Categories
Art Japan Reviews

Holiday Celebration with Glimpses of Past and Future Art Exhibitions

In addition to Tenri Cultural Institute‘s language school and numerous cultural events,  it hosts an art gallery that is always home to a variety of wonderful exhibitions ranging from traditional Japanese techniques to innovative multinational displays of modern art. I previously shared my thoughts on the June 2016 exhibitthe multinational Ink Imagists exhibition, and Chika MacDonald’s Mugen exhibit.

The exhibitions themselves are of course incredible, but Tenri usually also has an opening reception attended by the artists and sometimes featuring extra attractions such as live demonstrations or musical performances. The December 15th opening for Tenri’s Holiday Art Show (which ran from December 10th to the 22nd) was a thoroughly enjoyable evening.

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A special treat at the reception was a fantastic assortment of hand made chocolate by Kanami Chocolate Brooklyn. As impressive visually as in taste and nicely diverse in flavor and texture, the treats were absolutely delicious.

 

 

The exhibition was a great collection of work from a mix of both artists who have had previous shows at Tenri and ones with upcoming exhibitions.

 

 

It was a wonderful snapshot of the diversity of artistic styles featured at the gallery, with numerous different techniques and styles on display. From more traditional art to three dimensional work and even a enclosed relaxation “retreat” there was a multitude of interesting things to see and experience.

 

 

 

Several of the artists were in attendance and happily interacting with visitors. I was happy to have the opportunity to catch up with my friend Chika MacDonald, who in addition to provding two gorgeous pieces for the show in the similar to those showcased in her Mugen exhibit wore a shawl with an beautiful image in the same vein on the back.

 

 

It was also great to meet Alex Kukai Shinohara and discuss his work a bit, which told parallel stories of a gallery exhibit with text elements and striking three dimensional frames forming art pieces within his art pieces.

 

 

Near the end of the reception there was a short shamisen and vocal  performance by Sumie Kaneko. Her music is lovely and I recommend checking out the longer performances she has at Tenri and other venues, such as her Dec 23rd show at Club Bonafide on 52nd street.

 

As always I highly recommend checking out the wonderful art that Tenri Gallery showcases, but in addition if you are able to attend the receptions you’ll enjoy a wonderfully relaxed and fun social event as well.

Categories
Art Japan Reviews

Mythical Dragons Captured on Cloth

In addition to Tenri Cultural Institute‘s language school and numerous cultural events,  it hosts an art gallery that is always home to a variety of wonderful exhibitions ranging from traditional Japanese techniques to innovative multinational displays of modern art. I previously shared my thoughts on the June 2016 exhibit, and the multinational Ink Imagists exhibition. Here I’ll be spotlighting the currently showing Mugen exhibit.

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The centerpieces of artist Chika MacDonald’s textile exhibit are her majestic dragons.

Inspired by a desire to convey feelings of support and hope in dark times in a way that also celebrated Japanese culture and heritage, she embraced the idea of creating art featuring dragons rising or lurking just below some sort of horizon as symbolic guides to a better future. Her dragons are all either looking or moving towards the sun or sky, or facing outward to engage the viewer directly as a reminder and challenge to live in the present while keeping hope for tomorrow.

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MacDonald’s first piece, showing a dragon guiding several monarch butterflies (that could be seen as representing souls) towards the heavens.

The vivd colors and images she achieves are just INCREDIBLE. A lot of her backgrounds are darker colors to both provide great contrast for the subject of the piece as well as represent her previously mentioned themes of hope in the face of despair, yet she still manages to give those dark colors phenomenal vibrance through eye-catching hues.

MacDonald’s dragons are wonderfully distinctive, with carefully done gradations of color in the dyeing and beautiful, intricate details and highlights often in striking metallics that give the tapestries an extra feeling of dimension when they catch the light. They stand out against her deeply colored backgrounds and the combinations come to life in a powerfully evocative way.

I had the privilege of being shown around the exhibit by MacDonald and having her explain various aspects of her art, including some of the details I’ve shared above concerning her inspiration and what she hopes to express through her works. She is extremely friendly and excited about her craft, and it was a joy to discuss it with her. I was quite surprised to discover this is her first exhibit, as the level of detail and vitality achieved in her work belies her level of experience.

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Another highlight Mugen is a gorgeous kimono, the last piece to be finished for this exhibit. It showcases a water element as appropriate to Japanese dragons and has a distinct, powerful horizon separating sea from sky to again emphasize the dragon’s positioning and alignment towards the heavens.

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Beyond just the obvious quality and how visually stunning MacDonald’s pieces are, the exhibit shows an impressive amount of diversity. Differing colors, compositions, and atmospheres highlight each and every piece on display. I love depictions of these types of dragons when done well, and MacDonald’s are fantastic.

In addition, Mugen contains several floral pieces by MacDonald that match the dragons in feel and style and integrate into the exhibit seamlessly. Several of them are done in limited color fashion, which works well in highlighting and conveying the delicate nature of the depicted flowers.

In a fantastic finishing touch, MacDonald decided to supplement her textiles and paintings by asking friends to develop complementary jewelry and scents. A few small vials with delicate scents are placed among the exhibit and can be smelled by visitors, and a pedestal in the center of the gallery show a variety of striking, intricately crafted dragon and floral bracelets and necklaces. These elements, along with a sense of connectivity and progression in MacDonald’s work, bring everything together and give Mugen a real feeling of being a cohesive, complete exhibit.

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Photo with artist Chika MacDonald in front of her (and my) favorite piece of the exhibit.

There is an opening reception tonight (Friday November 4) from 6 to 8pm, and the exhibit will be open until Tuesday November 8.

Definitely catch Mugen at Tenri Cultural Institute in NYC if you can. These works of art need to been seen in person to be properly appreciated, and MacDonald will be present for the entirety of the exhibition. I highly recommend taking advantage of the opportunities to not only see this phenomenal art on to display, but also to meet this gifted artist and gain some insight into her process.

Categories
Japan Reviews Wrestling

RibbonMania 2015 DVD Review

December 31, 2015 in Tokyo, Japan

This was Ice Ribbon’s big year end show, and I thoroughly enjoyed it live.

Roster is introduced to open and champion Aoi Kizuki speaks to hype things up. After everyone heads back tag champions Arisa Nakajima and Tsukasa Fujimoto give a well received singing performance that further fired up the crowd to start the event.

I continue to love the video packages that run before the matches start running down the entire card with a little background for each. It sets the stage for the dvd wonderfully and I wish American wrestling companies would do it.

1) Hiroyo Matsumoto, Makoto and Maruko Nagasaki vs Cherry, Hiroe Nagahama and Mika Iida **3/4

Entrances are skipped as usual and we cut right to the opening bell, with both teams in chicken fight position. Seeing a little of the lead up to that might’ve been a wise inclusion. Still, fun start with an amusing visual as Hiroyo and Makoto with Maruko on their shouldrs charge Cherry and Mika carrying Hiroe. Maruko gets the better of it and shoves Hiroe off balance, toppling her whole group. As Maruko’s team turns to celebrate, Cherry attacks from behind to similarly topple them. And thus the match proper begins. 😉 

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Cherry’s team isolates the only IR roster member in the match and Cherry rips bunches out of Maruko’s hair (while Hiroyo gives thumbs down from the outside) then proceeds to repeated back raking. No mystery as to who the heels are here. Tag to Hiroe who hits a couple dropkicks in the corner then tags out to Iida. Iida gleefully beats on and twists Maruko into knots for a bit then tags out to Cherry, who taunts Hiroyo and Makoto by bringing Maruko’s hand within inches of the tag then pulling back. As much as I like the usual “spirit of competition” feel to most of IR’s matches, it’s nice to see clear, committed heel work like this sometimes too.

Maruko eventually hits a running dropkick to stun Cherry and make it to Hiroyo for the tag. The Lady Destroyer levels Iida and Hiroe with shoulder tackles and powers Cherry into a backdrop suplex from a waistlock, then calls Makoto and Maruko in to climb onto her for extra weight as she drops the double knees to Cherry. Iida and Hiroe drop Hiroyo with a double dropkick however, then Cherry drop toeholds and slams her own partners into a pile on Hiroyo and splashes the top of it. For some reason the ref counts this as a legit cover, but Hiroyo powers a shoulder up from under her three opponents at 2.

Iida tagged in, but Hiroyo clotheslines her and tags Makoto, who goes up top for a crossbody followed by a bicycle kick on Iida for 2. Cherry helps Iida take over, then a tag brings in Hiroe, who wears Makoto out with running dropkicks until Hiroyo grabs Hiroe from the apron to allow Makoto to tag. Maruko’s turn to hit repeated running dropkicks, and they get 2. Forearm exchange ends when Hiroe tries a Northern lights suplex, which Maruko tries to counter into a sunset flip. Hiroe maintains balance until Makoto comes in with a… running double overhead chop I guess to knock Hiroe back and allow Maruko to complete the sunset flip for 2.

Hiroyo splashes Hiroe in the corner and she’s small packaged by Maruko for 2 (broken up by Iida and Cherry). European uppercut by Iida into a … double backhand slap something by Cherry into the previously attempted Northern lights by Hiroe which gets 2 as Makoto and Hiroyo save. Maruko hits a surprise uranage for a close 2 to pop the crowd, but Hiroe responds with a wheelbarrow rollup for the win.

Decent enough opener and an effective way to use numerous non-regular roster members to fill out the card, but this really played like a match on fast forward. Each segment pairing different opponents was maybe thirty seconds. Felt like a really good fifteen minute 6-woman tag crushed into half that. Fine for what they had to work with though. Was my first time seeing any of the winning team. Particularly interested in seeing what Iida can do with more of a spotlight. 

2) Yuuka vs Sareee ***3/4

Teens single match spotlight here. Nice to get a glimpse at a couple of rising stars in an environment like this. Yuuka with a slightly creepy stare towards Sareee during the handshake that she holds a little too long. Nice touch of attempted intimidation there without being disrespectful or heelish. Fun back and forth stalemate sequence to start, with the usual chain wrestling, arm drags, etc. 

Despite both being teens at this point, Sareee has a couple years both in age and experience on Yuuka, as well as a slight size and strength advantage, and definitely plays the “testing out the upstart” mannerisms here and there. Yuuka fires back each time, lending a nice backbone story to the match. After a hairmare and some choking in the corner, Sareee applies a nice Muta lock which Yuuka eventually gets out of by biting Sareee’s hand. The latter isn’t amused and boots Yuuka repeatedly as the she tries to get up. Corner whip is revered by Yuuka and she hits a running dropkick followed by a DDT for 2. Saree bridges out of the pin and hits some dropkicks of her own for 2.

Sareee up top with a missile dropkick for 2. Crowd’s into Yuuka’s resilience. Yuuka reverses  a whip and catches Sareee against the ropes with a forearm, then hits the rebound one to knock Sareee down as she staggers to the center, then the diving one on a prone Sareee for 2. Love that sequence. Yuuka goes up top for her own missile dropkick, then across the ring to the far turnbuckle for a crossbody for 2. Crosslegged fisherman’s suplex attempt fought off, and Sareee responds to a Yuuka forearm to the chest by NAILING Yuuka with one of her own across Yuuka’s face. Big crowd gasps for that. They lay into each other with alternating forearms to the chest, which ends when Yuuka hits the ropes for one and Sareee hits a dropkick. Yuuka’s laying against the ropes and Sareee hits the far side for a running dropkick to the seated Yuuka.

Yuuka counters a German attempt into a wheelbarrow rollup for 2, then catches Sareee as the latter tries a jackknife cover with another pinning combination for 2, then gets her floatover backslide for 2. Sareee waistlock countered into a 120% schoolboy attempt which Sareee tries to counter into a pin but they’re in the ropes. Yuuka leans against the ropes again for a second and eats another running dropkick in that position. Sareee up to the top again, but gets caught and Yuuka brings her down with a super-hurricanrana. Crosslegged fisherman’s connect for a believable nearfall.

Yuuka hits the rope but her forearm is ducked and Sareee finally hits the German for 2. She jaws with the ref for a second about that not being 3. Sareee calls for the and and pulls Yuuka up by her hair. Defiant roar by Yuuka, so Sareee hits another HARD forearm to knock her down. Yuuka back up and charges, but runs right into and overhead uranage for the pin.

Nice showing for both. Haven’t seen much of Sareee, but she looked good here. Yuuka has instincts and skills well beyond her experience, and should be a huge star someday.

3) Miyako and Jun Kasai vs Antonio Honda and Mochi Miyagi vs GENTARO and Yuji Hino ***1/2

Miyako Matsumoto’s band Black DPG provided the second live singing performance of the night as an entrance ceremony of sorts for Miyako and partner Jun Kasai (who amusingly sat on the turnbuckle in the background “encouraging” people to clap). Miyako and company had a “slightly” different feel to their music and dancing than Best Friends’ song. 😉 Entertaining enough. Miyako and Kasai are both wearing a contact in one eye

We cut right to the opening bell after the performance ends, where special ref (and retired IR wrestler) Mio Shirai is checking the participants. Mio, Honda, and Gentaro start, with the two men shaking hands, then Honda offering a hand to Miyako only to draw it back with a Ric Flair “Woooo” when she reaches for it. Miyako responds with her usual good nature and pounds Honda to the mat. Gentaro decides to greet Miyako with a slap to the face. Miyako responds in kind with a hard shot, gets swatted on the head by Gentaro, and this time straight up punches him in the face in retaliation (nice hard shot too).

Gentaro swings back at Miyako, who blocks the shot, hits another slap, then gets a side headlock for a second before being sent to the ropes. Miyako gets the better of him for a few seconds with pose enhanced armdrags, but when she poses in celebration Gentaro double swats the back of her head and she rolls out of the ring. Honda’s back up and he and Gentaro counter wrestle for a bit, then Gentaro trips Honda after agreeing to a square up, so Honda just pokes him in the eyes. Then does the same to Miyako, who of course chose the worst possible time to come back in the ring.

His opponents are outside the ring so Honda hits the ropes for an apparent dive (doubtful) and sure enough his knee “gives out” before he can dive and he tumbles to the mat, then rolls outside clutching his knee. With the original combatants all in disarray outside of the ring their three partners enter it to face off. The crowd is clearly behind Kasai. Mochi takes exception and does the Lovely Butchers’ posing routine to win the crowd back, but halfway through Kasai simply kicks her in the head to a hero’s ovation. Mochi ducks a clothesline and continues the posing, so Kasai kicks her in the head again. I like. Hino has just stood in a corner watching all of this so far. Mochi dodges a Kasai charge into the corner and… more posing. You’d think she’d have learned by now. This time Hino attacks here during the pose with a slap to the back.

Mochi rolls out of the ring and Hino follows, but gets caught by Honda who holds him while Mochi grabs her whip. Hino moves and Honda takes the shot. Not to be deterred, he then grabs Gentaro and holds him for the whip, but of course Gentaro also moves and Honda eats another whip shot from his partner. As stubborn as his partner was with her posing, Honda decides it will surely work on Miyako, and grabs her for yet another attempt. And the same results again as Miyako gets free at the last second. Oh wait, there’s one more opponent to try, so Honda rolls into the ring where Kasai’s been watching from and grabs him. Mochi comes in and do I even have to type it? No? Good. Apparently Honda’s not satisfied with that last hit he took, and has Mochi hit him again as Kasai stands off to the side (with an appropriate WTF? look). Still no good, as he takes the whip from Mochi, hands it to ref Mio, and presents his backside her to hit with the whip. After Mio does so Honda shakes her hand. OK THEN.

Kasai ends the … festivities… by knocking both Honda and Mochi out of the ring, where Miyako attacks them with a giant plastic ball. Yes, really:

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Kasai goes with the slightly more effective weapon choice of a table, and after bonking Mochi square in the head with it goes into the crowd and sets up the table next to a stairwell overhang. He and Miyako drag Hino up and lay him out on the table, then Kasai does a diving splash OVER THE STAIRWAY onto Hino sending him through the table.

After that everyone fights back down to ringside, where Kasai chokes Mochi with hula hoops and Miyako bounces her ball off Honda’s head. Miyako and Kasai lay out Honda and Mochi in the ring and it’s time for posing of the entertaining variety. 😉 Kasai trying to match Miyako’s poses is hilarious. Simultaneous splash gets 2, as Honda kicks out and Gentaro dives in and grabs Mio to prevent Mochi being counted out. Kasai slams Gentaro and he and Miyako don goggles, go up to opposite top turnbuckles, and… Hino crotches Kasai on the turnbuckle while Miyako dives and gets caught with Gentaro’s raised knees.

Hino grabs Miyako and just tosses her over his head from slam position for 2. Honda and Mochi in but Hino reverses a double suplex and suplexes them both at the same time. This leaves poor Miyako alone with Gentaro and Hino. Gentaro holds her for a big Hino chop, which Miyako escapes from and Gentaro eats. Kasai saves Miyako from a Razor’s Edge, then calls for a lariat only to eat one from Hino instead. Hino then stalks Miyako, as the crowd chants their support for her as she panics. Powerbomb attempt and Miyako tries a ran reversal, but Hino is too powerful and pulls her back up, only to have Miyako go up and over into a sunset flip for 2.

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Hino’s had enough and levels Miyako with a chop for 2. Kasai saves by dropkicking MIO, which can’t possibly end well. Mio slaps Kasai, then kicks him low. Well, he certainly had it coming. Honda in and Hino goes to chop him, which Honda keeps blocking / begging off. Finally Honda bows to Hino, says something and salutes Hino. After a moment Hino returns the salute instead of chopping Honda. As they stand there Mochi hits a Thesz press on Hino, who then rolls out of the ring. Reverse DDT from Honda on Miyako sets up a Mochi top rope frog splash for the win. Odd that Miyako’s band never got involved, given the match was no-DQ and they were sitting near the ring the whole time.

That was ridiculous, but in most of the right ways. I didn’t follow (nor like) everything, but overall it was a fun combination of absurdity and intense brawling, and never pretended to be anything else.

4) Tag Team #1 Contendership: Buribato (SAKI and MIZUKI) vs Azure Revolution (Maya Yukihi & Risa Sera)   **1/2

Buribato impressed my quite a bit the first time I saw them (in the main event of a Gatoh Move show), so I was pretty excited to see them here against IR mainstays Risa and Maya with a shot at IR’s tag titles on the line. Handshakes all around before the bell.

Mizuki and Risa start, kind of, as Maya comes back in at the bell and knocks Saki off the apron so Azure Rev can doubleteam. Mizuki’s whipped to the corner and hit with the double running elbow right away, but Saki’s back and “fights off” Maya by kicking her once and having Maya run away outside for some reason as Buribato attacks her partner. Double faceplant on Risa followed by a double arm wringer and they hit their trademark pose.

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NOW the one on one starts between Risa and Mizuki… nevermind again, as Mizuki hits a couple boots and then immediately tags out. Scoop slam by Saki then she locks in an abdominal stretch with headlock on Risa. She lets that go after a few seconds and ties up Risa’s arms and legs and suspends her in the air. Impressive hold that the crowd murmurs in appreciation of.

Once she drops Risa the latter takes the opportunity to trip Saki and apply her suspended Boston crab, likewise drawing crowd noise. Every hold in the match so far has only been kept on for about five seconds each, which makes sense with the supporting your opponent’s weight ones but overall is giving the match an odd feel and pace. Wish the partners were breaking them up or something. Triple running double knees to the back gets 2, but after a little back and forth Saki hits a suplex and tags Mizuki.

Risa’s receives a drop toehold against the ropes and Saki grabs her feet and holds her up for Mizuki to hit WGTT’s old leapfrog move (kind of: Mizuki BARELY cleared Saki and landed on Risa’s legs instead of her back). Mizuki presses the advantage until Risa creates an opening and hits the double running knees in the corner followed by her spinning side slam for 2. Tag and Maya’s in for the first time. Elbow followed by a kneedrop that clearly misses Mizuki’s head gets 2. Mizuki swats away a kick, but gets sent to her knees by one to her legs then one to the chin gets 2.

Mizuki rolls under a clothesline then has one of her own ducked, then kind of staggers in place for a second until Maya remembers to grab her in a waistlock from behind. She fights out and gets an awkward body scissors takedown into a (nice) pinning combination for 2. Mizuki with a wheelbarrow rollup but she rolls right off Maya into the corner, jumps to the middle turnbuckle and twists around to jump into a doublestomp for 2. Nice spot. Tag to Saki who hits a trio of running shoulder tackles for 2.

Saki keeps control and goes for a giant swing, but only gets about a revolution before losing Maya. Don’t know if that was a bad grip on her part or lack of cooperation. She does it again and gets the move for an appropriate length of time, though clearly doing it through power and struggling to keep it going. Gets 2. Scoop slam in the corner and Saki goes to the middle turnbuckle, but Maya rolls out of the way of the Vaderbomb. Risa in and Azure Rev with a couple of doubleteams featuring Maya setting up variations of Risa’s running double knees then Maya hits her standing leg drop for 2.

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Slam by Maya as Risa holds Mizuki back but the swanton misses. Crossbody by Mizuki on both opponents into Saki schoolboying them both gets 2. Mizuki and Risa brawl outside and Saki hits a a pair of Vaderbombs on Maya for 2. Risa back in to intercept and Azure Rev hit a double chokeslam  for 2 (Mizuki saves). Mizuki and Risa back outside and Saki puts Maya down with a shoulder tackle, then tries a suplex but Maya barely goes off the ground. Saki does it again, all power, and hits the move … for 3?!

This was a weird match, with these two teams not having nearly the chemistry they should have. The pacing was off throughout the match, right up to the anticlimactic pin after a vertical suplex. Risa’s exchanges with Buribato were decent, but even those were a little more awkward in parts than I remember them being live. Maya’s timing was off and she also seemed to be literal deadweight for all of Saki’s moves. Now don’t let my criticism give the wrong idea: this was not horrible by any means and there were some fun sequences. But there were also obvious issues and these four are certainly capable of better.

5) Neko Nitta retirement match: Neko Nitta and 235 vs Akane Fujita and Kyuri ***1/2

I feel honored to have been at this event live to see Neko’s last match and retirement ceremony. More thoughts on that here.

Neko and 235’s entrance is shown, as are the ring intros. Neko comes to the ring wearing Pantera Rosa’s mask, which she removes to reveal silver hair for the occasion. Neko gets to play in a lot of streamers during her intro. 🙂

Akane calls for Neko to start, but they refuse and 235 is in for the opening bell. Akane charges her and knocks her back into their corner, and repeats her desire for Neko to come in. Neko obliges and Akane gets the advantage then has Kyuri come in for some doubleteams. They try one too many and Neko takes over, then hits a lungblower on Akane landing essentially into a senton on a prone Kyuri. Tag to 235, but Akane powers her into a slam to take over and Kyuri tags in and applies a nasty submission hold where she’s essentially sitting on the back of a folded in half 235 while pulling back on both arms.

After Kyuri releases she and Akane take turns working over 235 for a while, with Kyuri always going back to the arm and Akane wearing her out with power moves. This ends when Neko breaks another vicious submission hold of Kyuri’s and angrily slaps 235 around a bit to get her back into gear. 235 then hits FOURTEEN of her running crossbodies in succession as the crowd gets more and more fired up the longer she goes. She gets 2 off the last one as Akane breaks by Neko and saves.

An exhausted 235 crawls to her corner and tags Neko, who pulls Kyuri into a camel clutch and scratches her face when she refuses to give up. More face scratching with Kyuri in the ropes, but the latter reverses a scoop slam and tries to make the tag. 235 comes running in to knock Akane off the apron and end that, then she and Neko doubleteam with corner strikes, a 235 crossbody to a seated Kyuri and a Neko senton for 2. Kyuri fights back however with judo throws to both and tags out.

Akane and Neko exchange forearms in a heated sequence that leads to Neko hitting a series of shots with her tail to get the advantage. She goes up to the middle rope and hits a shotgun dropkick then a wheelbarrow rollup for 2. Neko then tours the turnbuckles hitting a middle ropes shotgun dropkick from each on Akane. Last one gets 2. Neko goes up top but Kyuri stalls her enough for Akane to recover and slam Neko off the turnbuckle. Delayed back body drop gets 2. Neko scratches Akane’s eyes then hits the ropes, where Kyuri hits Neko in the back but Neko ignores it, then Neko lightly runs into Akane, who’s halfway to her feet. No bump off that and Neko did no actual strike and seemed to be expecting something else. So she simply beats on Akane a few times and iits the far ropes again, where indeed Kyuri hits her in the back again and this time Akane drops Neko with a double sledge off the rebound. Not usually a fan of repeating blown spots but Neko covered that nicely and the repeat wasn’t as obvious or awkward as it could have been.

Running powerslam by Akane on Neko gets 2. Kyuri hits the fisherman’s then runs over to block 235 as Akane locks in a sharpshooter. 235 gets by Kyuri to break it up, but gets sent outside the ring by Akane. Double whip into the ropes on Neko, but she jumps to the middle rope and comes off it with a double reverse elbow to drop both her opponents. She whips Akane into a corner where 235’s waiting to hit a tornado DDT, then the lungblower gets a close 2 for Neko. Neko picks Akane up and 235 comes off the top with a flying crossbody, then Neko off the opposite corner with a shotgun dropkick for 2 when Kyuri saves.  Kyuri and 235 brawl outside and Neko hits a trio of uppercut palm strikes… for 1. Big pop for Akane’s kickout there.

She wipes Neko out with a shoulder tackle for 2, but Neko reverses a fireman’s carry into a sunset flip for 2 of her own. Another palm strike into another lungblower looks to be it, but Akane kicks out at 2.999. Neko drags Akane into posiition near the corner and finishes her with a moonsault to win her last match. All four wrestlers embrace on the mat and then bow together afterwards and are all understandably emotional.

Solid match that was exactly what it was meant to be: a fitting farewell to Neko during which she got to wrestle with the roster members she learned with.

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Parts of the ceremony where people from Neko’s career came out to present her with gifts and flowers were shown while piano music played. Miyako hitting her over the head with a rose before hugging her was particularly amusing, as was Kasai going for a kiss after shaking Neko’s hand and getting slapped. Then a video message was played from someone who couldn’t attend, and after which Neko stood center ring as the announcer went over career highlights (for which clips played for us dvd viewers), then Neko gave a speech. Neko then received a ten bell salute for the end of career.

Another, greater avalanche of streamers met her at the end of the salute, and once she untangled herself Kyuri, 235, and Akane carried her around the outside of the ring.

The ceremony was an incredible thing to be able to attend love and share with Neko as she retired, and the dvd captured the emotion and highlights of it all wonderfully.

6) Tsukushi vs Ayako Hamada ***3/4

Hamada’s shoulder is heavily taped. Tsukushi looks beyond tiny next to Hamada, who has about 6 inches and 50 lbs on the younger competitor. Collar and elbow tie up to start and Tsukushi really works it trying to back Hamada up, but the latter powers Tsukushi back a couple of steps then pushes her away and into the ropes. They lock up again with similar results, then the third time Hamada finally pushes Tsukushi all the way against the ropes. She breaks clean but Tsukushi grabs her, spins her around, and hits a forearm. Nice show of intensity so far from Tsukushi kind of acknowledging she’s got an uphill battle while not being intimidated and holding her own.

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They go back and forth for a bit with Hamada trying to use her size and power advantage along with her own speed to get the better of Tsukushi, and the latter being just a little quicker and avoiding most of it while getting a couple shots in here and there. Once Hamada catches Tsukushi she hits a trio of slams and goes into a Rings of Saturn variation to wear Tsukushi down. Once Tsukushi reaches the ropes they do a forearm exchange with Hamada leveling Tsukushi each time and shrugging of the retaliations until Tsukushi hits THIRTEEN in rapid succession to stun Hamada briefly. She tries to follow up with a wheelbarrow roll, but Hamada powers her over into a nice wheelbarrow suplex instead.

Another forearm lays Tsukushi out and Hamada goes up for the moonsault, but Tsukushi rolls inside and it misses. Double rotation flying headscissors (during which Tsukushi lost momentum in the middle but they managed to right themselves without being too obvious and finish) sends Hamada outside. Tsukushi climbs the turnbuckles and hits a crossbody to Hamada on the floor. Back in, after a missile dropkick Tsukushi targets Hamada’s leg, including a sweet counter of a Hamada spin kick into a knee bar. Hamada makes the ropes to break but Tsukushi then hits a dropkick as she lays against them.

Tsukushi then hits a tiger suplex(!!), but can’t keep the bridge for the count. So she goes for it again, which makes total sense within the match context and doesn’t come across as a redone spot,  and just nails it with a perfect arch and bridge for 2. Looked crazy impressive on the much larger opponent and the crowd “oooh”ed appreciatively. Hamada fights off a third then sits down on a Tsukushi victory roll attempt for 2. Tsukushi tries another wheelbarrow, but just gets spun away through the air. Tsukushi attempts to counter Hamada’s powerbomb with a hurricanrana, but Hamada’s too strong and lifts Tsukushi back up to complete the move, but Tsukushi goes up and over instead and gets a sunset flip for a very close 2.

A clothesline by Hamada as Tsukushi comes off the ropes ends Tsukushi’s momentum, and Hamada press the advantage with a couple of strikes before putting Tsukushi on the top turnbuckle. The latter fights off the slam attempt however and executes the vistory roll she was going for earlier for 2. Then the wheelbarrow roll for 2. Nice callbacks to her earlier strategies. Tiger attempted again but Hamada counters into a big backdrop suplex.

Tsukushi goes through Hamada’s legs to avoid the powerbomb, but Hamada leg lariats (the general area kind of near) Tsukushi’s head to put her down again. The youngster looks to be out but when the sitout powerbomb finally connects it only gets 2. Big applause for that kickout. Hamada’s shows a mixture of disbelief and respect on her face, but that was all Tsukushi had left and a spin kick to the head puts her down for 3.

Don’t know if it was the taped shoulder or just the passage of time, but Hamada was definitely more methodical here than I remember. The structure was somewhat odd, as Hamada never really paid for taking Tsukushi a little lightly here and there (and in fact won with a lackadaisical cover) and never sold Tsukushi’s legwork. That said, they did build to believable nearfalls to sell a possible upset and the counters and Tsukushi’s going back to things until they worked gave a strong backbone to the action. This played a little better on dvd than I remember it being live.

7) Tag Title Match: Best Friends (Fujimoto and Nakajima) vs Avid Rival (Misaki Ohata and Ryo Mizunami) ****3/4

I adore all four competitors and this was tied for my favorite match out of 84 I saw while visiting Japan. Let’s see how it holds up.

Champions’ entrance is shown, coming out to the same song they sung to open the show. Their wearing all their belts, which is quite the awesome sight. Introductions are shown too, a nice touch for title matches. Knowing Misaki can play the energetic, “bubbly” babyface, it’s highly amusing to see her play the more serious “straight man” in Avid Rival counter to Mizunami’s exuberance. The charisma Mizunami has developed in the couple years since I last saw her is incredible. She was always solid in the ring, but now she’s absolutely captivating in her mannerisms and expressions.

Stern faces on all four during the pre-match portion, but handshakes all around regardless. Tsukka and Mizunami start. They trade waistlocks with Muzunami having a slight advantage due to her power and she takes Tsukka down and trasitions into a front facelock, but Tsukka immediately rolls into one of her own and they trade reversals on that for a few go rounds. Mizunami once agains starts to establish and advantage, so when Tsukka escapes that time she goes back to the waistlock, but Mizunami cinches in a side headlock to counter. Interesting storytelling here early on, as they’re practically even but Mizunami is just getting the slightest little edges here and there to subtlely establish she’s a threat to the champion.

She flips Tsukka over in a side headlock takedown, countered with a headscissors, Mizunami kips out and rushes Tsukka, legs swept and a cover for less than 1, Tsukka rushes Mizunami now, legs swept and a cover for less than 1 as Tsukka bridges out, Mizunami rolls under Tsukka’s kick, and there’s the stalemate square up as they eye each other wearily. Counter wrestling like that is so much fun when done properly, and of course these two did.

Switch on both sides and now it’s Misaki vs Arisa. It’s formulaic but “different sets of opponents facing each other” is always a great way to start big tag matches. In contrast to how their partners started, these two go straight into a collar-and-elbow tie up and simply try to power each other backwards. No go either way so they mutually break after a few seconds. They circle and Misaki gestures for a test of strength, but Tsukka comes in and attacks her from behind (BOO!). The rest of the audience doesn’t mind the illegal assist, as BF’s double dropkick to Misaki gets applause, as does their subsequent double kick to the chest.

Mizunami is intercepted by Arisa trying to come to Misaki’s aid, and BF’s throw Avid Rival into opposite corners. However Avid Rival do-si-do when whipped toward each other and splash BF’s back into the corners. Misaki and Mizunami then do Mizunami’s trademark fire up / pose of kissing their knuckles and splash their opponents again, then criss cross and Misaki nails Arisa with the seated crossbody while Mizunami lariats Tsukka in the opposite corner. Crowd equally happy with that sequence so we’ve got a hot title match here with the audience into whatever awesome wrestling they see and no obvious favorites or heels so far.

Misaki goes up to the top turnbuckle as Mizunami wrangles both BF’s on the outside, but they move and Misaki nails Mizunami with the crossbody to the floor. As AR gets up Arisa hits them both with a dropkick from the apron, then Tsukka follows with her own crossbody from the top to the outside. Amusing side note: this all happened about ten feet from me live, which was so awesome.

Arisa rolls Misaki back in and she and Tsukka go up in opposite corners to hit missile dropkicks in sequence. As Misaki rolls from the impact of Tsukka’s Arisa has already gotten up and grabs Misaki from behind to go straight into a German suplex for 2. The only wrestlers I can think of that throw Germans anywhere near as good as Arisa are Akira Tozawa, and Arisa’s opponent here in Misaki. I could watch any of the three of them hit nothing but German variations for an entire match (although I probably wouldn’t want that to happen to their poor opponents). Arisa kicks at Misaki’s face, which fires the challenger up and she catches one, gets to her feet, and starts a STIFF forearm exchange. They’re laying into each other gloriously. Misaki eventually ends the back and forth with a flurry of around ten rapid fire shots, but when she hits the ropes to press her advantage Arisa catches her with a Cutie Special for 2.

Then Arisa hits the ropes, but this time Misaki counters and levels her with the spinning double sledge for 2. The energy level of this back and forth is incredible, and the crowd is loving it. Another switch in momentum, and Arisa slips behind Misaki and hits a release German, but when she charges Misaki afterwards the latter swats away a kick and hits her own release German. Shotgun dropkick sends Arisa into AR’s corner, and Misaki follows with the seated crossbody to finally establish a little bit of a sustained advantage. Tag to Mizunami.

The powerhouse stalks Arisa and nails her with a spear. She then picks Arisa up into running powerslam position, but Arisa drops down behind Mizunami, ducks a clothesline, then hits the ropes… to run right into a powerslam for 2. Nice sequence. Running Guillotine Drop misses, and Arisa goes for a German, but Ryo sets her weight to block, then hits a back elbow to break the waistlock. This leads to a forearm exchange to each others’ faces and the crowd is WAY into it since Mizunami’s hitting even harder than Arisa does. She eventually hits a flurry for the advantage, but Arisa ducks the last one and Tsukka slips in and hits her rollup into the kick to the chest. Arisa follows with the rollup into a doublestomp, then they hit their version of 3G’s Hangover for 2.

Back to just Arisa and Ryo, and the latter fights off a full nelson, but then eats SIXTEEN rapid fire forearms from Arisa. Arisa backs up for a big clothesline, which Mizunami ducks, but Arisa spin right around into another forearm shot that ROCKS Ryo. STRAIGHTJACKET GERMAN!!! Love that move, and Arisa nails a beauty here. Gets 2 as Misaki saves.

Tag to Tsukka and she sprints along the apron to a neutral corner and climbs for a missile dropkick, then nails the running dropkick in the opposite corner (which Mizunami rolled into from the impact of the missile). Misaki interrupts a suplex attempt and AR whips Tsukka into the ropes, but she catches them both with a dropkick on the rebound. Exquisitely done too, catching each opponent with one of her feet square in the center of their chests. Tsukka does a forward rollup kip up and plays to the roaring crowd for a second, then hits a trio of hard kicks to a seated Mizunami’s back. Rebound kick to the chest is ducked, but Arisa’s in and plants a savate kick right to Mizunami’s jaw as she gets to her feet.

Best Friends with a double whip to the ropes, but Mizunami levels them both with a double spear off the rebound. She calls Misaki in to knock Arisa out of the ring, then Mizunami ties Tsukka up in the ropes and AR take turns splashing her. When she stumbles into the center Mizunami hits the running Guillotine Drop for 2.

Mizunami lifts Tsukka into torture rack position, but when she looks to turn it into a burning hammer Tsukka does a beautiful flip off Mizunami’s shoulders to counter and lands on her feet. She hits the ropes, but Mizunami catches her and spins her up into a torture rack while Misaki dashes along the apron to a neutral corner. Sitout burning hammer  sets up a diving splash from the top by Misaki (on a perpendicular Tsukka, so Misaki does a sweet turn in mid-air to land properly).

Misaki blocks Arisa and Mizunami nails the lariat on Tsukka for 2. Mizunami seems to signal the end and gets a full nelson, but when she tries to suplex Tsukka the latter breaks the holds and whips Mizunami into a yakuza kick by Arisa (who broke free of Misaki). Hurricanrana rollup gets 2 for Tsukka. She hits the far ropes for momentum and run right into a HUGE lariat from Mizunami. Gets 2, with Arisa just BARELY getting free of Misaki in time to break up the pin. Great stuff.

Misaki sends Arisa out and runs back to her own corner to tag in and give Mizunami a breather, and hits Tsukka with a sweet deadlift German with a perfect bridge for a close 2. Tsukka fights off a fisherman’s suplex, but Misaki whips her to the ropes and Mizunami comes back in to help hit a 3D on Tsukka for 2. Great dramatic moment there as Arisa was trying to run around the ref and Mizunami and couldn’t make it in time, but Tsukka kicked out at the last second anyway to keep the match alive.

Ohata hits the ropes as Tsukka rises but gets caught with a double dropkick by both member of Best Friends. She ends up sitting against the ropes and Arisa hits a running kick to the face followed by a dropkick from Tsukka. They both go up and Misaki stumbles to her feet and eats a double missile dropkick (with Arisa clearly hitting first and hard but Tsukka still mostly connecting so it still looked good overall) for 2.

Tsukka calls for the Venus Shoot, but Misaki steps into the corner to block and hold up Tsukka for a second for Mizunami to knock Tsukka down with a nasty right hand from the apron. Misaki hits a trio of rolling bridging Germans (and I have to put her up neck and neck with Arisa on her execution of them all match) and holds the last one for 2.999 as Arisa breaks free of Mizunami and hits Misaki out of the bridge with a dropkick to save the titles.

Misaki directs her partner to take care of Arisa, then gets a fisherman’s buster on Tsukka for another extremely close 2. Tsukka just willed her right arm / shoulder up at the last second there. Misaki pulls a largely lifeless Tsukka up and gets into crucifix position, then Mizunami seems to be about to pick them both up like that, but Arisa comes flying in with a missile dropkick to Mizunami to stop it. Misaki drops off Tsukka and tries to attack Arisa, but takes a release German for her troubles.

Misaki tries to block another German from Arisa by settign into wheelbarrow position, but Tsukka hits a sliding kick to Misaki’s face THROUGH ARISA’S LEGS, then rolls out out the way as Arisa uses that momentum to complete the deadlift German. Since Tsukka’s legal, as Arisa holds the bridge Tsukka flips over Misaki into a jackknife cradle for 2. AWESOME sequence. Tsukka jumps into crucifix position and converts into the Infinity. Misaki’s going NOWHERE but Mizunami saves the match.

Tsukka hits a strike combination and jumps into code red position, but Mizunami LEVELS her with a lariat to counter. Misaki with a floatover rollup for 2. Both up, Misaki hit a trio of spinning double sledges, but Tsukka follows her into the ropes and surprises her with the Tsukadora! Mizunami saves at the last second and the crowd’s going nuts. Arisa runs in with a release German to take Mizunami out of the equation. Enzugiri by Tsukka on Misaki sets up the Venus Shoot! 1, 2… kickout! Crowd erupted for that unexpected escape and Tsukka’s selling complete shock. Arisa calls for the end though, and a release dragon suplex from her leads to the Tsukka-chan Bomb (Code Red) by Tsukka to retain.

Yeah, this held up big time. Four fantastic wrestlers going all out in a championship match and really embracing and taking advantage of the tag team format. So many awesome doubleteams, reversals, back and forth spots, etc. Everything I love about pro-wrestling, and a MOTYC for me.

8) Ice Cross Infinity Title Match: Aoi Kizuki (c) vs Hamuko Hoshi ****

Big fan of defending champion Aoi, but the challenger hadn’t impressed me much leading up to this, so my expectation were middling.

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Full entrances for both competitors for the first time tonight. Don’t know if that’s because it’s the main or a telegraph of the finish.

Tentative circling to start then they lock up hard only to stalemate. Hoshi baits Aoi and she charges, only to have Hoshi roll under the clothesline and start her posing. Well, at least were getting that out of the way early. Aoi slaps Hoshi’s hand in annoyance during the routine and hits the ropes, but eats a lariat on the rebound for 2. Hoshi with a bunch of overhand chops, which Aoi absorbs as she flexes and walks forward to back Hoshi up a bit. She then responds with her windmill double chops, then sends Hoshi into a corner for machinegun chops. Double claw to the belly and she tries to toss Hoshi, but the latter send Aoi spinning away instead. I think that’s the first belly spot from Hoshi I’ve actually found amusing.

Aoi with a nice cartwheel out of a hairmare attempt, then lands a dropkick. Hoshi catches Aoi charging into the corner with a kick to the gut, then goes up for her belly rub to the face spot. She whips Aoi to the opposite corner, follows with a splash, then hits the buttblocks (which honestly look particularly ridiculous here since Aoi’s so much taller Hoshi’s impacting her thighs instead of her midsection), but Aoi explodes out of the corner with a faceplant as Hoshi celebrates. Senton followed by a twisting splash gets 2.

Both up, and after a Hoshi clothesline is ducked Aoi forces her back in STO position over Aoi’s knee for a submission attempt. Aoi reverses direction and tosses Hoshi away to break. Aoi attempts the crossbody in the corner, but Hoshi runs out to meet her Vader vertical splash style and Aoi’s knocked out of the air. Running belly to the face gets 2. Hoshi hits a shotgun missile dropkick and a folding press for 2, then converts right into a STF when Aoi kicks out.

Aoi reverses by rolling over into her own STF (nice counter I don’t think I’ve ever seen before). It’s in for a while until Hoshi claws to the ropes to break. Aoi ducks a clothesline and gets a wheelbarrow drop toehold to go right back into the STF. Good strategy. Aoi tries to grab Hoshi’s hand when she gets close to the ropes to prevent the break but can’t do so without losing the hold, so Hoshi does indeed make the ropes again to break.

Aoi sets Hoshi against the ropes and hits the opposite side for momentum for the crossbody, then gets a Northern lights suplex with a bridge for 2. She goes up to the top turnbuckle and Aoi’s swivel splash gets 2. She pulls Hoshi to her knees and turns to hit the ropes, but Hoshi grabs Aoi’s ankle to block. Aoi fights free, kicks Hoshi, and hits the ropes, but Hoshi catches her with a lariat for 2. Samoan drop lays out Aoi for Hoshi to go up top, but Aoi rolls inside of the splash attempt and Hoshi eats canvas.

Hoshi to her feet and “bongs” her tummy to indicate she’s fine. Aoi with a leaping clothesline, but Hoshi doesn’t move. Hoshi hits the ropes and Aoi takes the clothesline and rolls right back up to show her own toughness, then ducks another and hits a release German on Hoshi(!!). Hoshi responds in kind and they’re both slow to get up. Simultaneous clotheslines and neither goes down, then Aoi hits the ropes and does a spinning leaping clothesline for 2. Both are down and the ref gets to 9 before they both get back up.

Nice forearm exchange on their knees as both sell exhaustion yet not backing down or giving up. They stumble to their feet and Hoshi hits standing back and forth clothlines to Aoi’s chest and back to get the advantage. Aoi ducks the big one though and nails a beautiful bridging German for 2. Scoop slam and Aoi goes up for the Happiness Splash, but Hoshi moves and the champ hits the mat hard (looks like harder than she thought too: might have been the first few time she’s missed that move and it seems she smacked her face on the landing).

Hoshi follows up with an exploder, then puts Aoi on the turnbuckles. They exchange shits as Hoshi climbs up with her, then Hoshi gets Aoi on her shoulders and gets a super Samoan drop from the second turnbuckle. Hoshi goes up and hits a splash fro mthe top turnbuckle for 2.999. Live I thought that was it. Aoi ducks a clothesline but Hoshi adjusts and hits one to Aoi’s back, but when she goes to the ropes to capitalize Aoi catches her with a small package off the rebound for 2. Aoi tries to spin Hoshi around into a rollup, but Hoshi sets down on her for 2. Hoshi does her roll over downed opponent, but instead of getting a cover out of it Aoi leverages herself up just enough to put Hoshi’s own shoulders down for a close 2.

Aoi calls for the end and looks for a straightjacket German, but Hoshi gets a hard short lariat instead. But Aoi kicks out at 1. Hoshi hits the ropes and another lariat but Aoi kicks out at 1 AGAIN, then unloads with forearms to Hosi’s face, then a slap. Aoi’s playing this like she’s using any and all of her reserves / remaining energy. She goes for the ropes, but jumps into a spinebuster and Hoshi gets 2. Another lariat gets 2. One final lariat and the champ is done. Hoshi gets 3 and the IR title.

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This was much better than I expected live, and I think it plays ever better on disc. It felt off formula, with them going for some signature moves early and then just pulling out all the stops as they pounded on each other back and forth until someone couldn’t get up. Great, well told story. Wish Aoi had retained, but given her subsequent leaving of IR the outcome obviously makes sense (wonder which decision was made first though…). Easily the best match I’ve seen from Hoshi, and I definitely would like to see more lariat throwing, tough as nails Hoshi and less Lovely Butcher belly wielding Hoshi going forward.

Mochi attacks Hoshi as the latter basks in her moment to make a point and challenge her for a title match. Seems like a competition thing and not a full heel turn / breakup of the team though. Weird.

Footage is shown of the roster going through the crowd shaking hands and thanking everyone for coming. They announce their biggest attendance ever for the show, and the champ leads the “Happy Ice Ribbon” cheer to finish up.

Overall

Suitably awesome show for IR’s biggest of the year with a fun undercard, an emotional retirement ceremony, and two great matches on top. As I mentioned in my live thoughts, when the only criticism I have of a show is that given the talent involved I know a few undercard matches could have been even better I’d say things went well. 🙂

Categories
Film Japan

Japan Society Talks+: Gifu, The Heartland of Japan

Japan Society’s Talks+ program features a variety of lectures and events throughout the year that provide wonderful examinations of numerous aspects of Japanese culture. Currently there are several related events running that provide a spotlight on the Gifu prefecture, which began with a lecture and reception entitled “Gifu, The Heartland of Japan.”

 

 

The lecture portion of the evening was introduced by Japan Society president Motoatsu Sakurai and had opening remarks by The Honorable Hajime Furuta, Governor of Gifu, who gave historical context to Gifu and talked about his current US trip and some exciting new developments in terms of cooperation towards tourism and historical preservation and recognition between Gifu and parts of the US.

 

 

Moderator Susan Miyagi Hamaker then explained the basics and traditions of Jikabuki, including audience participation and the amateur nature of the performers, and introduced an abbreviated ten-minute performance by the Tono Kabuki Nakatsugawa Preservation Society. It was fun to watch and a nice spotlight on this form of Kabuki theater that is most active in Gifu.

 

 

After the performance Graeme Howard, Coordinator for International Relations for Gifu Prefecture’s Tourism Promotion Division, gave the longest section of the lecture in which he talked about some of the wonderful places and things to see and experience in Gifu as well as their culinary and artistic specialties.

 

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Following Graeme’s presentation the lecture concluded with a personal tale from Dr. Sylvia W. Smoller, whose parents survived the Holocaust due to the decision of humanitarian Chiune Sugihara, who issued transit visas to Jewish refugees during the Holocaust despite his government’s orders. In addition to the emotional tale of her family’s journey and Sugihara’s selfless actions, her talk including interesting thoughts about the character behind such important acts and the environment needed to foster them.

 

 

The entire lecture was wonderful, highlighting everything from the history to the art and culture to the food of Gifu, as well as the people themselves.

 

 

But that was only half the evening, as afterwards attendees were treated to a sampling of incredible dishes featuring Gifu’s famous Hida Wagyu beef and sake brewed using Gifu’s pristine waters as well as an exhibition of some of Gifu’s pottery and a chance to meet and gets pictures with the Jikabuki performers.

 

 

Excellent even above Japan Society’s Talks+ already high standards, “Gifu, The Heartland of Japan” was a great evening that provided a multitude of information and experiences related to the subject province.

 

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Categories
Japan Reviews Wrestling

Ice Ribbon Vol. 707 & 708 DVD Review

Vol 707: February 11, 2016 in Tokyo, Japan

First time in a while I’m reviewing a disc without knowing any results (as usually it’s somewhat unavoidable due to either passage of time, having seen the shows live, or researching what to buy – the cards alone sold me here). Should be fun. 🙂

Everyone comes out in turn for a few words to open the show (while IR’s standard music plays), ending with new Ice Cross Infinity Champion Hamuko Hoshi.

1) Yuuka vs Kyuri

This will be an interesting matchup as it features two of IR’s biggest rising stars. Yuuka pushes Kyuri against the ropes off the initial lockup, and we get a clean break. She then gets the better of some chain wrestling and follows by taking Kyuri down with a dropkick. Scoop slam sets up a high angle Boston crab and it’s all Yuuka so far. Forearm with Kyuri in the ropes and Yuuka attempts the running one to follow, but Kyuri with a great counter right into a Fujiwara armbar. Yuuka rolls out but Kyuri adapts and modifies into a crossarm submission. Yuuka makes the ropes with her left leg to break.

Hard kick to Yuuka’s arm then a running forearm in the corner for Kyuri, but Yuuka reverses a second into a running dropkick in the corner then hits another in the center of the ring for 2. Yuuka tries the crossleg scoop slam but Kyuri blocks and they go into a heated forearm exchange. Nice spot at the end where Yuuka hits three of them, then Kyuri ducks a big one, but instead of Kyuri getting control off of that Yuuka adapts, spins around and catches Kyuri with another forearm anyway. Occasionally varying the normal formulas even a little can really add to the immersion of a match.

Kyuri takes over with a trio of slingblade style clotheslines for 2. Cartwheel splash gets another 2, then Kyuri goes for a cross armbreaker, but Yuuka keeps her hands clapsed and momentarily elevates Kyuri then slams her back down to break. Even though she didn’t get the full powerbomb style counter there it was still a very impressive feat of strength. Yuuka up top and hits a shotgun missile dropkick for 2. Scoop slam and she goes up again, but Kyuri moves out of the way of the super diving forearm. Yuuka ducks a kick and tries a schoolboy, but Kyuri grabs Yuuka’s arm, pushes it up, and locks her own legs around it in a great counter hold.  Yuuka claws to the ropes to break.

Fisherman suplex attempt is blocked by Yuuka, but Kyuri ducks a clothesline attempt and nails a lungblower then goes back to the fisherman’s and gets 2. Kyuri fires up the crowd and goes to the top with a flying crossbody for 2.999. Scoop slam sets up the crossarm submission, but Yuuka cradles her for 2, then ducks a clothesline and gets her floatover backslide for 2. I totally bought that as a slight upset win for Yuuka.

Kyuri ducks a running forearm and gets a small package for 2. Yuuka rolls through to avoid a rollup attempt, then gets the 120% rollup for 3! Kyuri is shocked. FANTASTIC selling and attention to detail by Yuuka as she directs the ref away from her injured arm to raise the other one. Nice win for Yuuka over the heir apparent for the Triangle title. Great little match that made the most of the time given. These two have bright futures ahead of them.

 

 

2) Miyako Matsumoto vs Misaki Ohata

These are two of my favorites and I personally haven’t seen them in the ring together before, so I’m quite looking forward to this. Lockup and Ohata immediately pushes Miyako back to the ropes and double slaps her chest dismissively on the break. Miyako sells this like she just received Misawa shotgun chops, holding her chest, dancing around in pain, and giving the ref the same slaps to show him what it felt like. After shaking it off and psyching herself back up, we get another lockup during which Miyako runs her mouth and pumps her legs trying to move Misaki and the latter just holds her ground and smiles. 

Miyako finally backs Ohata up a couple of steps, so Misaki boots her in the midsection and grabs a wristlock. They roll through each other’s attempts a few times, then Miyako cranks Misaki’s arm for three revolutions, to which Misaki responds by calmly reaching forward with her other hand and covering Miyako’s nose and mouth. Miyako ducks a clothesline and tries to grab the arm again and pose, but Misaki covers her mouth again to Miyako’s dismay.

Another clothesline by Misaki ducked and Miyako tries to force Misaki to pose, but gets caught with a snapmare instead and eats the seated dropkick. Misaki finally realizes she’s not necessarily happy with the results of placing her hand over Miyako’s mouth, and wipes it off on the ref’s shirt. Misaki calls out something to the crowd’s “oohs,” then hits a double sledge and an elbow drop, then bows to the crowd to applause. Misaki turns the prone Miyako around on the mat, then chops her chest to flip her over, then spanks her with chops a couple times. Miyako tries to roll away, but it only results in Misaki standing on her stomach near the ropes. Misaki’s just decimating and toying with Miyako thus far.

Face slam to the mat and Miyako complains loudly and constantly as Misaki sets up a camel clutch. Tiring of it quickly, Misaki applies the hold over Miyako’s mouth to shut her up. Amusing bit as neither Misaki nor the ref are certain whether Miyako’s giving up because her mouth is covered, so Misaki removes her hands slightly, but Miyako starts screaming again so they go right back into place. Misaki  tires of this and slams Miyako’s face into the mat again to break the hold.

Misaki fires up the crowd and hits a curb stomp for 2. Miyako shows signs of life by reversing a whip into the corner, but Misaki completely laughs off her subsequent running forearm and avoids a running dropkick by swatting Miyako away on her backside. Misaki finally seems to take it one step too far by calling Miyako names, as the latter immediately catches Misaki with the running doublechop afterwards. Only gets 1, as appropriate for Miyako’s first effective offensive move of the match. Miyako absurdly argues with the ref that the 1 count was in fact 3. She tries to position Misaki on the mat but Misaki stands up despite Miyako’s efforts to push her back down.

A Miyako forearm prompts a look of annoyance from Misaki who nails one of her own to send Miyako back to the ropes and doubled over. The next several exchanges go the same, until Miyako ducks one of Misaki’s and makes her pose. Misaki looks dejected that she fell for that, and Miyako gets a schoolboy rollup for 2. Misaki lays on the mat in frustration and Miyako sort of applies a spinning toehold, and asks Misaki to give up prompting a very flat “no.” So she reapplies it four more times with the same result, with Misaki’s “no”s getting louder more out of annoyance than pain. Miyako drop an elbow across the leg and pulls back, finally seeming to cause Misaki some pain. Misaki still emphatically refused Miyako’s pestering to give up.

Miyako slams Misaki after a rope break and Misaki starts to bring her knees up as Miyako jumps over her to start Mama Mia posing. Miyako turns back around and despite Misaki’s knees still being half up she kind of goes for a splash and kind of gets kicked away by Misaki. Rare awkward sequence from these two. Miyako crawl to the corner and gets hit with Misaki’s awesome seated crossbody. Misaki goes up top as Miyako stands and beckons her into the corner. Miyako foolishly charges and get caught in the over the ropes hanging armbar. Nice athleticism shown by Misaki as she keeps her legs hooked in the ropes when releasing the hold, then essentially does a situp to get back on the top turnbuckle. Missile dropkick gets 2, and Misaki grabs Miyako’s arm as the latter kicks out to go right into a Fujiwara armbar variation. Miyako eventually rolls out of it, so Misaki simply kicks her in the same arm.

Several standing switches on Misaki’s German suplex attempt, until Miyako drops down and rolls Misaki up for 2. Small package gets another 2 for Miyako. Misaki kicks at Miyako, but the latter then ducks the spinning double sledge, hits the ropes, then very slowly and awkwardly twists through grabbing Misaki’s leg. Once she has it she forces more posing and drops Misaki with an STO for 2. Miyako positions Misaki and goes to the top, poses with the refs help, and of course jumps right into Misaki’s raised boots. Misaki follows with a running crossbody to a seated Miyako for a close 2.

Spinning double sledge hits and Miyako just crumples, and Misaki goes up. She amusingly calls the ref over to try her own Super Mama Mia, and gets the pose for a split second before splashing Miyako for the win.

This was exactly as expected, with Miyako getting her antics and a couple of offensive flurries in in between Misaki mopping the floor with her. I could have gone for something slightly more even and as mentioned Miyako struggled with a couple of spots which broke the flow a bit, but that all goes along with her gimmick and overall this was quite fun.

 

3) Hamuko Hoshi and Maruko Nagasaki vs. Tsukasa Fujimoto and Tsukushi

I believe Tsukushi had been announced as Hoshi’s next challenger (in March) at this point, but I’m not positive. Wait, now I’m pretty positive as Tskushi pulls her hand back from Hoshi’s pre-match handshake (after shaking with Maruko just fine). Hoshi and Maruko ambush their opponents with running dropkicks to start the match. Tsukka and Tsukushi are whipped into the same corner for a running forearm by Maruko, splash by Hoshi, then double team buttblocks.

Stereo slams, but Tsukka and Tsukushi both bridge out of pin attempts and land stero dropkicks. Tsukka and Hamuko leave the ring and Tsukushi works over Maruko for a minute before cheapshotting Hoshi on the apron and calling in Tsukka for alternating “running on opponent’s back” spot. As usual Tsukushi messes with her partner during this, attempting to drop toehold Tsukka onto Maruko. Tsukka half stumbles instead, pushes Tsukushi out of the way and finishes the spot. Amusing.

Tsukushi with a surfboard, then a dropkick into the ropes, but Maruko dodges the seated version and ties Tsukushi up for a running dropkick of her own. Maruko with a nice spinning sunset flip for a close two after a whip into the corner reversal. Tsukushi forearms Maruko, then when the latter returns the shot Tsukushi uses the momentum to turn around and nail Hoshi on the apron with one. It’s little touches like that that make Tsukushi so good. Maruko falls into the ropes after a stunner by Tsukushi and nails a dropkick off the rebound to give her enough space to tag Hoshi. The champ comes in with a big shoulder tackle, but Tsukushi kips right up with a kick to the midsection… which doesn’t have any effect because belly power.

Hard forearm exchange and another nice touch: Tsukushi being vicious and aiming all of her forearms for Hoshi’s face instead of her chest. Tsukushi eventually gets the best of it but then rushes Hoshi who does a standing Vader splash and sends Tsukushi flying. Running belly to the face countered with a dropkick, but whatever Tsukushi had in mind to follow is countered with a big lariat for a close 2. Tag by Tsukushi after some more back and forth brings in Tsukka, and in a great sequence Tsukushi missile dropkicks Hoshi into the opposite corner and Tsukka hits the running seated dropkick as soon as she stops rolling, which Tsukushi follows with a seated crossbody seconds later. Hoshi staggers to her feet and Tsukka hits her own missile dropkick for 2.

Tsukushi comes in again but Hoshi flashes the power and reverses a double suplex attempt to put both Tsukka and Tsukushi down. Scoop slam on Tsukka sets up a second rope splash, but Tsukka moves then wears Hoshi out with kicks for 2. Tsukka jumps back up top, but Maruko grabs her until Hoshi can recover and pull Tsukka into a fireman’s carry. Tsukka tries to wiggle into a sunset flip, but Hoshi sets down on her for 2. Reversed to complete the sunset flip for 2, which is reversed back again for 2. Tsukka ties a rollup from the mat but Hoshi sets down again to surprise her for 2.999. Crowd bought that as a possible finish. Enzugiri puts Hoshi down, and Tsukka hits the ropes to do Hoshi’s own “rolling over downed opponent” spot to her. Doesn’t really have the same impact given Tsukka’s size, but it amused the fans.

Perhaps a little too confident, Tsukka turns her back on Hoshi to tag, but gets leveled with a German suplex instead. Hoshi tags Maruko and the latter hits a trio of running dropkicks on Tsukka for 2. Tsukka reverses a scoop slam to take over, calls Tsukushi in, then lifts her partner from crossfire powerbomb position into essentially a spinebuster onto Maruko for 2. Tsukka immediately locks in a crossface while Tsukushi holds off Hoshi, and makes Maruko claw and scrape to get to the ropes to break. Double dropkick by Tsukka and Tsukushi gets 2 when Hoshi breaks up the pin. Attempt of the same on Hoshi is countered with a double clothesline and Tsukushi rolls outside.

Hoshi and Maruko go up top in opposite corners and hit subsequent missle dropkicks on Tsukka for 2. Tsukushi comes in to help, but gets caught with a spinning uranage by Maruko, then Tsukka eats one as well for 2. Tsukka pushes Maruko into the ropes from the mat but the followup rollup is again countered, this time by Hoshi hitting her “rollin over downed opponent” as Tsukka spun around for the rollup. Maruko tried to follow with a roll of her own but Tsukka had brought her legs up so the two just kind of got tangled. Maruko pulls her up and hit a uranage for a close 2. Tsukushi and Hoshi fight to the outside and Tsukka counters another uranage into a rollup for 2. Tsukka tries to cave Maruko’s chest in with a kick for 2. Unfortunately for the resilient Maruko, the veteran immediately locks in a double arm stranglehold and Maruko has no where to go and no choice but to give up.

Decent tag match with Tsukushi doing a ton to forward her issue with the reigning champ and Maruko showing a lot of heart before succumbing to Tsukka’s onslaught. Not everything clicked here, but it was a strong, well worked match regardless with great effort all around.

 

4) Risa Sera vs Maya Yukihi

Both members of Azure Revolution seem a little tentative to lock up against each other here, starting with a double overhand wristlock that Risa initially gets the better of but Maya begins to power back out of. Risa doesn’t like the way that’s going so boots Maya in the midsection, snapmares her over, then locks in a bodyscissors. Risa really works it by bridging up repeatedly a few times, then breaks goes into a camel clutch. Maya makes her fight to apply it and then struggles to escape. Slow beginning but they’re telling a story with it and it’s working so far.

Risa just pounds on her partner for a bit, including forearms to the back and dismissive kicks to the chest when Maya tries to strike back from her knees. Several hair-mares and choking in the corner from Risa follow. Interesting to see Risa playing the dominant, uber-confident veteran putting here partner in her place a bit here. Wonder if this was already foreshadowing subsequent Risa’s climb up the card.

Boston crab cinched in for a while, then converted into Risa’s sweet hanging version (holding her opponents arms) when Maya tries for the ropes. Once Risa breaks and picks Maya back up the latter tries to reverse a whip, but Risa simply stomps on Maya’s foot. Risa off the ropes, but Maya levels her with a shoulder tackle for Maya’s FIRST offensive move of any kind in the match a good five minutes in.

Whip into the corner followed by a running knee to Risa by Maya, then a scoop slam and an elbow drop for 2. Seems a bit early for a chokeslam attempt and sure enough Risa fights it off easily, however after she hits the ropes Maya counters with an STO for 2. Hitting the ropes seems to be a bad idea in general for Risa this match. NICE transition by Maya, grabbing Risa’s arm into a cross armbreaker attempt as Risa kicks out. Risa keeps her hands clasped and reaches to the ropes with her feet for the break. Risa counters a hammerlock with a drop toehold and hits her signature repeated running knees to the back for 2.

Forearm exchange, with Risa largely absorbing Maya’s and her own knocking the latter back the ropes each time. Risa drops Maya to her knees with a trio of shots, but Maya jumps up and rolls Risa into a full cross armbreaker this time for a split second before Risa’s long legs get the ropes. Maya staying on the arm, slamming it repeatedly into the mat. She whips Risa towards the corner, but it’s reversed and Risa hits a running elbow followed by the running knees to the downed Maya, then pulls her out of the corner for 2.

Fireman’s carry reversed into a sunset flip for a close 2 for Maya, then she savate kicks Risa in the head as the latter rises for another 2.  Maya rolls Risa into another crossarmbreaker, and they both sell it like crazy as a possible finish with Maya cranking it and Risa screaming in pain and bouncing around as much as she can until her legs finally get the ropes. Maya selling exhaustion, which delays her just enough for Risa to catch her with a dropkick. Swinging side slam follows for 2. Fireman’s carry slam and Risa goes for the cover, but Maya with a surprise small package for 2. Running double knees against the ropes by Risa sets up the Ayers Rock (sitout Fireman’s carry slam) for 3.

Interesting match. They worked a lot in and made it feel fuller and longer than its ten minute length. Maya looked better than I’ve ever seen her here, selling well and working the arm the whole match with laser focus setting up one big moment where it felt the obvious victor might actually be in jeopardy. Risa dominating the entire first half of the match was something different and made her seem a dominant force, something that was presumably built on on their way to crowning her champion. These two are capable of more, but good, tight main event here.

 

Roundtable

As usual couldn’t follow the discussion, but there seemed to be a lot going on. Yuuka was pouting and giving Misaki a hard time about something (with Misaki laughing) until Tsukka stepped in and said something that cheered Yuuka up. Misaki and Yuuka then cheerfully shook hands and slid back off to the side together. Maruko was really emotional about something a little later. Tsukushi taunted Yuuka about something, leading to the latter standing up and the two facing off for a second. Once everyone’s had a chance to speak, Maruko leads the “Happy Ice Ribbon” cheer to wrap things up.

 

Short show, with just 40 minutes of ring action, but as usual Ice Ribbon packed those minutes and it was quite enjoyable. Nothing really must see, but four good matches that all felt different and highlighted different styles

 

Vol 708: February 13, 2016 in Tokyo, Japan

 

1) Exhibition match: Saya vs Yuuka

Exhibition matches in IR are 3 minute time limit contests for trainees to face regular roster members in preparation for matches on the main show. This was Saya’s first exhibition match, so the first look at her work for any audience. Her opponent is Yuuka, who I’ve often complimented as one of the most impressive rising stars in the business.

Nice touch as since this is an exhibition Saya is in sweats and Yuuka is wearing an IR t-shirt over her normal gear. A fair bit of  quick counter wrestling early followed by Yuuka putting the newbie through the paces with snapmares, strikes, whips, etc. Saya did get flashes of offense here and there: scoop slam, dropkick, etc. Also did a great reversal of a Yuuka forearm into a backslide and several close rollups as the match ended. Saya was tentative in the opening seconds (outside of the counters, which looked great), with really weak elbows and a few glances towards Yuuka to get her bearings, but she got past that quick and looked very good overall in this short showcase. Looking forward to seeing her matches as part of the main roster.

2) Miyako Matsumoto & Risa Sera vs Tsukasa Fujimoto and Akane Fujita

The team of Miyako and Risa will always amuse me greatly now after Miyako’s force conscription of Risa during IR vol. 701. The shenanigans start right away, as it looks to be Risa and Akane to begin, but Risa wants Tsukka, but when Tsukka obliges Miyako decides she wants to start as well and pushes Risa back into their corner.

At the bell Miyako runs past a confused Tsukka and knocks Akane off the apron as Risa runs in and hits Tsukka with a forearm, then they doubleteam Tsukka. Amusing. Doubelteams go as normal for Miyako’s partners: Tsukka is whipped to the ropes and hit with a kick from Miyako as Risa holds her partner in the air, then they try the reverse and Miyako is too weak to keep Risa up and drops her on her head. The way Miyako’s cracking up I’m not sure that was planned, but it certainly fit Miyako’s character either way.

Tsukka shows the traditional IR respect given to Miyako by her opponents, namely hair-maring her all over the place then choking her in the corner. Match slows down just a little bit as Tsukka and Akane take turns working over Miyako. The Dancing Queen eventually tries to fight back with the world’s weakest forearms (character detail, not a screw up). Tsukka responds with a hard double chop that sends Miyako scurrying around the ring, to the outside, then trying to crawl towards the back. She runs back towards the ring… check that, AROUND the ring, but Tsukka catches her and it’s back inside for more punishment.

Miyako eventually comes off the ropes with her flying double chop for 2 on Akane and then finally gets the tag to bring Risa in. Risa gets her opponents set up in opposite corners and bounces back and forth between them doing her running elbow followed by running knees in the corner spot on each in turn. Fun sequence. Tsukka sent out and Akane faceplanted for Risa’s triple running double kneedrop spot for 2. Akane reverses a whip and hits Risa with a double chop to create an opening to tag and Tsukka’s back in.

Dropkick in the corner by Tsukka sets up the running version, but Risa charges out of the corner and catches Tsukka with a dropkick of her own. Intense forearm exchange leads to dodging each other off the ropes, then Tsukka tries a rana but Risa holds on and pulls back into a Boston crab variation. Running double knees against the ropes after a rope break, but Tsukka fights out of the Ayers Rock and hits her rollup into a kick to the chest spot.

Tsukka up top and Akane runs over to block Miyako, but the latter amusingly comes in the ropes as Akane was going out to block her and gets in between Tsukka and Risa. Tsukka just nails her with the missile dropkick instead, and Risa boots her partner back out of the ring. BOO to Risa’s lack of gratitude for such a self sacrificing angel.

Another hard strike exchange which Tsukka gets the better of and then whips Risa to the corner for a running dropkick followed by a running forearm by Akane, then Risa falls down in the corner and Tsukka hits the running dropkick again. However as soon as she’s back up Risa hits the spinning side slam for 2. Tsukka’s out of it and Risa nails Ayers Rock, but Akane comes in to break up the pin at 2. Miyako chases Akane out and Risa goes up top in her own corner where Miyako tags in. This can’t be good.

Sure enough, Miyako slams Risa to the mat even though Tsukka had already moved, then rolls forward (still holding Risa’s arms) so she ends up sitting on the mat with Risa in the same position directly behind her. Tsukka kicks the generously presented back (Risa’s) repeatedly while Miyako covers her head as if she’s the one at risk (while being shielded by Risa). Eh, serves Risa right for booting Miyako after she took the missile dropkick in Risa’s place. 😉 Tsukka hits the far ropes and aims to kick Miyako’s chest, but Miyako rolls out of the way. Of course Risa was still right behind her so she took the full force of Tsukka’s kick. Tsukka tries a cover but the ref explains there’d been a tag and Risa’s not legal.

Miyako emphasizes that Tsukka needs to pay attention to her with another baby forearm, so Tsukka pounds on her. Tsukka hits the ropes, but Risa’s still in the ring so Miyako shoves her partner into a shoulder tackle on Tsukka. TEAMWORK, YAY! Miyako puts Tsukka into a corner and directs Risa into a doubleteam version of Risa’s running elbow, then Risa hits the spinning side slam as Miyako goes up top. The ref wants nothing to do with helping Miyako balance, so she calls Risa over. This has taken so long that Tsukka ALREADY has her legs straight up to block as Miyako poses.

Before we can see if Miyako would jump anyway Akane comes in and attacks. Tsukka knocks Risa out of the ring, Akane nails the powerslam, and a Tsukka kick to the chest gets 2. Tsukka locks in a double arm stranglehold and wrenches back. Miyako looks to be fading when Tsukka loses grip on an arm and Miyako frantically tries to escape, but Tsukka gets the hold again. I expected the end right there (especially with Akane blocking Risa from coming in at every turn), but Miyako struggles close enough to get her feet on the ropes to break. Big audience reaction for her endurance there.

Tsukka calls for the Venus shoot, but Miyako ducks underneath and gets her trademark rollup… for 2, as Akane gets by Risa and saves. That would have been quite the upset. Shining wizard gets 2. Tsukka fights back with an enzugiri, but Risa comes in. Ayers Rock, but she hit Miyako with Tsukka’s feet while spinning around. She drags Miyako into a cover for 2 as Akane’s back in to save again.

Risa sends Akane back out and Miyako tries to hold Tsukka in place for Risa’s top rope double knees with a rather gingerly applied armbar.  Risa lands on her feet as Tsukka rolls out, but she blames Miyako and Tsukka dropkicks Risa from behind as they argue, sending Risa into Miyako. Tsukka floats over both and uses Risa’s weight to help pin Miyako, but still only gets 2. Akane shoulder tackles Risa and sends her back outside. Miyako tries to get her pinning combo on Tsukka, but it’s reversed and Tsukka pins Miyako with her own move for the victory. Risa sympathetically yells at an already visibly upset Miyako after the match. If only Miyako had had a more understanding, less selfish partner. 😉

This was a ton of fun, with everything I like about Miyako’s style of comedy in matches interwoven with fantastic action from Risa and Tsukka. Akane’s role was limited, but she did well with what she was given. Some great false finishes in there too that added to the immersion.

 

3) Kyuri and Tsukushi vs The Lovely Butchers (Hamuko Hoshi and Mochi Miyagi)

Tsukushi gets another opportunity across the ring from the champ, but this time Hoshi has her regular partner in her corner. Kyuri and Mochi start and the latter uses her size advantage to control her tiny opponent for a bit until Kyuri escapes a headlock with a headscissors, gets up, and simply kicks Mochi in the head when the latter tries to pose. Disclosure: I am generally disposed against the Butcher’s gimmick and their posing routines so get a big smile on my face whenever anyone attacks them during it. Yay Kyuri!

Tag brings in Tsukushi, but Mochi levels them both with a shoulder tackle off the ropes. Hoshi in and stereo whips set up stereo splashes and butt blocks in opposite corners, but Tsukushi and Kyuri hit dropkicks to their opponents backs during the gloating portion. Tsukushi lines the Butchers up face down and she and Kyuri take turns running on both of their backs. Then Tsukushi pushes the ref into doing it. Might be the one time I don’t complain about an interfering ref. 🙂 Pig face in the ropes on both Butchers, then double chops with them still tied up.

Kyuri and Hoshi head back out and Tsukushi decides the best way to press her commanding advantage is to try to scoop slam Mochi, who has 50 lbs on Tsukushi. Unsurprisingly this tactic does not work, and Mochi reverses the slam and tags Hoshi to completely reverse the momentum of the match. Hoshi splashes for 2, but Tsukushi counters with a headscissors, dropkick, and scoop slam on Hoshi. Ok, it was a good idea that time. Also reminds us how deceptively strong Tsukushi is.

Tag to Kyuri, who hits a shotgun dropkick and then tries to power Hoshi over in back bodydrop position.  Not so much. Hoshi gets her Boston crab variation and turns so she faces Tsukushi on the apron, who looks on in disgust. Kyuri struggles to the ropes for a break. She then absorbs some Hoshi palm strikes and tries to judo throw the latter, but Hoshi sets down to block and tries a short arm clothesline, only to have Kyuri duck it and hit a stunner then complete the judo throw for 2. Great sequence.

Kyuri tries to grab Hoshi’s arm out of the kickout, but Hoshi rolls through and whips Kyuri to the corner. Splash attempt is reversed into a one legged monkey flip and Kyuri goes for a cross armbreaker. Mochi comes in and splashes Kyuri, but Kyuri just stacks Mochi on top of Hamuko and locks the cross armbreaker on BOTH. Ref allows it, but is clearly only asking Hoshi if she gives up. Mochi rolls back onto Kyuri trying to get the ropes, and it moves the whole pile just enough that Hoshi gets her leg there for a break.

Kyuri hits the ropes but gets caught by a Hoshi shoulder tackles, then a tag leads to Mochi’s triple Earthquake splashes for 2. Kyuri flips out of torture rack position into a Fujiwara armbar. Mochi fights to the ropes as Tsukushi holds off Hamuko. Back and forth a bit until Kyuri hits her slingblade like clothesline three times in succession for 2. Tag and Tsukushi hits a high crossbody from the tope, but rolls all the way to Hoshi’s corner and attacks her, allowing Mochi to get up and ambush Tsukushi from behind. Splash in the corner misses when Tsukushi escapes to the apron  and she goes right back to beating on Hoshi.

The annoyed Butchers bring her back in the ring for a doubleteam, but she catches them both with a dropkick, and goes back to beating on Hoshi. She ducks a retaliatory clothesline and pushes Hoshi into Mochi, knocking Hoshi out of the ring and leaving Mochi in the corner for a running forearm from Kyuri follwed by the seated crossbody from Tsukushi. Tsukushi hits the ropes but gets caught by Mochi on a crossbody attempt, and Mochi hits a nice spinning side slam.

And we’re back to the nonsense, as Mochi hits the running belly to the face then tags in Hoshi for one of her own for 2. They fight over a waistlock until Tsukushi rolls forward with Hoshi and floats around into a seated abdominal stretch. Hoshi eventually powers into a roll toward Tsukushi to get out of it. Tsukushi up to the top rope, but Mochi grabs her from the apron and Hoshi pulls her into position for a Samoan drop. Hoshi up to the middle rope, but Tsukushi rolls inside the splash attempt. Crossbody from the top on Hoshi by Kyuri, then a missile dropkick from Tsukushi from a different corner for 2. Codebreaker by Tsukushi into a lungblower by Kyuri, who holds Hoshi over her knees for Tsukushi to hit a double stomp off the top rope. Fantastic. Gets 2 as Mochi saves.

Tskushi hits the ropes to attack Hoshi, but Mochi cuts her off with a Thesz press. Sandwich splash on Tsukushi, then a double backdrop suplex for 2. Northern lights get 2 for Hoshi as Kyuri saves. Kyuri clothesline takes out Mochi, then a Hoshi lariat returns the favor. Hoshi caught off the ropes by a Tsukushi dropkick for 1, then a Hoshi lariat gets 1 on Tsukushi. Tsukushi hits the ropes and runs into a standing splash for 2. Running belly to the face counters with a rana rollup for 2. Sweet move as Tsukushi jumps into a doublestomp on Hoshi’s chest as Hoshi kicks out.  Tsukushi tries a headscissors roll, but Hoshi sets down on it for 2. Hoshi hits the ropes and does her horizontal roll over Tsukushi… for the win?! Huh.

Wasn’t that into this at first, but it really picked up as it went. The Butchers are a good tag team when their not playing to their gimmick. The last phase of the match was all about the champ and her upcoming challenger, and I REALLY didn’t expect either to drop a fall here. Not sure whether it hurt Tsukushi’s momentum going into the title shot (no one really expected Hoshi to lose in her first defense anyway and there was still a month to build it) and some unpredictability is nice, so I’ll call this a reasonable choice. I’d like to see more of Tsukushi and Kyuri as a team. Tsukushi is pissed after the match, and Hoshi taunts her a bit as we fade out.

 

4) Yuuka vs Maruko Nagasaki

Thrilled to see these two get a main event spotlight. Maruko attacks Yuuka from behind during the latter’s entrance and hits a dropkick in the corner as the bell rings. She sends Yuuka to the outside and grabs a chair (?!) and this is already way off from what I expected. Yuuka ducks the chair strike and hits a forearm to put Maruko against the apron, then goes all the way to the backstage entrance for a running start for another forearm. Maruko moves and Yuuka hits the apron. Scoop slam, then Maruko picks Yuuka up and slams her into the seats in the crowd as people scatter. She then drags Yuuka to the backstage entrance and slam her head into some scaffolding.

Maruko marches her opponent right back down to ringside for another head slam (into the apron this time) and we’re back into the ring with Maruko in complete control. Scoop slam, then Maruko grabs Yuuka legs and forces her shoulders down for 2, then flips over into a Boston crab as Yuuka kicks out. Yuuka twists her body around trying to force herself to the ropes, but Maruko drags her to center of the ring and sets back down just as she gets close. Yuuka claws back to the ropes for the break. Maruko up to the top, but Yuuka cuts her off with a forearm and slams her down, then nails a running dropkick in the corner. Maruko forearm ducked and Yuuka locks in an abdominal stretch. Yuuka has her arms locked and is rocking back and forth with it as Maruko screams in pain to actually sell this as a legitimate attempt to win. Small things like that make a huge difference.

Maruko brushes the ropes with her fingertips, but Yuuka falls back without letting go to turn it into an upside down Gargano Escape. Maruko makes the ropes to break. Running forearm against the ropes for Yuuka, but Maruko fights out of the crosslegged fisherman’s suplex and hits a forearm. Maruko keeps ducking Yuuka’s attempts to retaliate and hitting more of her own forearms, but Yuuka lands a running one to put Maruko down, but the latter rolls out of the way of Yuuka’s diving version. Rollup gets 2 for Maruko. Small package for another 2. Another small package for another 2. She just wearing Yuuka down here. Dropkick lands and Maruko goes up to the top rope and hits a missile dropkick for 2. Uranage in the center of the ring and Yuuka just barely kicks out before 3.

Yuuka shifts her weight to avoid another Uranage, so Maruko with a forearm strike and hits the ropes, only to eat a dropkick. Yuuka with a crossbody from the top for 2, then tries the crosslegged fisherman’s again, but Maruko breaks and counters with a spinebuster for 2. Both slow to get up. Maruko with some forearms, but hits the ropes and is LEVELED by a Yuuka forearm off the rebound. Yuuka’s beautiful diving forearm off the ropes gets 2. Yuuka  finally hits the crosslegged fisherman’s for a close 2.

Scoop slam and Yuuka goes up for a moonsault, which connects for 3! Aftermath is cut short and we fade out quickly as Yuuka seems to be grabbing the ref and pointing to her knee. Looked like she came down on it hard during that moonsault.

Great little main event. It started hot with an unexpected brawl then turned into the heated in-ring contest I expected letting two young wrestlers with HUGE potential show what they can do. I enjoyed this a lot and they packed a ton into a seven minute spotlight while still telling a strong in-ring story and without resorting to an illogical spotfest. Looking forward to longer matches between these two in the future.

 

Roundtable

Seemed it’s usual amusing comments with setup for future events and matches from what I could tell. Tsukushi definitely had some choice words for the reigning champion (after which Tsukka was cracking up). Risa leads the “Happy Ice Ribbon” cheer and we’re out.

 

Overall

These two dojo shows are quite short, but they don’t FEEL short and they pack a ton of action in without feeling rushed, as well as showcasing numerous different styles. These honestly aren’t really important shows, but they are good shows with interesting matchups and I recommend this as another thoroughly enjoyable disc from IR (as well as a particularly strong pickup for Yuuka fans).

Categories
Film Japan

Japan Cuts 2016: Flying Colors, Kako: My Sullen Past, and Emi-Abi Reviews

Japan Society’s annual Japan Cuts Film Festival for 2016 ran from July 14th through July 24th. These were the last three movies I saw as part of this year’s screenings. My thoughts on last year’s festival can be read starting here.

Check out my thoughts on other films from this year in posts about Bitter Honey and Lowlife Love,  Nagasaki: Memories of My Son and Bakuman, and The Shell Collector and Being Good.

 

Flying Colors

“Once you achieve the impossible, you can do anything.”

flyingcolors

Sayaka is a social butterfly content to scrape by in dead last place among the students at a high school that guarantees admittance into its partner college to all who attend. But when an unusual cram school teacher sets her sights on one of the most prestigious colleges in Japan, years of being called worthless combine with the surprise of having someone believe in her to make Sayaka determined to prove everyone who thinks she has no chance wrong.

Flying Colors is a wonderful story about pursuing dreams and attempting to defy expectations. Structured brilliantly, the movie starts by providing some strong background scenes of Sayaka’s scholastic past to set up how she ended up in her starting status quo, content to know nothing. Her complete lack of shame about being stupid while not resenting those smarter than her is one of the big comedic hooks early on, and cements her as a lovable doofus that the audience is happy to cheer for. Kasumi Arimura plays the part perfectly, and the pairing with Sayaka’s unconventional teacher who knows how to encourage poor students to start to enjoy learning is not only hilarious but also gives the film its core. Their shared enthusiasm about Sayaka getting the slightest things right early on provide outrageously funny scenes. The various ways in which the teacher played by Atsushi Ito brings out the best in his band of misfits and genuinely sees their potential and cares about their success and improvement is phenomenal.

Expertly interwoven with the humor and Sayaka’s educational journey is a touching family drama centered around her father’s projection of his own dream of big time baseball success onto Sayaka’s brother and the complete lack of support any of the women in the family get from him. Sayaka’s mother and her complete devotion to her children anchor the film, with Yo Yoshia giving an extraordinary supporting performance as someone who truly wants nothing more than her children’s happiness. The drama is genuinely emotional without ever getting overly sappy or melodramatic, and adds a perhaps unexpected amount of heart beneath all the humor.

As I’m sure is clear at this point I loved just about everything about this film. Easily one of my favorites of the festival.

 

Kako: My Sullen Past

“Isn’t everybody lonely? Alone or even if you’re with family.”

kako

High schooler Kako spends her summer days bored out of her mind, listlessly going through the motions of helping in her family’s restaurant and staring at a local river looking for a crocodile she knows isn’t there. Then her activist, long thought dead aunt shows back up on the family doorstep.

Japan Cuts has been my first introduction to the incredible talent of Fumi Nikaido, and it was fascinating to see her here playing such a different character from Akako in Bitter Honey. Akako popped off the screen with an infectious playfulness and a larger than life feel. Kako is compelling in a different way, with apparent apathy arising from her boredom completely infusing her body language and making her susceptible to insatiable curiosity about her mysterious aunt. The flatness Nikaido achieves in Kako’s everyday actions and personality makes it all the more intriguing when she takes interest in anything. The contrast in the two characters and the skill with which she plays both highlights her versatility and why she’s such a highly regarded and awarded actress even at such a young age.

The feelings and sounds of summer come across well, and appropriately compliment the film’s odd tone, which examines the slow yet relentless passage of time in the lives of Kako and her family.  Boredom is portrayed as so pervasive its relief is more important to the characters than even the well being of others. The disaffected nature of both Kako and her aunt’s personalities adds humor to some very dark moments in a way that generally works, yet still feels strange when the viewer realizes what they just laughed at.

There’s a lot simmering just underneath the surface of the depicted events, both in theme and in production. Such as the significance of Kako’s interactions with her aunt’s mysterious companion, or the facts that Kako’s baby sister remains unnamed, is constantly commented upon for how little she moves, and is clearly played by a doll if the viewer looks closely at the bundle of blankets.

There are aspects of Kako: My Sullen Past that I really liked and aspects that I didn’t. I’m not entirely sure how I feel about it as a whole, but it was well made and acted, and quite interesting. I’m glad I saw it.

 

Emi-Abi

“… if you can make me laugh.”

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During the Q&A following the world premiere of Emi-Abi at Japan Cuts, director Kensaku Watanabe explained his desire when making the film to show genuine comedy yet constantly undercut it with dramatic and somber elements. He really succeeds in this goal, giving his story of a comedian trying to move on after the loss of his partner a tone that constantly switches and balances between light hearted comedy and deeper, sadder themes.

The plot progression was solid, but not at all as I expected. The film is extremely flashback heavy, focusing a lot on deceased partner Unno, what happened the night of his passing, and a surprisingly well developed romantic story involving him and a young fan. Unno steals the movie from his surviving partner Jitsudo, who is well portrayed but while we understand and sympathize with his grief we never really feel it, making nearly every character in the film more sympathetic than the supposed main character trying to find his new path in life.

The entire supporting cast was quite good, but I was especially impressed with what Haru Kuroki did as Jitsudo’s manager, making the most of a small role as someone totally devoted to seeing Jitsudo at his best once again despite the tragedy.

I found parts of Emi-Abi disjointed and the balance of characters a bit off, but it’s a decent film overall made with a specific vision in mind and supported with strong acting.

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Fantastic festival overall as usual from Japan Society Film. Definitely check out some of these great movies as you are able.

Categories
Film Japan

Japan Cuts 2016: The Shell Collector and Being Good Reviews

Japan Society’s annual Japan Cuts Film Festival for 2016 started on July 14th and is running through July 24th. My thoughts on last year’s festival can be read starting here.

My thoughts on Bitter Honey and Lowlife Love can be read here, and those on Nagasaki: Memories of My Son and Bakuman here.

 

The Shell Collector

“Being alone is intimate.”

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In The Shell Collector Japan Cuts 2016 recipient of the Cut Above award Lily Franky plays an elderly blind man who has isolated himself from society and spends his time collecting shells along the beach. The opening of the movie has a serene quality as it shows his everyday life and events that bring a trouble woman unexpectedly into it. From there the movie’s tone and direction changes a couple times, dealing with escalating events and consequences arising from the intersection of the old man’s hobby and a mysterious disease affecting the islands around his reclusive home.

The entire movie is incredibly well acted and directed to convey a real feeling of blindness of the main character. Little touches regarding the way he searches for his shells and finds his way around his home really sell the concept, which is so important to the way the plot unfolds. Excellent cinematography featuring fantastic locations and great integration of art, props, etc heighten the atmosphere and impact of the film expertly.

The themes are abstract, and I’m still not sure quite what to make of the film as a whole. I realize it was bound by being an adaptation of a short story and is quite faithful to the source material from what I understand, but I wanted something more/different from story. The early portion of the film was my favorite, and it seemed there was great potential to continue in that same vein throughout.

The Q&A afterward with the director, the producer, and star Lily Franky was interesting and once again the moderator had great questions and asked the question I had in mind. Franky’s sense of humor was off-color and a little inappropriate at times, but overall this was another good Q&A.

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Overall I think I liked The Shell Collector, although some parts quite a bit more than others. I didn’t find it great in total, but parts of it certainly were and it was certainly a good film.

 

Being Good

“I don’t know how to be good.”

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Being good tackles numerous related difficult societal issues regarding forms of abuse and ingrained standards, attitudes, and expectations that facilitate these tragic situations. It’s a poignant, raw look at both these difficult situations as well as some of the obstructions to dealing  with them.

The key to the movie is the careful touch with which this delicate subject matter is presented. The film does not shy away from illustrating the harshness of the problems being addressed in a blunt manner, but it is done with a point and completely without sensationalism and none of the scenes ever feel the least bit exploitive. Abuse is sadly a part of the lives of the characters, and it needs to be shown matter of factly in order for the audience to understand its nature and depth, and for the characters to be able to contemplate what to do about it.

This of course makes parts of the film (extremely) hard to watch, but the important things the story has to say about abuse make these scenes both worth watching and indispensable to the film. The most important thing is that there are glimmers of hope and genuine efforts and desire from certain characters to break these cycles. These are stories that don’t just present an upsetting status quo, they express a wish for things to be better.

Through three parallel stories in the same town, Being Good tackles subjects ranging from a young school teacher trying to learn how to deal with bullying within his classroom as well as trying to help a student he suspects is being abused, to a mother who disciplines her child through violence and hates herself for it, to society’s attitudes towards the metal ill and how it changes with the person’s age, to some of the emotional realities of raising an autistic child. This variety of related issues and the skill with which they were integrated together into a single film are incredibly impressive. Each of the three parallel tales are balanced perfectly, without any characters, stories, or themes feeling shortchanged and with all of them receiving equal and appropriate weight.

That the director was able to bring all of this together is amazing. Being Good is an adaptation of three short stories from a collection of five. Making everything work in the balanced manner I described without losing any of the underlying messages or their impact is a huge accomplishment. The acting is equally superb, both from the adults grappling with moral dilemmas and feelings of bitter realities beyond their control, and from child actors tasked with communicating heart wrenching emotional distress. I found this film just phenomenally made from top to bottom.

The Q&A with director Mipo O following the screening was illuminating, as she covered topics ranging from how this film differed from her other movies, to the process of adapting these stories and approaching the subject matter, to the care with which certain scenes needed to be approached, specifically in making sure the child actors were not suffering emotion distress themselves in the process of having to portray it.

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Being Good is a masterpiece, and may very well be the best film of an extremely strong Japan Cuts Festival this year.

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So these were two more unique and thought provoking films featured during the festival. Will be back with more a couple more reviews as Japan Cuts concludes. 🙂

Categories
Film Japan

Japan Cuts 2016: Nagasaki: Memories of My Son and Bakuman Reviews

Japan Society’s annual Japan Cuts Film Festival for 2016 started on July 14th and is running through July 24th. My thoughts on last year’s festival can be read starting here.

My thoughts on Bitter Honey and Lowlife Love can be read here.

 

Nagasaki: Memories of My Son

“Of course I’m not ok. I’m dead.”

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Nagasaki: Memories of My Son is the story of those left behind after the atomic bomb was dropped on Nagasaki. It’s a tightly focused, personal tale centered on the mother and fiance of a medical student killed in the attack and their daily lives three years after his death.

The skill on display in every aspect of the film’s construction and the seamlessness with which they come together is phenomenal. From the striking opening scenes alternating between the cockpit of the bomber and the son staring his day and going to class, to clever techniques surrounding Kazunari Ninomiya’s status as a ghost and use of flashbacks, to an absolutely haunting score and  breathtaking performances, it’s all amazing. The composer of the exquisite music featured in the film gave a nice introduction for the screening.

Incredibly beautifully shot and acted, the film provides a powerful and touching personal story while giving an ongoing glimpse of life during and after the war that all feels natural and real. Universal themes of loss and moving on are explored both in general and with specific ties to the bombing, and difficult subjects like survivor’s guilt and jealousy are handled with a deft and genuine feel. Numerous scenes are absolutely devastating in their emotional impact, yet the love underlying all the feelings of loss is given equal weight and woven throughout the movie perfectly. I wanted something slightly different from the ending, but it was extremely fitting as it was none the less.

Though completely different approaches to the material, the film was somewhat reminiscent of the equally incredible manga Town of Evening Calm, Country of Cherry Blossoms. Both are powerful examinations of the effect of the atomic bomb on everyday people’s lives.

Though a period tale of the ripples of a specific horrific event, the themes and story are impressively timeless. Simultaneously heart breaking and heart warming, I’ve never been so content to cry so much. Nagasaki: Memories of My Son lives in the shadow on tragedy, but contains an inextinguishable light at its core. Highest possible recommendation.

Bakuman

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The live action movie adaptation of a manga about making manga.

Featuring two high school students who decide to team up with the goal of getting published in the premiere manga magazine in Japan, Bakuman using innovative filmmaking techniques and expert touches of comedy to provide a wonderful adaptation of the story of their quest while giving great insight into the industry the characters love. The focus on the often overlooked difficulties of both making art and turning it into something commercially viable, shining a light on the creative aspects and associated hard work and harsh realities on competition in entertainment fields as well as on the editorial process, is fascinating.

The visual style and feel of the movie is phenomenal, with a multitude of imaginative ways of representing the writing and drawing processes in striking, engaging ways which are further enhanced by pitch perfect comedic acting that makes it impossible not to get pulled in for the ride. Though overused, the phrase “love letter to the industry” exactly describes how this film represents the creation of manga, though it pulls no punches with the hardships involved.

There are key dramatic moments, and the general tone is so light and breezy they hit like a tons of bricks and their impact is felt throughout the film. The romance aspect felt short changed and it needed more time devoted for the developments to play out properly, but everything else came together strongly and overall this was an amazingly high quality not only as an adaptation, but as a film in general.

The director made a surprise appearance and his short Q&A after the screening was extremely interesting, talking about the changes made in changing mediums, some of the nods and references to other manga, and the impressive amount of work the actors put into being able to do the drawing scenes.

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Fantastic stuff. Will be back with more reviews as Japan Cuts continues. 🙂

Categories
Japan Manga Reviews

Town of Evening Calm, Country of Cherry Blossoms Review

Beautiful and heart-wrenching. Town of Evening Calm, Country of Cherry Blossoms is a masterpiece of tragedy, despair, hope, and life.

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Nothing happens in a vacuum. Even insignificant events can have ripple effects that reach impossibly far from their center. The bombing of Hiroshima in World War II was an extremely significant, and tragic, event. The immediate effects were obvious, and frightening. But it’s the less obvious ripples that Fumiyo Kouno relates to us in these incredible stories.

This collection has three parts: Town of Evening Calm, and Country of Cherry Blossoms 1 and 2. Town is the story of a young woman living in Hiroshima 10 years after the bombing. Country part 1 is set 33 years later and features her brother and his children, particularly his daughter. Country part 2 follows the same characters 17 years later. Through them we see the long lasting effects of the bomb. Kouno lets them rise from the story naturally, illuminating both the obvious and more subtle effects with great finesse.

As you might imagine these are tales heavily shadowed with sadness, fear and melancholy, but that is as it should be. Town and Country is set in real times and examines how everyday life was changed forever by a single horrible moment. That it manages to do so in a way that resonates authenticity, from characters and happenings that feel real to art that perfectly enhances the emotions pouring forth, is an unbelievable accomplishment.

A masterpiece in every possible way, Town of Evening Calm, Country of Cherry Blossoms should be on every adult’s reading list.

Categories
Film Japan

Japan Cuts 2016: Bitter Honey and Lowlife Love Reviews

Japan Society’s annual Japan Cuts Film Festival for 2016 started on July 14th and is running through July 24th. My thoughts on last year’s festival can be read starting here.

My first viewings this year were the two films shown on Friday July 15th.

Bitter Honey

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So here we have a love story of sorts featuring an aging writer, a goldfish come to life as a young woman, and a ghost. Yet the superb acting and careful mix of comedy and drama make the absurd premise work and present an engaging narrative to follow along with.

Fumi Nikaido’s Akako pops right off the screen with an energy that’s contagious. Her playfulness gives the movie its heart and gratefully lightens its heavy themes. The movie’s wardrobe and background visuals enhance the focus on her, with her vibrant red dresses standing out as much as her infectious personality against the more subdued world around her. The rest of the cast is equally impressive, capturing the emotion behind the depicted events and conveying even the most ridiculous elements with total commitment and conviction.

I’m not sure everything came together quite perfectly, as certain aspects could have been better addressed/explained and I’m positive I didn’t catch nearly all of the symbolism and significance of some scenes (mostly those involving the mysterious upper floor of the author’s home). The author is intentionally unlikable in numerous ways, which could have been softened a little to better effect. I understand his characterization was an important part of the movie, but a couple of things could have been scaled back without losing that element and at the same time adding some extra empathy to the events that unfold. That said there’s just enough about him to sympathize with to keep the audience engaged.

As a side note, I also feel the often quoted movie summary (which was also paraphrased for us during the screening’s introduction) explaining that the ghost of the writer’s former lover “helps Akako realize her own desires, activating her agency and frustrating the one-sided male fantasy the writer is so keen to continue” over simplifies things a bit too much and somewhat shortchanges the ghost’s (played by Yoko Maki) nuanced role and intentions as well as the way the themes arise in the movie.  I won’t go into detail to avoid major spoilers, but while the statement isn’t wrong per se the movie I saw didn’t quite feel fairly described by it.

Bitter Honey is an extremely odd movie where a strong center and phenomenal acting beneath the surreal elements and absurd premise make it all work splendidly. Despite a few imperfections I really enjoyed this and it leaves the viewer with a lot of interesting things to think about. And even with a great supporting cast and a strong narrative as draws, I have to agree with other reviewers that Fumi Nikaido’s performance alone was easily worth the price of admission.

Lowlife Love

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On the opposite end of the spectrum from the playfulness of Bitter Honey is an extremely dark tale about a bunch of lowlifes who dream of success in the film industry. This is the story of horrible people trying to survive in/break into a horrible industry, yet is played for comedy about half the time.

Lowlife Love is definitely not a bad movie. Far from it. It’s extremely well shot and acted, to the point where it’s very easy to get caught up in everything at an emotional level. This makes certain scenes incredibly powerful, to the point where I felt like I had been gut punched a few times and was extremely angry at what was happening during others. Any film that can evoke those kind of reactions is impressive. But there was nothing to counter it. The audience is deprived even the slightest glimmers of hope. This was brutally hard to watch in parts and the valve was never released, as the attempted humor was as relentlessly bleak as everything else and felt out of place and uncomfortable rather than lightening the mood to any lasting effect.

The film has a misogynist edge to its female characters, and I was pleased when the moderator asked the director/writer about the portrayal of women during the Q&A. He explained it not as a conscious choice that he was going to approach the female characters that way, but that he was illustrating the harsh realities of the film industry in Japan. I understand this to an extent, but if this was meant to be an expose of sorts then certain tonal aspects and plot points are quite incongruous to that. Also the explanation rings a little hollow considering one female character exists in the film simply to repeatedly remind us how much of an ass the main character is, and another solely for sex related jokes who is later revealed to be underage.

I understand that these are not supposed to be good people and we are supposed to cheer for their success despite that, and the film does manage to infuse that feeling overall. But there are things that undermine that aspect too, and the single character that remains likable and uncorrupted is given practically no spotlight or story throughout the film.

Again Lowlife Love is well done on a technical level and there are stories worth telling and things worth thinking about here, but they fall short of their potential in the execution and the movie is just so depressing I can’t possibly recommend it. It deserved to be screened, but I can’t say I liked it.

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Q&A with producer Adam Torel, director Eiji Uchida, and actor Denden after the screening

 

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Will be back with more reviews as Japan Cuts continues. 🙂