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Wrestling

AEW Match Review: Yuka Sakazaki vs Mercedes Moné

AEW Dynamite January 29, 2025

Yuka Sakazaki is a longtime favorite wrestler of mine, and since her departure from TJPW in December of 2023 to move to the US and be a full time member of the AEW roster I’ve been waiting for her to be spotlighted properly.

She was out with injury for a while in the middle of 2024, but came back last Fall in a short feud with AEW Women’s Champion Mariah May. Her absence on AEW programming since is odd as it’s not due to lack of availability, but regardless it’s nice to see her back and in a high profile match that might allow her to really remind the AEW audience what she’s capable of.

Mercedes Moné is of course the former Sasha Banks and has had a strangle hold on the TBS Championship since winning it last May.

Super excited for this matchup and glad it’s getting the main event slot it deserves. Going to try a live reaction, so away we go…

TBS Title Match: Mercedes Moné (c) vs Yuka Sakazaki

No one going into this has any illusions that Yuka can win here (although I think she should – a surprise shakeup on that level could create a lot of interest). So it’ll be interesting to see if they can get the audience into things enough to bite on near falls. They’re both certainly capable of it if this gets proper time.

Not looking good for that off the bat though as AEW plays a seemingly endless stream of recaps and promos before finally starting the main event at 10 minutes to the hour. Then they recap Yuka’s contendership match victory over her entrance, really diminishing her status as a challenger.

Counter wrestling to start, which is completely talked over by commentary to hype a Death Rider match on Collision.

Mercedes does her CEO dance taunt after a shoulder tackle, so Yuka returns the favor on both counts. Her mimicking the dance was amusing got a nice pop.

Announcers convey a 20 min time limit and say they’ll stay with it past the show end time if need be.

Yuka does a truncated rolling cradle for two after just a couple spins. Mercedes seemed a little off and didn’t roll with it quite right.

Mercedes NAILED Yuka with a Meteora on the floor after moving out of the way of an intended Yuka dive. Nice sequence showing the champ’s intelligence, but they really should have Yuka hit her big dive at some point.

We go to a commercial break 4 minutes in, that lasts as long as the match had been so far. Lousy way to let the main event build.

After a solid strike exchange Yuka counters a powerbomb into a hurricanrana.

A Meteora in the corner is dodged, and just as they’re starting to heat up momentum stalls as it takes Yuka two tries to do her springboard. Looks like the ropes might have been looser than she expected. Mercedes sold being dazed well and Yuka recovered quickly and hit a nice springboard on try two.

Yuka nails a brainbuster and her sliding elbow for 2.

The announcers try to sell possible ring rust for Mercedes as she “doesn’t have ring reps in” since she hasn’t wrestled since January 5th, but Yuka only had one match in that same timeframe so it doesn’t really track.

Moné hits the Three Amigos for 2. Then generates big time boos for walking back and forth across on Yuka. Yuka catches her on the turnbuckles with elbow strikes when she goes up though and hits a superplex for 2.

Magical Merry Go Round countered into a Moneymaker attempt, which is countered and Yuka level Moné with a kick. Magical Merry Go Round gets 2.

Mercedes comes right back with a backstabber into the Statement Maker, but Yuka survives by countering into a rollup for 2.

Big rolling elbow from Yuka dazes the champ. Shortly afterwards she catches Mercedes in the full body rollup that beat Deonna in the 4-way. Mercedes escapes at 2.

Mercedes gets tied up in the ropes and Yuka nails a SPIDER GERMAN to make the crowd start to come alive. Magical Girl Splash eats the knees however and the champ gets 2.

Powerbomb followed by the Money Maker retains for Moné.

Ends at 7 minutes past the hour (as per me watching on Max). Six minutes post commercials for about a 14 minute match total with 10 shown.

Solid if unremarkable match overall. Wasn’t bad and I was getting quite into it by the end, but it wasn’t what it could have and should have been. The highlights were fun and I always enjoy watching Yuka wrestle but it didn’t all quite feel properly connected. I’m harping on the time but a few more minutes to let things breath and allow for proper transitions between big moves would have made a huge difference. It ended up as glimmers of a great 20-25 minute outing shoved into 10 minutes of air time.

This was Yuka’s challenge to Mariah all over again where AEW didn’t do much to really get the crowd buying Yuka could win. And again a heel beat her squeaky clean. That said getting the main event spot at all does mean something. She did get a good reaction to her signature stuff too, so hopefully she earned a few more fans. I also hope AEW won’t forget she’s on the roster for four months again. Fingers crossed.


Thanks to everyone who’s given this a read. 2024 was a sporadic return for this blog and I hope to have more regular updates going forward in 2025.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Art Cards Comics Japan Wrestling

Imagined Reality: The Art of Veronica O’Connell

Psylocke sketch card by Veronica O’Connell

I’ve had a surprisingly difficult time finding the proper words to open this look at the work of a truly special artist. There’s something indescribable that jumps out of Veronica O’Connell’s art and demands attention. So I decided to let the stunning depiction of Psylocke above make the first impression.

Ghost Spider, Spider-Woman, & Silk AP by Veronica O’Connell

I honestly don’t recall when I first saw Veronica’s work, but I do remember being blown away with her versions of Marvel characters and immediately putting her art on my collection list.

There is an incredible balance of realism and the fantastic in her illustrations. Her takes on comic characters simultaneously look like they could step right off into the real world while still feeling appropriately larger than life.

The qualities that initially caught my eye are on full display in the above gorgeous Spider-Women triptych, which is mind boggling. All the art I’ll be showing in this blog is directly drawn on blank trading cards. So each of the three characters shown above (Spider-Gwen, Spider-Woman, and Silk) is drawn on a third of a 3.5″ x 2.5″ work area. The detail and impact she’s able to achieve under such conditions is phenomenal.

There is so much style infused into Veronica’s work. Her use of color and lighting is exquisite and a big part of what makes her art so eye catching. It also underlies her emphasis of mood and atmosphere, making the same subjects feel different in different pieces depending on what she’s chosen to convey while retaining their core essence.

I have multiple cards by her of some of my favorite comic heroines, including Psylocke, Emma Frost, and Spider-Gwen, and the contrast between equally captivating depictions of the same character is fascinating to see.

Spider-Gwen PSC by Veronica O’Connell

My discovery of Veronica’s art through her Marvel work eventually led to the great opportunity to get some Personal Sketch Cards (PSCs) done as part of another key subset of my card collection.

I have followed and enjoyed Japanese women’s professional wrestling (joshi wrestling) for over a decade and collect related art in a number of forms. Veronica is the third artist to create PSCs for this collection, along with Juri H. Chinchilla and  Miki Okazaki

Kairi Sane PSC by Veronica O’Connell

Veronica’s renditions of the wrestlers she’s drawn for me are absolutely stunning. She achieves an amazing level of detail, capturing the subtleties of her subjects expressions and doing an exceptional job representing their intricate wrestling gear.

Perhaps most impressive is her ability to create such incredible likenesses on such small workspaces. From a distance these precise works could be mistaken for photographs, while up close the aspects that make the depictions hyper realistic elevate them even further.

Over time I’ve gotten 24 wrestling PSCs from Veronica, featuring a total of 30 wrestlers. Only 8 of those wrestlers had been drawn for me before on PSCs by other artists, meaning 22 of the wrestlers she drew for me were first time subjects for my sketch card collection.

All of the repeats were drawn in different gear and/or with different partners than the other cards I have, and it was a treat to get Veronica’s take on recurring collection subjects like WWE’s Asuka, AEW’s Riho and Hikaru Shida, and Sendai Girl’s DASH Chisako. Likewise awesome was adding in wrestlers I’d been meaning to have drawn like Asuka’s tag partner Kairi Sane and Stardom’s Starlight Kid.

Juria Nagano PSC by Veronica O’Connell

The vast majority of the wrestlers I had drawn for the first time were a large number of roster members and regular guests from two of my favorite promotions.

From Tokyo Joshi Pro Wrestling (TJPW), Veronica did wonderful cards of now former roster members Juria Nagano and Sakisama (with Mei Saint-Michel), tag teams Miyu Yamashita & Maki Itoh (121000000) and Himawari & Wakana Uehara, long time roster members Mizuki and Yuki Kamifuku (Kamiyu), and the Up Up Girls Hikari Noa, Miu Watanabe, Raku, & Shino Suzuki.

Veronica’s encapsulation of that Up Up Girls lineup is a particularly nice memento for me given the recent departure of my favorite member, Hikari Noa, from both TJPW and the Up Up Girls.

The other big focus among the joshi wrestling cards Veronica’s done for me is a company called Ice Ribbon. One of my most watched promotions, it was a privilege to get Veronica to do related cards for me.

The core IR lineup I got includes brief former roster member Amu Yumesaki, and current roster members featuring second generation wrestler Ibuki Hoshi and impressive newer wrestlers like Tsukina Umino, Mifu Ashida, and Kaho Matsushita.

I was also happy to add former IR regular guests Ram Kaicho (from Triple Six), Saori Anou (now of Stardom), and Tae Honma & Maika Ozaki (SPiCEAP, both freelance), and reigning ICE Cross Infinity Champion YuuRI (from GanPro) to the collection.

As with the comic art, Veronica’s vivd colors, stunning lighting and shading, and delicate touches make all of her wrestler illustrations simply gorgeous. I could not be happier with how they all turned out.

I’m extremely thankful to Veronica for all the fantastic art she’s created for me. I hope to continue collecting more in the future.

Asahi PSC by Veronica O’Connell

To wrap up I’d like to talk about a particularly special card Veronica’s done for me, although there is unfortunately tragic news attached to it. Early this year Actwres girl’Z reported a 21 year old member of their roster named Asahi had unexpectedly passed away. Asahi started her career in Ice Ribbon and was a personal favorite of mine. Nicknamed the Sunrise of Hope, she was always a joy to watch and is greatly missed. Veronica’s remembrance piece of Asahi is absolutely breathtaking and a cherished keepsake.

Rest in Peace Asahi.