Wrestling Omakase podcast did two gigantic episodes previewing nearly every wrestling promotion running shows in Tokyo during Wrestle Kingdom week with recaps of their 2025, occasional historical information, and thoughts on the announced upcoming shows.
I joined in for the joshi episode to talk about Ice Ribbon (about 3:20 in) and ChocoPro (around 4:45). There was also a lot of in depth discussion from others about Marigold, TJPW, Actwres girl’Z, Stardom, Oz Academy, Marvelous, SEAdLINNNG, Diana, Pure-J, and Wave. Please check it out.
If anyone’s interested in a little more detail about some of the things I brought up, here are some links to relevant prior entires from this blog.
Hoping everyone thoroughly enjoys whatever wrestling you choose to watch/attend.
Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts will hopefully be on the way soon.
If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.
Nothing was announced ahead of time, but the Halloween show lineup is pretty standard at this point: an opening match followed by the main event Halloween Rumble with plenty of costumes and shenanigans all around.
Akki came out in a Goku costume to introduce the show. He amusingly talked about how they have upgraded their effort over the years for special shows and shows off all the decorations. “We prepare now.”
1) Sakura Emi vs Erii Kanae
Emi, in her normal gear, had largely lost her voice so pre-match she tried to teach the audience how to do her sing-a-longs on cue. It didn’t go great, but I’m sure they’ll manage.
Erii came out as the wicked witch and belted out a scales song. Her voice is incredible.
ChocoPro GM and retired wrestler Aoi Kizuki is our referee.
Sakura was antagonizing Erii right from the get go, from slapping away the opening handshake offer to throwing Erii into the fans to biting her way out of holds. Erii often countered Sakura’s nonsense by singing into her ear or with her heavy hitting tackles and strikes. Erii looked really clever at several points in this in how she handled Sakura, with the veteran often needing to take shortcuts to retake the advantage.
There’s always an interesting additional level of uncertainty in Sakura’s matches against rookies, as while no one expects she has any chance of losing her back issues are so well known and established that anytime someone gets her in a hold that targets it there’s a sudden sense that just maybe a miraculous upset is in the works.
But not this time. Sakura outlasted Erii, eventually getting her We Will Rock you crossbody against the wall followed by a splash from the window for the win.
This was a textbook blending of wrestling action and the lighter entertainment aspects, with the dueling singing being the central theme, leading to a really good veteran vs rookie match. Despite spending 8 months of her year and a half career so far out with injury, Erii’s looking great.
Sakura made up with Erii afterwards and they hugged.
The effervescent GM/ref Aoi did the sponsor shoutouts, then it was on to the main event.
2) Halloween Battle Royal
ChocoPro battle royals and related match types are pretty straightforward. Eliminations can happen by pinfall or being tossed out of the window. Yep, really. Last person left wins. This is staggered entry at largely random intervals, and since it’s Halloween everyone will be in costume.
Chie Koishikawa in a giant crab costume and a cackling pirate Mei Suruga wielding an umbrella and with “KILL” written on her cheek start. I feel like Mei uses her costumes each year as an excuse to up her already impressive levels of evil.
Koishi-kani and Captain Mei had a suitably absurd and wonderfully amusing fight, with Chie giving Mei trouble with her claws and Mei doing Mei things like grabbing the crab costume’s eyes and lots of biting. Crowd was way behind Chie with big kani (“crab”) chants.
Eventually Mei “breaks” one of Chie’s claws then bites the exposed arm then an angelic Sayaka comes out to try to talk Mei out of eating Chie. When that doesn’t work the angel starts beating everyone up. Fair enough.
The chaos escalated as our pirate wrapped the angel up in duct tape, then did the same to the terrified crab’s claws. With the two out of action, Captain Mei turns her attention to … trying to destroy the Halloween balloons. Evil Apple is evil.
Entrants get more frequent as Sailor Moon Otoki (Tokiko Kirihara) hits the pirate over the head with her wand then tries to free the captives but gets interrupted by a Miya Yostuba the shark.
Miya shark slaps people around but the angel gets free and levels her. Sayaka and Miya have had issues over Miya and her tag partner Soy wanting Sayaka & Makoto’s tag titles.
Temporary Boston crab by Sayaka on Miya, then Sayaka takes off a wing and beats on Miya with it. Miya’s limited in how much her costume restricts her movement, so she takes it off and destroys Sayaka for a while. Wanted to highlight this section as it was a nice bit of feud relevant action worked in to all the craziness of this kind of holiday match.
The craziness resumed when Miya locked in her Cloverleaf but bratty pirate strikes again and chokes Miya with her own shark costume.
Later with Mei unwisely up in the window Miya hammer nearly eliminates the pirate, but Mei hung on. Sayaka rolled up Miya for 2, but as they traded blows Miya got a jackknife cradle for 3 to eliminate Sayaka and pin one half the reigning tag champs.
Bumble Bee Obihiro Sayaka is next and levels several people then joins forces with her crabified Popcorn Carnival teammate to do their baseball shot double team on Otoki and Mei. But crabs and bees can only coexist so long and they turn on each other. Later Chie gets kicked out of the window to the outside by Obi and is eliminated.
Hiyori Yawata enters in full Team Hiyori mode as a soccer player who passes out a few jerseys to fans then scores a soccer goal on Obi. Yes really and I’m not trying to explain further. Some absurdity just has to be experienced.
Later pirate Mei is up to mischief again choking out Hiyori with her own jersey and Baliyan Akki (still dressed as Goku) comes out from behind the camera to smack her upside the head.
Sayaka takes over camera and commentary for the remainder of the match.
Obi gets eliminated when Akki catches her mid air and sends her out the window.
The final entrants are our opening match participants, as Erii comes out to sing the story of explorer Sakura. They sing small world and everyone linsk hands. This won’t end well. Akki jumps Sakura before she can turn on them and in the background Mei, Miya, and Hiyori roll up Erii for 3.
Sakura waves her walking sticks around conducting We Will Rock You and keeps adding people to the pile. The sticks are kind of flailing uncontrollably at points and she caught Akki in the face at one point. Sayaka keeps taking about how dangerous it is.
Sakura forces Hiyori to help her splash everyone then throws Hiyori’s soccer ball at Aoi. The ref has been catching a lot of strays recently.
Sakura forms a staircase out of everyone and climbs to the window. That was dumb. Sure enough Akki gets up there without a staircase and knocks Sakura out for the elimination.
Chaos picks up again and Hiyori ends up being targeted by everyone else. Sweet Best Bros assisted moonsault by Otoki and Hiyori’s out. Shirt lived alliance though as BBB (double arm trap rollup) on Otoki gets 3 and she’s gone too.
Best Bros and Miya (who has put her shark costume back on at some point) are the final three participants.
Akki charges a Dragon Ball attack. Mei shoves Miya into it, but then runs into a tilt a whirl backbreaker by Akki. Best Bros fight each other for a bit leading to Mei being stranded in the window trying to fight Akki off with her trusty roll of duct tape. Akki simply knocks her out instead … and gets immediately tossed from behind by Miya! SHARK WINS.
The traditional janken tourney ends up with 3 years of experience vs 30 years of experience in the final. With Miya vs Sakura. Sakura tries to get a 30 years chant going and everyone chants Miya instead. Perfect.
Miya wins the chocolate to top off a pretty awesome show for her. During the post show she gets in Sayaka’s face and requests a tag title shot after pinning her. Sayaka begrudgingly accepts. It’s always amusing when Smiling Violence gets grumpy. It’s official for the next ring show: MiyaSoy vs Bell Flowers for the Asia Dream Championships.
Killer Queens (Emi & Mei) vs Himiko and Haruka Umesaki is announced for next show. Mei goes from scary pirate to happily waving at the camera in excitement as soon as Haruka’s name is announced. Really cool matchup of DareJyo trainers vs former DareJyo participants who went to a different company (Diana) when they debuted.
Halloween shows always rock. Highly recommended.
Visit ChocoPro’s YouTube channel to check out all of ChocoPro’s content, including the replay of this show. Everything they are doing goes up for free under Sakura’s “No Pay Wall” initiative, so if you do enjoy and are able / would like to support please see their link tree for information and support options.
Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically as I am able.
If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.
Starlight Kid 10th Anniversary Show – October 20, 2025
Emi Sakura is approaching her 30th Anniversary show and has a number of anticipated matches across several companies in the couple weeks before it.
This trios match on Starlight Kid’s 10th Anniversary show is a cool mix of generations and has Sakura crossing paths with a couple extremely familiar faces.
Yuna Mizumori (Yunamon) was trained by Sakura, and has extensive history both feuding and teaming with her former mentor. Yunamon left Gatoh Move ( now ChocoPro ) for Stardom in 2022. She defeated Sakura in her second to last Gatoh match, her only ever singles win against her trainer. They have not crossed paths in any capacity since until this match.
Riho is the former ace of Gatoh Move. She left in 2019, and appeared in Stardom regularly until the end of 2020 including a High Speed Championship run. She and Sakura both work for AEW now, and they faced off last month in a tag match.
Ram Kaicho wrestled for a few years as a child, including several appearances in Emi Sakura’s promotion at the time Ice Ribbon, then essentially retired for a decade before returning in 2019. She’s been regularly wrestling since.
I’m not as familiar with Rina and Hina, Stardom’s actual twins, as the rest here. And they don’t have the history with Sakura the others do. But from what little I know about them they should fit in just fine.
Due to outage problems with the intended PPV service this show aired for free and is still currently available on Stardom’s YouTube channel.
Hina, Emi Sakura, & Yuna Mizumori vs Ram Kaicho, Riho & Rina
Four of the six wrestlers in this match debuted at age 11 or younger. The least experienced wrestler here has been wrestling for 7 years. Insane amount of talent in this one.
Riho being on Ram’s team makes sense, as does Sakura and her Beauty As Is teammate Yunamon reuniting, but even so alignment-wise Riho and Sakura look like they swapped places. Sakura even came out to her full heel AEW music. Riho’s probably going to have a much easier time going with the flow of her heel teammates than Sakura will have trying to play nice. Evil Riho rocks.
Riho’s leather jacket with sheer sleeves over her poofy entrance gown is fantastic.
Pre match Sakura slaps away Riho’s handshake offer. She’s already in full Her Highness mode and the match hasn’t started. This is going to be a blast.
Ram and Hina start. Collar and elbow tie-up leads to a Ram overhand wristlock. Hina counters into her own, which Ram rolls through and goes into a hammerlock. Headlock counter into a takedown by Hina is countered into a headscissors by Ram. Hina kips out, and it’s a stalemate. Nice bit of chain wrestling to get things going.
Hina with a kick to the midsection as Ram comes in for another lockup. Whip into the corner, but Ram counters Hina’s charge by … rapidly firing off imaginary shuriken. They’re devastating and Hina recoils back from the imaginary impacts to her stomach. Yunamon comes in and also falls victim to more shuriken. Still more get Sakura. And the ref must have looked at Ram funny so he gets some too. Ram’s carrying an awful lot of those on her.
Ram gloats to the crowd and all three of her opponents jump her from behind for her audacity. Riho and Rina come in to even the odds and throw Sakura and Yunamon out of the ring. Hina gets tied up and Ram, Rina, and Riho pose on the ropes while tormenting her. Riho’s kinda actually being the most disrespectful with her knee firmly planted in Hina’s face. The trio congratulate SLK then break the pose.
Back down to just Ram and Hina, Hina reverses a whip and scoops up Ram off the ropes for a big body slam. Tag to Sakura. She brings in Yunamon with a call of “hisashiburi” (“long time no see”) and gestures for a hug. But of course it’s Sakura so when Yunamon gets close Sakura boots her in the midsection, then hits the ropes and jumps on the stunned Yunamon’s back to force a splash onto Ram.
Sakura sets up and completes the Ay Oh sing along surfboard. With the awesome hard forced dismount after a few moments too. Ram gets up and screams a bit in defiance, then gets in Sakura’s face. The latter laughs, so Ram switches her taunts to Sakura’s real name. That gets Ram casually and deservedly slapped in the face.
Sakura hits the ropes but Ram’s completely collapsed from the slap and a confused Sakura pauses for a second. Then she approaches and Ram small packages her for 2. Facecrusher stuns Sakura and Ram tags out to Rina.
Rina goes up top for a shotgun missile dropkick. Big boot to Sakura draped across middle rope follows for 2. Sakura’s up quick though and a HARD chop sends Rina reeling to the ropes, portraying the pain across her face like she just ate a lemon.
Forearm from Rina. Sakura absolutely levels her with another chop in response. Crowd’s now firmly behind Rina. She fires up and lays in several forearms (although an odd camera angle choice leaves the viewers looking at Sakura’s back instead of the impact). Sakura rakes Rina’s eyes to stop her, but her follow up strike is blocked and Rina puts Her Highness down with a nice STO. Scoop slam attempt is countered by Sakura with a back rake then she goes right into Smash Mouth.
STOMP STOMP CLAP and the We Will Rock You singalong means it’s time for Sakura’s sweet corner crossbody. She then calls Hina over and they happily proclaim it’s tea time. Hina puts out a bent knee and Sakura butterfly busters Rina over it. Then Sakura and Hina enjoy their pantomime tea. Sakura definitely has a favored partner in this.Tag to Yunamon.
Shotgun dropkick sends Rina into her own corner and Riho tags in for an old school Gatoh Move showdown. Yunamon dodges a dropkick but gets arm dragged when she tries to pull Riho up. Riho dodges a charge but gets arm dragged herself by Yunamon as the latter rebounds. Shotgun dropkick by Yunamon. Riho bridges out of the cover at 1. They haven’t lost the slightest bit of chemistry.
Of the ropes Riho does a wheelbarrow rollup into the double stomp. She goes up to the top turnbuckle, but Sakura and Hina intercept. Yunamon comes over and the three march carry Riho out to the center of the ring, but Riho’s teammates save her and break up whatever triple team slam was intended.
The two teams line up for a simultaneous brawl. Well kind of, as Sakura and Ram are reversed and in the wrong lines. This leads to shots all around as people realize they’re next to opponents, which leads to Sakura nailing Yunamon with repeated forearms in the corner because Sakura is Sakura.
The respective teams clear out and Yunamon staggers to the center to the ring after taking the abuse from her own teammate where Riho lays in her own forearms. Yunamon eventually blocks one though and spins Riho around before landing a hard chop. Riho falls back up against the ropes and Yunamon charges in with a lariat. And another after getting momentum from hitting the opposite ropes. Tropical Yahho leg drop gets 2.
Yunamon hits the ropes again but Rina jumps her and Ram follows with a codebreaker. Ram then positions Yunamon for a top rope crossbody from Riho. Hina saves at 2.
Yunamon fights off a dragon suplex attempt then charges Riho. But Riho low bridges the ropes and Yuna goes over, yet holds on to the top rope and is hanging outside. Riho hits the far ropes presumably for a dropkick but runs right into a sweet judo throw from Hina.
Yunamon skins the cat back into the ring and she and Sakura sandwich lariat Riho. Yunamon hits the ropes and nails a gorgeous Supergirl pin attempt. Riho just barely rolls her shoulder up at 2.99.
Yunamon hits some shots on the prone Riho, then picks her up in a fireman’s carry. Riho counters a slam attempt from that position into a victory roll style pin for 2. Yunamon LEVELS Riho with a lariat and folds her in half on the pin to get another crazy close 2.
Apparently that was too close for Ram, who comes in to throw powder into Yunamon’s eyes. Rina’s H.A.T.E. stablemates have the ref distracted in the corner. Rina herself follows that up with a shot from her whip to Yunamon. Poor Yunamon’s laid out on the ropes and Ram hits the 619. Finally Riho’s crucifix spinning rollup gets 3.
Post match Riho assures the ref she has no idea what that powder all over the ring is and shows him her clean hands. I knew she’d fit right in with the heels eventually.
As the three celebrate, in the other corner Sakura of course takes exception to Yunamon losing and starts stomping away at her. Hina separates them but Sakura hits her too as they head to the back. Sakura heads off on her own while Hina and Yunamon bow to the crowd together.
This was a lot of fun. The antics were largely amusing and generally expected given the mix of wrestlers involved, and when the action picked up it was great. The Yunamon and Riho stuff down the stretch was awesome, and I’d love to see a singles match from them again someday given how much Yunamon has evolved since they last met. Rina and Hina were quite good. Would definitely like to see more from both.
Again the whole show is available on Stardom’s YouTube and well worth a watch.
Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically as I am able.
If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.
Evil Uno’s Mystery Wrestling is a fun concept where the wrestlers and matches aren’t revealed before the show. Recently Uno’s fellow AEW superstar Emi Sakura appeared on one of his shows. A couple weeks later and Uno’s in Japan with a special crossover with Sakura’s own company ChocoPro (although Sakura herself is in the US and thus isn’t appearing this time).
As ChocoPro has a set core roster some of the participants where obvious/shared beforehand, but the matchups were kept secret, even in the few hours between the taping and the show’s airing.
Going into the show Mei Suruga, Baliyan Akki, Chie Koishikawa, Miya Yotsuba, Hiyori Yawata, Chris Brookes, and of course Evil Uno had been announced.
Akki and Evil Uno opened up the show, with Uno explaining it’s his first trip to Japan. Akki taught Uno the ins and outs of ChocoPro’s home turf rules in an amusing bit.
For new viewers: Ichigaya Chocolate Square is a unique venue with no ring. The audience surrounding the mat and the one wall the mat is up against are the “rope break” boundaries for submissions only. Pinfalls count as long as the wrestler’s shoulders are on the mat, and there are no rope breaks for pinfalls.
That’s the gist of what Akki explained. In addition, double teams/double pins are legal in tag team matches, there are no count outs, and referees are extremely lenient as far as DQs go (as is normal for Japanese wrestling). For more details see this quick reference I wrote a few years ago.
Uno revealed he does commentary himself for Mystery Wrestling and stepped into the camera/commentary role for match 1.
1- Hiyori Yawata & Chris Brookes vs Egg Tart (Chie Koishikawa & Hagane Shinno)
Hiyori was out first and introduced the newest member of Team Hiyori, CHRIS BROOKES! Ever the good sport Chris came out in a Hiyori hat. I love this team already.
Their opponents are Egg Tart. This is a really cool choice for the opening match.
Referee is ChocoPro GM Aoi Kizuki.
Chris heckled Chie during her intro. Then he threw her flower on the ground and was just being a general gremlin to her. Man I hate to see ChieDK bicker.
Amusing start saw Chris take one hard leg kick from Hagane and tag out. Hiyori then tried to avenge her partner and gave Hagane several … rather ineffective kicks. Hanage leveled her with a single kick of his own in response and she rolled to the corner to tag out. No one wants to mess with Hagane.
After tags on both sides Chris touched the ceiling to taunt Chie, so Chie got on Hagane’s shoulders to do the same. Chris put Hiyori on his shoulders and the audience already knew what was coming. Sure enough Chris put her head through the ceiling as soon as he stood up. Shades of Rin Rin. Chris apologized to Sakura through the camera.
Chris continued being a menace all match doing things like hitting his opponents (and poor ref Aoi) with his big rubber band thing as well as rubbing the broken ceiling tile into Chie’s forehead.
Good action all around, with the strike exchanges between the men being particularly heavy hitting and impressive. Egg Tart applied a sick looking double stretch muffler on Hiyori at one point. Probably would have been it but Chris went nuts with his elastic again and broke it up.
Eventually Chie caught Hiyori with a sweet arm trap rollup for the win.
This was a really high energy ten minute match and a fantastic example of how to work in a bit of absurdity and shenanigans into a hard hitting contest.
Post match Chris went to put the Hiyori hat back on but Hiyori complained about the ceiling thing, so her threw it at her instead.
2- ???
Uno tries to bail and hand the camera off to someone saying it’s very hard to do two things at once, Mei comes out and pushes him back behind the camera. She cuts a promo at Uno, which means towards the camera. Nicely done.
Mei makes the next match 1 count rules in honor of Uno. And then totally unnecessarily but hilariously demonstrates what a 1 count is and how to kick out before 1. I adore this. Once she’s done talking she ejects him, starting a “you get out” chant, and takes over behind the camera herself.
2- Mei’s Special Uno Count Match
And our participants are… Choun Shiryu and Trans Am Hiroshi. This’ll be something.
Choun can work any style and Hiroshi is at home in atypical matches so they worked this stipulation to the fullest.
Choun nearly stole the win early during a reversal sequence but Hiroshi kicked out before 1. Right off the bat they established that the unusual rule was going to have a big impact on their strategy.
Hiroshi did his usual meditation stuff, where he’s able to shrug off strikes and roll back into crosslegged sitting position through the power of inner peace. It worked for a bit, but then nearly backfired spectacularly when Choun went for a pin instead and Hiroshi had to frantically kickout before 1.
Ref Aoi did a phenomenal job on all the close 1 counts throughout the match, including a great series of rapid fire covers by Choun where Hiroshi had to kick out super fast several times in a row.
Late in the match Trans Am Hiroshi stopped for a song break. Choun joined in, and Hiroshi’s sneak attack after they finished singing nearly got the win with a small package. They kept fighting until Choun got caught in a sweet judo throw off of the windowsill for 1 and the win for Trans Am Hiroshi.
This was two extremely talented veterans in an entertaining outing and again a good mix of ridiculousness and solid wrestling.
Right before the main event is where the support shoutouts happen. I’d like to take this opportunity to remind everyone that Masahiro Takanashi, an incredible wrestler and a big part of ChocoPro, is currently out recovering from a serious neck injury and ChocoPro has set up a variety of ways to help if anyone is able.
3- Miya Yotsuba & Evil Uno vs Best Bros (Mei Suruga & Baliyan Akki)
Brooks is on commentary for the main event. Best Bros give him grief about the hole in the ceiling, and like the stand up guy he is he blames Hiyori.
Uno & Miya are going to be a fun team.
Mei and Uno to start. As usual Mei thinks she’s 10 feet tall and showed no fear against her much larger opponent. She then proceeded to knock herself over trying to tackle Uno. Magnificent.
Mei was more evil than Evil Uno all match, including taking a Miya towel away from a fan at one point to choke Miya with. That’s just not right. Akki fully leaned into the boos too and did a “Bros Hammer” to embarrass Miya by stealing her signature Miya Hammer and then mocked the fans’ negative reaction.
Miya & Uno later got in on the shenanigans too though, when Miya had fans link hands to make a chain all around Ichigaya for extra leverage for Uno’s abdominal stretch on Akki.
Like the opener, this was another fast paced high octane example of great tag team wrestling.
Eventually the teamwork of the well established, former tag team champion Best Bros proved too much to overcome and their trademark Dolphin Press (wheelbarrow assisted shooting star press) on Miya picked up the 3 count.
That was SO. MUCH. FUN. Uno fit right in and this was a blast.
Two of AEW’s Japanese announcers were in attendance and were invited into the post show janken (rock-paper-scissors) tourney.
This happened the day before Choco’s next ring show, New Dawn, which like all of ChocoPro’s show will eventually be available to watch for free on their YouTube channel.
This was a breeze and a joy to watch. The ChocoPro roster are masters at making the most of the environment in their unique home base, and this show is an excellent encapsulation of the kind of wrestling they do. I highly recommend it in general and particularly to anyone who is even remotely interested in checking out the company. This show is officially available to watch at any time for free.
“Thank you for … showing me that wrestling can happen anywhere, it does not need ropes, it only needs the spirit of pro wrestling.” Uno gets it. Really hope he comes back someday.
Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically as I am able.
If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.
BBM releases yearly card sets for a variety of sports, and for a great many years I’ve been collecting their joshi wrestling sets. Here we’ll take a look at the details and differences in their 2025 set.
Known as True Heart until 2020 and simply Women’s Wrestling since then, these yearly sets focus on women wrestlers from all across Japan.
Historically most joshi wrestling companies and freelancers participated, with the main exception being World Wonder Ring Stardom. Stardom roster members have not appeared in these sets for over a decade (Stardom has done occasional card based products on their own in the past). Actwres girl’Z also stopped participating a few years back with their classification switch from a wrestling company to an entertainment company.
This year however there seems to be quite a few more wrestlers absent. The T-Hearts roster as well as some notable freelancers are missing from the set. Also Dream Star Fighting Marigold, the new company run by the founder and former owner of Stardom, isn’t included.
BBM did put out a statement talking about production constraints, and that this year scheduling issues led to some regional wrestlers not making it into the set.
However the base set still features 154 wrestlers with an additional 2 tag team and 3 announcer cards. It’s wild that the set is still pretty massive even with the absences, and while having some favorites missing is less than ideal there being around 200 active women’s wrestlers in Japan and the depth it brings to wrestling is a good problem to have.
Assortment of Kira insert cards.
Keeping with the packing distribution changes made last year, there are 7 cards per pack and 18 packs per box. One of the cards in each pack is one of the 24 “Kira” chase cards, shiny cards which feature a gold facsimile auto of the depicted wrestler.
When there are chase cards in a pack other than the Kira cards, they replace one of the base cards that would otherwise be in the pack. So there are still 7 cards per pack total.
Assortment of SP insert cards.Assortment of “secret” cards.
The other chase subsets in the 2025 set are a 9 card foil subset (SP1-SP9), and 13 “secret” chase cards. Secret versions have the same numbering as the base card of whoever is depicted. So for example TJPW’s Mifu Ashida (formerly of Ice Ribbon) is card number 008 in the base set. So her secret card is also numbered 008. Only 13 wrestlers have secret variants so the numbering on them jumps around.
The secret subset this year features “plain clothes” photos of certain wrestlers in everyday attire. The base cards and other subsets of course feature them wearing their wrestling gear.
I’m happy to see the return of the plain clothes cards. The last several years of secret inserts have mostly been alternate poses/backgrounds of the wrestlers in their gear. Those cards are nice themselves, but this subset stands out more and seems more fitting for the alternate/secret subset theme. The selection of wrestlers was a nice mix and they got to show off their personal style and personalities.
In my anecdotal experience this year there tends to be 3 SP foil and 2-3 secret cards per box.
Yuki Arai base cards.
There also is a special, unusual “secret base card” variant showcasing a second set of Yuki Arai’s gear. Her signature cards (more on those to come) are split between the two outfits. She’s the only person with a variant base card. This is an attempt to do something a little different/special within the set, and if it’s well received it may be done in future sets as well.
I’m a little mixed on it personally. I don’t mind having a second card for her, and can get behind the idea of having a couple special base cards that aren’t rare chase cards. That said I’d lose the secret numbering for it. Having them both be card 012 is unnecessary complicated for sorting and collecting (the plain clothes cards are a different matter in how distinct they are). Label them 12A and 12B at least if not just giving them separate number in the set. All that said about a minor technical point, both her base cards look cool. Giving them two different background colors to stand out was a nice touch.
The yearly base set varies in size each year to reflect new wrestlers, retirements, cards for tag teams, and so on. As mentioned are a lot of joshi wrestlers active in Japan and these are not small sets. The 2025 base set consists of 159 cards (plus the Arai variant), which is about a box and a half of base cards (if no duplicates are drawn).
Sayuri Namba and Shino Suzuki
One of the most sought after aspects of these sets are the randomly inserted signature cards autographed by the wrestlers. The last couple years these cards have been designed with colored borders down the sides on an otherwise white background likely to draw attention to the wrestlers and the signatures (and to make them distinct from insert autos). Personally I like the simplicity and the look of them, but some collectors prefer the colorful backgrounds of past sets.
The odds seem to be just a touch lower than last year (last year was itself a bit down from previous years). I’ve generally seen 3 autographs per box, with the secret sig cards I drew being a 4th auto in the box. The boxes I’ve seen with a cheki only had 2 base sig cards with it.
Tsukka and YappyKyuri and Kirari Wakana Totoro Satsuki and Manami Katsu
The signature cards are numbered and there are usually 100 each corresponding to the base set for the wrestlers who did autographs. A majority of the wrestlers in the set do signature cards, but not everyone.
Like last year nearly all of the base signature cards this year are on card autographs. The only stickers I’ve noticed so far were for Hikaru Shida, who is based on the US, and on the Magenta tag team dual auto card where proper spacing is paramount. As usual the insert autos use stickers, presumably for design reasons. The stickers are transparent and barely noticeable, even if you know to look for them.
Wakana Uehara secret version signature card.
As implied above both the secret and SP foil subsets have associated signature cards. Unlike past years, the foil autos are not short printed compared with the base autos.
Base, secret, and foil autos are all generally /100 now. A couple wrestlers have slightly lower base autos numbers, and Yuki Arai and Haruka Umesaki’s foil autos are a bit lower at /85 and /74 respectively.
The insert autos have fully colored backgrounds, which nicely sets them apart from the white backed secret insert subset those correspond to as well as the white with colored borders designs on the base autos.
There are also a few super rare /5 signature cards featuring Suzume, Mizuki, Yuki Arai, Sareee, and Ram Kaicho.
One of my absolute favorite signature cards ever is in this set. Maika Ozaki is a powerhouse and has a cool tag team entrance pose she does where she lifts her partner (and sometimes partners plural) up onto her shoulder. She’s done it most often with her Gekokujo partner Kyuri and her SPiCEAP partner Tae Honma.
This year SPiCEAP got a dual auto signature card, and BBM oriented it vertically and designed it almost as if it was two stacked up horizontal sig cards so that their pose could be featured. It’s stunning and easily one of the coolest cards they’ve done.
Kirari Wakana
Some of the most distinctive chase items in these sets are chekis: mini polaroids of the wrestlers signed and sometimes decorated by them. There are generally 10 for each wrestler who does them (not everyone in the base set does). A few wrestlers are featured in different outfits and have two distinct /10 versions this year.
These are unique collectibles, and some of the harder hits to pull at roughly 2 per case (1 in 6 boxes). They’re a fun additional and some of the centerpieces of my personal collection.
Emi Sakura and Kaho Hiromi
So that’s it for this year’s BBM Women’s Wrestling release. I wish everyone good luck with their pulls and pickups.
Sayaka
Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts should be on the way soon.
If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.
ChocoPro, formerly Gatoh Move, is a Japanese pro-wrestling company based in Ichigaya Japan. Founded by near 30 year wrestling veteran Emi Sakura, ChocoPro embraces and embodies Sakura’s core belief that wrestling should be fun for both the audience and the wrestlers.
For the last couple of years a ChocoPro themed mobile game has been in development, and today the anticipation came to an end with its release.
Having evolved from a joshi (women’s) wrestling company ChocoPro’s core roster is primarily women, but they are a fully intergender company featuring a number of both men and women wrestlers on every show. As such the ChocoPro wrestlers in this game include both women and men.
ChocoPro Happy Festival is a collection of 9 mini-games each featuring one of ChocoPro’s wrestlers. Wrestlers featured include reigning Super Asia Champion Mei Suruga, Sayaka, Chie Koishikawa, Tokiko Kirihara (Otoki), Sayaka Obihiro (Obi), Emi Sakura, Miya Yotsuba, Baliyan Akki, and DDT Pro’s Masahiro Takahashi (Masa)*. There might also be a special guest appearance lurking about.
Adorable chibi versions of the wrestlers are used on the games. The visuals are gorgeous. The chibis capture the essence of the wrestlers, the backgrounds and details are great, and everything is colorful and vibrant.
The games are straight forward, as expected and appropriate for mini-games, but still amusing and addictive. There’s a nice variety of game types included. Three are side scrollers, two are stop the gauge games, one’s a matching game, two are reaction games, and the last a speed puzzle.
Thematically they’re fantastic. From Mei running along jumping around collecting apples to Sayaka elbowing dummies out of the ring for distance to feeding Her Highness cake and so on each game was clearly carefully designed with great knowledge and respect for the subjects.
Instrumental versions of familiar songs from Gatoh Move and ChocoPro through the years have been adapted to be used for the various menu screens, and each wrestler’s stage features their entrance music. Music is so closely intertwined with a wrestler/promotion’s presentation that it’s inclusion in something like this feels necessary, and was done excellently.
There’s effort and care visible in every aspect of the game. Wonderful little details, like glasses piling up around Masa as you serve him more and more beer during his game or the various levels of happiness or disappointment the wrestler has after the game depending on how you did are great touches. The loading screens during installation are cool profiles of the included wrestlers (which I wish there was a way to view on demand – there’s thankfully no loading screens needed during play after the game’s installed).
Speaking of Masa’s game, it’s likely the reason for the 17+ years old rating this has in the Apple App Store. There’s really nothing else in here beside the alcohol inclusion that would push this above an all ages rating.
The other half of the package here is the rewards system. Choco Points earned in the mini-games can be redeemed for icons and photo tickets. Photo tickets will randomly unlock one of 300 photos. Unlocked photos can be viewed in the photo album, as well as chosen to be featured on home screen. Photos include action and posed shots of ChocoPro wrestlers.
To be honest I’m mostly a console gamer and don’t play/buy mobile games often. So I don’t have much frame of reference on the $12 price point for a mini-game collection of this type. I will say that this is well made and is a wonderful pickup for fans of the company, and for me was definitely worth getting.
It’s really cool to see this game go from concept to fully released, and it turned out great. ChocoPro Happy Festival is a love letter to the company, and an easy recommendation.
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*It would feel like an omission to talk about Masa in this post without mentioning that he is currently out with a major neck injury. He recently was released from ICU and is starting rehabilitation. Wishing him a speedy and complete recovery.
Thanks to everyone who’s given this a read. 2024 was a sporadic return for this blog and I hope to sustain more regular updates going forward in 2025. Derailments of Thought currently updates once to twice a week.
If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.
Gatoh Move: The Last Heisei Shin-Kiba Gatoh March 22, 2019
An interesting match recently popped up in my YouTube recommendations that I forgot existed and was somehow completely unaware it was ever aired.
In 2019, current reigning Super Asia Champion Mei Suruga was a rookie with under a year in wrestling. She was a prodigy who only trained a few months before debuting in Gatoh Move (now ChocoPro), and was already showing skills far beyond her limited experience.
Fair or not, Yoshiko will always be best known for the incident with Act Yasukawa. But a lot has changed in a decade. Act has publicly forgiven Yoshiko and has amazingly returned to wrestling related activities. By 2019 Yoshiko was fully back in wrestling and had been working with a number of companies who all trusted her enough to often be wrestling their rookies and up and coming stars. See this post from a couple years back for a look at my personal thoughts on the more recent state of things and how my opinion on Yoshiko changed over time.
I’d seen excellent matches of hers in the couple years before this match against the likes of Mio Momono and the dearly missedAsahi. She was the perfect imposing monster to test one’s mettle against. Yoshiko is currently on hiatus and hasn’t wrestled in a couple years, but to my knowledge still intends to return someday.
So with the stage set for Gatoh’s super rookie against SEAdLINNNG’s gatekeeper, away we go.
Mei Suruga vs Yoshiko
First (and thus far only) singles contest between these two.
This is early in Gatoh Move’s YouTube offerings, featuring commentary by Pumi Boonytud.
Mei was trained by Emi Sakura and a protege of Aoi Kizuki. Mei’s 20 here but as usual looks younger.
Yoshiko is one of the pillars of SEAdLINNNG, and was in-between tag title reigns and a year and change away from her Beyond the Sea championship reign.
Single camera angle for this video, as it’s all hard cam footage.
Yoshiko doesn’t come out of the corner for Mei’s handshake offer. Mei responds by getting the fans to cheer for Yoshiko. The stoic one is unamused.
Lockup to start. Yoshiko easily overpowers Mei into the ropes, but the Apple Girl switches positions and lays in forearms. Yoshiko ends that in short order by grabbing Mei’s hair and pulling her out to the center of the ring.
The pace quickens as Mei ducks a lariat but then has her dropkick dodged. Mei locks hands with Yoshiko and goes for her rope jump assisted arm drag, but Yoshiko’s too solid and doesn’t budge. She pulls Mei up and just tosses her away.
A Mei Irish whip attempt does nothing, and is reversed. Mei tries a running crossbody off the ropes, but is caught and dropped into a hard back breaker.
With Mei face down near the ropes, Yoshiko simply stands on her. Yoshiko’s considerable size advantage is making quite a difference so far. Jumping double knees to Mei’s back. More standing on Mei then another knee drop leads to a 2 count.
Mei’s unceremoniously thrown into the corner, then hair tossed out. Prone in the opposite corner she’s on the receiving end of numerous face wash kicks. Yoshiko sprints to the opposite ropes and hits a hard running version.
Yoshiko hairmares Mei into the center, then lands a huge kick to Mei’s back followed by one to front for a 2 count. I winced at these.
Yoshiko controls with a hold pulling back on Mei’s arms with her feet planted in Mei’s back. She shifts into body scissors, which gives Mei an opening to do an awesome counter roll backward over Yoshiko into her own body scissors.
Mei tries her signature rolling pinning combination, but Yoshiko spreads her legs to remain stable. So the clever Apple starts a Yoshiko chant again and forces Yoshiko to move her arms in time with the audience chanting her name. The distraction causes just enough of a lapse on Yoshiko’s part for Mei to get her roll for 2. But Mei pays for it when Yoshiko lands an Earthquake splash to Mei’s back. A brief Camel Clutch is abandoned after Yoshiko pulls on Mei’s face, then Yoshiko adds some dismissive kicks for insult to injury.
With both back up Mei tries to start a strike exchange but Yoshiko counters with an overwhelming flurry instead and sweeps Mei back down. Mei gets her arms up to block a running kick but Yoshiko just kicks right through the block. This is a masterful matchup of technique and speed against size and raw power.
Mei dodges the senton, then hits a flurry of five dropkicks. She grabs Yoshiko’s head and calls for her Totsugeki (battering ram), but is shrugged off and sent towards the corner. Undeterred Mei kicks off the middle turnbuckle for momentum into a dropkick.
With Yoshiko down Mei turns her over and goes for a bow and arrow. It doesn’t work too well on her larger opponent so she switches sides. Still no go. Mei stomps on Yoshiko’s back, then hits ropes and rolls… into her “cute on purpose” taunt right in front of Yoshiko’s face. That’s a bold move.
Yoshiko is predictably annoyed, and takes a shot at Mei but the latter is too quick and avoids the wild swing. Both up to their feet and Mei baits her into a charge then ducks into a drop toehold. With Yoshiko down and stunned Mei is now able to complete the bow and arrow.
Mei releases after a few seconds though, shaking her legs out from the strain on her knees from supporting a much larger opponent. Totsugeki to the turnbuckle connects this time.
Perhaps a tad too confident after some sustained offense Mei attempts to slam Yoshiko. Yeah not so much. Yoshiko counters into a slam attempt of her own, but Mei pushes off while in the air and lands on feet. Mei hits the ropes but runs right into a beautiful tilt a whirl backbreaker by Yoshiko.
Boston crab by Yoshiko is quickly transitioned into a deep half crab. Yoshiko holds on to it for a while as Mei tries to fight to the ropes. When she gets close Yoshiko tries to stop her by twisting Mei around and grabbing her arm, but Mei makes it with other arm. Mei fought for every inch there.
Yoshiko hits a hard lariat against the ropes on Mei, followed by a senton for 2.
Apparent choke bomb is countered into a slick forward cradle for 2. Scissor rollup gets another 2. Mei’s hanging in there and forcing some close kickouts.
Off the ropes Mei gets caught in samoan drop position, but fights down to try a schoolboy. Yoshiko tries to counter with another Earthquake splash, but Mei scurries out of the way. A dropkick leads to the propellor clutch for 2.
Mei hits ropes, and ducks a lariat, but is DESTROYED by a second attempt coming back the other way. And just like that it’s over. Yoshiko pins Mei for the victory.
Excellent match that was more competitive than I might have expected if I wasn’t previously familiar with both super rookie Mei and how good Yoshiko is in this role against smaller underdogs. This match was exactly what I expected, and I mean that as a huge compliment.
Watching older Mei matches is a reminder of how quickly and intuitively she got pro-wrestling. She looked fantastic here for under a year experience. Yoshiko makes great imposing opponent and their competitive chemistry was unreal. Great stuff.
This match is available to watch for free on ChocoPro’s YouTube Channel.
Thanks to everyone who’s given this a read. 2024 was a sporadic return for this blog and I hope to have more regular updates going forward in 2025. Derailments of Thought currently updates on Wednesday and Saturday.
If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.
Everyone has their own preferences and favorites when it comes to wrestling. Style, presentation, and other factors vary greatly among the large number of wrestling companies in the world and are all a matter of taste among fans.
While in general I tend towards a more athletic event, intensely competitive style of wrestling what I care about most is enjoying what I’m watching. May seem like an obvious statement, but worth explicitly mentioning as in my case it means a wide range of wrestling genres appeal to me. Both nail biting intensity and well done comedic moments can really draw me in to a match when done well.
As I often say in reference to an old favorite, TJPW’s August 26 2017 show: sometimes I want to see my two favorite wrestlers in a promotion tearing the house down for a title…
…and sometimes I want to see Maki Itoh chasing idol lumberjacks around the ring with a squeaky toy hammer.
When any promotion can give me both in the same show and have it feel natural and cohesive I’m as happy as can be.
For me wrestling is at its best when its a mix of light heartedness and intense competition. I want my humorous elements woven into the general framework of wrestlers competing and trying to win, but can go for pretty absurd match premises and gimmicks when internally consistent and done well.
Ice Ribbon and ChocoPro (formerly Gatoh Move) have been always great places for this combination, which is a large reason why they’re two of my absolute favorite promotions.
This year’s Ribbonmania from just a couple weeks ago was a great example of a well paced, thoroughly enjoyable top to bottom show with a variety of aspects to it. ChocoPro’s holiday shows were likewise a blast with a little bit of everything sprinkled throughout.
All of which brings me around to what prompted this particular deep dive into the happy aspects of wrestling: ChocoPro’s most recent roster addition Kaho Hiromi.
Emi Sakura is excellent at developing wrestlers within their own ways to really highlight what they can do while letting them be wholly unique. I’d argue no other environment or trainer could have given us Lulu Pencil, the wonderfully goofy ninja Sayuri, etc.
Over her near 30 year career Sakura has trained a large number of children, including AEW’s first ever Women’s Champion Riho who started at age 9 and is a 18 year veteran at age 27.
Sakura’s most recent wrestling prodigy, reigning Super Asia Champion Mei Suruga, is following in her mentor’s training footsteps as well with similarly excellent results. With Sakura living in the US as part of her participation in AEW, Mei has been the primary teacher for several of the recent roster additions.
Mei runs their casual training program DareJyo in Sakura’s absence, with Sakura being heavily involved as well whenever she’s back in Japan. DareJyo recently shared one of its showcase events on YouTube. It’s a great watch and provides insight on how ChocoPro approaches introducing people to the world of wrestling.
DareJyo is open to women and girls of all ages. Several DareJyo participants have continued on into full training and later officially debuted as professional wrestlers, including Mei herself as well as the energetic and cheerful grade schooler Kaho Hiromi.
The imposing multi-time champion 20 year veteran powerhouse was a mismatch for Kaho is just about every way imaginable. But that was the point. The match was about Kaho’s effort, perseverance, and attitude. She showed all in spades. Her charisma and determination shined and the crowd was behind her even against the super popular Mizunami. The outcome was never in doubt, but I was invested in Kaho’s efforts all the same. She eventually fell to Mizunami’s leg drop, but Ryo carried the little warrior to the back on her shoulders in a show of respect.
Her matches in the months since them have been likewise engaging, but it was specifically her matches around the holidays that brought all this to the forefront in my mind and made me want to write this post. This year was rough for me and I was stuck home alone for the holidays. Being able to watch and enjoy various wrestling shows from my favorite promotions halfway around the world helped my mood a lot. And it struck me how often watching little Kaho do her best with a smile on her face against opponents bigger, stronger, and older than herself was bringing a smile to mine.
ChocoPro’s approach with Kaho has been excellent. Again the company has a lot of experience over the years with wrestlers of vastly different ages, sizes, and experience levels and knows how to showcase people within their limitations as well as the proper tone to establish.
Kaho generally wrestles with veterans and/or her trainers in the matches. If you watch carefully you’ll notice she doesn’t take heavy strikes or generally anything high impact. But you have to watch carefully to notice, as her matches are just plain too much fun and enthralling to be thinking about stuff like that.
And that’s what matters. Sakura’s companies have always been built around the idea that wrestling should be fun for both the wrestlers and fans, and the fun Kaho has in her matches is both obvious and contagious. She’s a plucky underdog trying her best, and her matches are a lighthearted blast to watch. They’ve developed a moveset and strategy that suits her, such as crossing her arms in front of her and charging opponents as a strike instead of traditional chops that would have no impact at her size.
She’s doing great. She moves well, gets the crowd excited, and is naturally incredibly easy to get caught up cheering for. Emi Sakura is one of my top favorite wrestlers in the world, yet I still can’t help but to cheer against her as she smugly taunts Kaho.
While some people may instinctively recoil from the idea of a child in a wrestling match (and/or intergender wrestling, another cornerstone of ChocoPro), there are a lot of great in ring stories to be told involving an opponent completely out of the realm of what a veteran would normally expect. It doesn’t have to be everyone’s thing, there are plenty of other companies and styles to watch, but again it all speaks to me personally as a fan.
Kaho often confounds her opponents a bit with her quickness and size. She’ll counter holds by wrapping herself around their legs in ways others can’t. She can jump around, dodge, and generally frustrate them in ways only a kid can. Usually unfortunately she gets caught and someone like Sakura leverages Kaho’s own attempted holds to force a pin (the boos Sakura has gotten when she essentially sits on Kaho for a victory are huge).
Recent highlights include ChocoPro 314’s triple threat that saw her face Sakura & Sayaka and her participation in the Christmas show’s battle royal. The latter saw her first encounter with DDT’s Chris Brookes, which was a riot (and cemented Chris being evil). She’s also had several fun mixed tag matches recently giving people like Hagane Shinno a new challenge.
Kaho’s been a wonderful addition to the ChocPro roster, and I really just wanted to take the opportunity both to spotlight her and to reminder everyone how important it is just to straight up enjoy wrestling. Whether your thing is desperately wanting a heel vanquished, deathmatches, sports-like presentation, comedy, or like me a mix of several approaches find companies that do what you like well, and have fun experiencing them.
Some other great currently active young and/or rookie wrestlers to watch include, but aren’t limited to, Ice Ribbon’s Kirari Wakana, TJPW’s Uta Takami, SEAdLINNNG’s Miria Koga, and the recently freelance Saran. I hope to keep watching all of them and Kaho for however long wrestling continues to be viable and fun for them all.
Thanks to everyone who’s given this a read. 2024 was a sporadic return for this blog and I hope to have more regular updates going forward in 2025.
If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.
I’ve had a surprisingly difficult time finding the proper words to open this look at the work of a truly special artist. There’s something indescribable that jumps out of Veronica O’Connell’s art and demands attention. So I decided to let the stunning depiction of Psylocke above make the first impression.
Ghost Spider, Spider-Woman, & Silk AP by Veronica O’Connell
I honestly don’t recall when I first saw Veronica’s work, but I do remember being blown away with her versions of Marvel characters and immediately putting her art on my collection list.
There is an incredible balance of realism and the fantastic in her illustrations. Her takes on comic characters simultaneously look like they could step right off into the real world while still feeling appropriately larger than life.
The qualities that initially caught my eye are on full display in the above gorgeous Spider-Women triptych, which is mind boggling. All the art I’ll be showing in this blog is directly drawn on blank trading cards. So each of the three characters shown above (Spider-Gwen, Spider-Woman, and Silk) is drawn on a third of a 3.5″ x 2.5″ work area. The detail and impact she’s able to achieve under such conditions is phenomenal.
There is so much style infused into Veronica’s work. Her use of color and lighting is exquisite and a big part of what makes her art so eye catching. It also underlies her emphasis of mood and atmosphere, making the same subjects feel different in different pieces depending on what she’s chosen to convey while retaining their core essence.
I have multiple cards by her of some of my favorite comic heroines, including Psylocke, Emma Frost, and Spider-Gwen, and the contrast between equally captivating depictions of the same character is fascinating to see.
Spider-Gwen PSC by Veronica O’Connell
My discovery of Veronica’s art through her Marvel work eventually led to the great opportunity to get some Personal Sketch Cards (PSCs) done as part of another key subset of my card collection.
I have followed and enjoyed Japanese women’s professional wrestling (joshi wrestling) for over a decade and collect related art in a number of forms. Veronica is the third artist to create PSCs for this collection, along with Juri H. Chinchilla and Miki Okazaki
Kairi Sane PSC by Veronica O’Connell
Veronica’s renditions of the wrestlers she’s drawn for me are absolutely stunning. She achieves an amazing level of detail, capturing the subtleties of her subjects expressions and doing an exceptional job representing their intricate wrestling gear.
Perhaps most impressive is her ability to create such incredible likenesses on such small workspaces. From a distance these precise works could be mistaken for photographs, while up close the aspects that make the depictions hyper realistic elevate them even further.
Over time I’ve gotten 24 wrestling PSCs from Veronica, featuring a total of 30 wrestlers. Only 8 of those wrestlers had been drawn for me before on PSCs by other artists, meaning 22 of the wrestlers she drew for me were first time subjects for my sketch card collection.
All of the repeats were drawn in different gear and/or with different partners than the other cards I have, and it was a treat to get Veronica’s take on recurring collection subjects like WWE’s Asuka, AEW’s Riho and Hikaru Shida, and Sendai Girl’s DASH Chisako. Likewise awesome was adding in wrestlers I’d been meaning to have drawn like Asuka’s tag partner Kairi Sane and Stardom’s Starlight Kid.
Juria Nagano PSC by Veronica O’Connell
The vast majority of the wrestlers I had drawn for the first time were a large number of roster members and regular guests from two of my favorite promotions.
From Tokyo Joshi Pro Wrestling (TJPW), Veronica did wonderful cards of now former roster members Juria Nagano and Sakisama (with Mei Saint-Michel), tag teams Miyu Yamashita & Maki Itoh (121000000) and Himawari & Wakana Uehara, long time roster members Mizuki and Yuki Kamifuku (Kamiyu), and the Up Up Girls Hikari Noa, Miu Watanabe, Raku, & Shino Suzuki.
Veronica’s encapsulation of that Up Up Girls lineup is a particularly nice memento for me given the recent departure of my favorite member, Hikari Noa, from both TJPW and the Up Up Girls.
The other big focus among the joshi wrestling cards Veronica’s done for me is a company called Ice Ribbon. One of my most watched promotions, it was a privilege to get Veronica to do related cards for me.
The core IR lineup I got includes brief former roster member Amu Yumesaki, and current roster members featuring second generation wrestler Ibuki Hoshi and impressive newer wrestlers like Tsukina Umino, Mifu Ashida, and Kaho Matsushita.
I was also happy to add former IR regular guests Ram Kaicho (from Triple Six), Saori Anou (now of Stardom), and Tae Honma & Maika Ozaki (SPiCEAP, both freelance), and reigning ICE Cross Infinity Champion YuuRI (from GanPro) to the collection.
As with the comic art, Veronica’s vivd colors, stunning lighting and shading, and delicate touches make all of her wrestler illustrations simply gorgeous. I could not be happier with how they all turned out.
Joshi PSC displays. Art by Veronica O’Connell, Juri Chinchilla, and Miki Okazaki.
I’m extremely thankful to Veronica for all the fantastic art she’s created for me. I hope to continue collecting more in the future.
Asahi PSC by Veronica O’Connell
To wrap up I’d like to talk about a particularly special card Veronica’s done for me, although there is unfortunately tragic news attached to it. Early this year Actwres girl’Z reported a 21 year old member of their roster named Asahi had unexpectedly passed away. Asahi started her career in Ice Ribbon and was a personal favorite of mine. Nicknamed the Sunrise of Hope, she was always a joy to watch and is greatly missed. Veronica’s remembrance piece of Asahi is absolutely breathtaking and a cherished keepsake.
On August 31, 2024 Emi Sakura’s promotion Gatoh Move held a show at historic Korakuen Hall for the first time in eight years (full show available on YouTube). It was a great show and a huge milestone for the small company that fought tooth and nail to survive and evolve during difficult and turbulent times.
One of their evolutions was the creation of a second promotion/brand, named ChocoPro, during the pandemic. Once performing in front of crowds became possible again Gatoh Move and ChocoPro existed side by side.
After the Korakuen show, Sakura announced that her two brands would officially be merging, to be known only as ChocoPro going forward. As such I wanted to take a quick look back on the significance of the merge, and what separated the brands in the first place.
In 2012 Emi Sakura left a company that she founded called Ice Ribbon (that to this day still running and highly enjoyable), and founded a new joshi (girl/woman) promotion named Gatoh Move.
Likewise built around the idea that wrestling should be fun for both the wrestlers and fans, Gatoh’s general approach to wrestling wowed me when I initially saw them during my first trip to Japan both in ring and in the unique environment of Ichigaya Chocolate Square.
A deep dive into the promotion is beyond the purpose of this post, but check out this retrospective I wrote for their 10 year anniversary highlighting a lot of what I adore about both Gatoh Move and ChocoPro.
As mentioned above ChocoPro was created as a direct response to the difficulties of operating during the pandemic. Sakura didn’t want to just proceed as if they were doing Gatoh Move shows without fans. She approached the idea of streaming empty venue shows as something completely new that should be tailored and targeted as such.
When ChocoPro started there were three key differences to Gatoh Move. First was the absence of an audience in attendance.
Second, all the shows would stream live, where Gatoh shows had been primarily for the attending audience with big shows released on dvd and nothin aired live. This also led to Sakura’s new No Pay Wall strategy of having all their shows and other content airing free on YouTube with a variety of optional support methods.
The third key difference was that while Gatoh Move had always incorporated a lot of guest male wrestlers into their shows and were known for great intergender wrestling, they were still a joshi promotion. The official Gatoh roster was all women, the titles were held by women or intergender teams, and outside of extremely unusual circumstances the main events would always feature a roster member.
While still based largely around the core Gatoh roster, ChocoPro immediately established itself as a fully intergender promotion with a main event of Baliyan Akki vs Minoru Suzuki on the first show. As ChocoPro went on the vacated Super Asia singles title would return as an intergender belt, and likewise the Asia Dream Tag Titles would become open to challenges by male teams.
As pandemic restrictions lifted and live crowds began to be allowed again, the delineation between Gatoh Move and ChocoPro changed.
ChocoPro started running “ChocoPro Peoples” shows, which were still aimed at the streaming audience but had live attendees as well.
When “Gatoh Move” officially returned it was specifically used for the ring shows, and ChocoPro essentially became the name for the Ichigaya shows. All other differences besides the official Gatoh Move roster still being all joshi wrestlers had fallen by the wayside.
So at this point the merge is mostly a symbolic action to make things more straightforward with a single name for the company. While I’m personally quite attached to the Gatoh Move name and sad to see it go ChocoPro is more reflective of what the company has become. The overall impact on the fans is minimal, as the same great people will be presenting the same great wrestling they have been for years.
2019 Gatoh Move roster PSC puzzle by Juri Chinchilla.
So that’s why Gatoh Move/ChocoPro had two names, what the differences originally were, and what they became. Wishing all the best going forward for the newly “combined” ChocoPro.
Derailments of Thought 