Category: Video Games

“This is a twisted web, and we are not finished untangling it, not yet.”

I adore a good mystery, so between a strong cast and a playfully intriguing trailer I was really excited for Knives Out. And a damn good mystery is exactly what I got.

I’m going to say pretty much nothing in terms of details to avoid spoiling the ride, but this was a compelling journey that I didn’t quite know what to make of until it was done. I cannot overstate what an important and truly wonderful quality that in a mystery/suspense story.

It’s not quite as madcap as the trailer makes it look (when I first saw the trailer I actually thought it was a Clue remake), but that’s not a criticism. There’s just the right touches of quirkiness, as it tweaks and pokes fun at the genre as much as it embraces it to wonderful effect. Sly touches of satire and commentary along with a phelthora of pitch-perfect performances all fully support and flesh out, rather than detract from, the unfolding drama.

Simply put, Knives Out was fantastic.

Kaname Date is a special agent of a futuristic police department, Advanced Brain Investigation Squad, specializing in exploring people’s subconscious in the course of their investigations. A murder case isn’t necessarily his normal assignment, but …

9 Hours, 9 Persons, 9 Doors remains one of my favorite games of all time. Virtue’s Last Reward and Zero Time Dilemma were solid follow ups to round out the Zero Escape trilogy and quite good in their own right (although they did start to collapse a bit under their own weight as the stories became more involved and grew in scope).

So a fresh start of a brand new mystery game by the same director was something I was extremely excited for. And AI is every bit as fantastic as I hoped.

The gameplay is divided between visual novel-like sections of gathering information and investigating crime scenes, and Somnium sections in which the player explores the subconscious of reluctant persons of interest in a dream-like setting.

It boasts a layered, subtly constructed story that unfolds in pieces across branching paths. Each branch feels solid and satisfying as a self-contained narrative, while giving carefully rationed hints about the big picture that only fully come together as all the branches are played. Using the Somnium sections as the branching points is a great choice, as there’s natural splitting opportunities narratively and gameplay-wise no need for the player to hunt around aimlessly to find the different story paths. The gameplay is top notch overall and brings some nice innovations to the genre.

The technology and sci-fi elements, which are extremely important to AI’s tale, are well used and explained in pieces as needed to avoid too much info dumping.

It’s really amazing how well balanced and executed everything is here. There’s just enough branching, and the way pieces of the puzzle are interspersed between the different tracks is excellently done. The complex story is explored just right, avoids straining to contain its own weight like VLR and ZTD. It strikes me as accessible either by playing down a single path until finished (or temporarily blocked by the need for information from other parts) or by jumping around a bit (which is how I chose to approach it). That’s really difficult to get just right, and an impressive achievement.

The characterizations, twists, general atmosphere and ever increasing feeling of tension all combined to create a tangible “can’t stop playing” feeling, gripping me unlike any other game in quite some time.

The valid possible solutions, suspects, and theories are great and make this an incredibly compelling experience. In fact the red herrings almost too good, as some false leads felt just a touch more interesting than the actual developments. Small criticism though, as the overall tapestry of AI’s tale is still excellent and incredibly well woven.

The limited turn mechanic in the Somnium sections can be a little frustrating mid-game when the difficulty ramps up. But if approached with the perspective of needing to gather information on the first couple of tries to “solve” it and enjoying the additional context exploring “wrong” choices gives this slight negative can be rapidly eliminated.

Certain aspects are also a bit overdone, and an argument can be made that scaling them back touch would enhance the tone and impact of the larger story. But overall it’s all within tolerable limits and the vast majority of the game is pitch perfect.

AI: The Somnium Files is a truly creative game boasting an imaginative story, solid and engrossing gameplay, and satisfying, captivating mysteries. This really covered all the bases for me and is easily my game of the year, something I honestly didn’t expect in competition with things like (the also great) Fire Emblem: Three Houses in the conversation. Simply fantastic.

It’s been a long time since the last installment of the game series as famous for its fanservice as its fighting, but at last it’s time to take a look at Dead or Alive 6.

I enjoy Dead or Alive for what it is, and have always found the actual fighting game beneath DOA’s famous fanservice exterior engrossing. DOA 6 does still have those solid mechanics at its heart, so individual games are still fun and engaging.

It also looks amazing. There’s a real sense of grit and impact during the fights, and the little details are incredible. Visually the game is stunning and another leap forward.

But to be honest if the time/resources spent on battle damage and making little cuts appear on the fighters was at the expense of all the steps backwards… I could have done without.

Where’s My Partner?

I’ve always played these games primarily in single player, and with Playstation’s switch to needing PS+ to play online for the PS4, my intension for DOA 6 is exclusively single player. In DOA 4 and 5 survival mode, often the tag version, was far away what I spent the most time playing long term.

So the first major disappointment of DOA 6 is tag mode being completely absent. A lot of the fun of single player was to be had by trying different teams and discovering their tandem moves, how/if they interact, etc. It felt different than the solo modes and made for a nice change of pace. Thus right off the bat nearly half the content I was looking forward to in the game is gone.

Also gone is a new innovation from DOA 5, cliffhanger blows and throws. They weren’t important, but it was something new and entertaining. The main gameplay addition this time is essentially a revised/expanded version of the power blows from DOA 5 and associated elements. The returning characters, which is everyone except two newcomers (and there are of course previous characters missing to “make room” for them), play pretty much exactly the same as in previous games . This consistency is actually mostly desirable, but perhaps more should have been tweaked/added given everything what was taken away.

1 out of 1,000 ?! 

Part of the interest in continuing to play DOA is getting rewards for progressing in the form of new (admittedly often ridiculous) costumes, and that small motivation does make trying different characters and repeated plays through things like Arcade Mode more interesting and enjoyable.

Tecmo has also monetized costumes and fanservice in DOA to ridiculous degrees via DLC. The trend of DLC in fighting games hasn’t bothered me as much as other gamers as long as what was provided in the original purchase seemed a reasonable core game for the price, and that nothing was “partially” locked gameplay-wise. In DOA5 I thought the initial package was reasonable enough, and supplemented by buying a few of the costumes here and there that amused me the most. I never felt “forced” to buy extra content, or that I had an incomplete or lacking game without it. I did feel they could have included a bit more and been a tad less aggressive about the pricing and packaging of new costumes, but again, enough was provided with the initial game purchase to be reasonable.

That changed this time around. The problem isn’t so much the number of included costumes, which is similar to past iterations (although there are more simple color swaps, which is cheap), but rather the new unlocking methods.

In past games, clearing Arcade Mode (for example) with a character would generally unlock one of the included costumes for that character. Direct correlation to the character being played, reasonable amount of time/effort/achievement involved, and no extra menus/costs/etc.

Here clearing Arcade Mode gets a single digit number of “pattern parts” (unlocking points). Costumes can’t be unlocked until their pattern part threshold had been collected, and then it also requires use of ANOTHER in game currency (admittedly this one is much easier to come by). Parts cost for costume range from 100 to 1,000, meaning time spent in the parts of the game I personally enjoy and play most is USELESS for unlocking things.

Adding insult to injury, the parts earned are RANDOMLY assigned, so playing a favorite character no longer means any progress is necessarily being made towards more costumes/accessories/etc for them, nor can the player concentrate that pathetic amount of points earned into one place to hope it adds up to something semi-reasonable eventually.

The only single player mode that provides a reasonable amount of points is Quest Mode, preset matches with objectives to fulfill while playing (execute a certain number of a a particular type of move, perform combos, etc). The random point assignments are even more maddening here, as when the computer decides for example to allocate a 400 parts reward to a costume that only needs 100 (which has happened to me several times) those other 300 are lost and wasted. As quests are finite, can’t be replayed, and don’t provide enough points to unlock everything even if allocated perfectly, this is yet another design decision that’s a slap in the face of the player.

***NOTE: Since I’ve started playing the other single player modes have suddenly started awarding a reasonable number of pattern parts, on par with what Quest Mode provides (although still randomly assigned). A closer look indicates this is because they have decided to run a “Release Celebration” in which the earned amounts are multiplied by up to 100. Short term it fixes one big complaint. Since it’s a temporary thing, this smacks of wanting to quiet valid criticisms while the game is new, then revert to form.  ***

Open the Wallet

So now if a player specifically wants costumes for their favorite characters, the ONLY sure way to proceed is purchased content (or playing hundreds of hours and crossing one’s fingers). Costumes are generally bundled by theme with one for each of several included characters, so even when PAYING EXTRA it’s impossible to concentrate on exactly what one wants. The first season pass for DOA 6 DLC was made available on release day, and costs 1.5 times the cost of the game for two characters and three months worth of costume DLC (62 costumes, which may not even include all costumes released in those 3 months). Reminder, that’s just the BEGINNING of their DLC plans.

On last complaint about the DLC approach for this game. I mentioned above that beyond feeling a game is incomplete / feeling like the publishers are trying to force a purchase of extra content, I have any issue with “partially locked” content. I don’t mean locked content being on the game disc. I understand why some have an issue with this, but as I said as long as what I got seems reasonable for the price I’m fine. What I mean is content that is included in parts of the game but then needs to be paid for to be used in others. Of course DOA 6 chose to do this. Two characters are playable in the previously mentioned Quest Mode (and as the quests are preset playing those characters is required to fully complete this mode), but are locked in the rest of the game unless purchased (or unlocked with a pre-order bonus code).

A Story Worth Telling?

DOA 6’s Story Mode continues from the fallout of the events in DOA 5. I don’t know if it’s the translation or the original writing, but the dialog is extremely stiff and awkward. I do like the setup of parallel “episodes” in each chapter, but this potentially interesting structure is let down by breakneck, uneven pacing and ridiculous choices on what to show and what to skip. They clearly tried to keep each piece as short as possible while jumping around to feature every character exactly as little as they could get away with, and it makes all the interactions feel unnatural.

The tournament itself, built up to in many of the early segments, is a complete afterthought when it happens, with key pieces skipped (I have extensive feelings and theories about this, but will refrain from discussion due to spoilers). I will say one of the few matches actually shown/played is treated so inconsequentially they don’t even bother to mention which round it occurred in, and its participants (including the winner who presumably advanced) aren’t seen again.

I could keep going (and the absence of an important character in the entire second half of the story is another rant altogether), but the point has been made I think. Some of the plot threads are interesting and I really would have liked to see this come together better as I do like the mythos, but the story mode overall is pretty lacking this time around.

Going back to the above bonus unlocking issues, no pattern points are earned for story mode. But from what I understand it has to be completed for certain costumes to become available for points to affect, so another layer of complication for the top of the pile.

One last side note before I wrap up: There was even more of a … debate… about DOA’s fanservice this time around. Without getting into it too much, early on Tecmo seemed to be courting a more serious image with the added violence effects, and what some called a move towards “modest” costumes (although I’m not sure skin tight ninja outfits, etc are really all that modest per se, but more skin is covered in several of the new starting costumes for both women and men than previously). Thing is, the racy, skin bearing costumes are still in the game. They’re just not the ones unlocked to start. The computer is free to use any costumes, and of course online opponents may use anything they have unlocked or purchased, so such costumes will be seen while playing regardless. So anyone wanting a less fanservice heavy DOA isn’t going to find it, and anyone for whom the fanservice is the main draw is back to the purchase/unlocking issues I discussed above. If anything Tecmo created a bit of a false air of “changing the image” of DOA while just shuffling things a bit so they make more money off what a large portion of their established fanbase expects from the series.

Final Thoughts:

Did I enjoy playing this?

Yes, for a time. As mentioned above the mechanics are intact and individual games are still quite enjoyable.

I know the majority of this review was critical, but keep in mind this is all from the point of view of a longtime player of the series and involved discussion of several outside factors. If spending money, tag mode, unlockables, etc do not matter to a player and their only concern is “are the mechanics good and the fighting itself fun?” the answer is yes.

Is there anything here to keep me coming back like the previous games did? 

No. Emphatically no. I don’t personally play online, am not going to spend tons on DLC, and while I appreciate the excellent graphics they’re not the end all and be all for me. The things that made DOA games impossible to put down for me personally have largely been gutted.

Did/will I get my money’s worth out of it over continuing to play DOA 5 Final Round?

Debatable, leaning no.

It’s technically proficient, beautiful, and has sections heavily tailored to teaching the game, so is an easy recommendation for new players interested in DOAs brand of fighting. But it feels like an infinitesimal step in everything but graphics that it advances and a huge step back in what it offers the player in variety. More of a DOA 5 Part 2 than an actual sequel in my mind, and frustrating even in those terms.

Just your everyday fairy tale about a singing wolf monster who makes a deal with a witch to transform into a princess in order to help try to get a caring prince she accidentally blinded his sight back.

The Liar Princess and the Blind Prince has a whimsical story with just the right amount of emotional beats at its center. The wolf’s anxiety of being discovered while trying to do the right thing despite the lies she thinks she needs to maintain is a compelling framework for the puzzle platforming core. There were admittedly a couple of spots where imprecise mechanics were frustrating, but generally the gameplay is solid and engaging as the player switches between the wolf’s forms to guide and protect the prince as they venture through a dangerous forest. A well done storybook aesthetic completes the package nicely, and overall I found this game extremely engrossing.

Gris is an enjoyable platformer with a melancholy atmosphere and a sense of wonder. It’s absolutely GORGEOUS, with an evolving look as color slowly comes back into the world as the player progresses. I found the controls, evolving abilities, and game design well implemented (for the most part) and most importantly, fun.

On the flip side, there’s a touch too little exploration to be done of/in the engaging landscape, particularly in the wonderfully stark early section. The game will kind of railroad the player around at certain points, making it hard to get a sense of geography. When the visuals change dramatically and the game spins me around rapidly down several unclimbable slopes I often couldn’t tell if I was re-exploring an area I’d already visited or not. It didn’t significantly impact my progression, but did break immersion a bit. Also, some dramatic moments have their impact pretty much killed when control is either forcibly (by turning things into a cut scene in the middle of a pivotable moment) or subtly (having the player apparently in control but without their actions actually making a difference in outcomes) taken away.

So it’s not without its drawbacks, but there’s still a solid, engaging game in Gris well worth checking out for anyone who likes the idea of an “artsy” platformer shaped by its underlying themes.

The Sexy Brutale mansion and it’s extensive casino is home to a bizarre string of murders of the masked guests, a day of tragedy Lafcadio Boone will experience in a horrifying loop forever unless he can figure out how to prevent them and uncover the Brutale’s darkest secrets.

As comes up often in this blog, I’m a sucker for a good mystery. I also have a soft spot for well done time travel elements. So when I stumbled upon The Sexy Brutale, a time travel mystery where the player explores the titular casino/mansion trying to prevent a series of gruesome murders, my curiosity was certainly piqued. I had no idea however of the full depth of wonders to be uncovered.

It’s made clear from the outset that the Brutale’s staff are committing the murders, so this isn’t a traditional “whodunnit” but rather a larger scoped mystery with deeper answers to uncover. The priest Lafcadio Boone is “blessed” with the ability to rewind the fateful day to gather information and attempt to prevent the murders and find the masked ball’s conspicuously missing host. The brilliant catch is Boone’s partially relegated to an observer’s role. He generally can’t be in the same rooms as the staff or guests so rather than being able to intervene directly the player has to sneak around the mansion, listen in on conversations for information, and take indirect actions to influence things. The approach is really unique and interesting in an adventure game, and beautifully executed.

The balance of story, with heavy amounts of intrigue and compelling mysteries to unravel, and gameplay, with engrossing puzzles and a real sense of exploration and progress, is perfect. The striking visuals that bring the mansion and its inhabitants to life and the haunting atmosphere they help establish were just some of the other excellent touches that made this a game I found it near impossible to put down. Every step of the way I was dying to tackle the next puzzle, piece together the next riddle, and plunge deeper into the Brutale’s world. I honestly can’t recommend this enough.

As with all Telltale episodic games Batman focuses on a building story throughout the “season,” and this is the finale for Batman season 1. Start of course with episode 1. Also see my reviews for episodes 2, 3, and 4.

There’s a a lot to wrap up in this first season finale, starting with the villain I chose not to confront at the end of last episode. I assume that first scene is reversed if I chose differently in Guardian of Gotham, which is a nice way to make the choices seem important even if the net results of everything are pretty much the same.

Of course while interesting I still have the feeling that as opposed to other Telltale games I’ve played most of the choices had a “right” answer. The statistics provided at the end explicitly show they were trying to balance things like mercy vs brutality, being pragmatic vs compassionate, etc, but it practice the harsher dialog options were too harsh and I ended up firmly in the majority on nearly every choice. Less “black and white” choices would have been nice.

The careful balance of the Batman and Bruce Wayne identities continues to great effect. There are reasonable yet escalating reveals and developments, including a suitable climactic battle with Lady Arkham and an expected tease for season 2.

On the technical side things were still reasonably solid, although loading times seemed significantly worse here. There were a lot of interruptions to action scenes where the screen would freeze frame as the next part loaded. It made it hard to get fully immersed in the flow of battle.

Strong finish overall though. Telltale’s first season of Batman wasn’t perfect and had a lot of unusual and possibly divisive elements, but overall it was a compelling story from start to finish and fun to play.