One Salt Sea. Best to start with Rosemary and Rue (book 1).
“We were winging it again. That’s my favorite way to deal with crazy.”
“Winging it” is the exact opposite of McGuire’s carefully layered stories, and Ashes of Honor is incredibly well balanced. It seamlessly progresses long running story threads underneath a tense and dire current story that itself deals with major implications from One Salt Sea while introducing new concepts and complications. The adventure presented here is intriguing and captivating in its own right, and both new and old supporting cast members really shine in the spotlight.
“I’ve stood by and watched you throw yourself against the walls of the world, because I hoped the impact might shake sense back into you.”
As I alluded to above the development of story threads across these books as a series really is fantastic. There’s growth and change in both characters and environment, with real effects of the fallout of past books. McGuire knows when to let her characters breathe a bit, and when the emotions and problems they’re dealing with are too urgent to avoid or ignore. The handling of the progression of time throughout the series is masterfully done, and even the most dramatic of changes are deftly built to and executed.
As usual I’m going to avoid specifics and spoilers (and believe me avoiding talking about some of my favorite characters and their actions/antics grows more difficult book by book), but I really enjoyed this installment of October’s adventures. It both calls back to several subplots from prior books and, as with the rest before it,lays a lot of groundwork for some major things to come.
I became enamored with professional wrestling as a kid, and while great many of my tastes have changed there have been some eternal constants. Wrestlers, styles, etc that transcend time in a sense.
When I was young I had only watched American wrestling, in the form of (then) WWF and WCW. Bret Hart, the Midnight Express, Mr. Perfect, and other wrestlers who combined athleticism and in-ring storytelling were among my favorites. I’d seen a little bit of the Great Muta in his WCW appearances, but that was largely it as far as non-North American talent went.
Then Superbrawl II started off with Jushin Thunder Liger vs Flyin’ Brian Pillman in a match (rightfully) still lauded to this day as perhaps the greatest opening match of all time. Liger was like nothing else I’d ever seen. Combining precision flying and hard strikes with uncanny psychology, and of course an incredible, striking presence, Jushin Thunder Liger was a superhero come to life (literally, as his persona was based off of an anime character). The match, and Liger, obviously left quite an impression on me and remains one of my all time favorites.
From there I would occasionally hunt down bits of his matches in Japan, and while I never quite saw as much as I wanted the sampling was invariably impressive. He was always captivating, and I have distinct memories of rewatching certain moves and sequences over and over in awe.
Flash way forward to 2015 and NXT Takeover Brooklyn would end up being my first time seeing Liger live, somewhat surreally in a WWE ring no less. His style had understandably changed over the years, but it still felt like a Liger match, and a very good one at that. Tyler Breeze was a great choice for his opponent and it was a treat to be there.
The following year at ROH/NJPW War of the Worlds 2016 I actually got to meet the legend, and then I was lucky enough to be able to attend Wrestle Kingdom 11 on 1/4/17 finally see him wrestle in Japan (albeit in limited fashion as part of a battle royal). As it happens it would end up being the only time I saw him wrestle live in Japan and the final time overall.
Throughout my changing tastes and focus on different parts of wrestling, I’ve remained a huge fan of Liger and am extremely happy he was able to keep wrestling for as long as he did, and for the times I was lucky enough to see him live.
Earlier this month Liger finished up his 35 year career. With Wrestle Kingdom 14 becoming a two-night event Liger’s farewell was unusually spread over three days, with his last two matches at the two WK shows on 1/4 and 1/5/20 and his retirement ceremony being held at a separate event than his final match at New Year’s Dash on 1/6/20.
I sadly was unable to attend the 1/5 show as planned due to illness, but watching online still conveyed the weight and emotion of the occasion. Liger wrestled with and against several of his compatriots on 1/4 in the star studded Jushin Thunder Liger, Tatsumi Fujinami, Tiger Mask, & Great Sasuke vs Shinjiro Otani, Tatsuhito Takaiwa, Naoki Sano, & Ryusuke Taguchi, then put over the next generation in a tag match on 1/5 teaming with Naoki Sano against Hiromu Takahashi & Ryu Lee. While many hoped he had on last singles match in him, these carefully chosen tag matches were a great, fitting way to say goodbye.
It’s almost as weird to see Liger go as it was to have him in wrestling at the level he was for so long. All that’s really left to say is thank you to the legend for everything, particularly the memories.
Two months ago I wrote Farewell to a Gran Maestro, a look back on Tequila Saya’s career just before her planned retirement date of October 12, 2019. As I mentioned towards the end of that piece, things didn’t go as planned. A typhoon caused that show to be canceled, and the following day Saya’s regular tag team partner (who was scheduled to tag with Saya in her final match) abruptly left the company under unusual circumstances.
After the dust settled a bit Saya announced she was postponing her retirement until the end of the year and would be stepping in to honor her former partner’s previously scheduled commitments. This was a big gesture on her part, and visibly greatly appreciated by the company and fans alike.
No matter the circumstances surrounding Saya’s short career extension, she certainly made the most of it. One of the previously mentioned commitments she took over was a spot on Rising Slam, a free to attend event in Italy aimed at spotlighting Joshi Puroresu live for the first time in that country. Saya was joined by fellow Ice Ribbon roster member Tsukushi, Actwres Girlz’ Mari, Tae Honma, Misa Matsui, & Saki, and freelancers Makoto and Rina Yamashita in traveling to Italy for this unique show. It would be Saya’s first and only international expedition as a wrestler. She also ended up doing more matches outside of Ice Ribbon than she ever had before, including a singles match against Yumi Ohka in Wave among others.
Saya would also win her only career singles title during the overrun, taking the Triangle Ribbon Championship from someone who debuted shortly after her and was as often a rival as a partner, Uno Matsuya (the match also involved Tae Honma). It was well deserved and wonderful to see this opportunity seized out of unusual circumstances.
She was involved in a wild champions vs challengers 8-woman tag at the December 14th show, defended the belt against Uno and Satsuki Totoro at her final P’s Party show (as an active wrestler) on Decemeber 18th, and lost the title to Tae Honma on Ice Ribbon’s December 21st show at Shinkiba 1st Ring (in a match that also involved Kaori Yoneyama).
From a selfish standpoint I must admit to being happy that the extension would allow me to see Saya wrestle live few more times before she finished up. Her final dojo match against Tsukasa Fujimoto was all kinds of fun, including a particularly amusing section where she tried, rather unsuccessfully, to imitate the signature moves of all the other wrestlers at the show. Tsukka then invited them all in to demonstrate all the correct versions on Saya.
Her final match was earlier today, a special 38 (plus a few) person challenge that saw Saya face everyone consecutively in one minute time limit sections. A mix of some competitive sections, lighter comedic ones, and some old familiar faces just coming back to say goodbye, it was a perfect way to say farewell to the Gran Maestro.
The last two sections saw Saya gaining her only pinfall over Ice Ribbon’s ace Tsukka with the “Gran Maestro de Tequila,” then falling to the rookie she’d given the moves to as Suzu Suzuki showed she also mastered Saya’s “Tequil Shot” variation.
The show drew 1,384 people, making it the largest crowd ever for Ice Ribbon at Korakuen Hall and their forth largest crowd ever.
It was an honor to be in attendance to wish Saya well, and I hope whatever future lies ahead for her after wrestling is a bright one.
This was the go home Ichigaya show leading into Gatoh Move’s last big show of the year tonight at Shin-Kiba 1st Ring.
As I’ve mentioned before, in a wonderful move to grow their visibility Gatoh Move has been uploading a significant number of matches with English play-by-play on their YouTube channel. two of the three matches I’ll be discussing here are impressively already up, and in such cases I’ll add a hyperlink to it in the match title.
And as I like to explain to start my Gatoh Move reviews, the Ichigaya events are held in a small room with no ring and two large windows on one wall which are removed for the shows. The crowd itself is effectively the “rope break” marker and the wrestlers will sometimes use the front row to bounce off of for “running the ropes” and the windowsills to jump off of for high risk maneuvers. The limitations of the venue restrict the action in ways compared to “normal” matches, but also provide opportunities for creative variations on standard wrestling elements.
Pictures are not allowed during the show but can be taken afterward, so my pics here won’t contain anything from the matches and will only be of the roundtable and dancing following the shows (as well as of some souvenirs).
1)Cho-un Shiryu vs Sayuri vs Sayaka
Sayuri & Sayaka will be teaming tonight to face fellow rookies Chie Koishikawa & Tokiko Kirihara, but here it was everyone for themselves in a 3-way also featuring regular visiting wrestler Cho-un.
This had amusing overtones, with the rookies insisting on working together to start but still largely unable to withstand Cho-un’s vast experience and strength advantage. And what momentum they were able to generate evaporated when they started getting in each others’s way and wanting the individual victory. Eventually Cho-un was able to pin both of his opponents simultaneously for an emphatic win after a double diving stomp.
With Sayuri & Sayaka going in to a battle with two other largely unestablished rookies the double pin bothers me less than it normally would, illustrating a bit of how far they all have to go. Cho-un’s enough of a force that it made sense, they did get to show some fire on the way, and this was a solid little 3-way that packed a fair amount of story into a short, energetic six minutes.
Clash of two teams both in action tonight against other opponents.
The structure of this one was particularly fantastic. Lulu was thrilled to be teaming with her teacher and had herself introduced as “Emi Sakura’s student” and vice versa to Emi’s barely maintained patience. But as the match progressed Emi encouraged the struggling Lulu, and whenever she was tagged in herself she was in full bore no-nonsense mode. Her first exchange with Chris had her going for a lockup and Chris LEVELING her with a big boot instead, and the war was most definitely on from there.
Another highlight saw Sakura pick up Lulu (in full pencil pose/mode) over her shoulder and charge Chris, who sold the hit like he’d been impaled by an actual spear. And of course Takanashi was his usual masterful self throughout as well.
End here saw Chris attempting to apply an arm bar when poor Lulu, already immobilized by Chris’ legs and unable to withstand it, tapped out to give CDK the win. A confused (or perhaps just sadistic) Chris continued to pull the arm a bit as Takanashi tried to explain they’d already won and to please let Lulu go.
This was great. Strong win for CDK (even considering Lulu’s weaknesses), and there was just enough to make one hopefully that Lulu might defy the odds and win with her mentor tonight.
During the post-show roundtable Chris said this victory (his first in Ichigaya) taught him that CDK’s previous troubles in 6-person tag matches were all Rin Rin’s fault. I feel he got lucky that the statement went by so fast Rin Rin and a good portion of the audience didn’t register it enough to be properly outraged.
In addition to having the two wrestlers facing in tonight’s main event across from each other, their partners here were one half of the reigning tag team champions and one half of the team that will be challenging them in tonight’s semi-main respectively.
Rin Rin continues to be impressive beyond her experience level, and was great here showing no fear against Saki before their title match. The interactions of Mitsuru and Mei were also a great preview for tonight as well as a solid anchor for this match to build around.
It all escalated wonderfully and was naturally paced to the point where I didn’t feel the time limit draw coming at all. Nicely done and a really strong lead in to tonight.
For one final awesome bit of fun, after Gatoh’s traditional post-show song Chris spoke up and suggested to Sakura that with a number of foreigners in the audience and the proximity to Christmas they should also do an English song, then led wrestlers and fans alike in singing “We Wish You a Merry Christmas.”
This was as usual a total blast, and I thought a particularly strong show all around. There really isn’t anything else quite like Gatoh Move and I can’t recommend checking it out live if at all possible.
As I’ve mentioned before, in a wonderful move to grow their visibility Gatoh Move has been uploading a significant number of matches with English play-by-play on their YouTube channel. Some of the matches I’ll be discussing here are impressively already up, and in such cases I’ll add a hyperlink to it in the match title (also, the 6-person tag from 12/7 is up on DDT’s subscription service).
As I like to explain to start my Gatoh Move reviews, the Ichigaya events are held in a small room with no ring and two large windows on one wall which are removed for the shows. The crowd itself is effectively the “rope break” marker and the wrestlers will sometimes use the front row to bounce off of for “running the ropes” and the windowsills to jump off of for high risk maneuvers. The limitations of the venue restrict the action in ways compared to “normal” matches, but also provide opportunities for creative variations on standard wrestling elements.
Pictures are not allowed during the show but can be taken afterward, so my pics here won’t contain anything from the matches and will only be of the roundtable and dancing following the shows (as well as of some souvenirs).
Yaso was involved in one of my favorite intergender matches of all time, a no-rope contest against Gatoh Move’s former ace Riho at Basara’s 12/28/17 show, and has faced Lulu before.
The story here was Lulu drawing inspiration from Emi Sakura and wanting to make use of certain counters she’d learned/copied… so she kept setting herself up for moves and holds. A confused and tentative Yasu didn’t know what to make of it, and kept putting on the “wrong” move, repeatedly preventing her plans from working.
It all eventually builds to a persistent Lulu finally executing one successfully into a rollup, but not having the power or weight to prevent Yasu from reversing into his own pin for the win.
This was different and silly in a way that enhanced the story told, and a breath of fresh air in a lot of ways. Lulu’s gimmick of being a pro-wrestler who’s too weak and awkward to be pro-wrestler is rather genius in the way it’s being executed, and makes her a natural and easy to cheer for underdog. Perhaps most importantly, the comedy and weirdness of her matches still relate to the idea of her trying to win, and it all compliments a wisely chosen remaining card consisting of more competitive/serious matches.
2) Cho-un Shiryu vs Chris Panzer
Chris is his home promotion PWR (Phillipine Wrestling Revolution)’s Champion, and this is his first appearance in Gatoh Move.
Once they got going Cho-un heeled it up to provide the match’s backbone, and they had a really good, fast paced and hard hitting encounter. Chris prevailed in a strong Gatoh debut. Would love to see him back sometime.
3) Calamari Druken Kings (Chris Brookes & Masahiro Takanashi) & Rin Rin vs Mei Suruga, Saki, & Sayaka
I’ve been dying to see Brookes in Ichigaya, and as expected it was a lot of fun. His building feud with Mei is awesome, and the two have a ton of chemistry in the little things they do to egg each other on.
Rin Rin looked great and totally at ease, and the play off of what happened last time she teamed with CDK was highly amusing. She had gotten on Chris’ shoulder for a double team, and when he stood up her head banged on the ceiling. So this time when he and Takanashi tried to put her on Chris’ shoulder she freaked out, fought her way down and slapped them upside the head in admonishment. Awesome.
I have yet to see a trios match at Ichigaya that I didn’t love, and this certainly continued the streak. Innovative and fun, with the Gatoh regulars showing their usual mastery and the new faces fitting in well (in addition to Chris and Rin Rin this was also my first time seeing Sayaka since her Gatoh debut). Mei pinned Rin Rin to give her team the victory.
Side note: I need to see MUCH more of Rin Rin & CDK as a trio.
This was incredibly fun, with lots of the little cool little touches Gatoh Move does so well to elevate each match and fully drawn the audience in.
Sayaka & Tokiko kind of kept outsmarting Sakura & Takanashi at times to stay in the match until the veterans’ experience got the better of them. Again, the rookies played their part really well and put on performances beyond their limited experience. Strong opener.
Lulu’s freelance writer name is Yamada, so it was explained that a battle of Yamadas (in a building where the landlord’s name was also Yamada). Everyone was encouraged to constantly chant for Yamada.
Every match Lulu gets a few more small successes and moral victories. When she’s eventually able to put it all together, perform more moves than not without hurting herself, and pick up a win the crowd is going to erupt. Until then this was another fun little chapter in one of the most unique and relatable acts in wrestling.
Taro’s taking/selling of Lulu’s rollup into the wall was particular impactful and got a huge pop as it felt like a real advantage for everyone’s favorite underdog writer. As is becoming a theme in this write up all the little details were really well done here.
3) Hagane Shinno & Mitsuru Konno vs Mei Suruga & Yuna Mizomori
Yuna had handed out a few denden daikos in celebration of Tawara! 2’s DVD release and encouraged their use to cheer her during the match. Mitsuru looked offended by their their mere existence, which was a great bit of character work.
Hagane’s another Gatoh mainstay guest that really knows how to make the most of the environment. There were so many great counter variations and near falls in this one, really building the drama and captivating the crowd. This was an incredible little tag team match and a real testament to the skill of all involved and the potential of the Ichigaya environment.
With Mei vs Mitsuru main eventing the impending show at Shin-kiba, Mei’s pinfall victory over Mitsuru here gives her all the momentum.
Gatoh Move has a really good grasp of how to vary things enough to keep it all interesting while always capturing the aspects that draw people to their shows in the first place. These were two excellent efforts, and the general quality and enjoyment level of seeing Gatoh live never ceases to amaze me.
Sareee’s been having anincredible2019, and as the year heads towards a close she had her first self produced show, titled Sareee’s Special Night.
The whole show looked like a lot of fun, and with the added bonus of seeing a dear friend in Japan again I was extremely excited for the night.
In an awesome touch, since Natsumi Maki is currently out injured and thus unable to wrestle at the show Sareee instead included her as a special ring announcer.
1) Zap I & Zap T vs Madeline & Miyuki Takase
In a heartbreaking bit of bad luck Marvelous’ Mio Momono, scheduled to team with Madeline here, required surgery on her elbow just a few short weeks after returning from knee surgery. On the positive side it went well, and she was in attendance (in a sling) helping sell tickets for her home promotion Marvelous’ upcoming shows.
While certainly bringing a different style and energy to things than Mio would have, reigning Actwres girlZ Champion Miyuki Takase was a great replacement none-the-less.
This was my second time seeing Madeline (after catching her debut last May) and she’s a joy to watch. Her mannerisms are so expressive and she was a natural fiery underdog for the Zaps to push around.
I’m admittedly not a big fan of the way full heels are handled over here (with referees simply watching and making disapproving noises as they use weapons without any actual attempts to, you know, STOP THEM FROM CHEATING and the faces hardly ever responding in kind).
But outside of that particular common aspect of wrestling in Japan/pet peeve of mine this was a really fun battle between a pair of looming, dominating bullies and faces who just refused to stay down to the last. The assault of the masked veterans was too much in the end, but Madeline and Miyuki put up a hell of a fight. Great start.
2) Hibiki vs Jenny Rose
Marvelous’ rookie Hibiki is the former Meiko Tanaka (of Diana). I was quite impressed with her when I saw her a few years back and it’s great to see her back in wrestling. Also beyond awesome to see Jenny back in Japan.
So this was a reunion of the former Diana rookie and a mainstay foreign wrestler of theirs at the time. The familiarity and chemistry showed, with a nicely competitive match wrestled at a good clip and a strong showing for Hibiki before losing to the veteran.
3) Aj Kong vs Nanami
Diana’s newest rookie, at 13 years old and having debuted just two months ago, draws the monster here.
There’s an art to having a much bigger, dominating veteran bait an upstart and have it remain interesting, and Kong’s a true master. She was never losing this match, but it was compelling all the same and Nanami’s infrequent advantages were perfectly done. In one extended sequence Kong egged Nanami on to deliver over TWENTY dropkicks, yelling at her to hit harder and higher each time. When Nanami later got Aja down to a knee and nailed her in the head with a dropkick the crowd erupted.
Excellent example of how to do this particular formula right (as always with Kong), and I’m looking forward to seeing more of Nanami in the future.
4) Haruka Umesaki & X vs CRYSIS (Jaguar Yokota & Ayako Sato)
After everyone else was introduced Haruka called for X … and Sareee’s own music played. With the woman of the night already ringside something was clearly up, and sure enough after a moment out came Kyusei Sareee as played by the glorious mimic herself Sakura Hirota.
This was WAY over the top, but amusingly done and Jaguar’s barely strained patience awesome. The real Sareee eventually got involved, and this was just a well done bit of comedy supported by bursts of heavier action and continued the excellent pacing and balance of different styles on this show.
As with the opener the treatment of weapons took me out of the match at moments, but again that’s personal preference and otherwise this was exactly what it meant to be and should have been (I do have to mention a rather humorous whiff by Jaguar with a tray when Haruka hit the ropes and instead of hitting the rookie the tray went clear through the air/ropes next to her, which somehow kind of fit in with the kind of match this was 😉 ).
4) Kaoru Ito vs Kyoko Inoue vs Chihiro Hashimoto
My goodness this was an awesome little war. It featured three heavyweight Joshi competitors just laying into each other full force until one couldn’t kick out. Kyoko pinned Ito after one big lariat too many for the win, and all three of them looked great along the way.
5) Sareee & Syuri vs Mayu Iwatani & Takumi Iroha
This was billed as a dream match, and with reigning top champions from three different promotions that don’t all generally interact and a recently returned MMA competitor involved I’d say it fit the description.
With her time in MMA I hadn’t seen Syuri wrestle in years. And while Stardom’s NY show was quite good a crazy 8-woman tag with a broken bottom rope isn’t the same thing as a concentrated singles or tag team match, so this was also my first time seeing Mayu in this type of contest in about as long. Add in Marvelous’ ace and reigning Regina di Wave champion Iroha and Sareee herself and this was quite an exciting matchup on paper.
Of course again the benefit of dream matches is seeing these unusual combinations of wrestlers squaring off with a big fight feel, and this had it all in spades.
Top notch work from all four for the full duration of the time limit draw without every feeling like it was headed that way, this was a treat on so many levels. Great way to wrap up a great show.
This show was interesting matchups that were well booked and fun up and down the card. Stellar effort from Sareee, and a thoroughly enjoyable night.