Category: Reviews

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Manga Reviews

Kindaichi Case Files Volume 1 Review

The Opera House Murders introduces Hajime Kindaichi, deceptively smart grandson of a famous detective and under-achieving best friend of straight-A student Miyuki Nanase. An isolated retreat for a drama club practice already darkened by the recent suicide of the former lead gets even more tragic when guest start dying in a similar manner to the play they’re rehearsing – The Phantom of the Opera.

 

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This is a murder mystery with all the classical trimmings. Our cast and the setting is slowly established to start and then from the first strike on it’s a tense race to figure everything out and stop the killings. The various layers to the story and twists to the mystery are extremely well done and all integrated together flawlessly. And while there are pieces of the motive not revealed until the end there are clues and a good chunk of it all is solvable as you read. Add in a carefully developed dark and dangerous atmosphere and a smart adversary and it all comes together quite impressively. There is a fair bit of exposition towards the end, but it’s presented well and is needed to unravel all the cleverly connected elements of the solution.

The art is detailed, clean, and easy to follow. This is all extremely important for a mystery, where establishing clues, characters and even the geography of their surroundings can all be vital to having the plot unfold properly.

I’ve always loved a good mystery, and Kanari and Sato’s manga about a deceptively bright high school student descended from a famous detective is a wonderful collection of them. The Kindaichi Case Files is a fantastic series and The Opera House Murders gets us off to a great start.

Categories
Manga Reviews

After Hours Volume 2 Review

“What do I want to be? What do I want to do?”

Emi’s unexpected relationship with the captivating Kei progresses, drawing her further and further into Kei’s personal circle as the pair tries to sell Kei’s friends on holding an event that will push them all to their limit.  But Emi had a life, unhappy as it was, before meeting Kei, and her failure to disclose the details to Kei hangs heavily over her head …

 

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After Hours continues to be something special in this middle volume of the series. As I remarked in my review of volume 1 the choice of adult protagonists has a hugely positive effect on the story, with complex perspectives and problems, as well a refreshing frankness about their happiness and the realities of adult relationships, underlying Emi and Kei’s tale that keep it all feeling natural and genuine. Also important is that they both make mistakes, and they both have to deal with the consequences of their choices, which gives a nice, resonant layer of depth beneath the core story of two women falling in love.  It’s highly compelling to follow Emi’s point of view as she’s drawn further into Kei’s world, and I’m really looking forward to the 3rd and final volume

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Comics Film Reviews

Infinity War Review

“Dread it, run from it, destiny arrives all the same.”

 

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I’ve essentially been waiting for a movie version of my favorite comic story for over 25 years. So even with the excellent knack the Marvel Cinematic Universe has shown for balancing large casts and adapting stories as well as the roll they’ve been on with excellent films like Black Panther and Thor: Ragnarok, I was a bit apprehensive going into Infinity War. I’m pleased to report that I needn’t have worried.

This felt right, building on the previously established mythology of the prior movies while keeping the essence of the themes of the comics (and in some cases improving on them) and paying tribute in numerous “Easter egg” type moments that fit in this new story and didn’t feel forced. That balancing act is difficult, and kudos to all involved in pulling it off.

While some characters could have used more screen time and a couple of characterizations felt a little off compared to the characters in their own movies, overall the movie did an extremely good job of balancing the huge cast (including a well deserved spotlight on some supporting cast members) and walking the line of comedy and drama that was so important to making this story work in the MCU. The cast banters out of stress and habit, amusing the audience in the classic Marvel movie way without losing sight of the gravity of unfolding events. Thanos, one of my favorite comic villains ever, shines as a powerful foe with a distinct point of view and agenda that requires sacrifices he’s willing to make. Sacrifices that are, of course, not acceptable to our heroes leading to the promised conflict that has the proper weight and epic feel.

The work Marvel’s put into building its universe over the last decade, letting viewers get to know their heroes and follow along with what’s brought them all to this point while slowly sewing the seeds foreshadowing this tale of the war over the Infinity Gems, pays off in spades. This story couldn’t be a simple adaptation, as the preceding events, general plot setup and themes, and even the key characters involved were very different than the comics. All the careful preparation and groundwork laid out in the previous movies allowed this tale to grow organically as a proper part of this narrative universe.  Yet I think that while that true depth of Infinity War might be lost by those new to the MCU it also does a good job of establishing the stakes, cast, and plot to the point where the story could be followed by new viewers. Again, not an easy task and I’m happy to see things come together so well.

 

The way things unfold are unique enough to the particulars of the MCU that even though this is based on elements of now classic stories it’s worthwhile to avoid spoilers. So I’ll wrap up here by saying that while not perfect this was still pretty much as excellent as I could have hoped for, and I’m dying to see the sequel next year to experience the fallout and see where everything goes from here.

 

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Books Reviews

Indexing 2 Review

“Fairy Tales are not for children, and they don’t care who dies. They never have.”

 

Agent Henrietta Marchen made some exceptionally dangerous enemies heading up her team of ATI Management Bureau agents as they fight back against a universe of fairy tales constantly looking to happen again at the expense of anyone unlucky enough to fit a story’s mold. They’re only the start of her worries though, as the weight of the personal sacrifice she made to defeat them also hangs over her head and those of of team, who aren’t in the best of shapes themselves…

 

This is a direct sequel to Indexing, and heavily depends on concepts, characters, and events in that book. Start reading there.

 

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Like Indexing, this sequel is a police procedural in a world where fairy tale narratives are an unseen force always looking to co-opt peoples lives. It’s an unusual and clever concept, brought to another level by the even more imaginative directions McGuire pushes it. Like the first this was originally released in serialized form, although the pacing and scope feel quite a bit different.

This one seems closer to chapters broken up into short story format than the first (which edged more towards connect short stories), but both approaches were successful and it’s nice to see the author able to adapt the style to properly fit the particular story being told. There are some conveniences, and these aren’t quite as tight as her October Daye series, but that’s small criticism and these are still fantastically built adventures that are highly enjoyable to watch unfold.

 

 

“Take all the time you need, as long as you don’t need very much.”

I don’t want to spoil any plot details so this will be kept necessarily vague, but Henry and her team are in for a bit of a wild ride this time around. And admittedly, at points the reader has to be content to go along for said ride and things get stranger and more complicated. But in the end it all comes together beautifully and the entire book maintains a wonderful feel of escalating stakes and a constant sense of urgency. Danger, complications, and internal dilemmas all plague our protagonists, and it’s all balanced well to provide a compelling overarching story as well as important moments of character development.

 

 

“She moved like she was mad at the world and wanted to make sure it knew.”

McGuire is great at weaving in little details and using the supporting cast to add depth and engagement to her stories, and that ability continues to shine here, particularly in the introduction of some great new characters. But at its heart this particular journey is about two characters before all others, and it benefits greatly from the tight focus on learning more about the past, present, and possible future of them. There’s a ton of information and context conveyed, and it’s integrated smoothly this time without feeling (too much) like things are pausing for info dumps.

 

“This is a bad idea. Let’s go somewhere else. Somewhere that isn’t actively preparing to swallow us both alive.”

One of my favorite things about this series, and McGuire’s writing in general, is the natural feel to the characters. Their attitudes, speech patterns, the way they tease each other, and other little moments of interaction really help not only to make each cast member distinct and memorable, but also to make the whole thing relatable. Despite the strange trappings, abilities, etc there’s something genuine about the characters and how they react and interact. It an extremely important layer to making this all accessible and engaging the reader, and McGuire deftly pulls it off.

 

Overall McGuire’s quirky mash up of procedural and fairy tales continues to be spot on for me. Between her wonderful gift for descriptions and generally smooth writing style, characters I legitimately care about, and fascinating world building, I’m adoring this series and really hope there’s more to come.

 

 

Categories
Manga Reviews

Imperfect Girl Manga Review

“Looking back on it now, I realize that incident is what turned me into the novelist I am today. An author is someone who creates tales, but an aspiring author is someone who lies, and nothing more. This incident happened ten years ago, when I was in college, and merely an aspiring author. If those events never took place I wouldn’t have become much of anything at all, which is why I think I need to thank her, thank that girl …”

 

I’ll be sharing thoughts on the entire series (volumes 1-3) as a whole here. I will try to keep it as spoiler free as possible, but the above description from volume 1 by the publisher does NOTHING to convey what the series is really about so I will have to get into some plot details to properly discuss the points I wish to make.

 

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Ok, so the book description provides an intriguing hook and is connected to the narrator’s personal arc, but gives pretty much no information or framework about the plot. I find this to be an issue mostly because the story is pretty messed up. The college aged narrator is kidnapped and held captive by an elementary school girl after randomly seeing her act oddly at the scene of an accident where her friend was killed. Exactly what you’d expect, right? No, me neither.

From that disturbing premise came a manga that was unsettling in a lot of the wrong ways yet still extremely compelling and intriguing. I was constantly torn between wondering where things were going and being afraid to find out. Oh, and wanting to shake the main character for being an idiot. The girl was a far more interesting character, and even in context of all the strange happenings, emotional issues being addressed, psychological elements, etc, the narrator’s actions and reasonings often overstepped from those of someone in over their head and dealing poorly to flat out nonsensical. On top of that I considered abandoning it after the second volume also due to how creepy it was, but continued since there was only one left to go and I was admittedly curious.

 

I am glad I finished it. The overall concept of the story and pieces of what was being built towards were as interesting as certain elements along the way indicated. But it all could have been much better executed. It strayed too often from psychological suspense towards full on horror, and certain, important context regarding the narrator’s actions seemed short changed due to pacing issues and info dumps. I don’t know if these issues were in the source material or an effect of adaptation, but overall I wish the journey was approached differently to do more justice to the admittedly compelling underlying story line.

Overall I felt this short manga series both tried too hard in some ways and not hard enough in others. Again, it could all relate to the source material. Part of me wants to recommend anyone who can stomach the premise read it anyway because of the things it does do right and some of the thought provoking themes struggling to transcend the telling, but between the uncomfortableness of the approach and missteps along the way I really can’t.

Categories
Film Reviews

Quick Takes: Deadpool 2 and Solo: A Star Wars Story

A brief look at a couple of films I’d been really looking forward to.

 

Deadpool 2

“Well, that’s just lazy writing.”

 

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Uh, yeah. So since my review of the first movie is so exactly what I think of this one too it’s time to cut and paste a bit:

“If ever there was an epitome of ‘good for what it is,’ Deadpool (2) is it.

Ridiculous, rude, and raunchy from the get-go, Wade Wilson’s over the top adventure revels in excess and absurdity. It also largely works, thanks to clever writing, self-awareness, and Ryan Reynolds’ delivery. This is no masterpiece, but it is a hilarious ride to tag along with. There’s a lot to be said for knowing what you set out to accomplish and sticking to it, and Deadpool (2) is exactly as expected in all the right ways.”

Yep, that pretty much sums it up again. Beyond that the humor alternated between hilarious and annoying, Cable and Domino were well done, the plot was strong (outside a couple glaring holes), and overall I enjoyed it. This will all get really old at some point, but not yet.

 

Next.

 

Solo: A Star Wars Story

 

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Part of the reason I’m using this format instead of a full review is I honestly don’t have too much to say about this. It was a fun way to spend a couple hours, and that’s about it. Acting was quite good and the plot held up and kept things interesting. The thing is nothing was particularly surprising, noteworthy or magical here for me. I enjoyed it, but nothing beyond that. Which is fine overall and this is definitely worth a watch, but I usually get more out of Star Wars movies.

 

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Japan Reviews Wrestling

Fuerza Bruta WA! Ice Ribbon Edition

April 26, 2018 in Tokyo, Japan

Fuerza Bruta shows are a unique experience that combines music, dance, and acrobatics and takes place around, above, and through a standing crowd. I saw their WAYRA show in New York a couple of years ago and really enjoyed it. In addition to being excited to see their performance again in general and being curious about what would be different for their Tokyo offering Fuerza Bruta WA!, being able to attend one of the two nights that Tsukasa Fujimoto and Maya Yukihi from one of my favorite wrestling promotions (Ice Ribbon) would be appearing was a fantastic additional treat.

 

 

The show itself was of course a tremendous amount of fun. It featured the same basic ideas and setups as the NY show, but with distinct Japanese themes and enough differences to make it its own experience. It’s an energetic, contagious spectacle from start to finish, easily captivating the crowd and keeping them full of anticipation to see what’s next.

 

 

On top of that since I went through Ice Ribbon as a special thing a small group of us were brought over to watch the show with Tsukka and Maya (when they weren’t participating) by a attendant from Fuerza Bruta for the group who always made sure we knew where to go, etc. Afterwards we each also got to get a picture with Tsukka and Maya, a really nice momento of the evening. Their participation in the show was great too. Both were wearing harnesses when we first met up, and a bit into the show they were raised into the ceiling with some of the regular performers. Later they danced through the crowd to a stage that then itself moved through the crowd to the center of the space. Really fun stuff.

 

 

Another cool aspect of the shows is the use of water, with performers running against sprays, mist being used while acrobats are swinging over the audience, and an incredible sequence where a a large, clear pool is lowered from the ceiling to just above the crowd’s head as people splash/swim/dance around in it. At one particularly enjoyable point for me they essentially had a water curtain running through the center splashing on the audience, and Tsukka stated splashing it towards me (which I of course responded in kind to 😉 ), resulting in me having a short water war with her and Maya. So amusing/awesome.

 

 

Standing out a bit in a Japanese crowd I also found myself the center of the performers’ attention a couple of times. I was near the center of the room when the crowd was split to form a corridor for someone to repel from the ceiling into and march towards the stage. He keyed in on me and stalked right up to me staring until we went forehead to forehead (which I clearly and gladly played along with) and he pushed me back a bit. Later while I was taking video of Tsukka and Maya dancing on the center stage the wandering drummer took notice of my Ice Ribbon t-shirt and gently poked at all the faces on it with his drumstick. This was all of course fantastic, but even without these personal experiences I was lucky enough to have the general atmosphere of the show with the show taking place IN the audience at several times and the general high level of interaction is incredible.

 

 

Last night was Tsukka and Maya’s final appearance so that part is no longer an option, but as I’ve been gushing about the show is a wonderful time in its own right and if anyone happens to be in Tokyo from now until May 6th I highly recommend catching it as it finishes its run.

 

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Reviews Wrestling

Shimmer Weekend November 2017 Live Thoughts

November 11-12, 2017 in Berwyn, IL

I’d like to share some (long overdue) thoughts on Shimmer’s fall 2017 taping weekend as we head into the first one of 2018. I’m going to change the format a bit compared to my previous write ups and approach this by topic and highlights rather than trying to go match by match.

 

Return of the Joshi

These tapings saw Joshi talent return to Shimmer for the first time in three taping weekends (about a year and a half). The Japanese talent bring a particular energy and various styles that are missed when absent, so it was great to see them back. Beyond that the lineup itself was a treat with three big returns and a debut.

 

 

 

Starting with the debut, Aoi Kizuki made her first US appearances as part of these shows. I’m familiar with Aoi from the tail end of her 10-year career in Ice Ribbon as well as her freelance work for companies like Wave and Gatoh Move the last couple of years. She’d talked about wanting to come overseas to wrestle and I was very excited to see her get the opportunity.

 

 

 

She had a strong debut in a really good match against the newly proclaimed “Joshi Gatekeeper” Mia Yim despite coming up short (keeping Mia strong for an important match announced for later in the day), showed off her unique offense and enthusiasm in a pair of establishing wins over Veda Scott and Chelsea Green in decent affairs, and teamed with a returning Joshi (and Shimmer mainstay) Hiroyo Matsumoto against Chelsea and her tag partner Britt Baker (known as Fire & Nice) to finish the weekend. I wasn’t surprised to see Aoi work with Veda given both card placement and their familiarity with each other from Veda’s time in Japan. The tag match was largely comedy, allowing the four to play around a bit with a lot of antics centered around Hiroyo’s Godzilla mask. The established duo of Fire & Nice pulled this one out with a pin on Aoi to have her go 50-50 over her debut weekend.

 

 

It’s always great to see Hiroyo back in Shimmer and her other matches saw her facing off with (comparatively) newer Shimmer talent in Hudson Envy and Kellyanne. Both matches were excellent with great work from all involved, and Kellyanne’s upset victory over Hiroyo likely signals a strong push for one of Shimmer’s brightest up and comers. Hiroyo also appeared on Rise 5: Rising Sun the previous Friday night in a fun 6-woman tag teaming with Dynamite DiDi & Rachael Ellering against The Blue Nation (Charli Evans & Jessica Troy) & Aja Kong.

 

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Hikaru Shida made a lasting impression and was strongly pushed when she appeared in Shimmer in 2013-2014, so her return has been long anticipated. She had a large role in stories over the the course of these volumes which I’ll talk about a little later, then finished the weekend with a big victory over two-time Shimmer Champion Cheerleader Melissa.

 

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The biggest news as far as returns was of course the legendary Aja Kong, who had only appeared in Shimmer in a one match prior as part of Tomoka Nakagawa’s retirement weekend in an 8-woman tag, coming back to Shimmer. Seeing her in a singles match live was a treat, and having it be the previously mentioned match for “Joshi Gatekeeper” Mia Yim was even better. The two put on a PHENOMENAL back and forth, “David vs Goliath” style contest that claims match of the weekend honors against a tough field. Can’t say how lucky I feel to have seen this live and had the opportunity to meet Kong and get a picture the following day.

Also, like Shida, Kong had a large role in stories over the the course of these volumes which I’ll talk about… right now:

 

 

Num-ber One!

Early on in Volume 96 Mercedes Martinez & Nicole Savoy came to the ring to discuss Shayna Baszler has gone on to greener pastures (she had signed with WWE in between tapings), but that Trifecta was recruiting a new member……Aja Kong! This was a quite a surprise and a perfect use of the legend for the weekend. Subtle dissension starts as Mercedes declares Kong the new #2 in Trifecta, which Savoy shows some resentment towards.

 

 

Later on the same volume Savoy would face Shida in what seemed likely to set up a challenge to Shimmer Championship. Indeed, after prevailing in an excellent match Shida would go on to face Mercedes for the title on Volume 97. Post match Savoy showed respect to Shida and offered a handshake, drawing the ire of her new teammate Kong who came out and dragged Savoy to the back.

On Volume 97 Savoy got a huge victory of her own over former champion Saraya Knight (in what was a bit of a dream match for me and was every bit as great as I hoped). The main event was interesting, with the structure being more about Mercedes dominating by attacking Shida’s bad knee and wanting a reluctant Savoy to cheat and help her cripple her opponent. It was very well done and a great story, but I was honestly surprised Shida never felt like a threat and this wasn’t the match I was expecting between the two. But again, that’s not a bad thing.

 

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After Mercedes successfully fended off Shida’s bid she decided she wasn’t done trying to cripple the Joshi and she and Kong held Shida down while demanding Savoy attack with a chair. In a nice bit of story telling Savoy was even more reluctant because they were targeting Shida’s knee, and Savoy herself had gone through a knee injury and had no desire to inflict it on someone else. To a thunderous audience reaction she attacked Trifecta instead (including an amusingly soft chair shot on Kong you could almost tell Savoy didn’t want to be giving). In a show of how well everything was set up, the crowd jumped right on the (admittedly obvious) cues and would continually taunt Mercedes and Kong by chanting “NUM-BER ONE!” for Savoy for the remainder of the weekend. Veteran Kong had to be thrilled with how much nuclear heat she was able to generate just by responding “THREE!” repeatedly.

 

 

The next day it all exploded with a tag match pitting Mercedes & Kong against Savoy & Shida on Volume 98. They hit all the right story notes and had the expected excellent encounter that ended with Kong WAYLAYING Savoy behind the refs back with a thunderous shot from Kong’s trademark mini garbage can leading to the win. Lexi Fyfe comes out (amid fantastic “what did I do wrong?” shrugs and facial expressions from Kong), declares the ref incompetent, and gives Savoy a shot at revenge, and her former mentor’s title, at Shimmer 99.

 

 

That resulting match was the perfect culmination of the story and Savoy’s well deserved ascent up Shimmer’s card as she overcame Mercedes’ relentless assault (and Kong’s interference) to become Shimmer Champion. The whole thing was another example of the incredible weekend long stories Shimmer does so well, and might have been the best they’ve ever done.

 

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Tremendous Tag Teams, and a Long Awaited Implosion

Shimmer’s tag team scene grew wonderfully during this weekend, featuring duos like Hottest Free Agents (Ashley Lane & Deonna Purrazzo), LuFisto & Hudson Envy, Sinister Sweethearts (Brittany Blake & Samantha Heights), Paradise Lost (Courtney Rush and Dust), the previously mentioned Blue Nation (Charli Evans & Jessica Troy) and Fire & Nice (Britt Baker & Chelsea Green), etc (including more on the preshow I hope get a main show look in the future). They all looked good, with Blue Nation impressing me the most of the new to me teams/ wrestlers and the new pairing of LuFisto & Hudson being particularly fantastic.

But the biggest impact of a new team was Totally Tubular Tag Team (Delilah Doom & Leva Bates) taking the Shimmer Tag Team Titles off of Mt. Tessa (Tessa Blanchard & Vanessa Kraven) on Volume 97. To be perfectly honest I’m not a huge fan of the new champs, as I don’t find their wrestling or act holds my personal interest, but their win was well received and I’m happy for them.

 

 

The cracks started to show in earnest for Mt. Tessa during the match, teasing a payoff to the long simmering underlying friction between the two. Afterwards things FINALLY exploded with the crowd rabid for Kraven to get her hands on Tessa. The two would face on Volume 98 in a match Tessa would bail on, giving Kraven an unsatisfying countout victory, then Vanessa would fully vanquish her former partner in a Lumberjack match on Volume 99. Another well told, satisfying overarching story built on top of strong ringwork. This felt like a goodbye for Tessa, but she’s back for this Spring’s Shimmer weekend.

 

 

Everything Else and Then Some

 

 

I’ll touch on a few other things that stand out before wrapping this up. Seeing Shotzi Blackheart back was great. As I alluded to earlier Kellyanne had a big weekend, winning a 6-way on Volume 96 then defeating two big names in Hiroyo and Jessicka Havok even after coming up just short in a Heart of Shimmer title shot against Shazza McKenzie on Volume 97. She’s got a ton of potential and I hope her rise continues. Havok looked great this weekend too, including in a title match against Mercedes on Volume 96. Shazza continues to drive me crazy with her frequent lack of selling, but otherwise had decent title defenses.

One was unfortunately cut short by an injury to Allysin Kay on Volume 98 in which Kay was severely busted open. She got patched up, and came back out to open Volume 99 trying to get a rematch, then was out meeting fans after the show. The AK-47’s as tough as nails. Pinkies up!  Fallen Flower Kikyo, who’s fast becoming a personal favorite, also suffered an injury during the weekend but has thankfully been back in action.

 

 

Several new to me and/or debuting talents had impressive showings, including but not limited to Zoe Lucas, Indi Hartwell, Rachel Ellering, Charli Evans, and Miranda Salinas. I hope they all become regular parts of Shimmer’s roster.

Finally it’s always a pleasure to see Saraya destroy people, and I took particular delight in her victory over a specific opponent.

 

I’m going to finish there, but of course there was of course a lot more going on over the course of the weekend. My apologies for the things I didn’t touch on. Overall as always Shimmer was an incredible time, and while I unfortunately can’t attend this spring I hope everyone has a blast.

 

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Categories
Books Reviews

One Salt Sea (October Daye Book 5) Review

“When were you going to mention this to me?”

“Oh, half an hour after never.”

 

After the harrowing events of Late Eclipses, things are finally looking up, or at least comfortably stable, for Faerie’s resident changeling knight with a seeming habit of getting into trouble. So of course fate steps in and October finds herself in the middle of a kidnapping plot that might send the kingdoms of the land and sea to war.

 

This is the fifth book in the October Daye series, and it addresses previously raised issues and builds off of long running plot lines. Best to start with Rosemary and Rue (book 1).

 

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“You’re a lot of things, but ‘just a changeling’ isn’t one of them.”

 

One Salt Sea continues the momentum from the previous two excellent books, and pulls back a bit into a larger view of Faerie as Toby tries to prevent an impending war. I love the way McGuire keeps slowly filling in more and more of the world’s mythology and building series long story lines while keeping each book a satisfying, complete adventure on its own. Consequences and a constantly changing status quo are hallmarks of McGuire’s sprawling narrative, and wartime is certainly no exception.

 

“I can’t be dreaming you. My dreams make more sense than this.”

 

To be honest my least favorite character takes center stage a bit in this one, but so does one of my favorites, as well as several strong new additions to the cast. There’s a significant amount of intrigue underneath the events of this book, and the fallout will be significant for October, and her allies and enemies alike. I did find this just a touch below the level of the other books, but it was still quite good and overall this is another solid, enjoyable installment that further expands October’s unique and engrossing world nicely.

 

 

Categories
Manga Reviews

After Hours Volume 1 Review

 

Twenty-four year old Emi Ashiana is rather miserable after being dragged out to a dance club, which is not at all her normal scene, by a friend who then disappeared on her to pick up men.  But then she meets one of the DJs, a self assured woman named Kei, and the night, as well as Emi’s life, might be turning around.

 

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The unfolding relationship between the socially uncomfortable Emi and the more confident and in control Kei is paced in a way that feels natural in real terms yet perhaps a bit unusual and uneven for a fictional story. As the point of view character Emi is the lens through which the reader views Kei and the story’s events, but Emi’s own thoughts and situation aren’t broadcast through monologues or internal narration. So in a sense the readers are meeting BOTH Emi and Kei gradually and seeing bits and pieces of the issues that surround them in a way that is building nicely and slowly foreshadowing future developments but perhaps requires more patience than normal for a story of this type. There’s an uncomfortableness to uncertainty, and the way the narrative is structured conveys a touch of that feeling to the reader at the same time it’s being experienced by the characters. Emi’s thrown into a series of unexpected situations, reacting instinctively, and often dealing with the emotional weight over everything after the fact. This makes for a fascinating, engaging story, but necessarily means a little of the chaos of real life must be captured intruding over the normal “neatness” of constructed stories.

That touch of the unexpected is underscored by the extremely interesting way After Hours both utilizes and upends tropes and stereotypes of typical romance stories. The cliched elements and themes that appear, as well as the more unique ones, are incorporated in a natural way that feel like legitimate extensions of the characters’ emotions and it all blends together in a complimentary mix that elevates the complex undertones I touched on above.

One last thing I’d like to mention is the somewhat unusual, and excellent, choice of going with adult protagonists. It adds a significant amount of depth and nuance to the story to be starting with emotionally mature characters with adult responsibilities and complications and exploring things from there. It also facilitates the deft touch with which Nisho handles the subtext and themes of Emi’s simultaneous hesitance and excitement and she unexpectedly begins to fall for another woman.

I didn’t know much about this going in, but the first volume of After Hours proved to be a wonderful start to a romantic story that felt incredibly fresh and genuine.