December 7 & 14, 2019 in Tokyo, Japan
As I’ve mentioned before, in a wonderful move to grow their visibility Gatoh Move has been uploading a significant number of matches with English play-by-play on their YouTube channel. Some of the matches I’ll be discussing here are impressively already up, and in such cases I’ll add a hyperlink to it in the match title (also, the 6-person tag from 12/7 is up on DDT’s subscription service).
As I like to explain to start my Gatoh Move reviews, the Ichigaya events are held in a small room with no ring and two large windows on one wall which are removed for the shows. The crowd itself is effectively the “rope break” marker and the wrestlers will sometimes use the front row to bounce off of for “running the ropes” and the windowsills to jump off of for high risk maneuvers. The limitations of the venue restrict the action in ways compared to “normal” matches, but also provide opportunities for creative variations on standard wrestling elements.
Pictures are not allowed during the show but can be taken afterward, so my pics here won’t contain anything from the matches and will only be of the roundtable and dancing following the shows (as well as of some souvenirs).
Yaso was involved in one of my favorite intergender matches of all time, a no-rope contest against Gatoh Move’s former ace Riho at Basara’s 12/28/17 show, and has faced Lulu before.
The story here was Lulu drawing inspiration from Emi Sakura and wanting to make use of certain counters she’d learned/copied… so she kept setting herself up for moves and holds. A confused and tentative Yasu didn’t know what to make of it, and kept putting on the “wrong” move, repeatedly preventing her plans from working.
It all eventually builds to a persistent Lulu finally executing one successfully into a rollup, but not having the power or weight to prevent Yasu from reversing into his own pin for the win.
This was different and silly in a way that enhanced the story told, and a breath of fresh air in a lot of ways. Lulu’s gimmick of being a pro-wrestler who’s too weak and awkward to be pro-wrestler is rather genius in the way it’s being executed, and makes her a natural and easy to cheer for underdog. Perhaps most importantly, the comedy and weirdness of her matches still relate to the idea of her trying to win, and it all compliments a wisely chosen remaining card consisting of more competitive/serious matches.
2) Cho-un Shiryu vs Chris Panzer
Chris is his home promotion PWR (Phillipine Wrestling Revolution)’s Champion, and this is his first appearance in Gatoh Move.
Once they got going Cho-un heeled it up to provide the match’s backbone, and they had a really good, fast paced and hard hitting encounter. Chris prevailed in a strong Gatoh debut. Would love to see him back sometime.
3) Calamari Druken Kings (Chris Brookes & Masahiro Takanashi) & Rin Rin vs Mei Suruga, Saki, & Sayaka
I’ve been dying to see Brookes in Ichigaya, and as expected it was a lot of fun. His building feud with Mei is awesome, and the two have a ton of chemistry in the little things they do to egg each other on.
Rin Rin looked great and totally at ease, and the play off of what happened last time she teamed with CDK was highly amusing. She had gotten on Chris’ shoulder for a double team, and when he stood up her head banged on the ceiling. So this time when he and Takanashi tried to put her on Chris’ shoulder she freaked out, fought her way down and slapped them upside the head in admonishment. Awesome.
I have yet to see a trios match at Ichigaya that I didn’t love, and this certainly continued the streak. Innovative and fun, with the Gatoh regulars showing their usual mastery and the new faces fitting in well (in addition to Chris and Rin Rin this was also my first time seeing Sayaka since her Gatoh debut). Mei pinned Rin Rin to give her team the victory.
Side note: I need to see MUCH more of Rin Rin & CDK as a trio.
This was incredibly fun, with lots of the little cool little touches Gatoh Move does so well to elevate each match and fully drawn the audience in.
Sayaka & Tokiko kind of kept outsmarting Sakura & Takanashi at times to stay in the match until the veterans’ experience got the better of them. Again, the rookies played their part really well and put on performances beyond their limited experience. Strong opener.
Lulu’s freelance writer name is Yamada, so it was explained that a battle of Yamadas (in a building where the landlord’s name was also Yamada). Everyone was encouraged to constantly chant for Yamada.
Every match Lulu gets a few more small successes and moral victories. When she’s eventually able to put it all together, perform more moves than not without hurting herself, and pick up a win the crowd is going to erupt. Until then this was another fun little chapter in one of the most unique and relatable acts in wrestling.
Taro’s taking/selling of Lulu’s rollup into the wall was particular impactful and got a huge pop as it felt like a real advantage for everyone’s favorite underdog writer. As is becoming a theme in this write up all the little details were really well done here.
3) Hagane Shinno & Mitsuru Konno vs Mei Suruga & Yuna Mizomori
Yuna had handed out a few denden daikos in celebration of Tawara! 2’s DVD release and encouraged their use to cheer her during the match. Mitsuru looked offended by their their mere existence, which was a great bit of character work.
Hagane’s another Gatoh mainstay guest that really knows how to make the most of the environment. There were so many great counter variations and near falls in this one, really building the drama and captivating the crowd. This was an incredible little tag team match and a real testament to the skill of all involved and the potential of the Ichigaya environment.
With Mei vs Mitsuru main eventing the impending show at Shin-kiba, Mei’s pinfall victory over Mitsuru here gives her all the momentum.
Gatoh Move has a really good grasp of how to vary things enough to keep it all interesting while always capturing the aspects that draw people to their shows in the first place. These were two excellent efforts, and the general quality and enjoyment level of seeing Gatoh live never ceases to amaze me.