Studio Ghibli Papercraft: Porco Rosso

I recently put together my first “papercraft” model: an excellent depiction of an iconic image from my favorite Studio Ghibli movie. There are various types of papercraft, with some looking like “traditional” plastic or wooden models as 3D representations of their subjects. This type is instead a series of flat, different colored sections with designs cut out that create a layered image when placed one behind the other with small spacing between the layers.

 

 

The envelope for this comes with directions and several mini sheets of sturdy paper with designs cut into them. Some models are marked with “English instructions included,” but this one only had Japanese instructions. But the pictures show all the pieces needed at each step and the pieces are labeled on their punchcards with the “layer” they belong on so there’s sufficient guidance provided to complete the model even with the language barrier.

 

 

I did look up English directions for a similar papercraft and the only thing that would have been overlooked otherwise is a wise suggestion to apply glue the “non-visible” side of whatever is being glues together (so to the base layer if attaching a piece to the back of the layer, and to the back of the piece if it’s being glued to the front of a layer), and the suggested tool list which I’ll discuss below.

 

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To achieve minor visual details that really bring the image to life some of the pieces are TINY and admittedly quite difficult to cut out, keep intact, and paste together. So while for the first few pieces it seemed I’d be ok just using my hands and the hobby glue bottle directly, the additional recommended tools of an exacto knife (for removing the small pieces from the punchcards), tweezers (to hold and position pieces), and toothpick and/or small glue brush (for applying glue) are essential. One or two pieces were so small and delicate I almost destroyed them, but it all worked out in the end and wasn’t difficult to put together overall with some patience and care. It took me about an hour and the result looks fantastic.

 

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While the model is nice and stable once together and doesn’t require a case, they are available and I’m happy with having a bit of protection against both damage and dust as well as how it looks. I got a light up version for this one and the soft, alternating color lights poking through the tiny exposed areas in the completed piece looks amazing.  Really pleased with this and will likely try more in the future.

The File of Young Kindaichi Returns First Impressions

Hajime Kindaichi, grandson of a famous detective and no slouch in that area himself, travels with his best friend Miyuki who is recruited to perform in a fashion show in Hong Kong in place of a model who she bears a striking resemblance to that’s gone missing. Unfortunately the missing model is only the first to disappear, and worse things are on the horizon. 

 

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I’m a huge fan of the Kindaichi Case Files manga, so was quite interested in checking out this anime adaptation. A nice bonus for me is that this adapts one of the later Kindaichi series, so the mysteries will be new to me.

So far I’ve watched the first case, told over the course of the first four episodes. That seems exactly the right length to properly let the mysteries unfold. The Hong Kong Kowloon Treasure Murder Case provides a decent introduction to Kindaichi and the formula, approach, and atmosphere of his adventures.  It seems to have the same general classic mystery feel and structure as the manga, and this opening mystery has good hooks and twists (and the coincidences the plot is based on are too amusing to really hold it against the story).

The pacing is decent, although the exposition heavy setup and solution portions are less cumbersome when reading and drag ever so slightly in animated form.  There’s also a little bit of handwaving and stretching of suspension of disbelief with certain developments (which also occurs in the manga at times), but importantly not in the mystery related parts so no real complaints.

Vital context is kept hidden until the end, but the mystery plays fair and key parts are solvable (if requiring some big leaps of logic). This is one of the things I love most about the Kindaichi stories I’ve read, and I’m particularly happy to see this aspect continued here.

Overall I enjoyed this quite a bit and will be continuing to watch when I can. I do recommend reading the original manga series first if you can, if only to appreciate the cameos, have a better sense of the main characters, and because the written stories are a little deeper. But as I mentioned before this initial arc does provide a good introduction to Hajime’s world, and should be extremely accessible even with no prior familiarity.

Beautiful Dreams 2: More Art of Juri the Dreamer

As I mentioned in Beautiful Dreams, I’ve been a fan of Juri H Chinchilla’s amazing art for several years and have been fortunate enough to develop a nice collection of her work. Here I’d like to share and talk about more of it (as well as ramble a bit about the stories and inspirations behind certain pieces).

 

 

Juri continues to be heavily featured in Perna Studios excellent card sets. I’ve been lucky enough to get several diverse, beautiful sketch cards of hers from sets like Witchcraft, Elementals, etc, in addition to having the opportunity to commission some incredible Artist Proofs (APs) as well.

Juri’s also done promo and base card art for Perna’s sets, and special cards including metal and spot foil chase cards and variants.

 

 

Some particularly interesting pieces of my collection include unique original works, such as Juri’s original pencils underlying her Mistress of the Night piece (the final version of which I featured in Beautiful Dreams) and colored and original art versions of her page from Sarah “Sakky” Ruth Ford’s Magical Girl Coloring Book.

 

 

Juri’s Personal Sketch Cards (PSCs) have been more fantastic additions to my collection, with the great opportunity to request particular subjects and design elements.

As always I adore her use of color, particularly in her hand drawn work, and like with her Perna sketch cards and APs above that aspect also really shines in her PSCs. Seeing her visions of some of my favorite characters come to life has been a real treat. I’m a diehard gamer, with particular preference to RPGs and fighting games over the years. With Juri’s pitch perfect confrontation between Kasumi and Ayane from Dead or Alive and jaw dropping melding of Morrigan and Lilith from Darkstalkers joining the original sketches I got from her featuring Millia Rage, Jam Kuradoberi, and Dizzy from Guilty Gear, I now have incredible renditions of all of my favorite characters to play from each of my favorite fighting game series.

 

 

Valkyrie Profile is my single favorite RPG of all time, and Juri’s intricately detailed, soft yet strong interpretation of Lenneth Valkyire is exquisite. Favorite series honors go to Persona, and I adore Juri’s vibrant, striking depiction of a key supporting character from one of the series’ best entries.

 

One of the more unique requests I’ve made is a card featuring one of my favorite professional wrestlers, Mitsuru Konno from Gatoh Move. Mitsuru’s already showing great potential and instincts even with only a little over a year in wrestling, and I adore the incredible way Juri’s captured and combined her strength, determination, grace, and beauty in this remarkable rendition.

 

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Mitsuru Konno PSC by Juri Chinchilla.

 

The last two pieces I’d like to talk about are anime/manga related. I’m using the word “favorite” a lot, but in explaining the inspirations for choosing these subjects across various mediums it has been appropriate and illustrative in every case. Gorgeous animation, thought provoking stories, and an incredible atmosphere come together to make Kino’s Journey my all time favorite anime. Juri perfectly related Kino’s cool, somewhat detached demeanor resting for a moment atop Hermes against a wonderful background horizon that evokes the show’s sense of traveling through a vast, intriguing world.

 

Rosario Vampire is an amusing, fan-service and action heavy harem style manga based around a high school for monsters where students regularly get into fierce battles with one another. It has solid story progression once it gets going, but is admittedly largely formulaic and trope ridden. However halfway through the second “season” of the manga there’s a side story,  introducing a relatively minor supporting character (who didn’t even make the anime adaptation), which embraces and upends cliches in equal measure to present a nuanced, emotional story that is easily at the top of the (long) list of things I’ve read. San Otonashi is a phenomenal character and (here’s that word again 😉 ) an absolute favorite of mine despite her relative obscurity. Even with being initially unfamiliar with San, Juri was able to create a gorgeous, spot on card of her, conveying both delicacy and strength and again really elevating the final work with her incredible coloring.

 

 

More information about Juri’s art can be found on her artist page. I hope to continue to follow and collect her incredible creations for a long time to come. 🙂

 

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Edit 2/9/18: I recent received three more wonderful Personal Sketch Cards by Juri, and wanted to add them to this celebration of her art.

Shoulder-a-Coffin Kuro is an incredible, unique adventure. At its heart are Kuro’s ever curious companions Ninjuku and Sanju, enjoying their journey but also gradually losing their blissful ignorance of the larger world around them. Juri’s wonderfully captured their playfulness and variation of personality.

 

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Brian Q Miller’s Batgirl series was an wonderful comic with the headstrong yet lovable Stephanie Brown in the titular role. One of my favorite issues of the run was a lighthearted story about her friendship with Supergirl. I absolutely love Juri’s rendition of the two of them together.

 

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Finally, Food Wars is a surprisingly fantastic manga/anime with a sports competition manga feel applied to idea of a highly competitive cooking school. Beneath the (admittedly enjoyable) humor,fan service, and general ridiculousness are compelling story arcs featuring an interesting, fun cast. A personal favorite of mine is prodigy Alice Nakiri, who’s simultaneously sheltered/immature and world traveled/formidable in a highly amusing way. Her confidence and attitude are perfectly reflected in Juri’s depiction.

 

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Juni Taisen Zodiac War Episode 1 Review

Every twelve years warriors representing the zodiac gather to “compete” until only one remains. To the victor, a granted wish. The Boar, haughty daughter of last tournament’s victor, arrives with destiny in mind and is determined not to be one of the eleven consigned to oblivion.

 

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Like Recovery of an MMO Addict, this is another anime I checked out as part of Crunchyroll’s Passport contest and as such was going in totally cold information-wise.

But while I had no foreknowledge of Juni Taisen Zodiac War, the basic idea was readily apparent. Twelve hardened warriors representing the zodiac have gathered to “compete” until there is only one left. The tone is dark and unsettling, and the entire premise and rules are set up for gruesome deaths and establish tension. Flashbacks to Boar’s background help establish the (disturbing) scope of the show.

The atmosphere and execution is where this sets itself apart, and Zodiac War is interesting and well done overall. I admittedly could have done without what I found to be “meta” spoilers (and I’m very glad I avoided Crunchyroll’s episode description, which is as blatant a spoiler filled summary as I’ve seen), as I readily predicted where things were going. But getting there was still fairly compelling. I wonder if this initial episode will be a template for future episodes. I hope not, because while it worked well enough here as a formula it would drain all suspense from the series. I’m interested in watching more, and cautiously optimistic about the potential this has.

 

Kino’s Journey: The Beautiful World Episode 2 Review

“Revenge is ludicrous.”

 

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The first episode of Kino’s Journey: The Beautiful World was a decent return to the universe of my favorite anime of all time.

The questions about whether this is a sequel or reboot are answered here, as we get a complete retelling of a story from the first series. Comparisons are thus unavoidable, and to be honest this version doesn’t fare well.

Colosseum is one episode now instead of two in the original, leading to pacing problems and straight up rambling exposition at various times to to set up the plot background. There’s no drama nor proper time to the fights now, and all character development of the other participants and support cast is gone. The absence of certain aspects (tiered society, face to face meeting with the king, etc) modify the philosophy of the story, removing depth and completely changing the implications and meaning of Kino’s actions. I feel all nuance has been lost, and this plays more like a plot outline of the original episodes than a fully formed story.

I’m extremely curious which is closer to the light novel this is based on, as while still justified this Kino is much less relatable/likable compared to the original anime, particularly since this is presented in the second episode with much less opportunity to get to know Kino before these events. It will be interesting to see what new viewers think without the old series to compare to.

I really hope they stick to new material going forward. There’s plenty from the light novels to draw from, so half hearted remakes of stories already adapted don’t seem necessary. Keeping the old series as cannon and providing background exposition as needed would have worked just fine, and certainly wouldn’t have been any more awkward than the info dumps present here. In a vacuum this wasn’t bad, but as a remake it was disappointing.

The Ancient Magus’ Bride Episode 1 Review

“Their kindness and favors don’t necessarily benefit a human.”

 

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The Ancient Magus’ Bride starts out with an unsettling and ominous opening with heavy atmosphere as we see a young girl dejectedly signing a contract then being put in a collar, chains, and a robe. She’s purchased by mysterious figure for exorbitant amount, and isn’t even remotely expecting his intentions.

The underlying premise and setup are of course uncomfortable, but things settle into a lighter atmosphere in short order. The heavy themes are of course still there, but the themes move into the territory of acceptance and dealing with coming out of the depths of despair. Chise’s burdened and cursed with powers that are now appreciated and valued, and she has no idea how to react with the possibly fortuitous change in her fate. It’s a delicate subject well handled and this first episode is captivating as her story starts to unfold.

The feel has a touch of “slice of life” as the details of Chise’s new situation are revealed, and the world has a fascinating layer of magic behind it. Being set outside of London and a great animation style combine for a wonderful aesthetic. I’ve been curious about this series and found this first taste of it quite intriguing. Looking forward to watching more.

 

Recovery of an MMO Junkie Episode 1 Review

Thirty year old Moriko is a NEET by choice who wants nothing more than to escape back into the comfort of the online world. In a bit over her head trying a new MMO, her character Hayashi attracts the assistance of the sweet and more experienced Lily, and Moriko’s solo adventure suddenly becomes more of a group effort. 

 

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I checked this series out as part of Crunchyroll’s Passport contest, involving watching the first episodes of several new series. So I knew absolutely nothing about it going in.

The opening caught my eye, with vivid, fluid animation and a couple of intriguing glimpses. The strong initial impression continued as the main character walked into her apartment and threw a bouquet of flowers in the trash. Nice, striking way to immediately convey volumes about her. In general I thought there was a really great balance of how much to explicitly reveal and explain vs what to imply here.

This was a cute, good first episode laying the groundwork of Moriko forming relationships within the game world she’s using to try to avoid having to do so in the real world. It appropriately focuses primarily on establishing the internal game world and what she’s experiencing in it in this initial episode, but I expect more of a spotlight on her in the real world as the series progresses. There’s a lot to like and both the comedic and romantic/interpersonal elements are extremely well done so far. Definitely considering continuing with this one.