Category: Comics

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Art Cards Comics Japan Music Reviews Wrestling

Ten Years of Meandering Musings

Seems to be tradition at this point that when I manage to do retrospectives for the blog I’m at least a month past the actual anniversary (actually a full two this go round). My sense of time certainly is off kilter nowadays and summer simply blurred by.

And with the pandemic upending the world and me being largely on hiatus for a few years it’s been a while since I did one of these. But better late than never, and my tiny little corner of the internet somehow got to a decade old this past July.

Overview

It’s been four years since my last blog retrospective, which was post #682 at the time. This is post #728 (I’ve deleted exactly 2 entries ever, so my total number of posts written since last time is 48). Under 50 posts in 4 years is on the low side to my previous output, but there was practically nothing from 2021-23, so not too bad overall for my slow and struggling return over the last year and a half.

I did not make 700 posts by end of 2021 as I hoped to. In fact I didn’t write anything else in 2021 after the retrospective, had only 3 entries in 2022, and nothing in 2023. My chronic illnesses and others things have impacted my life in big ways. But this blog is a passion project of mine, I enjoy being able to share my thoughts on my hobbies, and I’m glad to be back, sporadic as it’s been.

Those 3 posts in 2022 were fairly significant at least, featuring Reika Saiki’s retirement, Yuna Mizumori leaving Gatoh Move, and a light reference article about exhibition matches in joshi wrestling and the unique environment of Ichigaya Chocolate Square.

In early 2024 I was preparing to return to the blog with another retirement piece and some art related content. Instead those came later and my first post in a year and a half was an emotional farewell to one of my favorite wrestlers who unexpectedly passed away extremely young. I had the privilege of attending Asahi’s debut match in person, and was a big fan of the effort and emotion she poured into her wrestling. She is greatly missed.
Rest in peace, Sunrise of Hope.

 

Specific Post Details

Looking back in aggregate there was a lot of variety in my posts and there’s a lot to cover in terms of stuff I’d like to highlight. Writing was often a struggle during this time period and it’s nice to be happy with the results of that effort.

While the genres covered are largely the same through the life of Derailments of Thought, the specific manifestations have morphed a bit. With my health limitations in a post pandemic world I’m not able to go out nearly as much as I used to, and I can’t really travel at all. So my Japan trips and the live event coverage that resulted will remain a thing of the past for the foreseeable future.

I was lucky enough to manage a few local events across the last couple years though, including a fantastic NXT Roadblock at MSG and some concerts of the incredibly fun Atarashii Gakko. I also made it to one film of Japan Cuts 2024. Japan Society’s annual film festival was something I attended heavily in the past and was a big part of the early years of this blog, so it was cool to be back in some fashion and share thoughts on Great Absence.

As in the past some of the most special and personal posts are wrestler specific pieces that are usually about retirements, major career changes, or in a few unfortunate cases memorials. Several of my favorites have retired recently, and there are more announced to come.

These are all new posts since last time’s retrospective. Please see that post for links to a great many prior entries of these types.

In addition, I wrote a special spotlight early this year about the joy wrestling can bring in general with particular focus on ChocoPro’s newest and youngest member, Kaho Hiromi.

Retirements:
Reika Saiki 
Sayuri 
Hikari Noa 
Arisa Nakajima 
Sayuri Namba 
Meiko Satomura 

Career changes:
Yuna Mizumori leaves Gatoh Move 

In Memoriam:
Eternal Sunrise 

Other:
Joy in Pro-Wrestling and Kaho Hiromi 

Other wrestling content I’ve done recently focused mainly on match spotlights, ranging from unusual and/or potentially overlooked matches to stuff I wanted to revisit or just caught my eye.

The unique Tokyo Game Show matches that happened in 2022 as part of promotional hype for AEW’s video game had never been aired until they were added to Wrestle Universe late last year. These included several once ever matchups featuring favorites of mine crossing paths so were a real treat to finally get to see.

In the last couple months I’ve looked back on some matches wrestlers currently performing in the US had in Ice Ribbon way back when, including Giulia, Stephanie Vaquer, and Asuka. They feature Giulia’s biggest match ever in the promotion she started in, a contentious match of hers against fellow rookie Asahi, Vaquer’s first match in Ice Ribbon as well as her facing one of the company’s rising stars, and a hidden gem of a match with veteran Kana against fiery rookie Yuuka. Was really cool to look back on all of these.

Another big part of the blog lately has been focused on the collecting side of things. I did card spotlights on BBM’s 2024 and 2025 Women’s Wrestling card sets, as well as features on specific types of unusual cards like printing plates, other metal cards, comic cuts, and minis.

Some of the posts I’m happiest about sharing featured several incredible artists from whom I have a wonderful collection of cards and other art. They include Miki Okazaki, Ice Ribbon’s Yappy, Lydi Li, and Veronica O’Connell.

In an effort to avoid mentioning and linking to every single post I did in the last couple years I’m going to gloss over the occasional book/movie/game reviews I did, but they remain an important part of the blog and I got to read/see/play some really cool stuff.

Lastly, one of my all time favorite writers passed away in May after a long battle with health issues. Peter David’s work shaped a ton of my views on what comics and novels could be.
Rest In Peace, Writer of Stuff.

Top Posts

Going to approach this part a little different this time, primarily because the top 4 posts are exactly the same as last time, and going nowhere. They all had over 1,200 views then (plus a proportionate handful each since), which is dominant for my meager ramblings that have about 20 regular readers.

On that note, a copied reminder from my last couple retrospective posts regarding my most viewed posts:

“Derailments of Thought is 100% a personal hobby blog, and my little corner of the web is generally pretty modest in terms of views. More than half of my posts garner under 20, and the “highly viewed” posts generally end up with a few hundred. This is fine, and I greatly appreciate everyone who takes the time to read. I’m pointing it out for context for the extent in which a couple of my pieces have deviated from the norm. I’m sharing this short list because I find the mix of subjects and other little details interesting.”

So #1-4 in order remain
Japan Cuts 2017: Mumon: The Land of Stealth  
Japan Cuts 2019: Samurai Shifters
Raven’s of Thri Sahashri Beginner’s Guide 
A Ray of Light Gone Too Soon 

Since last time only 2 posts have overtaken the 587 views 5th place’s Tokyo Joshi Pro 1/4/16 Live Thoughts had then, so I’m going to spotlight them specifically in lieu of rehashing thoughts on the above. Please see last time for more details on those posts.

One last note: my blog homepage itself gets a much larger percentage of the views than it used to, so all of this is highly approximate as there are no counts of what specific posts people read off that or tagged sections. I imagine my artist features are a bit undercounted as I get decent interest for those as I post about them on Instagram, where there’s no direct link to the individual post just a general blog link in my bio.

The TJPW 1/4/16 show is now at 813 views, which would place it 6th now if this was still list format.

Yoshiko 686 views:
The first new addition that caught on isn’t actually a new post since last time. It has been published just a few months before and mentioned in that retrospective and was steadily climbing in views. It’s a look back on one of joshi wrestling’s most infamous incidents after several years had passed and presented my thoughts on important context that I felt needed to be considered when looking back on it.

Farewell to the Muscle Idol: Reika Saiki’s Retirement 999 views:
The other is amusingly being mentioned and linked to for the third time within this post. The Muscle Idol, Reika Saiki, was incredibly popular as a wrestler, an idol, and in her “muscle” related work and remains so even after retiring from it all. Not surprised this one piques people’s interest, and am glad to share my memories of her career.
(Side note: that ridiculously precise view count is legit as of time of writing and was not fudged in any way.)

——-

Asahi PSC by Veronica O’Connell

So that’s a decade down. Wild how time flies.

Thank you to anyone who took some time to read through this retrospective, and I hope you found at least a post or two of interest to check out. I currently can’t guarantee any sort of update schedule, but I have stuff in the works and intend to keep at this as I’m able.

In the not too distant future I’m hoping to do more collecting and/or artist spotlights, as well as maybe continuing with more match features on interesting little moments from the past. There are a TON of recent and upcoming retirements so I’m playing around with a new format to share a few key memories of several wrestlers in one post. We’ll see if that pans out. And of course occasional book/movie/game reviews and other randomness will be sprinkled in.

Here’s to another ten years or so.

Again I’m extremely thankful for everyone who’s read, shared, and or commented on things I’ve written. Doing so is much appreciated, and often needed, support.

If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.

Categories
Art Cards Comics

Tiny Treasures: Mini and Chibi Cards

Unlike more unusual fare I’ve previously featured like metal cards and comic cuts, minis are one of the most straightforward subsets of trading cards. They’re simply cards that are smaller than the standard 2.5 x 3.5 inch (6.4 x 8.9 cm) size.

For clarity, this spotlight is about small cards with a traditional rectangular shape (although the ratio of the sides can vary). Die Cut cards that can end up smaller due to odd shapes and/or pieces of a standard card being cut away are a different matter that will likely get their own entry in the future.

Sometimes a mini subset will literally be a smaller version of another card in the set (often a base card). Just an unusual variant for collectors to chase. The numbered minis from Fleer Ultra Wolverine, for example, were 2″ x 2.75″ versions of certain base cards.

Other mini subsets are unique, with art not otherwise used in the set.

In Upper Deck’s Marvel Anime sets there were both “minis” and “chibis” subsets of tiny 1.5″ x 2.625″ cards. Minis focused on certain teams of heroes or storyline events and were grouped by theme.

Chibi translates literally as small, but is used colloquially as slang affectionately describing small and/or cute things. As an art style it’s also called super deformed and is characterized by large heads, small bodies, and exaggerated features within simplified designs. The chibis subsets featured chibi versions of popular Marvel characters.

These types of minis/chibis (and similar variations in other sets) were usually released in a card within a card format. A standard sized card with a perforated section on the back is what’s actually inserted into packs. The perforated section tears away to reveal the randomized mini within. These minis are often categorized and randomized within a themed capsule card, such as by team, comic storyline, etc.

As I’ve written about before, printing plates are thin metal sheets used in the printing process of the card they correspond to. Printing plates for the minis subsets of Upper Deck’s Marvel Anime 2 were available as ePack achievements (prizes for completing certain trading/collecting goals within Upper Deck’s online platform). They’re really unique and interesting pieces of the set.

One of the more inspired uses of mini cards in comic related trading card sets recreate comic corner boxes. In the past these boxes appeared in the upper left corner of comic books with Marvel’s logo, character art, and issue information.

They severed as a quick identifier of the Marvel brand and key characters featured in the comic to catch the eye of potential buyers on crowded newsstand shelves and racks.

These corner box cards measure 1″ x 2.5″ and contained card set information around a replicated corner box from key past issues.

Size comparison to a standard sized trading card.

That about does it for this look at trading cards’ smaller siblings. Best of luck with wherever your personal collecting tendencies take you.

Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts will hopefully be on the way soon.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Art Cards Comics

Clipping Memories: Comic Cut Cards

Comic card collecting is normally another format to view and appreciate images of comic book characters. Art can be original for the card set or reproduced from associated comics and can be shown on a variety of materials, but cards are usually a step removed from the inspiring items. However there are types of cards that directly tied to the original material in a physical sense: comic cuts.

Comic Clippings / Comic Cuts are exactly what they sound like. Some portion of actual printed comics cut out and put into a card. The cardstock has an opening on the front side to frame/show the clipping.

Clippings used to this are most often a single panel that can be spotlighted on the small surface of the standard 2.5 x 3.5 inch size for trading cards.

Comic cuts can be controversial, as some collectors don’t see the point of them and/or object to comics being cut apart to make them. I’m not going to wade into a debate of the merits. I personally like them as unique and unusual chase insert subsets.

Like many other collectors of this type of insert, I concentrate on collecting cuts of favorite characters and storylines. Infinity Gauntlet, which I read as it came out when it was originally published in 1991, remains one of my favorite comic stories of all time. It contains the broad strokes storyline that was the basis for Thanos’ role in the MCU. A good chunk of my comic cut card collection feature panels from that six issue series, with special focus on Thanos himself, Lady Death, and Nebula’s brief time with the gauntlet.

Other cuts I’ve sought out relate to specific favorites, including Emma Frost, Psylocke, and a host of other X-Men characters.

I adore cuts of characters that visually stand out. In particular the Spider-Man related cuts in my collection tend to focus on black suit Spidey and Venom. The design is striking and looks great spotlighted in this format. A couple of these cuts come from another classic, favorite storyline of mine, Kraven’s Last Hunt.

One of the cooler variations of comic cuts feature autographs of creators of the comic issue the cut is from. These can be from the artist of the shown panel, but also the writer or editor of the issue.

Occasional, rare dual signature cards are signed by writer/artist or writer/editor pairs. I have several with signatures by Jim Starlin, many on Infinity Gauntlet panels and a couple duals from Warlock with editor Marvel Wolfman, as well as some by legendary X-Men writer Chris Claremont.

These cuts feature smaller clippings, as the border surrounding the cut needs to leave room for the autograph. Autos are typically done via sticker rather than directly on card for these likely for both space and production reasons.

Perhaps even more so than regular cards a comic cut’s desirability varies wildly from person to person due to a variety of factors. Personal taste is of course foremost, with individual meaning to stories and characters as discussed above often having even more significance than normal due to these containing actual pieces of the comics.

But there are numerous other considerations as well that don’t apply to other inserts. Cuts from issues that are rare or particularly significant can become more sought after. The condition of clipping is important, as older comics paper quality can have declined and the printed image san fade. Printing mistakes, imprints, or other imperfections can also affect perceived value.

One of the most interesting aspects that’s largely unique to cuts is how well the panel stands on its own. Uncluttered images and poses of popular characters tend to work best as opposed to half cut off panels overrun with text bubbles.

That said some collectors don’t mind mid-story text heavy cuts, and in certain cases a bit of context via speech bubbles or captions can more strongly tie back to the comic the cut was taken from.

Card design varies from set to set, which affects the shape and size of the opening and amount of border that will be surrounding it. This will impact how the cut looks and feels, as panels are very rarely going to measure the exact same as the display opening. As mentioned above pieces of other panels encroaching on the featured image can be less than ideal.

On the other hand cuts forced into displays smaller than the panel can sometimes provide a more dramatic focus on the subject. And so on. These are highly individualized collectibles that have a million little details that can determine whether any particular card speaks to a collector.

Beyond just the graphic design of the card set, there are some variations on the idea of comic cuts that make for unique implementations.

One interesting insert type is Upper Deck’s “Coinage,” in which actual coins are imbedded into the cards. For their comic related sets that had this subset they featured classic comic cuts as well, with the imbedded coin(s) equal to the cover price of the comic the clip is from when it was originally published.

Another interesting variation on the comic cut concept are cover cuts. Cover cuts feature an entire cover from a comic divided into card sized pieces, forming a multi-card “puzzle” that together show the original cover.

Cover cuts are usually only available via special redemption methods that allow multiple cards to be awarded together, such as ePack achievements, so that the collector is getting the whole cover and not just one random 16th of it. These were rewards for difficult to complete collecting tasks.

Milage on these varies, and they are even more susceptible to some of the things I’ve been discussing than normal cuts. Card borders are even more attention grabbing when they are crisscrossing a larger combined image, and can block key parts of the cover. Sometimes obscuring character’s faces, or otherwise hiding key portions of the image.

That said I personally think they look pretty great in some cases, and having a couple of them of key issues of favorite characters is one of the highlights of my collection.

I hope everyone’s enjoyed this look at a literal intersection of cards and the comics they spotlight. Best of luck with wherever your personal collecting tendencies take you.

Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts will hopefully be on the way soon.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Books Comics

Goodbye, Writer of Stuff

“There are no such things as happy endings. Never. They’re totally manufactured by fiction writers who choose to end the story on a high point.”

Peter David was self described a Writer of Stuff, and it’s really the perfect epithet. He was a mainstay in comics for decades, also a prolific writer of novels and short stories, and shared opinions of all sorts over the years in essays, blog posts, and his But I Digress column.

Peter was one of my favorite writers and I’ve read a ridiculous amount of his stuff, starting pretty early on in his career.

I was an avid comic reader when I was young, and I am one today. In between my interest and ability continue with them waned, except for Peter’s work. There was a period where his comic were pretty much all I was reading, remaining thoroughly engrossed in titles like Aquaman, Supergirl, X-Factor, and Young Justice.

While he did great work on a number of popular characters, one of the things Peter is known for was taking second string characters and making something special with the freedom such things involve.

One great example of this was his work on X-Factor, spanning three different conceptual iterations featuring different lineups of misfits over the course of years. During his first run on X-Factor, he’d write one one of the most interesting and beloved single issue stories of all time. X-Factor #87 portrayed his government sponsored X-Factor team going to mandated therapy sessions in the aftermath of an X-men crossover event. It was an unusual aspect of Earth shaking events in comics that was captivating to see explored. Peter dug deep into the characters and created an enduring, compelling tale will little more than 36 pages of characters talking to each other.

The Incredible Hulk itself, the comic Peter’s best known for, was a low selling title before he originally took it over leading to an award winning run. During that run he notably explored the concept of Hulk as an aspect of Banner’s fractured psyche, leading to his creation of the Banner Hulk combined version of Hulk that would eventually inspire MCU’s “Smart Hulk.”

One of my favorite stories of all time is David’s two part Future Imperfect from 1994, showing the Hulk faced with his own dark potential.

Echos of his work also reverberate through the stories that followed and adaptations, such as Miguel O’Hara’s appearance in Across the Spider-Verse. Peter co-created and was the primary writer of Spider-Man 2099.

Peter pushed boundaries in his work, willing to test limits of subject matter, creative direction, and format.

One of his early comic stories that groundbreaking at the time and helped establish Peter as a writer, The Death of Jean DeWolff, created waves off the bat by proclaiming its intention to kill a popular supporting character in the title of the story.

His work crossed and combined genres and styles. Sometimes his over the top humor with mountains of wordplay and puns inundated the reader. Sometimes drama and heavy topics anchored his stories. And often those elements are more combined in ways no one else would dare.

His approach and convictions sometimes led to controversy and conflict, and occasionally didn’t land in the stories themselves, but Peter always kept trying and overall things came together into an incredible catalog of writing that will endure.

Another of Peter’s strengths was fitting stories within past continuity without heavy reconning, attempts to add context and depth between existing stories. Several of his well loved Star Trek novels took this approach.

A lot of his later work also focused on this concept, including writing stories that fleshed out Spider-Man’s time unknowingly wearing the alien symbiotic costume that would later become Venom. Given Peter’s start as a comic writer was in the aftermath of the original symbiote comics (when Peter was wearing a cloth replica of the black suit), it was nice bookend to an incredible career.

Peter had been facing severe health issues for quite some time, and passed away on May 24, 2025.

Thank you for a lifetime of stories Peter. Rest in Peace.

 

Categories
Comics Film Reviews

Avengerz with a Z

SPOILER WARNING – In depth discussion of certain plot details from the Thunderbolts movie ahead. Please see my spoiler free review of it HERE instead for those who haven’t seen the movie yet.

Last chance to bail before the spoiler wall is fully breached.

With a few weeks passed since its opening and a second viewing under my belt, I wanted to revisit the Thunderbolts movie to share a few specific thoughts on its approach and execution.

Going into Thunderbolts there were a number of things I anticipated. The early movie casualty was no big surprise, both due to expected meta narrative reasons of needing to establish the stakes when such dangerous people were thrown into proximity and from a certain character’s notable absence in key trailer scenes.

But it was well executed and while the deceased character might have had some untapped potential Ghost was shown to be on the threat level of her other more well established teammates-to-be by taking out the Taskmaster. Something being predictable doesn’t necessarily take away from the impact (also I’m sure not everyone saw it coming).

“You’re not alone.”

What I wasn’t expecting however were some of the most prominent undertones and themes of the film. I was ready for an action movie anchored by intersecting quests for redemption. What floored me was how it was equally about loss, depression, and dealing with the Void within (lame pun intended). The writers and actors dug into the emotional core of where each character was at this point in time in a compellingly realistic manner, and the movie shines because of it.

The entire cast, from main stars to all the supporting roles, was fantastic. Florence Plugh and Lewis Pullman in particular were incredible as Yelena and Bob. Yelena is in an extremely vulnerable mental state, which Plugh brilliantly conveys through body language, a disheveled appearance, and superb acting. Thunderbolts is both an ensemble piece and entirely her story simultaneously, and the dichotomy wouldn’t work with a lesser performance.

Bob isn’t fully aware nor in control of himself, and is constantly switching between charmingly docile and effortlessly threatening. Pullman nailed the intricacies of the role. In the pivotal establishing scene for Sentry when he first fights the team the nonchalance with which he wiped them out was terrifying.

One of the most gut wrenching scenes of the movie involves Yelena and Bob simply looking at each other as a couple of overheard sentences from a mostly obscured memory lay bare the trauma of Bob’s past. All Yelena can say is “I’m sorry,” but that simply gesture of sympathy is more than Bob had before and was desperately needed. It was impressive handling of heavy subject matter with the movie’s ultimate lesson that it’s ok and often necessary to open up to and rely on others beginning to take form.

While more connected to the external world happenings, Julia Louis-Dreyfus’s great performance as Valentina Allegra de Fontaine was also crucial. There were a surprising number of important moments that hinged on her non verbal reactions to events and information. If she’d been less than genuine in any the multitude of times the camera lingered on her close up to convey the import of developments the movie’s atmosphere would’ve been completely destroyed.

Wyatt Russell’s John Walker was both an insufferable jerk and a well meaning professional deep down. David Harbour’s Red Guardian had to be an entertaining but not obnoxious buffoon 90% of the time and still believably heartfelt and wise when it’s time to have real conversations with his daughter. And so on.

The movie had more nuance and depth than other MCU movies, contributing to it easily being one of my all time favorites.

In a great touch the post credit scene ties it all together by jumping ahead and showing a short, simple glimpse at the everyday status quo of the New Avengers. A little bit of banter shows how comfortable they’ve become with each other and sets up several threads for future movies in a lighthearted manner. Great stuff.

“We’re just disposable delinquents.”

Changing gears a bit to finish this up, I’d like to present a little history lesson. I’m about to dig into spoilers within spoilers, so consider warning given. That said the concept to be discussed is the punchline to issue #1 of a 25 plus year old comic so is certainly fair game.

Like the vast majority of MCU movies, Thunderbolts adapts elements from a number of stories and eras to present something that both honors the source material while fitting in to a new continuity. Practically nothing is a slavish, direct adaptation from any single comic.

The origin of the Thunderbolts name in the movie is a throwaway joke, but it didn’t bother me. However it came up, and however brief it was, the name felt appropriate and it’s inclusion meant something to me.

The movie draws from later incarnations of the titular team, with members from those eras. I haven’t read a lot from those versions, but the movie concept always felt more like Dark Avengers or New Avengers to me so the end twist was no real shock. But again it was done well and served as a perfect payoff to the journey our unlikely heroes went through.

Being as I was an avid reader and huge fan of the original comic by Kurt Busiek and Mark Bagley, I thought it might be interesting to highlight the difference for those who are unfamiliar. Because in a certain sense the movie skipped some steps.

The concept of the original Thunderbolts comic wasn’t about thrown together villains and anti-heroes overcoming their pasts to be better. It became that in a way, and certain incarnations over the years embodied that more, but there was a fundamental difference in their original concept.

The Thunderbolts started as a team of villains running a con. At the end of the first issue of their comic it was revealed that the new superhero team that came out of nowhere were full on bad guys pretending to be heroes under fake identities to provide cover for their schemes. They were headed up by Baron Zemo (disguised as Citizen V), whose nefarious plan slowly went up in smoke as a majority of his assembled villains decided that there might be something to the thought of being heroes for real after all.

This kind of duplicitous beginning wouldn’t have worked with the chosen movie lineup, and the direction they went made much more sense given what had come before. A bunch of adrift operatives with questionable pasts but no real malice in their motivations coming together after being betrayed allowed for the above mentioned emotional undertones to be featured in a way that wouldn’t have landed if they started as villains trying to bamboozle the public.

Zemo was rumored to be originally planned for the movie, and Daniel Brühl’s been great in his appearances, but his role would have had to be totally rethought. He’s a callback to a version of the team that this incarnation had no resemblance to, and he wouldn’t have fit particularly well with this concept. Especially with them landing as the New Avengers at the end. Given how well it all went I’m personally fine with them not trying to not trying to shoehorn him in, even if having him involved would have been a nod to the original comics.

That’s it for today’s installment of Avengers with a Z. Remember disposable delinquents, “maybe we can be the ones that are coming.”

Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts should be on the way soon.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Comics Film Reviews

Justice, Like Lightning: Thunderbolts Review

So the tagline I used in the title has nothing to do with the version of the Thunderbolts in the movie. But I read the original Thunderbolts comics by Kurt Busiek and Mark Bagley as they came out so have a soft spot for the original concept and couldn’t resist the callback.

I enjoy the idea of taking secondary, often flawed characters from various stories and putting them together to see how they play off each other in general. And the entire lineup here were interesting in their previous MCU appearances with a lot of potential for fleshing out. Pretty much everyone in the movie was someone I was excited to see more of.

So I went into Thunderbolts with high levels of anticipation. I’m inclined to say it was everything I hoped for, but in actuality it was a good deal more than that.

I expected to love it, and I did. I also got the fun interactions and solid action I wanted. On top of all that though, I got a compelling, character driven story that was engaging from start to finish and made this movie an instant favorite.

No spoilers here but I had figured some things out ahead of time. Both in concept and in plot details. But there were also a couple surprises, as well as some things I expected done in unexpected ways. I really have no complaints about how anything played out.

A couple characters were a touch under utilized, but they still made the most of their roles and in an ensemble movie centered by a few key character journeys a few people were going to have to be supporting cast.

As a big comic reader going back decades I’ve been mostly at least peripherally aware of the characters we’ve seen and the big story beats in play for the previous MCU movies. The way things have been adapted to build naturally from how prior movies went nothing is ever slavish to the source material, but I often have the gist of some important points before I see the movie.

In contrast this was one of the first Marvel movies that prominently featured a character I know next to nothing about. It was interesting having no frame of reference for a change. While I can’t speak on how faithful it was to the source, I liked what the movie did with them.

There are SO many interesting implications of the end credits. Won’t say more, but I’m psyched as to where things go from here.

I ended up seeing this in 3D based on availability as to when I could see the movie. Last 3D movie for me was probably pre-pandemic. It was well done. It didn’t feel like the 3D was constantly calling attention to itself, but at the same time there were moments where the 3D made certain shots breathtaking.

Thunderbolts was fantastic. Well acted, looked great, strong plot, and on and on. If at all interested go see it as soon as you can.

Thanks to everyone who’s given this a read. 2024 was a sporadic return for this blog and I hope to sustain more regular updates going forward in 2025. Derailments of Thought currently updates once to twice a week.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Art Cards Comics Japan TV Wrestling

Collecting Spotlight: Metal Trading Cards

Cabinet of Curiosities Treasure metal variant by Yuriko Shirou.

When thinking of trading cards, small collectible pieces of cardboard/card stock immediately spring to mind. But in modern collecting there are a variety of cards that break the mold a bit and are made from other materials.

Let’s take a look at the interesting case of trading cards made from metal.

Last month I wrote about printing plates, thin metal relics from the card creation process turned into collectables. In contrast here I’m highlighting actual cards made for various sets that are themselves made of metal.

One other side note before delving too deep: there are card sets and subsets that use “metal” as a descriptor, such as the Skybox Metal Universe series. It’s a theming/branding thing and the vast majority of cards in those sets are still card stock. Those are different from what I’m featuring here, which again are cards made of metal.

Morrigan metal AP from Classic Mythology III by Juri H. Chinchilla.

There are two main types of metal cards I’d like to showcase, with some subcategories. Then at the end of this post I’ll share a few tangentially related cards.

First up are the straightforward case of printed metal cards. These are exactly what one would think of as trading cards, simply printed on metal instead of card stock. They are at a minimum a bit thicker than both standard cards and the thin metal printing plates previously referenced.

While metal cards are inherently more sturdy than standard cardboard cards, proper storage and protection can have some additional things to be wary of. For example stacking regular cards is usually fine for temporary sorting, etc. But metal cards can easily scratch each other if care isn’t taken and as such while it may seem counter intuitive it’s even more important to get them immediately sleeved and protected than normal.

Like other special inserts metal cards can be variants of base cards or their own unique subsets, and vary greatly in terms of rarity and design.

A great example of straight up base set variants are the metal cards featured in Iconic Creations’ sets. These cards are identical to their base set counterparts outside of the material they’re printed on. There’s more gloss to the finish on these than Iconic Creations’ base cards, and the hues end up a touch more subdued.

Perna Studios also does some great metal chase subset versions of their base, chase, and promo cards.

By Juri H. Chinchilla.

While some metal cards have both the front and back printed like their cardboard counterparts, like those done by Perna Studios, Iconic Creations and some other publishers use stickers for the backs on metal cards.

The metallurgy subsets from Marvel Masterpieces are fantastic versions of the base cards from the same sets. The designs on these vary slightly from the base, as the border is more filled in on these and as such the images are slightly cropped compared to the base and other variants.

Planet Metal subsets from the previously mentioned SkyBox Metal Universe series (made nowadays by Upper Deck) are an unusual case. In some sets, such as the pictured cards above from Spider-Man Metal and X-Men Metal, they are a metal card chase subset. In others, such as AEW Metal, they are die cut cardboard.

There have been metal AEW cards from Upper Deck in other sets, such as the Full Gear and Chair Shots subsets from AEW Spectrum.

Metal cards can themselves have variants within a set. For example the die cut oval shaped metal cards from Upper Deck’s Shang-Chi set had rarer gold versions, and their logo shaped die cut metal cards had rarer blue variants.

Like “regular” trading cards, special subsets of metal cards are elevated with autographs. Cards may be signed by the athletes or actors featured, by the artist for art based cards, or creators related to the characters or stories referenced for comic related cards.

Often signed metal cards are specific, unique subsets. Although they can also be direct variations on non-autographed metal cards within the same set.

Pictured below is a Black Metal Logo Die Cut card from Upper Deck’s Shang-Chi set featuring Meng’er Zhang as Xialing next to the autographed version featuring the same design and image. Both were available exclusively as achievements via Upper Deck online purchasing and trading platform e-Pack.

Given the nature of the material metal card autos generally feature autographs affixed via sticker. But occasionally there can be direct autographs if done carefully with the right type of markers. The Stainless Stars subsets from Panini’s WWE Impeccable sets are great examples of autos done directly on metal cards.

Meiko Satomura and Io Shirai (now Iyo Sky) blue Stainless Stars cards.

The other major type of metal cards I’d like to spotlight is metal sketch cards.

Metal APs from Perna Studios’ Elementals and Hallowe’en Witchcraft sets by Stacey Kardash.
Metal sketch cards/APs by Achilleas Kokkinakis from Classic Mythology III.

Like sketch cards done on card stock these are individualized pieces of art created on the cards. One side of the metal card is prepared with a surface meant for drawing directly on it.

Metal AP from Hallowe’en Witchcraft by Tony Perna.

In past sets Perna Studios had a small number of these metal sketch cards inserted in packs. For those sets artists often had a metal AP (Artist Proof) or two (in addition to their card stock ones) that they could accept commissions for within the content guidelines of the set.

Metal sketch cards/APs by Alexis Sarah Hill and Craig Yeung.

The combination of unique creations on unusual card material made these truly stunning pieces of art.

To wrap up here are a few metal related cards that aren’t exactly either of the types highlighted above, but do involve metal, are all pretty awesome, and are worth a look.

One subset that’s both cool and kind of hilarious is the silver bar cards from Panini Impeccable. There’s just straight up a 1 troy ounce mini silver bar in the card. The card itself is card stock surrounding the bar, but this definitely fits in this feature on metal use in trading cards.

All of the cards in this section are thicker than what most people think of for trading cards. In this case considerably so, as these monsters are 3/8 inch thick.

A really nice looking way to incorporate metal are framed cards. The card itself is still card stock, but it’s encased in a metal border (almost always gold colored in the versions I’ve seen).

Finally here’s an example of a metal card where an image is cast on it rather than printed. The below bronze Psylocke card is a tribute to Joe Jusko’s work on Marvel Masterpieces ’92 and was a reward as part of a Kickstarter for an art book featuring Joe’s images from that set.

That does it for this spotlight on a small sample of the interesting ways metal is used in trading cards. Best of luck with wherever your personal collecting tendencies take you.

Thanks to everyone who’s given this a read. 2024 was a sporadic return for this blog and I hope to sustain more regular updates going forward in 2025. Derailments of Thought currently updates once to twice a week.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Board Games Comics Reviews

Riddler Puzzle Box Review

Match wits with the Riddler as Edward Nygma presents his personal puzzle box for you to solve.

The Riddler: Puzzle Box by Edward Nygma is made by McFarlane Toys, and as such expectedly looks fantastic. The 5-6 inches a side box has great detailing and largely looks like worn/distressed metal rather than the plastic it’s made of. It’s just plain cool to look at and play around with.

Solving puzzle boxes is often made more enticing by including a prize locked within, and the encased prize here is awesome. Solving each of the three sections is rewarded with a piece of a hefty metal “1:1” batarang replica. They went all out with this aspect of the box.

The website description claims the Riddler Box “features 4 challenging Batman themed puzzles.” To be perfectly blunt, this is not even remotely true. These are some of the easiest puzzles imaginable, made more difficult only by so-so implementation. One puzzle is solvable completely by accident. One I solved without the required tool, leaving me confused as to what that tool was for throughout the experience. One puzzle is a tad misleading on when the player should be trying to solve it, which led me to have the right solution but thinking it was wrong because I had to do something else first.

All that said I had a fun time with the box despite its imperfections. The puzzles are conceptually and thematically good even if easy, and I found it all interesting and engaging despite its flaws.

Which brings us to the puzzling aspect of this puzzle box as a purchase. The detail, inherent nature of making a puzzle box with hidden mechanisms, and high quality prize all add to the cost. But with a msrp of $100, which admittedly is entirely reasonable for what it is in total, people are likely to expect more from the actual puzzle box itself.

Now this has been out a while and at it’s currently available price (under $40) it’s *easily* worth it for Batman and/or puzzle box collectors. But to be completely fair with the review I’m not sure I’d have been as happy with it at full retail price.

Overall this is a great collectible containing an equally great collectible as a bonus prize, with an ok puzzle experience attached. Score one for Edward Nigma.

Thanks to everyone who’s given this a read. 2024 was a sporadic return for this blog and I hope to have more regular updates going forward in 2025. Derailments of Thought currently updates on Wednesday and Saturday.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Comics Reviews

The Power of Comics: Mister Invincible Review

Perhaps the best comic book hero one could ask for is one who isn’t bound by the rules of the very comics he inhabits. Such a hero might truly be invincible…

MiSTER iNViNCiBLE: Local Hero collects Mister Invincible #1: Justice and Fresh Vegetables and Mister Invincible #2: Local Hero as originally published.

Pascal Jousselin’s everyday adventures of an extremely unusual superhero takes a creative core idea and runs with it to great effect.

Mister Invincible’s powers are simple in concept: he alone is aware he’s in a comic and can transcend the framework everyone else is trapped in. He can see and act into other panels, across pages, and so on.

It’s Jousselin’s incredible use of the premise that makes the comic shine. From Mr. Invincible helping himself fight in other panels, to explaining to confused police that he needs to wait for the page to turn before he can solve their current problem, to many other endearingly absurd page breaking situations everything is fascinating and amusing at the same time. There are times when things get surreal, but it’s captivating to unravel what’s happening more than confusing.

The true genius of it all is how Mr. Invincible uses his powers as a part of his everyday life just as often as he does for fighting crime. The mundane uses are just as interesting, such as a great page where he uses a paper airplane traveling up the page to “remind” himself to add something to his grocery list before he’s told to get it.

I can’t speak to the original French version, but the translation seems quite good. Everything flows well and sounds natural and I’m pretty confident I’m getting as close to the full experience as a translation can provide.

Mr. Invincible is light and fun while also being mind-bendingly clever. It’s as enjoyable for an adult reader as it would be for the publisher’s noted middle grade target demographic (with an older reader perhaps more likely to catch more of the genre bending subtleties). Highly recommended.

Thanks to everyone who’s given this a read. 2024 was a sporadic return for this blog and I hope to have more regular updates going forward in 2025.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Art Cards Comics Japan Wrestling

Imagined Reality: The Art of Veronica O’Connell

Psylocke sketch card by Veronica O’Connell

I’ve had a surprisingly difficult time finding the proper words to open this look at the work of a truly special artist. There’s something indescribable that jumps out of Veronica O’Connell’s art and demands attention. So I decided to let the stunning depiction of Psylocke above make the first impression.

Ghost Spider, Spider-Woman, & Silk AP by Veronica O’Connell

I honestly don’t recall when I first saw Veronica’s work, but I do remember being blown away with her versions of Marvel characters and immediately putting her art on my collection list.

There is an incredible balance of realism and the fantastic in her illustrations. Her takes on comic characters simultaneously look like they could step right off into the real world while still feeling appropriately larger than life.

The qualities that initially caught my eye are on full display in the above gorgeous Spider-Women triptych, which is mind boggling. All the art I’ll be showing in this blog is directly drawn on blank trading cards. So each of the three characters shown above (Spider-Gwen, Spider-Woman, and Silk) is drawn on a third of a 3.5″ x 2.5″ work area. The detail and impact she’s able to achieve under such conditions is phenomenal.

There is so much style infused into Veronica’s work. Her use of color and lighting is exquisite and a big part of what makes her art so eye catching. It also underlies her emphasis of mood and atmosphere, making the same subjects feel different in different pieces depending on what she’s chosen to convey while retaining their core essence.

I have multiple cards by her of some of my favorite comic heroines, including Psylocke, Emma Frost, and Spider-Gwen, and the contrast between equally captivating depictions of the same character is fascinating to see.

Spider-Gwen PSC by Veronica O’Connell

My discovery of Veronica’s art through her Marvel work eventually led to the great opportunity to get some Personal Sketch Cards (PSCs) done as part of another key subset of my card collection.

I have followed and enjoyed Japanese women’s professional wrestling (joshi wrestling) for over a decade and collect related art in a number of forms. Veronica is the third artist to create PSCs for this collection, along with Juri H. Chinchilla and  Miki Okazaki

Kairi Sane PSC by Veronica O’Connell

Veronica’s renditions of the wrestlers she’s drawn for me are absolutely stunning. She achieves an amazing level of detail, capturing the subtleties of her subjects expressions and doing an exceptional job representing their intricate wrestling gear.

Perhaps most impressive is her ability to create such incredible likenesses on such small workspaces. From a distance these precise works could be mistaken for photographs, while up close the aspects that make the depictions hyper realistic elevate them even further.

Over time I’ve gotten 24 wrestling PSCs from Veronica, featuring a total of 30 wrestlers. Only 8 of those wrestlers had been drawn for me before on PSCs by other artists, meaning 22 of the wrestlers she drew for me were first time subjects for my sketch card collection.

All of the repeats were drawn in different gear and/or with different partners than the other cards I have, and it was a treat to get Veronica’s take on recurring collection subjects like WWE’s Asuka, AEW’s Riho and Hikaru Shida, and Sendai Girl’s DASH Chisako. Likewise awesome was adding in wrestlers I’d been meaning to have drawn like Asuka’s tag partner Kairi Sane and Stardom’s Starlight Kid.

Juria Nagano PSC by Veronica O’Connell

The vast majority of the wrestlers I had drawn for the first time were a large number of roster members and regular guests from two of my favorite promotions.

From Tokyo Joshi Pro Wrestling (TJPW), Veronica did wonderful cards of now former roster members Juria Nagano and Sakisama (with Mei Saint-Michel), tag teams Miyu Yamashita & Maki Itoh (121000000) and Himawari & Wakana Uehara, long time roster members Mizuki and Yuki Kamifuku (Kamiyu), and the Up Up Girls Hikari Noa, Miu Watanabe, Raku, & Shino Suzuki.

Veronica’s encapsulation of that Up Up Girls lineup is a particularly nice memento for me given the recent departure of my favorite member, Hikari Noa, from both TJPW and the Up Up Girls.

The other big focus among the joshi wrestling cards Veronica’s done for me is a company called Ice Ribbon. One of my most watched promotions, it was a privilege to get Veronica to do related cards for me.

The core IR lineup I got includes brief former roster member Amu Yumesaki, and current roster members featuring second generation wrestler Ibuki Hoshi and impressive newer wrestlers like Tsukina Umino, Mifu Ashida, and Kaho Matsushita.

I was also happy to add former IR regular guests Ram Kaicho (from Triple Six), Saori Anou (now of Stardom), and Tae Honma & Maika Ozaki (SPiCEAP, both freelance), and reigning ICE Cross Infinity Champion YuuRI (from GanPro) to the collection.

As with the comic art, Veronica’s vivd colors, stunning lighting and shading, and delicate touches make all of her wrestler illustrations simply gorgeous. I could not be happier with how they all turned out.

Joshi PSC displays. Art by Veronica O’Connell, Juri Chinchilla, and Miki Okazaki.

I’m extremely thankful to Veronica for all the fantastic art she’s created for me. I hope to continue collecting more in the future.

Asahi PSC by Veronica O’Connell

To wrap up I’d like to talk about a particularly special card Veronica’s done for me, although there is unfortunately tragic news attached to it. Early this year Actwres girl’Z reported a 21 year old member of their roster named Asahi had unexpectedly passed away. Asahi started her career in Ice Ribbon and was a personal favorite of mine. Nicknamed the Sunrise of Hope, she was always a joy to watch and is greatly missed. Veronica’s remembrance piece of Asahi is absolutely breathtaking and a cherished keepsake.

Rest in Peace Asahi.