May 5, 2020 in Tokyo, Japan
ChocoPro is a new effort from Gatoh Move’s Emi Sakura and DDT’s Antonio Honda to bring live wrestling from Ichigaya to fans all over the world.
This is a special show, even among ChocoPro’s usual unique atmosphere with no ring and no crowd in the small confines of Ichigaya Chocolate square. There will be only one match, no referee, and no rules. The only way to win is to have your opponent fail to get up by a count of 10.
LAST MAN STANDING MATCH: Yuna Mizumori vs Minoru Fujita
Baliyan Akki is acting as cameraman and providing commentary (as well as doing the 10 counts), and is the only person besides the participants at the venue.
He’s alone as the feed starts and sets the stage for the match, summarizing the long, emotionally charged talk the day before between Emi Sakura and Yuna where Sakura really pushed Yuna about her insecurities, both regarding wrestling and her other career as an idol.
“Somehow she’s winning and still feels like she’s losing.”
I love that Akki made sure to highlight Yuna’s accomplishments and point out that she’s overachieving despite her lack of self confidence. She is the only Gatoh Move roster member with three years experience or less to hold any title (and that covers 80% of the roster), and her TWO tag team title reigns with partner Saki encompass over half of her two year career thus far. It does feel like Yuna’s accomplishments get a little overlooked sometimes compared with her compatriots, and her opening up about her insecurities in such a real way put this match in a new light (and was a bit heartbreaking).
So going into this huge match with a wild stipulation against a bigger, vastly more experienced opponent, a picture is clearly painted of wrestler who is better than she thinks she is, too hard on herself, and desperate to prove something.
The intensity is high right away with energetic chain / submission based wrestling. They’re really cranking holds and fighting over every inch trying to get the advantage.
Submissions can’t end the match here, which Akki reminds Yuna when she instinctively calls for her opponent to give up at one point, but they’re using these holds to try to control / wear down each other and it’s being excellently done and actually fits really well with the type of match.
Yuna dropped the shutters over the door to lock them in before the match started … but Fujita goes out the window as Yuna whips him with an exercise rope and they brawl in the alley. Akki’s still inside with the camera and seeing things through / against the windows for a little bit is pretty awesome. They come fight back in over the windowsill shortly and relock the windows.
As the match goes on Yuna wisely focuses on immobilization, doing things like tying Fujita’s legs, putting a pool ring around him, and splashing him while he’s trapped underneath the ring mat. She even turns the Christmas tinsel still decorating Chocolate Square into a weapon at one point, and the milage everyone is getting out of using the basketball Chris Brookes gave Mei Suruga during matches is impressive.
Fujita of course gives as good as he gets and uses his size and striking power advantage to turn the tide whenever Yuna starts to gain momentum. There’s really great, creative use of the environment while keeping things brawl/wrestling based at every turn here.
Eventually Fujita hits the Sayonara Piledriver and Yuna is down for 10.
Simply incredible. This had escalating pace and flow, solid story undercurrents, and of course great action. There were weapons involved as appropriate for this type of match, but perhaps not as much as might have been expected. That was 100% to the match’s benefit. It meant when used they were well integrated, never overwhelmed the story and let the straight up intense, creative wrestling the two were doing shine.
An INTENSE post show talk continues to examine Yuna’s insecurities, and Fujita is brilliant here as he alternates a bit between antagonizing Yuna and being sympathetic / giving her advice. He talks about being in wrestling for 23 years and how he can relate to frustration, but points out the high level she’s at with only two years experience. He says if she were a baby she’d just be standing at two years, and she shouldn’t be so frustrated so early.
He says they have one more fight, and brings out a piece of paper with a single match bracket on it and a KitKat! He tells her to get up and the traditional post-show Chocolate Bit of Happiness Rock-Paper-Scissors tournament is on!
After to two increasingly tense ties … poor Yuna loses again. She is SO ANGRY and dejected as Fujita enjoys the KitKat, and even more so as he starts singing the traditional end song (but can’t help herself from joining in eventually).
But even in the face of Yuna’s anger Fujita says we’re not done yet… and after praising Yuna and pondering why they had to be the ones to go through this emotional journey at Sakura’s pushing challenges Emi Sakura to find a partner to face him and Yunamon as a TEAM. I adore the way all of this was done so much.
In the stream comments Sakura makes a SuperChat donation to her own company to announce she accepts and on May 9 it’ll be Yunamon & Fujita vs Sakura & Akki.
Fujita leaves and Yuna echoes what he said: “why was it only me that had to show my emotions?” She’ll express her grievances to Sakura on May 9. My word this is going to be fantastic.
Golden Week is a huge time for wrestling in Japan, and to be honest one particularly disappointing parts of quarantine is knowing I’d be there watching shows now if not for the pandemic. I can’t express how much I appreciate all the effort my favorite promotions are putting into providing content for everyone to enjoy during this tough time (while taking precautions to be safe themselves).
This show was incredible from start to finish, including all the buildup and heart wrenching context to the interviews as well of course as the excellent match itself. Must watch.
Visit Gatoh Move’s YouTube channel to check out all of ChocoPro’s content, including the replay of this show. Everything they are doing goes up for free under Sakura’s “No Pay Wall” initiative, so if you do enjoy and are able / would like to support please see their patreon.