Heartbreaking

I barely know where to begin here. Part of me doesn’t want to write this. And part of me has to.

A short while ago it was confirmed that Hana Kimura has passed away.

Hana wrestled for Stardom and was the daughter of retired wrestler Kyoko Kimura. She had been wrestling for four years and was one of my personal favorites in the promotion. She always made an impression, and seemed to have all the potential in the world. The last time I saw Hana was at Stardom’s American Dream 2019 show in NYC. I commented about how over she was, how far she had come as a performer since I’d seen her in her rookie year, and how impressive her character work in particular was. Her charisma was striking and she always seemed to go out of her way to be friendly to fans and make sure everyone was having a good time.

Earlier in the day Hana posted some worrying tweets indicating self harm. She had been the target of extreme cyberbullying, in part in relation to her appearances on the show Terrace House. Her tweets were shortly removed (possibly by Twitter, who has a reporting function for self-harm tweets to try to extend help) and numerous fans and others who knew Hana tried to reach out to those who could contact her as well as tweeting messages of love and support.

Further details about her passing have not been official released at the request of her family and I won’t speculate further, but felt it important to mention the circumstances briefly.

Her loss is beyond tragic, particularly so young. Underneath the rising wrestling superstar and reality tv personality was a 22 year old woman having a harder time than anyone knew. Please think of the person on the other side of the computer screen, and never wish or encourage harm on anyone. Words cannot express my anger and total lack of comprehension towards those who would wish such things on another. There are also important issues to look at in entertainment industries and the presentation of and support systems available to performers.

On the other side of things, if anyone is ever in trouble and things seem hopeless, please know that you are not alone and there is hope, and please reach out for whatever help and support you need.

I feel a terrible sense of loss and heartache for Hana and wish things had been different. My thoughts are with her family.

Rest in Peace Hana. You will be greatly missed.

Ice Ribbon Special Challenge Match: Tsukka vs Broom Review

May 10, 2020 in Tokyo, Japan

A very special no audience match up for free on Tsukka’s YouTube channel.

Suzu Suzuki is acting as referee, with Hifumi behind the camera.

In an impromptu scuffle last month during cleaning, Broom nearly pinned Tsukka after countering her trademark kicks. The incident isn’t mentioned here, but that’s where it all began.

We get video highlights of subsequent sneak attacks by Broom baiting Tsukka into this grudge match.

Tsukasa Fujimoto vs Broom

Lockup to start. Tsukka struggles and is forced back towards the ropes, but reverses at the last second to push Broom up against them. No clean break as Tsukka kicks Broom then hits a “hair”-mare into the far corner and chokes Broom against the bottom turnbuckle.

Back to center and Tsukka converts a scoop slam into a power slam for 2, then works some crossfaces from Camel Clutch position. Broom holds on and does not give up. Tsukka calls for a brainbuster, but Broom reverses into a suplex on Tsukka and gets 2. Chinlock on Tsukka follows. She tries to break by biting the broomstick, but referee Suzu’s aggressive count breaks that right up and Tsukka remains in the hold. She struggles to the ropes for the break.

Back in the center of the ring they trade “head”-butts and forearms respectively, and Tsukka wins the exchange with a surprise enzuigiri that sends Broom right out of the ring. Tsukka follows up with a doublestomp off the apron, then rolls Broom back in and hits another from the top rope for 2.

All Tsukka at this point, but her flurry of kicks is countered with the same rollup Broom almost pinned Tsukka to set this whole rivalry off for a close 2. Tsukka lays in some more forearms and tosses Broom into the air but gets caught coming off the ropes with a crossbody and just barely kicks out to deny Broom the upset win.

The veteran is getting tired of the upstart cleaning implement, and whips Broom into the corner to hit a nice pair of dropkicks (one “standing,” one “seated”). World’s Strongest Slam only gets 2, but that kickout is all Broom has left and Tsukka nails a beautiful Venus Shoot for the 3 count and the victory. That broom will know better than to bother Ice Ribbon’s ace again.

Ok so this was ridiculous (as was my choice to do full play-by-play), but that was the point. One of the best wrestlers in the world today took the old “so good they could get a decent match out of a broomstick” cliche as literally as possible to produce five minutes of absolute absurdity that was just plain fun. The key of course is they played it totally straight within the confines of the silly premise, and while I certainly don’t need to see Broom become an Ice Ribbon regular this was a tremendously amusing.

Extremely well done too. Tsukka managed pretty long stretches in this, with only a few cuts (honestly I’m surprised there weren’t a lot more) that were noticeable if looking for them but pretty smooth overall. She only needed outside help with a single spot too, and the camera angle completely obscured Suzu holding Broom up for the Venus Shoot (the needed angle also made the move itself look particularly awesome).

Truly a match for the ages. Congratulations to Tsukka on her epic victory.

Watch it here.

Golden Week Chocolate: ChocoPro 11 Live Stream Thoughts

May 5, 2020 in Tokyo, Japan

ChocoPro is a new effort from Gatoh Move’s Emi Sakura and DDT’s Antonio Honda to bring live wrestling from Ichigaya to fans all over the world. 

This is a special show, even among ChocoPro’s usual unique atmosphere with no ring and no crowd in the small confines of Ichigaya Chocolate square. There will be only one match, no referee, and no rules. The only way to win is to have your opponent fail to get up by a count of 10.

LAST MAN STANDING MATCH: Yuna Mizumori vs Minoru Fujita

Baliyan Akki is acting as cameraman and providing commentary (as well as doing the 10 counts), and is the only person besides the participants at the venue.

He’s alone as the feed starts and sets the stage for the match, summarizing the long, emotionally charged talk the day before between Emi Sakura and Yuna where Sakura really pushed Yuna about her insecurities, both regarding wrestling and her other career as an idol.

“Somehow she’s winning and still feels like she’s losing.”

I love that Akki made sure to highlight Yuna’s accomplishments and point out that she’s overachieving despite her lack of self confidence. She is the only Gatoh Move roster member with three years experience or less to hold any title (and that covers 80% of the roster), and her TWO tag team title reigns with partner Saki encompass over half of her two year career thus far. It does feel like Yuna’s accomplishments get a little overlooked sometimes compared with her compatriots, and her opening up about her insecurities in such a real way put this match in a new light (and was a bit heartbreaking).

So going into this huge match with a wild stipulation against a bigger, vastly more experienced opponent, a picture is clearly painted of wrestler who is better than she thinks she is, too hard on herself, and desperate to prove something.

The intensity is high right away with energetic chain / submission based wrestling. They’re really cranking holds and fighting over every inch trying to get the advantage.

Submissions can’t end the match here, which Akki reminds Yuna when she instinctively calls for her opponent to give up at one point, but they’re using these holds to try to control / wear down each other and it’s being excellently done and actually fits really well with the type of match.

Yuna dropped the shutters over the door to lock them in before the match started … but Fujita goes out the window as Yuna whips him with an exercise rope and they brawl in the alley. Akki’s still inside with the camera and seeing things through / against the windows for a little bit is pretty awesome. They come fight back in over the windowsill shortly and relock the windows.

As the match goes on Yuna wisely focuses on immobilization, doing things like tying Fujita’s legs, putting a pool ring around him, and splashing him while he’s trapped underneath the ring mat. She even turns the Christmas tinsel still decorating Chocolate Square into a weapon at one point, and the milage everyone is getting out of using the basketball Chris Brookes gave Mei Suruga during matches is impressive.

Fujita of course gives as good as he gets and uses his size and striking power advantage to turn the tide whenever Yuna starts to gain momentum. There’s really great, creative use of the environment while keeping things brawl/wrestling based at every turn here.

Eventually Fujita hits the Sayonara Piledriver and Yuna is down for 10.

Simply incredible. This had escalating pace and flow, solid story undercurrents, and of course great action. There were weapons involved as appropriate for this type of match, but perhaps not as much as might have been expected. That was 100% to the match’s benefit. It meant when used they were well integrated, never overwhelmed the story and let the straight up intense, creative wrestling the two were doing shine.

An INTENSE post show talk continues to examine Yuna’s insecurities, and Fujita is brilliant here as he alternates a bit between antagonizing Yuna and being sympathetic / giving her advice. He talks about being in wrestling for 23 years and how he can relate to frustration, but points out the high level she’s at with only two years experience. He says if she were a baby she’d just be standing at two years, and she shouldn’t be so frustrated so early.

He says they have one more fight, and brings out a piece of paper with a single match bracket on it and a KitKat! He tells her to get up and the traditional post-show Chocolate Bit of Happiness Rock-Paper-Scissors tournament is on!

After to two increasingly tense ties … poor Yuna loses again. She is SO ANGRY and dejected as Fujita enjoys the KitKat, and even more so as he starts singing the traditional end song (but can’t help herself from joining in eventually).

But even in the face of Yuna’s anger Fujita says we’re not done yet… and after praising Yuna and pondering why they had to be the ones to go through this emotional journey at Sakura’s pushing challenges Emi Sakura to find a partner to face him and Yunamon as a TEAM. I adore the way all of this was done so much.

In the stream comments Sakura makes a SuperChat donation to her own company to announce she accepts and on May 9 it’ll be Yunamon & Fujita vs Sakura & Akki.

Fujita leaves and Yuna echoes what he said: “why was it only me that had to show my emotions?” She’ll express her grievances to Sakura on May 9. My word this is going to be fantastic.

——-

Golden Week is a huge time for wrestling in Japan, and to be honest one particularly disappointing parts of quarantine is knowing I’d be there watching shows now if not for the pandemic. I can’t express how much I appreciate all the effort my favorite promotions are putting into providing content for everyone to enjoy during this tough time (while taking precautions to be safe themselves).

This show was incredible from start to finish, including all the buildup and heart wrenching context to the interviews as well of course as the excellent match itself. Must watch.

Visit Gatoh Move’s YouTube channel to check out all of ChocoPro’s content, including the replay of this show. Everything they are doing goes up for free under Sakura’s “No Pay Wall” initiative, so if you do enjoy and are able / would like to support please see their patreon.

Ice Ribbon Vol. 1037 Live Stream Thoughts

April 25, 2020 in Tokyo, Japan

Another special no audience show broadcasted from the Ice Ribbon Dojo for free on YouTube in addition to Ice Ribbon’s NicoNico channel.

Tequila Saya and Yappy are commentating. They made a great team throughout and the English explanations were much appreciated. Banny Oikawa refereed all the matches.

The IW19 Title Tournament starts here. The field has been announced but which matches happen on each show will be revealed day of.

A Block features participants in IW19’s previous incarnation:

Tsukasa Fujimoto vs Hamuko Hoshi
Risa Sera vs Kurumi Hiiragi
Tsukushi vs Mochi Miyagi

B Block features newcomers to IW19:

Satsuki Totoro vs Thekla
Maya Yukihi vs Uno Matsuya
Suzu Suzuki vs Akane Fujita

All tournament matches have 19 minute time limits and a 19 count outside the ring. First round singles matches and the block semi-final triangle matches also have over-the-top eliminations in play (the final between block winners will not). In the case of a time limit draw internet fan voting via the live broadcast on Nico will determine the winners.

This show will feature one match from each block and a non-tournament tag team contest between them.

Side note: Ice Ribbon’s insisting that it’s “I-W juu-ku”, and is not to be referred to as “I-W nineteen” (yes, English letters pronounced as normal but insisting on Japanese pronunciation of the numbers). I imagine this is for consistency sake but it’s honestly rather awkward.

1) IW19 Tournament B Block: Satsuki Totoro vs Thelka

As I remarked about the previous shows, the energy for these is really impressive. Totoro in particular is quite loud in her vocals and it helps elevate the atmosphere in the absence of a crowd.

Both participants here are right around 3 years experience, and quite good for their level. This was a solid, mostly smooth start for the tournament with Totoro controlling with her size and power and Thekla countering as she could with speed and bursts of unique offense. Thekla makes a great addition to the roster and looked competitive even in defeat as Totoro’s onslaught proved too much to endure.

Totoro’s tope rope senton sends her on to the Block B semi-final.

2) Tsukasa Fujimoto & Risa Sera vs Hamuko Hoshi & Uno Matsuya

A little bit of a preview for Block A, as tournament opponents Tsukka and Hammy are on opposite sides of this tag match. Really fun, energetic contest. Ice Ribbon has done a particularly good job of pacing the matches on these internet shows to really draw in the virtual viewers and keep them engaged. Everyone’s putting in top notch effort and it shows.

Towards the end Uno gets some nice nearfalls on Tsukka to shine a bit before eventually being defeated with the Venus Shoot.

3) IW19 Tournament A Block: Tsukushi vs Mochi Miyagi

It’s mentioned that Tsukushi is coming up on her ten year anniversary in wrestling. Nice to be back to acknowledging her original debut.

So like the opener this is a match between wrestlers of similar experience levels. Although Tsukushi is the more decorated wrestler in terms of title runs, etc including being a former IW19 champion. Mochi is just returned from an injury absence and looking fully back to normal.

There’s a bit of brawling outside ring to illustrate the 19 count (which is unusual as Ice Ribbon matches are generally no-countout). Tsukushi sends Mochi at the wall with such force Mochi’s foot goes right through it when she blocks herself from crashing into it.

A couple of in-ring highlights saw Mochi dropping Tsukushi across the top rope from torture rack position in a vicious looking moment, and Tsukushi absolutely wiping Mochi out with thing like her against the ropes dropkick and corner hanging doublestomp. The nearfalls at the end had a real sense of urgency, including Mochi kicking out of the Denden Mushi and countering a Harukaze attempt for 2.999.

One of the best singles matches I’ve seen from Mochi and an excellent main event to cap off the first IW19 tournament show. Tsukushi wins with a second Harukaze to advance.

Tsukushi has no intention of waiting to be crowned champion, and shows off a cardboard version of the belt she’s sure she’ll be wearing soon.

——-

Another fantastic show from Ice Ribbon under the current difficult circumstances. The consistency of these shows and everything that goes into them is impressive and greatly appreciated.

If anyone is interested in / able to support the production of these shows (which with no crowd have no income from ticket sales) YouTube superchat and Nico Nico chat present system are available during the live streams, and Ice Ribbon has a Nico Nico subscription channel with a large library of older shows.

Note: The replays of the live stream of these shows are only available for free on YouTube for a short period. But they’re then replaced with the enhanced, multi-camera version through the first match with the full show available via subscription to their Nico Nico Channel. There have been some complaints about the frame rate during the live broadcasts (although it hasn’t been that bad for me personally) but to my knowledge the later uploaded versions have no such issues.

ChocoPro 7 Live Stream Thoughts

April 25, 2020 in Tokyo, Japan

Choco Pro is a new effort from Gatoh Move’s Emi Sakura and DDT’s Antonio Honda to bring live wrestling from Ichigaya to fans all over the world. 

The shows are streamed live from Ichigaya Chocolate Square with no crowd. As I like to mention to start my Gatoh Move reviews, the Ichigaya events are held in a small room with no ring. The edge of the mat and the wall are essentially the “rope break” point for submissions, but do not interrupt pinfall attempts.

With no crowd the two large sliding windows on one wall which are left in, but opened as needed for some unique high risk maneuvers performed from the windowsill.

Big singles match in the main event topping a strong card all around.

ChocoPro 7

As usual Akki is helping with translation, as well as sharing camera duties with Honda. Yuna and Mei split referee duties.

1) Mei Suruga vs Antonio Honda

Rematch from ChocoPro 4, and we’re “warned” with such a small roster we’ll potentially be seeing lot of rematches. Totally fine with me, and it’ll be interesting to see how they keep things fresh from match to match..

Honda won that prior encounter, although Mei has a victory over him in Gatoh Move in their 500 Count match. In a bit of a surprise we don’t have normal apple-themed Mei, but Lettuce Mei the Vegetable Girl in a light green costume.

Standard in-every-match Honda spots to start, but nice variety later with a lot of gags and spots revolving around Mei’s cape including a bull fighting bit, Honda putting it on as a skirt and pantomiming Marilyn Monroe, and the cape taking the place of the banana peel in Honda’s recurring unfortunate experiences slipping out of the windowsill. Yuna proves to be a very passive referee largely letting them do whatever they want with minimal token protests.

In the end Honda reverses a rollup for another victory to keep his undefeated streak intact. This was fine, with some nice variations among the usual Honda formula.

2) Yuna Mizumori vs Baliyan Akki

Yuna gets in the window behind Akki as he makes his pre-match comments and nails a dropkick from there for a hot open. From there they’re just throwing themselves at each other with high speed, high impact moves and it’s fantastic.

There were a lot of great little touches throughout. At one point Akki does his wall hang into a body press when Yuna tries the Papaya, Mango, Coconut headbutt in a great counter, then tries his own variation (Katsu! Pineapple! Curry!) to about as much success as Yuna had. Later Yuna tries to make him Yahho but he forces her into a Namaste pose instead.

The counters and pace got crazy towards the end, and Akki ties Yuna up completely and she has to submit to what Honda dubs the Namaste clutch. Excellent match.

Like Yuna Mei’s proving to be a rather overly-tolerant and uninvolved ref, but their reactions to what’s happening around them more than makes up for it. 😉

3) Emi Sakura vs Ryo Muznami 

First time singles match between two Joshi wrestlers who have worked in AEW. Sakura has an AEW logo in the corner of the ChocoPro banner and is generally trying to do everything she can to promote them while she can’t travel over to wrestle here in the US.

I’m a long time fan of Mizunami from seeing her in Shimmer and her Avid Rival tag team with the retired Misaki Ohata so was extremely excited when she started wrestling for Gtoh Move and ChocoPro. She fits in so well and the potential for great matchups like this one is limitless.

This was an absolute treat as two masters fought tooth and nail. Elevating things even further were several close ups and extreme camera angles, epitomized by knocking Honda over at one point and brawling directly above the camera.

I was cringing at their chop exchange, and poor Sakura had visible welts around her neck post match. Such is the price of victory however, as Emi wins with La Magistral in a bit of a surprise.

Post-show sees the newly named AEW Dark Chocolate Rock-Paper-Scissors Tournament! Honda powers through this one with mind games and in the finals he avenges his loss last time to Yuna when she tells the truth about what she’ll throw and Honda wins the chocolate. For insult to injury, Honda teases giving it to Yuna then eats it. An annoyed Emi (who Honda beat in the semis) declares it’s no longer allowed to announce what you’ll throw in future tournaments. Janken is so intense.

ChocoPro 8 is announced for April 29 back at their normal times. It’ll be a celebration of Obi’s 10th Anniversary and she’ll face Honda in the main event.

——-

As I like to reiterate I’m beyond grateful to Sakura and the rest of Gatoh Move/ChocoPro for doing so much to provide good natured content aimed at connecting people in this time of isolation and bringing smiles to everyones faces. It’s much needed and appreciated. Visit Gatoh Move’s YouTube channel to check it all out, including the replay of this show.

Another great offering from ChocoPro. The main event in particular is must-see.

ChocoPro 6 Live Thoughts

April 20, 2020 in Tokyo, Japan

OBI’S BACK!!!

Choco Pro is a new effort from Gatoh Move’s Emi Sakura and DDT’s Antonio Honda to bring live wrestling from Ichigaya’s unique environment to fans all over the world. 

The shows are streamed live from Ichigaya Chocolate Square with no crowd. As I like to mention to start my Gatoh Move reviews, the Ichigaya events are held in a small room with no ring. The edge of the mat and the wall are essentially the “rope break” point for submissions, but do not interrupt pinfall attempts.

With no crowd the two large sliding windows on one wall which are left in, but opened as needed for some unique high risk maneuvers performed from the windowsill.

Before going further I’d like to spotlight an incredible fan made video by CheeZeFX that really highlights all the fantastic aspects of Gatoh Move and ChocoPro I keep rambling on about. Check it out here!

ChocoPro 6

As usual Baliyan Akki is helping with translation, as well as sharing camera duties with Honda. Sakura usually referees, except her own matches when someone else on the card steps in.

1) Sayaka Obihiro vs Antonio Honda

Really great to see Obi wrestle again after being out injured for six months, and fitting that she returns against an old rival of sorts in Antonio Honda.

Although I have to admit I am personally at a bit of a loss when it comes to Honda’s ChocoPro singles matches. 75% or so of every one of them is all the same spots and jokes with minor variations. I understand all the reasons for it. Building humor based on subverting expectations requires a degree of repetitiveness to establish the expectations in the first place. It just doesn’t have much impact or interest for me when most of the bits involved are nonsensical and disjointed. Most of it feels like being silly for sillinesses sake with nothing connecting it all, and I tire of it quickly.

Some of the little things he does are inspired, and there are always a few high points in each match I really enjoy. Here they included things like Honda exclaiming “I’m ruined!” when Obi blocks his T-strike only to calmly strike her with his other hand and their dueling Gongitsunes in slow motion. His opponents’ reactions to his antics can also be a treat, and whenever the action actually picks up it tends to be great.

But it’s really not enough to keep me engaged while waiting through the majority of the match for these moments. I often talk about how ChocoPro has something for everyone, but the flip side is that some things won’t be to any individual person’s tastes, and show by show it’s becoming clear Honda’s current formula is not for me.

So instead of rehashing the same things I don’t care for every time I wanted to mention this in context and going forward I’ll focus more about how these matches relate to each other. One match one this type should generally be enough to judge how much you’ll enjoy the others. If something significant changes in the approach then I’ll likewise adjust how I talk about the matches.

This one was pretty standard, and Honda eventually wins with a rollup to continue to be undefeated in ChocoPro.

Afterwards a frustrated Obi demands a rematch, and after some convincing Sakura agrees to it whenever Obi comes next.

2) Yuna Mizumori vs Tokiko Kirihara

This is Tokiko’s first match in ChocoPro, and she starts off with quite the memorable moment by attacking during Yuna’s Tropical Yahho pose and slamming Yuna into the camera in a fantastic visual. Again it’s things like truly this creatively taking advantage of the no audience format that makes ChocoPro particularly unique and special.

This was a really solid, exciting and enjoyable match that was the perfect pace and length given the participants. Tokiko looked sharp, and Yuna’s totally been on fire lately. Yuna hits her wall launch splash to win a hard fought, fun contest.

3) Baliyan Akki vs Mei Suruga 

Interesting framing here as they push the idea of this being a battle between two possibilities for face/ace of ChocoPro. I understand given how central both are, the main events they been in, etc. On the other hand it’s a bit odd angle to take as Akki came into this without a single win in ChocoPro. However the match itself makes quite the case that these two are in fact prime choices for that distinction.

This was an incredible, fast paced main event with a lot of creativity. The theme of one-upmanship was prevalent throughout and done so well.

Things like Akki doing Mei’s off the windowsill armdrag and Mei countering with a cartwheel, only to have Akki respond in kind when Mei hit the armdrag herself were pitch perfect.

Akki used some wonderfully inventive, really painful looking submissions. Mei responded by trying a Figure 4, which she couldn’t quite lock in due to the disparity in length of their legs. Referee Sakura “helped” Mei apply it by pulling her leg into position over Akki’s, but Akki’s leg are so long Mei screams in pain herself as this is done so Emi undoes it and Mei goes on with her variation.

Later on in one of the funniest moments I’ve seen Mei tries to do Akki’s counter across the wall grabbing at opposite windowsills but she’s too small so she splats against the wall and then the floor and gets SO ANGRY. Then Akki “helps” put her into position and ends up stranding her on the wall as she can barely reach and can’t get down once put there. So he takes the opportunity to taunt her by doing her own face in hands pose behind her back.

These are just a few of the awesome moments in this excellent match. Definitely one of the (many) highlights of ChocoPro so far.

In the end Akki gets the better of an extended rollup and reversal sequence for his first non-janken win in ChocoPro.

Afterwards it’s time for A Chocolate Bit of Happiness Rock-Paper-Scissors Tourney 4!

These are a really fun way to wrap up. Sakura’s participating so there’s one bye in round 1, which goes to Yuna. Both Akki and Honda again defeat their opponents from earlier in the show and Sakura continues to deny Tokiko her first ChocoPro win leading to Yuna vs Honda and Akki vs Emi in the semis.

Yuna amusingly beats Honda when Honda’s mindgames backfire as he truthfully tells her what he’s going to throw and she simply counters.

Sakura, clearly with the advantage after not wrestling this time around continues her roll and makes short work of both Akki and Yuna to win her second Chocolate Bit of Happiness tournament. The AEW superstar glefully enjoys her chocolate as Akki asks the gods why they would do this.

Post show they have ChocoTalk with Emi and Obi talking about their past internet wrestling experience with 19 O’Clock Wrestling.

——-

As I like to reiterate I’m really grateful for Sakura and the rest of Gatoh Move/ChocoPro to be doing so much to provide good natured content aimed connecting people in this time of isolation and bringing smiles to everyones faces. It’s much needed and appreciated. 

Another top notch effort and show in a series of them. Watch the replay of here.  ChocoPro is just plain fun.

In another greatly appreciated gesture ChocoPro 7 will be on at a special time to be a little more accessible to foreign viewers: April 24th 9pm EDT (April 25th 10am Japan time). This is in addition to all the watch parties and other fantastic content they provide every day at 8pm Japan time. Visit Gatoh Move’s YouTube channel to check it all out.

Kieli Volume 2: White Wake on the Sand Light Novel Review

Kieli is an isolated girl in a world where everything is controlled by the Church of a God she doesn’t believe in. Driving and complicating her views and life is her odd ability to see ghosts. However her world expands rapidly after she meets Harvey, one of the legendary Undying. Perfect soldiers from the last great war made from lost technology, Harvey and his ilk are of no further use to Church or State and continually hunted. Tagging along with Harvey’s travels, Kieli finds their next destination is across the great ocean…

White Wake on the Sand is a complete story, and the opening illustrated color pages do a phenomenal job of summarizing previous events and key concepts. However this series is extremely character driven, and experiencing the nuances of their interactions adds significant depth to everything. I’d highly recommend starting with volume 1 (The Dead Sleep in the Wilderness).

The Dead Sleep in the Wilderness was an excellent, melancholy story about two complex, compelling leads in a fascinating world. White Wake on the Sand capitalizes wonderfully on the strong start and is just as powerful and captivating. The atmosphere gets creepier and more intense here, something that I can see continuing in later books. New characters and story threads are integrated seamlessly and enhance the book without overwhelming the reader.

The author has an incredibly deft touch with rationing little details and playing with expectations. It allows for tremendous world building that’s vivid and evocative while also being gradual and unobtrusive most of the time. The imagination on display in the particular’s of the environment and social structure and the subtle way it’s all conveyed to the reader without disrupting the narrative is just amazing.

I also adore the way the ghost story aspects are handled in this series. Important themes are touched on and the particulars of the ghost encounters always matter to both character and plot development. Another nice touch is how Kieli’s confusion of ghosts and real people is sometimes used to both progress the plot and heighten suspense. 

The Kieli series continues to find unique ways to explore heavy, melancholy themes in stories that are also extremely entertaining and engaging. Highly recommended.