WWE and AEW have both signed a number of incredible wrestlers lately. But with all due respect to the rest, none are quite as exciting as the confirmation that Sareee is headed to the US as part of WWE.
My first time seeing Sareee was during my first trip to Japan at the end of 2015. She was a few months under five years experience at the time, and featured in matches spotlighting young talent with fellow Diana rookie Meiko Tanaka against Rina Yamshita & Kaho Kobayashi at Wave’s Young Oh! Oh! 12/25/15 and against Yuuka at Ribbonmania 2015. She displayed great innate ability and instincts, and I was excited to see what the near future would hold for her.
Unfortunately, my opportunities to see Sareee for the next few years were sparse. In summer of 2017 I caught her during her brief tenure in SEAdLINNNG in hard hitting tournament semi-final against Marvelous’ Takumi Iroha. In spring of 2018 I lucked into seeing her at Pure-J in an interpromotional tag team main event alongside Actwres girlZ’ Mari against Manami Katsu & Rydeen Hagane. She was definitely showing all the hallmarks of fully capitalizing on her potential and was an obvious superstar in the making.
I was thrilled to get to see her regularly in 2019. Her tightly contested, visceral title match at Sendai Girls’ 1/6/19 show against Chihiro Hashimoto might have been my top match of that entire trip, yet was just a glimpse of how fully Sareee’s mastered a variety of aspects of her craft. She was wrestling’s next big thing, and it was only a matter of time before everyone noticed.
My best matches of 2019 list reads like Sareee’s resume, and I imagine I sounded like a bit of broken record last year repeating my belief that she’s one of the most compelling and impressive athletes and the biggest rising star in all of wrestling.
Her grasp of the nuances of technical skill, timing, etc is really amazing, as is the intensity she brings to it all. Similar to another personal favorite of mine recently signed (Timothy Thatcher), one of the keys making Sareee so incredible is that she fights over EVERYTHING. The smallest exchanges are still struggles towards getting an edge progressing to the ultimate goal of winning the match. It makes such a difference in believability, and Sareee’s one of the very best at it. Of course she can also hit just the right notes in lighter, more comedic matches, and that versatility will undoubtably also serve her well.
A clear indication that I’m not alone in my opinion of Sareee is the apparent and repeated shows of confidence in her from veteran Japanese wrestlers. During a chunk of 2019 she was simultaneously reigning champion of both Kyoko Inoue’s and Meiko Satomura’s promotions (Diana and Sendai Girls respectively). She even won the Diana title back from the person who took it from her, the legendary Aja Kong.
In my write up of Diana’s 5/12/19 show at Korakuen Hall that Kong vs Sareee main evented, I commented:
“Sareee is wrestling’s next big star, and everyone clearly knows it. She recently won said double title match so is currently a reigning double singles champion across two companies. On her way to the Sendai title she pinned their legendary owner Meiko Satomura, as well as DASH Chisako and other top competitors. And of course any sort of victory over Kong is a huge deal, let alone a singles pinfall. The important part of course is Sareee’s completely believable and natural in this role, with both the technical skills and charisma/mannerisms to pull it all off.”
The mentioned match against DASH Chisako happened a few weeks prior at Sendai’s 4/27/19 show and was yet another stunning display. This featured two of my absolute favorite wrestlers and I actually traveled out to Sendai specifically to see it. It was an incredibly hard-hitting, wonderfully escalating contest that was everything I hoped for. They would meet again in a title defense for Sareee at Korakuen Hall in a match that from all accounts was somehow even better.
I was also lucky enough to see Sareee in a variety of great tag matches that paired her up with unusual opponents and showed even more of her variety and skills. One fun one of note saw her teaming with Pro-Wrestling Eve’s Yuu against Meiko Satomura & Gatoh Move’s Mei Suruga at Sendai’s 5/18/19 show.
During the summer it was reported that Sareee had met with HHH, and the rumors started in earnest. With heavy indications that her time in Japan might be wrapping up, she held a special self produced show in early December entitled Sareee’s Special Night. And it certainly was. 😉
In addition to tearing the house down in the cross promotional main event dream tag team match (Sareee & Syuri vs World of Stardom Champion Mayu Iwatani & Regina di Wave Champion Takumi Iroha), Sareee also showed she could put together a compelling and thoroughly enjoyable card from top to bottom. There was a little bit of everything, with multiple match styles and stories being told, special significance to things such as Jenny Rose’s return to Japan to face Marvelous’ Hibiki (formerly Diana’s Meiko Tanaka) and the injured Natsumi Maki still appearing as the ring announcer, and generally great action all around.
In early January Sareee officially announced she’d be leaving Diana in February and going to the United States. Today it became official that she is indeed WWE bound.
So in what ended up being my last time to see Sareee wrestle live for a while, I attended my first Diana dojo show on 1/19/20. It was a blast and Sareee’s excellent tag encounter alongside her trainer Kyoko Inoue against Actwres girlZ’ Champion Miyuki Takase & Diana rookie Haruka Umesaki was a great note to go out on for now.
There’s some admittedly justified trepidation among fans when independent talent gets signed by WWE considering their less than stellar track record with using people to their full abilities, but I’m still extremely happy for Sareee and hopeful that she will excel in the all the ways she’s clearly capable of. Best of luck to the Sun God in the next phase of her career.