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Japan Reviews Wrestling

Match Spotlight: Hina, Sakura, & Mizumori vs Ram, Riho, & Rina

Starlight Kid 10th Anniversary Show – October 20, 2025

Emi Sakura is approaching her 30th Anniversary show and has a number of anticipated matches across several companies in the couple weeks before it.

This trios match on Starlight Kid’s 10th Anniversary show is a cool mix of generations and has Sakura crossing paths with a couple extremely familiar faces.

Yuna Mizumori (Yunamon) was trained by Sakura, and has extensive history both feuding and teaming with her former mentor. Yunamon left Gatoh Move ( now ChocoPro ) for Stardom in 2022. She defeated Sakura in her second to last Gatoh match, her only ever singles win against her trainer. They have not crossed paths in any capacity since until this match.

Riho is the former ace of Gatoh Move. She left in 2019, and appeared in Stardom regularly until the end of 2020 including a High Speed Championship run. She and Sakura both work for AEW now, and they faced off last month in a tag match.

Ram Kaicho wrestled for a few years as a child, including several appearances in Emi Sakura’s promotion at the time Ice Ribbon, then essentially retired for a decade before returning in 2019. She’s been regularly wrestling since.

I’m not as familiar with Rina and Hina, Stardom’s actual twins, as the rest here. And they don’t have the history with Sakura the others do. But from what little I know about them they should fit in just fine.

Due to outage problems with the intended PPV service this show aired for free and is still currently available on Stardom’s YouTube channel.

Hina, Emi Sakura, & Yuna Mizumori vs Ram Kaicho, Riho & Rina

Four of the six wrestlers in this match debuted at age 11 or younger. The least experienced wrestler here has been wrestling for 7 years. Insane amount of talent in this one.

Riho being on Ram’s team makes sense, as does Sakura and her Beauty As Is teammate Yunamon reuniting, but even so alignment-wise Riho and Sakura look like they swapped places. Sakura even came out to her full heel AEW music. Riho’s probably going to have a much easier time going with the flow of her heel teammates than Sakura will have trying to play nice. Evil Riho rocks. 

Riho’s leather jacket with sheer sleeves over her poofy entrance gown is fantastic.

Pre match Sakura slaps away Riho’s handshake offer. She’s already in full Her Highness mode and the match hasn’t started. This is going to be a blast.

Ram and Hina start. Collar and elbow tie-up leads to a Ram overhand wristlock. Hina counters into her own, which Ram rolls through and goes into a hammerlock. Headlock counter into a takedown by Hina is countered into a headscissors by Ram. Hina kips out, and it’s a stalemate. Nice bit of chain wrestling to get things going.

Hina with a kick to the midsection as Ram comes in for another lockup. Whip into the corner, but Ram counters Hina’s charge by … rapidly firing off imaginary shuriken. They’re devastating and Hina recoils back from the imaginary impacts to her stomach. Yunamon comes in and also falls victim to more shuriken. Still more get Sakura. And the ref must have looked at Ram funny so he gets some too. Ram’s carrying an awful lot of those on her.

Ram gloats to the crowd and all three of her opponents jump her from behind for her audacity. Riho and Rina come in to even the odds and throw Sakura and Yunamon out of the ring. Hina gets tied up and Ram, Rina, and Riho pose on the ropes while tormenting her. Riho’s kinda actually being the most disrespectful with her knee firmly planted in Hina’s face. The trio congratulate SLK then break the pose.

Back down to just Ram and Hina, Hina reverses a whip and scoops up Ram off the ropes for a big body slam. Tag to Sakura. She brings in Yunamon with a call of “hisashiburi” (“long time no see”) and gestures for a hug. But of course it’s Sakura so when Yunamon gets close Sakura boots her in the midsection, then hits the ropes and jumps on the stunned Yunamon’s back to force a splash onto Ram.

Sakura sets up and completes the Ay Oh sing along surfboard. With the awesome hard forced dismount after a few moments too. Ram gets up and screams a bit in defiance, then gets in Sakura’s face. The latter laughs, so Ram switches her taunts to Sakura’s real name. That gets Ram casually and deservedly slapped in the face.

Sakura hits the ropes but Ram’s completely collapsed from the slap and a confused Sakura pauses for a second. Then she approaches and Ram small packages her for 2. Facecrusher stuns Sakura and Ram tags out to Rina.

Rina goes up top for a shotgun missile dropkick. Big boot to Sakura draped across middle rope follows for 2. Sakura’s up quick though and a HARD chop sends Rina reeling to the ropes, portraying the pain across her face like she just ate a lemon.

Forearm from Rina. Sakura absolutely levels her with another chop in response. Crowd’s now firmly behind Rina. She fires up and lays in several forearms (although an odd camera angle choice leaves the viewers looking at Sakura’s back instead of the impact). Sakura rakes Rina’s eyes to stop her, but her follow up strike is blocked and Rina puts Her Highness down with a nice STO. Scoop slam attempt is countered by Sakura with a back rake then she goes right into Smash Mouth.

STOMP STOMP CLAP and the We Will Rock You singalong means it’s time for Sakura’s sweet corner crossbody. She then calls Hina over and they happily proclaim it’s tea time. Hina puts out a bent knee and Sakura butterfly busters Rina over it. Then Sakura and Hina enjoy their pantomime tea. Sakura definitely has a favored partner in this.Tag to Yunamon.

Shotgun dropkick sends Rina into her own corner and Riho tags in for an old school Gatoh Move showdown. Yunamon dodges a dropkick but gets arm dragged when she tries to pull Riho up. Riho dodges a charge but gets arm dragged herself by Yunamon as the latter rebounds. Shotgun dropkick by Yunamon. Riho bridges out of the cover at 1. They haven’t lost the slightest bit of chemistry.

Of the ropes Riho does a wheelbarrow rollup into the double stomp. She goes up to the top turnbuckle, but Sakura and Hina intercept. Yunamon comes over and the three march carry Riho out to the center of the ring, but Riho’s teammates save her and break up whatever triple team slam was intended.

The two teams line up for a simultaneous brawl. Well kind of, as Sakura and Ram are reversed and in the wrong lines. This leads to shots all around as people realize they’re next to opponents, which leads to Sakura nailing Yunamon with repeated forearms in the corner because Sakura is Sakura.

The respective teams clear out and Yunamon staggers to the center to the ring after taking the abuse from her own teammate where Riho lays in her own forearms. Yunamon eventually blocks one though and spins Riho around before landing a hard chop. Riho falls back up against the ropes and Yunamon charges in with a lariat. And another after getting momentum from hitting the opposite ropes. Tropical Yahho leg drop gets 2.

Yunamon hits the ropes again but Rina jumps her and Ram follows with a codebreaker. Ram then positions Yunamon for a top rope crossbody from Riho. Hina saves at 2.

Yunamon fights off a dragon suplex attempt then charges Riho. But Riho low bridges the ropes and Yuna goes over, yet holds on to the top rope and is hanging outside. Riho hits the far ropes presumably for a dropkick but runs right into a sweet judo throw from Hina.

Yunamon skins the cat back into the ring and she and Sakura sandwich lariat Riho. Yunamon hits the ropes and nails a gorgeous Supergirl pin attempt. Riho just barely rolls her shoulder up at 2.99.

Yunamon hits some shots on the prone Riho, then picks her up in a fireman’s carry. Riho counters a slam attempt from that position into a victory roll style pin for 2. Yunamon LEVELS Riho with a lariat and folds her in half on the pin to get another crazy close 2.

Apparently that was too close for Ram, who comes in to throw powder into Yunamon’s eyes. Rina’s H.A.T.E. stablemates have the ref distracted in the corner. Rina herself follows that up with a shot from her whip to Yunamon. Poor Yunamon’s laid out on the ropes and Ram hits the 619. Finally Riho’s crucifix spinning rollup gets 3.

Post match Riho assures the ref she has no idea what that powder all over the ring is and shows him her clean hands. I knew she’d fit right in with the heels eventually.

As the three celebrate, in the other corner Sakura of course takes exception to Yunamon losing and starts stomping away at her. Hina separates them but Sakura hits her too as they head to the back. Sakura heads off on her own while Hina and Yunamon bow to the crowd together.

This was a lot of fun. The antics were largely amusing and generally expected given the mix of wrestlers involved, and when the action picked up it was great. The Yunamon and Riho stuff down the stretch was awesome, and I’d love to see a singles match from them again someday given how much Yunamon has evolved since they last met. Rina and Hina were quite good. Would definitely like to see more from both.

Again the whole show is available on Stardom’s YouTube and well worth a watch.


Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically as I am able.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Japan Wrestling

Retirement Reflections – Nao Kakuta & Tae Honma

A quick look back on some personal highlights of the careers of a couple of fun wrestlers who I’m interestingly mostly familiar with outside of their original promotion.

Nao Kakuta

In the type of amusing coincidence that’s becoming common for this blog, I had no idea I was featuring two wrestlers who double debuted against each other when I chose to spotlight them together for this post. Nao and Tae both debuted for Actwres girl’Z on 5/31/15 in a singles match against each other.

It was the better part of three years into her career when I saw Nao for the first time. It was one of only a handful of times I ever saw her wrestle live, and it remains a lasting an enjoyable memory to this day.

AWG’s Bloody Cat faced Fairy Nipponbashi on Wave’s Young OH! OH! 1/8/18 show. I adored Nao immediately, and to my delight she picked up the win when she had more than enough of Fairy’s magical nonsense and just whacked her over the head with her own wand then rolled her up for the 3 count.

My other rare opportunities to see Nao live ended up being a Kani King Produce show of all things as well as one single time in her home promotion at Actwres girl’Z 1/20/19 show.

Free Wi-Fi PSC by Miki Okazaki.

In late 2020 Nao left Actwres and went to Tokyo Joshi Pro, where she’d spend the rest of her career. She fit in well, and always seemed to be enjoying herself in her matches.

In mid 2022 she would start teaming with my then favorite wrestler in the promotion, Hikari Noa, to form the tag team Free Wi-Fi.

The two had wonderful chemistry as a team and were a blast to watch. They’d eventually win the Princess Tag Team titles in October, 2024. It was the only title of Nao’s career.

Right before TJPW’s big January 4th show that year Free Wi-Fi forfeited the tag titles with Hikari being absent for undisclosed reasons. She never returned to wrestling, and her retirement was made official in May.

Nao was winding down her career herself, and had a proper farewell including a special self produced show right before her retirement where she had a match with fellow AWG alumni she had started with in Saori Anou, Natsupoi, and Tae.

I’m long overdue with this tribute as Nao retired in July, 2024, but I still wanted to reminisce a bit. Nao still pops now and then, as I’ll mention again shortly. I hope all is going well for the former Rat Chaser.

Tae Honma

Ice Ribbon’s “Best Enemy”

I saw a lot of wrestling each time I visited Japan. My first trip was both incredible and overwhelming. I saw 17 shows from 8 different promotions featuring 144 wrestlers. Of course some of it blurred together …

In the middle of it I attended a Reina show pretty much solely to see Tsukasa Fujimoto’s title match. I had no familiarity with the promotion nor most of their roster or the guest wrestlers appearing from other promotions. While the rest of the show was good enough, to be perfectly honest I promptly didn’t remember anything outside of Tsukka vs Maki Narumiya.

As it turns out that show was actually the first time I had ever seen Tae Honma wrestle, a mere 7 months into her career. The match was her and Maki Natsumi (now Natsupoi) against Saori Anou and Yuna Manase. Totally fine tag team match, but it completely slipped my mind for a while.

I find this worth noting in hindsight mainly because two years later at Ribbonmania I was convinced I was getting my first look at Tae and remember being incredibly impressed.

Tae is charisma personified, with a smash mouth style built on top of strong technical skills. She was feuding with Kyuri at the time, which meant she was appearing at a lot of the Ice Ribbon shows I regularly attended. Their battles spilled over into other promotions as well, including the Wave Young OH! OH! show I mentioned with regards to Nao above.

Tae and Kyuri were both regular partners of Maika Ozaki (as SPiCEAP and Gekokujo respectively), and their issues would involve Maika as well as Saori Anou in various forms over time. The four had great chemistry and their matches in different combinations were always fantastic. I’m a huge fan of all four of them to this day.

Tae Honma & Maika Ozaki PSC by Veronica O’Connell

I’ve seen and attended several awesome matches of Tae’s over the years. But I’d be lying if I tried to deny that the first thing that pops to mind will forever be the infamous hot dog match from Frank Sisters Produce 1/5/18.

Tae and Maya Yukihi faced Tsukka and Hamuko Hoshi in one of the most unique matches I’ve ever seen. Music would randomly be played during the match, at which point wrestlers currently in ring could eat hot dogs supplied by their seconds.

Watching them stuff their faces with hot dogs then immediately go back to taking hard shots and stomach bumps was unsettling in the most weirdly compelling way. The action was great, with everyone giving 110% effort.

The reason this match will always spring to mind with regards to Tae for me is that she was an absolute monster and the mvp of the whole affair. She and Maya, and again mostly she, outate their opponents by 9 hotdogs. Post show I talked to Tae while getting some pictures signed and she expressed being very full and never wanting to eat hot dogs for at least a year.

Tae was officially part of the Actwres roster until they rebranded as a wrestling related theatrical company and several of their wrestlers went freelance. She had always worked heavily in other promotions even before that, and as mentioned I primarily knew her through those appearances.

I did get to attend one AWG show that featured Tae, again a show I mentioned above that had Nao on it as well. Tae had a really cool Gatoh Move crossover match that saw her team with Yuna Mizumori (now of Stardom) against Mii and Riho (now of AEW).

Tae’s had a great retirement road that let her cross paths with a number of old compatriots from her AWG days as well as making final appearances in numerous promotions she wrestled in over the years. Tae continued to team with Maika, and she will be retiring as half of Wave’s Tag Team Champions as SPiCEAP still holds those titles.

Nao Kakuta made a special appearance as part of Tae’s match against Saki from GPU COLORS yesterday.

Tae Honma’s retirement match will be today, 10/13/25 (local Japan time/date), in just a couple hours at Ranmaru Festa Vol. 43. The show can be purchased for live streaming (with a week archive) here.

Tae was always an absolute joy to watch. Wishing her all the best in life post wrestling.


Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically as I am able.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Anime Film Reviews

Perfect Blue 4K Remastered Review

“There is no way illusions can come to life.”

Mima Kirigoe is about to leave being a pop idol behind, but her past might not be on board with her new life and new image…

I feel fair warning is needed to start off here. Perfect Blue is officially Not Rated, but let’s be clear it would likely be NC-17 if it were given one.

So for anyone who still equates animation with children’s cartoons: you are very much in the wrong place. It’s a medium that, like live action, can be used to tell a wide variety of stories in any genre. Perfect Blue is a full blown psychological thriller with horror elements and extremely graphic treatment of horrible situations.

It’s also easily one of the best movies I’ve ever seen, and one of my all time favorites.

And yet I’ve only watched it a handful of times over the years because of its intensity and subject matter. I adore a good psychological thriller, in part I’m sure because of the impression this left on me, but horror and gore aren’t my thing at all. The graphic nature of this film is beyond what I’m usually able to handle, but the medium, the execution, and the sheer quality of this film make it the exception.

I first saw Perfect Blue pretty close to when it was initially released, an astonishing 28 years ago now. I was still early on in being an anime fan, and it completely blew me away. I spent the majority of the movie trying to keep up and wondering what on Earth I was watching as the film broke my brain, but in the final ten minutes or so it all seems to fit together in incredible form and makes everything that came before click into place.

This was director Satoshi Kon’s first film. He had a small but impressive list of other movies plus one tv series before his unfortunate death in 2010 at the age of 46. Everything in his catalog is well worth watching, and varies wildly in genre and subject matter.

It’s been near a decade since my last watch, and the opportunity to see the remaster in a theater made this the perfect time to revisit this masterpiece and see how it held up.

Perfect Blue is a visually stunning film, and the restoration did it justice. Everything popped in the right ways and the detail put into it can be appreciated as never before. It simply looked great.

There’s a kind of stylized realism to the film, which made certain elements really stand out when that realism was pushed aside a bit both narratively and visually. Kon was willing to make some characters look unsettling and/or ugly, which adds a lot to the visual depth and overall atmosphere.

Mima’s story was every bit as gripping as when I watched it for the first time, and knowing the key reveals didn’t detract from the building tension at all. The themes of personal choice and identity, the pitfalls of fame, the commodification of celebrities, and so on still resonate.

The pacing is exquisite, as the film knows when to hold a scene for impact and to create unease. There are several times when disturbing scenes and moments are held, creating an oppressive sense of dread.

There are several sections where time is played with and scenes are intercut together. I’ve never seen the technique put to better use. Mima’s world is falling apart, and the film’s use of parallel moments and framing to convey the fragility of her reality is incredible.

It’s a minor thing but the time period specific stuff, like the main character needing to learn what the internet is and how to navigate it, was presented really well. The film doesn’t feel poorly aged because it was from a different time, as it clearly and naturally gives the viewer just enough of a frame of reference for what era it’s in.

The entire film left a mark on me and still had as much impact this time around. One particular moment, a stunning illustration of taking full advantage what can be done in animation, blew me away and is always what I think of first when I remember this movie. It’s a split second thing, but my jaw dropped again all the same when I saw it on the big screen.

This was an instant classic when it was released, and absolutely holds up near three decades later.

Perfect Blue Remastered will be playing in select theaters for about another week. Highly recommended, with a reminder warning that this is an intense, often disturbing watch.

Side note: Perfect Blue is an adaptation, and I read and reviewed the translation of the book it was based on a few years back. The short version is while the book is solid, there were some major changes made to the film that added depth and nuance and for anyone interested in this story the movie is definitely the way to go.


Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically as I am able.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Japan Reviews Wrestling

ChocoPro x Mystery Wrestling

October 4, 2025

Evil Uno’s Mystery Wrestling is a fun concept where the wrestlers and matches aren’t revealed before the show. Recently Uno’s fellow AEW superstar Emi Sakura appeared on one of his shows. A couple weeks later and Uno’s in Japan with a special crossover with Sakura’s own company ChocoPro (although Sakura herself is in the US and thus isn’t appearing this time).

As ChocoPro has a set core roster some of the participants where obvious/shared beforehand, but the matchups were kept secret, even in the few hours between the taping and the show’s airing.

Going into the show Mei Suruga, Baliyan Akki, Chie Koishikawa, Miya Yotsuba, Hiyori Yawata, Chris Brookes, and of course Evil Uno had been announced.

Akki and Evil Uno opened up the show, with Uno explaining it’s his first trip to Japan. Akki taught Uno the ins and outs of ChocoPro’s home turf rules in an amusing bit.

For new viewers: Ichigaya Chocolate Square is a unique venue with no ring. The audience surrounding the mat and the one wall the mat is up against are the “rope break” boundaries for submissions only. Pinfalls count as long as the wrestler’s shoulders are on the mat, and there are no rope breaks for pinfalls.

That’s the gist of what Akki explained. In addition, double teams/double pins are legal in tag team matches, there are no count outs, and referees are extremely lenient as far as DQs go (as is normal for Japanese wrestling). For more details see this quick reference I wrote a few years ago.

Uno revealed he does commentary himself for Mystery Wrestling and stepped into the camera/commentary role for match 1.

1- Hiyori Yawata & Chris Brookes vs Egg Tart (Chie Koishikawa & Hagane Shinno)

Hiyori was out first and introduced the newest member of Team Hiyori, CHRIS BROOKES! Ever the good sport Chris came out in a Hiyori hat. I love this team already.

Their opponents are Egg Tart. This is a really cool choice for the opening match.

Referee is ChocoPro GM Aoi Kizuki.

Chris heckled Chie during her intro. Then he threw her flower on the ground and was just being a general gremlin to her. Man I hate to see ChieDK bicker.

Amusing start saw Chris take one hard leg kick from Hagane and tag out. Hiyori then tried to avenge her partner and gave Hagane several … rather ineffective kicks. Hanage leveled her with a single kick of his own in response and she rolled to the corner to tag out. No one wants to mess with Hagane.

After tags on both sides Chris touched the ceiling to taunt Chie, so Chie got on Hagane’s shoulders to do the same. Chris put Hiyori on his shoulders and the audience already knew what was coming. Sure enough Chris put her head through the ceiling as soon as he stood up. Shades of Rin Rin. Chris apologized to Sakura through the camera.

Chris continued being a menace all match doing things like hitting his opponents (and poor ref Aoi) with his big rubber band thing as well as rubbing the broken ceiling tile into Chie’s forehead.

Good action all around, with the strike exchanges between the men being particularly heavy hitting and impressive. Egg Tart applied a sick looking double stretch muffler on Hiyori at one point. Probably would have been it but Chris went nuts with his elastic again and broke it up.

Eventually Chie caught Hiyori with a sweet arm trap rollup for the win.

This was a really high energy ten minute match and a fantastic example of how to work in a bit of absurdity and shenanigans into a hard hitting contest.

Post match Chris went to put the Hiyori hat back on but Hiyori complained about the ceiling thing, so her threw it at her instead.

2- ???

Uno tries to bail and hand the camera off to someone saying it’s very hard to do two things at once, Mei comes out and pushes him back behind the camera. She cuts a promo at Uno, which means towards the camera. Nicely done.

Mei makes the next match 1 count rules in honor of Uno. And then totally unnecessarily but hilariously demonstrates what a 1 count is and how to kick out before 1. I adore this. Once she’s done talking she ejects him, starting a “you get out” chant, and takes over behind the camera herself.

2- Mei’s Special Uno Count Match

And our participants are… Choun Shiryu and Trans Am Hiroshi. This’ll be something.

Choun can work any style and Hiroshi is at home in atypical matches so they worked this stipulation to the fullest.

Choun nearly stole the win early during a reversal sequence but Hiroshi kicked out before 1. Right off the bat they established that the unusual rule was going to have a big impact on their strategy.

Hiroshi did his usual meditation stuff, where he’s able to shrug off strikes and roll back into crosslegged sitting position through the power of inner peace. It worked for a bit, but then nearly backfired spectacularly when Choun went for a pin instead and Hiroshi had to frantically kickout before 1.

Ref Aoi did a phenomenal job on all the close 1 counts throughout the match, including a great series of rapid fire covers by Choun where Hiroshi had to kick out super fast several times in a row.

Late in the match Trans Am Hiroshi stopped for a song break. Choun joined in, and Hiroshi’s sneak attack after they finished singing nearly got the win with a small package. They kept fighting until Choun got caught in a sweet judo throw off of the windowsill for 1 and the win for Trans Am Hiroshi.

This was two extremely talented veterans in an entertaining outing and again a good mix of ridiculousness and solid wrestling.

Right before the main event is where the support shoutouts happen. I’d like to take this opportunity to remind everyone that Masahiro Takanashi, an incredible wrestler and a big part of ChocoPro, is currently out recovering from a serious neck injury and ChocoPro has set up a variety of ways to help if anyone is able.

3- Miya Yotsuba & Evil Uno vs Best Bros (Mei Suruga & Baliyan Akki)

Brooks is on commentary for the main event. Best Bros give him grief about the hole in the ceiling, and like the stand up guy he is he blames Hiyori.

Uno & Miya are going to be a fun team.

Mei and Uno to start. As usual Mei thinks she’s 10 feet tall and showed no fear against her much larger opponent. She then proceeded to knock herself over trying to tackle Uno. Magnificent.

Mei was more evil than Evil Uno all match, including taking a Miya towel away from a fan at one point to choke Miya with. That’s just not right. Akki fully leaned into the boos too and did a “Bros Hammer” to embarrass Miya by stealing her signature Miya Hammer and then mocked the fans’ negative reaction.

Miya & Uno later got in on the shenanigans too though, when Miya had fans link hands to make a chain all around Ichigaya for extra leverage for Uno’s abdominal stretch on Akki.

Like the opener, this was another fast paced high octane example of great tag team wrestling.

Eventually the teamwork of the well established, former tag team champion Best Bros proved too much to overcome and their trademark Dolphin Press (wheelbarrow assisted shooting star press) on Miya picked up the 3 count.

That was SO. MUCH. FUN. Uno fit right in and this was a blast.

Two of AEW’s Japanese announcers were in attendance and were invited into the post show janken (rock-paper-scissors) tourney.

This happened the day before Choco’s next ring show, New Dawn, which like all of ChocoPro’s show will eventually be available to watch for free on their YouTube channel.

This was a breeze and a joy to watch. The ChocoPro roster are masters at making the most of the environment in their unique home base, and this show is an excellent encapsulation of the kind of wrestling they do. I highly recommend it in general and particularly to anyone who is even remotely interested in checking out the company. This show is officially available to watch at any time for free.

“Thank you for … showing me that wrestling can happen anywhere, it does not need ropes, it only needs the spirit of pro wrestling.” Uno gets it. Really hope he comes back someday.


Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically as I am able.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.

Categories
Art Cards Comics Japan Music Reviews Wrestling

Ten Years of Meandering Musings

Seems to be tradition at this point that when I manage to do retrospectives for the blog I’m at least a month past the actual anniversary (actually a full two this go round). My sense of time certainly is off kilter nowadays and summer simply blurred by.

And with the pandemic upending the world and me being largely on hiatus for a few years it’s been a while since I did one of these. But better late than never, and my tiny little corner of the internet somehow got to a decade old this past July.

Overview

It’s been four years since my last blog retrospective, which was post #682 at the time. This is post #728 (I’ve deleted exactly 2 entries ever, so my total number of posts written since last time is 48). Under 50 posts in 4 years is on the low side to my previous output, but there was practically nothing from 2021-23, so not too bad overall for my slow and struggling return over the last year and a half.

I did not make 700 posts by end of 2021 as I hoped to. In fact I didn’t write anything else in 2021 after the retrospective, had only 3 entries in 2022, and nothing in 2023. My chronic illnesses and others things have impacted my life in big ways. But this blog is a passion project of mine, I enjoy being able to share my thoughts on my hobbies, and I’m glad to be back, sporadic as it’s been.

Those 3 posts in 2022 were fairly significant at least, featuring Reika Saiki’s retirement, Yuna Mizumori leaving Gatoh Move, and a light reference article about exhibition matches in joshi wrestling and the unique environment of Ichigaya Chocolate Square.

In early 2024 I was preparing to return to the blog with another retirement piece and some art related content. Instead those came later and my first post in a year and a half was an emotional farewell to one of my favorite wrestlers who unexpectedly passed away extremely young. I had the privilege of attending Asahi’s debut match in person, and was a big fan of the effort and emotion she poured into her wrestling. She is greatly missed.
Rest in peace, Sunrise of Hope.

 

Specific Post Details

Looking back in aggregate there was a lot of variety in my posts and there’s a lot to cover in terms of stuff I’d like to highlight. Writing was often a struggle during this time period and it’s nice to be happy with the results of that effort.

While the genres covered are largely the same through the life of Derailments of Thought, the specific manifestations have morphed a bit. With my health limitations in a post pandemic world I’m not able to go out nearly as much as I used to, and I can’t really travel at all. So my Japan trips and the live event coverage that resulted will remain a thing of the past for the foreseeable future.

I was lucky enough to manage a few local events across the last couple years though, including a fantastic NXT Roadblock at MSG and some concerts of the incredibly fun Atarashii Gakko. I also made it to one film of Japan Cuts 2024. Japan Society’s annual film festival was something I attended heavily in the past and was a big part of the early years of this blog, so it was cool to be back in some fashion and share thoughts on Great Absence.

As in the past some of the most special and personal posts are wrestler specific pieces that are usually about retirements, major career changes, or in a few unfortunate cases memorials. Several of my favorites have retired recently, and there are more announced to come.

These are all new posts since last time’s retrospective. Please see that post for links to a great many prior entries of these types.

In addition, I wrote a special spotlight early this year about the joy wrestling can bring in general with particular focus on ChocoPro’s newest and youngest member, Kaho Hiromi.

Retirements:
Reika Saiki 
Sayuri 
Hikari Noa 
Arisa Nakajima 
Sayuri Namba 
Meiko Satomura 

Career changes:
Yuna Mizumori leaves Gatoh Move 

In Memoriam:
Eternal Sunrise 

Other:
Joy in Pro-Wrestling and Kaho Hiromi 

Other wrestling content I’ve done recently focused mainly on match spotlights, ranging from unusual and/or potentially overlooked matches to stuff I wanted to revisit or just caught my eye.

The unique Tokyo Game Show matches that happened in 2022 as part of promotional hype for AEW’s video game had never been aired until they were added to Wrestle Universe late last year. These included several once ever matchups featuring favorites of mine crossing paths so were a real treat to finally get to see.

In the last couple months I’ve looked back on some matches wrestlers currently performing in the US had in Ice Ribbon way back when, including Giulia, Stephanie Vaquer, and Asuka. They feature Giulia’s biggest match ever in the promotion she started in, a contentious match of hers against fellow rookie Asahi, Vaquer’s first match in Ice Ribbon as well as her facing one of the company’s rising stars, and a hidden gem of a match with veteran Kana against fiery rookie Yuuka. Was really cool to look back on all of these.

Another big part of the blog lately has been focused on the collecting side of things. I did card spotlights on BBM’s 2024 and 2025 Women’s Wrestling card sets, as well as features on specific types of unusual cards like printing plates, other metal cards, comic cuts, and minis.

Some of the posts I’m happiest about sharing featured several incredible artists from whom I have a wonderful collection of cards and other art. They include Miki Okazaki, Ice Ribbon’s Yappy, Lydi Li, and Veronica O’Connell.

In an effort to avoid mentioning and linking to every single post I did in the last couple years I’m going to gloss over the occasional book/movie/game reviews I did, but they remain an important part of the blog and I got to read/see/play some really cool stuff.

Lastly, one of my all time favorite writers passed away in May after a long battle with health issues. Peter David’s work shaped a ton of my views on what comics and novels could be.
Rest In Peace, Writer of Stuff.

Top Posts

Going to approach this part a little different this time, primarily because the top 4 posts are exactly the same as last time, and going nowhere. They all had over 1,200 views then (plus a proportionate handful each since), which is dominant for my meager ramblings that have about 20 regular readers.

On that note, a copied reminder from my last couple retrospective posts regarding my most viewed posts:

“Derailments of Thought is 100% a personal hobby blog, and my little corner of the web is generally pretty modest in terms of views. More than half of my posts garner under 20, and the “highly viewed” posts generally end up with a few hundred. This is fine, and I greatly appreciate everyone who takes the time to read. I’m pointing it out for context for the extent in which a couple of my pieces have deviated from the norm. I’m sharing this short list because I find the mix of subjects and other little details interesting.”

So #1-4 in order remain
Japan Cuts 2017: Mumon: The Land of Stealth  
Japan Cuts 2019: Samurai Shifters
Raven’s of Thri Sahashri Beginner’s Guide 
A Ray of Light Gone Too Soon 

Since last time only 2 posts have overtaken the 587 views 5th place’s Tokyo Joshi Pro 1/4/16 Live Thoughts had then, so I’m going to spotlight them specifically in lieu of rehashing thoughts on the above. Please see last time for more details on those posts.

One last note: my blog homepage itself gets a much larger percentage of the views than it used to, so all of this is highly approximate as there are no counts of what specific posts people read off that or tagged sections. I imagine my artist features are a bit undercounted as I get decent interest for those as I post about them on Instagram, where there’s no direct link to the individual post just a general blog link in my bio.

The TJPW 1/4/16 show is now at 813 views, which would place it 6th now if this was still list format.

Yoshiko 686 views:
The first new addition that caught on isn’t actually a new post since last time. It has been published just a few months before and mentioned in that retrospective and was steadily climbing in views. It’s a look back on one of joshi wrestling’s most infamous incidents after several years had passed and presented my thoughts on important context that I felt needed to be considered when looking back on it.

Farewell to the Muscle Idol: Reika Saiki’s Retirement 999 views:
The other is amusingly being mentioned and linked to for the third time within this post. The Muscle Idol, Reika Saiki, was incredibly popular as a wrestler, an idol, and in her “muscle” related work and remains so even after retiring from it all. Not surprised this one piques people’s interest, and am glad to share my memories of her career.
(Side note: that ridiculously precise view count is legit as of time of writing and was not fudged in any way.)

——-

Asahi PSC by Veronica O’Connell

So that’s a decade down. Wild how time flies.

Thank you to anyone who took some time to read through this retrospective, and I hope you found at least a post or two of interest to check out. I currently can’t guarantee any sort of update schedule, but I have stuff in the works and intend to keep at this as I’m able.

In the not too distant future I’m hoping to do more collecting and/or artist spotlights, as well as maybe continuing with more match features on interesting little moments from the past. There are a TON of recent and upcoming retirements so I’m playing around with a new format to share a few key memories of several wrestlers in one post. We’ll see if that pans out. And of course occasional book/movie/game reviews and other randomness will be sprinkled in.

Here’s to another ten years or so.


Again I’m extremely thankful for everyone who’s read, shared, and or commented on things I’ve written. Doing so is much appreciated, and often needed, support.

If you happened to be inclined and able to help out monetarily please see my Ko-fi page. Every little bit helps.

Categories
Japan Reviews Wrestling

Asuka in Ice Ribbon: Kana vs Yuuka

I’ve recently looked back on certain matches some current WWE wrestlers had in Ice Ribbon in years past, specifically reigning US Champion Giulia and Stephanie Vaquer.

Continuing with a hidden gem, it’s time to take a look at my all time favorite wrestler: Asuka.

The World Famous Kana vs The White Angel of Ice Ribbon

(Kana is Asuka’s pre-WWE ring name. For purposes of covering this match I’ll primarily be using the name she used when it happened.)

This match was a few months before my first trip to Japan. I later made a point of tracking down the DVD specifically to see this battle of two of my favorites.

It’s been just under 10 years since this. Time flies.

Kana already had over a decade of experience at this point. This was one of her last few matches in Japan as a freelancer before leaving for NXT, so I’d just barely miss seeing her wrestle live in Japan when I went over that December. I had seen her wrestle live at Shimmer several times prior to this though.

Yuuka was 17 years old with under two years experience and was an Ice Ribbon roster member. She made an immediate impression on the first show I ever saw in Japan, and had a ton of potential. As it turned out her career was a short one, with her in ring wrestling lasting almost exactly 3 years (her official retirement announcement came long after her last match, nearly 6 years after her debut).

Kana wrestled less than ten singles matches in Ice Ribbon ever, so this was a pretty big opportunity for her rookie opponent.

Kana vs Yuuka – Ice Ribbon 9/6/15

Handshake before the bell.

They circle each other to start, then lock up. Kana easily powers Yuuka into the ropes, holds her there for a few seconds, then backs up for a clean break.

Another lockup. Kana has a size advantage so Yuuka can’t back her up, but she holds position against Kana’s pushing then reverses Kana into the ropes. Clean break.

On the third lockup Kana goes right into an overhand wristlock. Yuuka rolls out and reverses into one of her own. Kana immediately spins out back into her own. Yuuka rolls out into another reversal, which Kana rolls out of into another reversal. Great super quick counter wrestling early on here.

Kana only holds the wrist lock for a moment before transitioning into a hammerlock. Yuuka reverses into her own, but Kana counters right into a side headlock.

Yuuka shoots her into the ropes, but eats a shoulder tackle on Kana’s rebound. She drops down as Kana hits the ropes again. Kana rolls over her and charges. Yuuka do-si-dos out of the way and hits an arm drag as Kana rebounds off the ropes again. Only two minutes in and this is captivating. Really fast paced and high energy.

Kana shrugs off a dropkick. Then another. Then just swats away a third. She throws Yuuka into the ropes but the youngster hits a fourth dropkick that sends Kana into the opposite ropes. Kana responds with a dropkick of her own off the rebound.

Kana applies a Boston crab, really torquing it. Yuuka brushes her hand across the rope but Kana pulls her towards the center and sits down on it. Yuuka scrapes to the rope for a break. Yuuka tries to fires back with forearms but Kana largely absorbs them and rocks Yuuka with her own strikes.

Yuuka fires up and backs Kana into the corner with a big running forearm then lands several more, her first small bit of sustained offense. Nevermind though as she gets sent into the far corner and Kana follows with a running hip attack. Yuuka collapses to the mat and Kana covers for 2.

Half camel clutch by Kana is quickly transitioned into a cross arm breaker as Yuuka tries to turn out of the hold. Yuuka’s in deep trouble but quickly uses her whole body to flop around towards the ropes for a break. Kana holds on for a few extra seconds as the ref aggressively gets to a count of 3 before Kana lets go.

Kana twists Yuuka’s arm and then one she has it extended just kicks it hard. The crowd audibly gasped at that. Kana mockingly kicks at Yuuka as the latter tries to get up. Nice moment sees Yuuka awkwardly try to fight back with a forearm shot with her non-dominant arm, get a glancing blow, and realize she has to use her right arm even though Kana’s been working it over. She shakes it out and cradles it after every shot, but she throws the shots regardless. Was likely all instinctual, and resulted in a wonderfully subtle bit of selling.

Kana starts getting serious again with a series of chest kicks, but Yuuka keeps roaring in defiance and getting back to her knees after each one. She eventually catches Kana’s leg and uses the opening to … slap Kana right across the face. Magnificent.

Yuuka hits the ropes but Kana’s right behind her to catch her with a hard elbow off Yuuka’s rebound. Yuuka’s whipped into the corner but comes barreling back out with a shotgun dropkick that sends Kana into the opposite corner. Corner dropkick followed by a tornado DDT gets 2 as the veteran knows exactly where she is in the ring and gets a foot over the rope.

Kana reverses a whip into the corner, but Yuuka scampers up the ropes and jumps back into a beautiful crossbody for 2. A trio of forearms puts Kana against the ropes, but she kicks at Yuuka when the latter charges in for another. Yuuka approaches again and gets met with another kick. And again. Kana swings for a strike after creating a little separation but Yuuka ducks and turns it into an abdominal stretch. The vicious looking kind too with her hands locked around Kana’s neck. Kana struggles and drags them to the ropes, just for Yuuka to drop backwards into an on the mat version as Kana fingers brush the ropes.

Kana fights out and grabs an ankle lock, then switches to a knee bar on the other leg when Yuuka tries to kick at her. Kana’s got her whole body wrapped around Yuuka’s leg and Yuuka has no choice but to claw her way to the ropes. She makes it for the break.

Kana kicks right at her face against the ropes. Yuuka pulls herself up by Kana’s hair and lands a forearm. Elbow to the face in response from Kana. Yuuka forearm. Kana elbow. And back and forth we go. Yuuka’s giving as good as her intimidating opponent is, and the crowd is popping big for her strikes.

A flurry of quick forearms stuns Kana but Yuuka runs right into a hard takedown into a Fujiawara armbar. Yuuka rolls out so Kana grabs a front facelock. Yuuka immediately twists out, but Kana still has her arm and twists into chicken wing position… oh that’s not good. Kana’s got her other arm around Yuuka’s face and is looking to complete the Kana Lock. She’s fighting for it and drops backwards but Yuuka uses the momentum to roll back right over her and escapes. Nice. I thought that was it.

Yuuka’s hit with a hip attack off the ropes. Kana runs at her for a knock out kick, but Yuuka ducks and a schoolboy rollup gets 2. Yuuka gets a backslide and floats over into a bridge (Saori Anou’s Pottering) for a close 2. Keeping the pressure on Yuuka gets the Schoolgirl rollup for 2 (also called 120% Schoolboy, it’s a rollup variation where Yuuka keeps rotating and ends up in a bridge over her opponent).

A running forearm off the ropes lays Kana out and Yuuka hits the ropes again to come off into her sweet diving forearm on the mat (Angel Thunder) for 2.999. Up to the top, a crossbody gets another close 2.

Yuuka off the ropes… and Kana jumps into the flying triangle takedown and rolls right into a cross arm breaker. Yuuka tries to roll out and clasp her hands but Kana uses the momentum to transition into a Fujiwara. Yuuka rolls forward out of that but Kana pulls back on the arm and Yuuka’s in chickening position again. Uh-oh. Up to their feet and Kana’s got the facelock too. And there it is as Kana drops them both back to the mat and wraps her legs around Yuuka. Kana Lock is complete and Yuuka taps in short order.

Kana shows respect afterwards and thanks Yuuka for the match.

That was fantastic, even accounting for my bias watching two of my absolute favorites battle. Extremely fast paced but with good flow, Yuuka put up a crazy fight towards the end, and this was just straight up ten wonderfully wrestled minutes that felt much longer with everything they packed in. Formulas shine when used in the right way by the right people, and this was an excellent “imposing vet vs overmatched rookie who won’t quit” match.

This is one of those matches that is a fun little lost moment in time. There were no titles on the line, it wasn’t a career or company milestone, and in general it’s not going to be on a lot of people’s radars. But it was an absolute blast, and I thoroughly enjoyed giving it a watch a decade later.

———-

Revisiting pre-WWE Asuka is always a treat, and Yuuka’s short career is filled with little gems like this. Great stuff.


Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts will hopefully be on the way soon.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Art Cards Comics

Tiny Treasures: Mini and Chibi Cards

Unlike more unusual fare I’ve previously featured like metal cards and comic cuts, minis are one of the most straightforward subsets of trading cards. They’re simply cards that are smaller than the standard 2.5 x 3.5 inch (6.4 x 8.9 cm) size.

For clarity, this spotlight is about small cards with a traditional rectangular shape (although the ratio of the sides can vary). Die Cut cards that can end up smaller due to odd shapes and/or pieces of a standard card being cut away are a different matter that will likely get their own entry in the future.

Sometimes a mini subset will literally be a smaller version of another card in the set (often a base card). Just an unusual variant for collectors to chase. The numbered minis from Fleer Ultra Wolverine, for example, were 2″ x 2.75″ versions of certain base cards.

Other mini subsets are unique, with art not otherwise used in the set.

In Upper Deck’s Marvel Anime sets there were both “minis” and “chibis” subsets of tiny 1.5″ x 2.625″ cards. Minis focused on certain teams of heroes or storyline events and were grouped by theme.

Chibi translates literally as small, but is used colloquially as slang affectionately describing small and/or cute things. As an art style it’s also called super deformed and is characterized by large heads, small bodies, and exaggerated features within simplified designs. The chibis subsets featured chibi versions of popular Marvel characters.

These types of minis/chibis (and similar variations in other sets) were usually released in a card within a card format. A standard sized card with a perforated section on the back is what’s actually inserted into packs. The perforated section tears away to reveal the randomized mini within. These minis are often categorized and randomized within a themed capsule card, such as by team, comic storyline, etc.

As I’ve written about before, printing plates are thin metal sheets used in the printing process of the card they correspond to. Printing plates for the minis subsets of Upper Deck’s Marvel Anime 2 were available as ePack achievements (prizes for completing certain trading/collecting goals within Upper Deck’s online platform). They’re really unique and interesting pieces of the set.

One of the more inspired uses of mini cards in comic related trading card sets recreate comic corner boxes. In the past these boxes appeared in the upper left corner of comic books with Marvel’s logo, character art, and issue information.

They severed as a quick identifier of the Marvel brand and key characters featured in the comic to catch the eye of potential buyers on crowded newsstand shelves and racks.

These corner box cards measure 1″ x 2.5″ and contained card set information around a replicated corner box from key past issues.

Size comparison to a standard sized trading card.

That about does it for this look at trading cards’ smaller siblings. Best of luck with wherever your personal collecting tendencies take you.


Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts will hopefully be on the way soon.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Art Cards Comics

Clipping Memories: Comic Cut Cards

Comic card collecting is normally another format to view and appreciate images of comic book characters. Art can be original for the card set or reproduced from associated comics and can be shown on a variety of materials, but cards are usually a step removed from the inspiring items. However there are types of cards that directly tied to the original material in a physical sense: comic cuts.

Comic Clippings / Comic Cuts are exactly what they sound like. Some portion of actual printed comics cut out and put into a card. The cardstock has an opening on the front side to frame/show the clipping.

Clippings used to this are most often a single panel that can be spotlighted on the small surface of the standard 2.5 x 3.5 inch size for trading cards.

Comic cuts can be controversial, as some collectors don’t see the point of them and/or object to comics being cut apart to make them. I’m not going to wade into a debate of the merits. I personally like them as unique and unusual chase insert subsets.

Like many other collectors of this type of insert, I concentrate on collecting cuts of favorite characters and storylines. Infinity Gauntlet, which I read as it came out when it was originally published in 1991, remains one of my favorite comic stories of all time. It contains the broad strokes storyline that was the basis for Thanos’ role in the MCU. A good chunk of my comic cut card collection feature panels from that six issue series, with special focus on Thanos himself, Lady Death, and Nebula’s brief time with the gauntlet.

Other cuts I’ve sought out relate to specific favorites, including Emma Frost, Psylocke, and a host of other X-Men characters.

I adore cuts of characters that visually stand out. In particular the Spider-Man related cuts in my collection tend to focus on black suit Spidey and Venom. The design is striking and looks great spotlighted in this format. A couple of these cuts come from another classic, favorite storyline of mine, Kraven’s Last Hunt.

One of the cooler variations of comic cuts feature autographs of creators of the comic issue the cut is from. These can be from the artist of the shown panel, but also the writer or editor of the issue.

Occasional, rare dual signature cards are signed by writer/artist or writer/editor pairs. I have several with signatures by Jim Starlin, many on Infinity Gauntlet panels and a couple duals from Warlock with editor Marvel Wolfman, as well as some by legendary X-Men writer Chris Claremont.

These cuts feature smaller clippings, as the border surrounding the cut needs to leave room for the autograph. Autos are typically done via sticker rather than directly on card for these likely for both space and production reasons.

Perhaps even more so than regular cards a comic cut’s desirability varies wildly from person to person due to a variety of factors. Personal taste is of course foremost, with individual meaning to stories and characters as discussed above often having even more significance than normal due to these containing actual pieces of the comics.

But there are numerous other considerations as well that don’t apply to other inserts. Cuts from issues that are rare or particularly significant can become more sought after. The condition of clipping is important, as older comics paper quality can have declined and the printed image san fade. Printing mistakes, imprints, or other imperfections can also affect perceived value.

One of the most interesting aspects that’s largely unique to cuts is how well the panel stands on its own. Uncluttered images and poses of popular characters tend to work best as opposed to half cut off panels overrun with text bubbles.

That said some collectors don’t mind mid-story text heavy cuts, and in certain cases a bit of context via speech bubbles or captions can more strongly tie back to the comic the cut was taken from.

Card design varies from set to set, which affects the shape and size of the opening and amount of border that will be surrounding it. This will impact how the cut looks and feels, as panels are very rarely going to measure the exact same as the display opening. As mentioned above pieces of other panels encroaching on the featured image can be less than ideal.

On the other hand cuts forced into displays smaller than the panel can sometimes provide a more dramatic focus on the subject. And so on. These are highly individualized collectibles that have a million little details that can determine whether any particular card speaks to a collector.

Beyond just the graphic design of the card set, there are some variations on the idea of comic cuts that make for unique implementations.

One interesting insert type is Upper Deck’s “Coinage,” in which actual coins are imbedded into the cards. For their comic related sets that had this subset they featured classic comic cuts as well, with the imbedded coin(s) equal to the cover price of the comic the clip is from when it was originally published.

Another interesting variation on the comic cut concept are cover cuts. Cover cuts feature an entire cover from a comic divided into card sized pieces, forming a multi-card “puzzle” that together show the original cover.

Cover cuts are usually only available via special redemption methods that allow multiple cards to be awarded together, such as ePack achievements, so that the collector is getting the whole cover and not just one random 16th of it. These were rewards for difficult to complete collecting tasks.

Milage on these varies, and they are even more susceptible to some of the things I’ve been discussing than normal cuts. Card borders are even more attention grabbing when they are crisscrossing a larger combined image, and can block key parts of the cover. Sometimes obscuring character’s faces, or otherwise hiding key portions of the image.

That said I personally think they look pretty great in some cases, and having a couple of them of key issues of favorite characters is one of the highlights of my collection.

I hope everyone’s enjoyed this look at a literal intersection of cards and the comics they spotlight. Best of luck with wherever your personal collecting tendencies take you.


Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts will hopefully be on the way soon.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Japan Reviews Wrestling

Stephanie Vaquer in Ice Ribbon: debut, Ibuki Hoshi

I recently looked back at a couple of matches of WWE’s new US Champion Giulia in the company she started her career in, Ice Ribbon.

WWE’s other fastest rising superstar, who’s a longtime personal favorite of mine, has also appeared Ice Ribbon. So likewise I’d like to share a couple of her matches from those appearances.

Stephanie Vaquer was already a world traveled star with over a decade of experience when she first appeared for Ice Ribbon. I had heard a lot about her but hadn’t seen her wrestle prior.

These two matches were chosen by the rigorous process of being the only two of her matches in Ice Ribbon that I have on DVD. That said it’s a pretty good sample, as one is her first match for the company and the other is a singles against a rising star.

Both of these shows are available in the subscription archive portion (called ICE RIBBON LIVE plus) of Ice Ribbon’s ippv platform.

Dalys & Stephanie Vaquer vs Hikari Shimizu & Kaho Matsushita – Summer Jumbo Ribbon 7/31/22

This was Vaquer’s first match in Ice Ribbon. She had wrestled in Japan before years prior on a tour for Stardom.

Dalys is likewise a star from Mexico with a decade plus career at the time of this match making her Ice Ribbon debut.

Shimizu is from GPU COLOR’S, a freelance group that evolved out of Actwres girl’Z when Actwres transitioned into wrestling based acting instead of being a straight up wrestling company. She debuted in 2017, so had about five years of experience here.

Kaho was one of Ice Ribbon’s newest rookies at the time, with under a year of experience after her debut on November 13, 2021.

Handshakes before the bell. Matching red gear for Dalys & Vaquer.

Vaquer and Shimizu start. Vaquer quickly pushes out of a collar and elbow tie up and throws Shimzu to the mat out of a waistlock. Shimizu grabs her leg though and pulls Vaquer down. Leg lace is quickly countered by Vaquer into an arm bar, which is quickly countered by Shimizu into a rollup for just 1. Standoff and they circle each other into another collar and elbow in the middle of the ring.

Shimizu arm ringer into a wristlock right into a hammerlock. Nice bit of technical wrestling as she adjusted holds throughout what was essentially just twisting Vaquer’s arm more and more. Vaquer with a sweet break as she used her free arm to pull her leg up behind her, hooked her foot onto Shimizu’s arm, then kicked down to break the hold.

Vaquer grabs a wristlock and really torques it. Shimizu rolls forward out of the pressure, kips up with Vaquer still holding her arm, then drops back down to arm drag Vaquer over. The standard exchange of leg sweep counters for 1 counts (if you watch wrestling regularly you’ve seen this at some point) leads to another momentary face off. Big smile on Vaquer’s face at the fight she’s getting out of Shimizu.

Kick to the mid section by Shimizu. That’s the second time I was expecting a double tag out and they continued fighting instead. Side headlock by Shimizu. Vaquer pushes her off into the ropes, then drops down and leapfrogs Shimizu on subsequent rebounds. Shimizu dives over Vaquer as the later rolls backwards after one last rope bounce.

Both up. Shimizu motions Vaquer to come at her, leading to a trade of arm drags and then both going for dropkicks simultaneously. Third stalemate. NOW we get the change up. Really strong start to the match.

Dalys gets right in the rookie’s face and flexes at her.

They trade trips to put each other down, then Kaho hits several dropkicks as Dalys is on her knees trying to stand. Dalys absorbs them and roars in defiance for more. Eventually a single kick to the face in return knocks Kaho down.

Shimizu comes in as Dalys drags Kaho up, but gets caught with a boot to the midsection. Dalys puts them both into front facelocks and hits a double suplex. Off camera Vaquer had climbed to the top turnbuckle and comes down with a splash on both right after the suplex landing.

Vaquer goes back to her corner and Kaho rolls out of the ring. I don’t think there was a tag on the other side, but Shimizu now seems to be officially in with Dalys. Could be this is under lucha tag rules. Not that it probably matters much to Dalys which crumpled opponent remains in with her regardless.

Shimizu fights back though with a nice flying headscissors off the ropes after ducking a clothesline. She follows with a one leg sliding dropkick but Dalys is right back up and nails Shimizu with a chest kick to end the rally.

Tag to Vaquer. Double whip into the far corner is followed with a clothesline by Vaquer and a flying hip attack by Dalys. The vets are in firm control. Dalys grabs suplex position and hits a beautiful sitout facebuster.

Vaquer swarms the fallen Shimizu and hits Devil’s Kiss (headscissor repeated mat pounding: yeah that’s the best description I’ve got – look it up if unfamiliar as it really needs to be seen).

Shimizu rolls towards the ropes for a breather and Dalys kicks her to the outside. Lucha tag rules confirmed as Kaho comes in to fight with Vaquer. Under these rules it’s a legal switch to come in when your partner leaves the ring, in addition to the traditional hand slap tag.

Vaquer dodges a dropkick from Kaho, but the latter hits an enzuigiri after getting up and follows with a soccer kick for 2. Nice deep cover from the rookie folding Vaquer near in half.

Running dropkick to a seated Vaquer. Kaho picks Vaquer up and hits the ropes, but Dalys cheap shots her with a knee to the back and Vaquer runs over with a clubbing blow to the neck. Dalys reaches over the ropes to choke Kaho with a chinlock from the apron. She adds some shots to the head and a bit of biting while doing it until the ref makes her break.

Dalys comes in from the apron, as Vaquer left the ring so Dalys is now legal. She still has a hold of Kaho, and … tags right back out to Vaquer who was back in the corner. A little odd, but they go right into a double team so it makes some sense.

Dalys whips Kaho into a Vaquer drop toehold, which leaves Kaho draped across the far middle rope. Running dropkick to Kaho’s back by Dalys is followed by a 619 (Tiger Fight Kick) by Vaquer.

Dalys intercepts Shimizu, and Vaquer and Kaho exit the ring making the others the legal competitors. Hard overhand chop by Dalys. She absorbs two retaliatory forearms, but gets rocked by a high kick by Shimizu. Second kick is blocked though and Dalys levels Shimizu with a spinning side kick. Dalys applies a camel clutch style chinlock for all of two seconds before deciding to bite Shimizu’s forehead and pull her hair instead. She’s slowly gone into full bully heel mode as the match progresses and it’s pretty great.

An attempt to whip Shimizu into the corner is reversed, but when Shimizu charges and goes for a monkey flip the powerhouse catches her and spins around to put Shimizu on the turnbuckles. Shimizu jumps off the middle turnbuckle and wipes out Dalys. Literally just crashes into her and m maybe kind of hits a kneestrike. Could have been going for a dropkick or another kind of strike but her opponent was too close. It was effective enough though. Dalys stumbles back up and Kaho hits a top turnbuckle missile dropkick from a different corner.

Unfortunately it knocks Dalys all the way back into her own corner to tag Vaquer, who wipes out Kaho with a dropkick. But then Shimizu hits one on Vaquer. And the Dalys completes the dropkick party with one on Shimizu.

All four wrestlers are down on the mat. There are no covers, but the ref starts counting by slapping his hands against the mat as if there were. Must be another rule variant in play. Normally there’d be a (verbal only) ten count when all participants are down, but this was approached like a pinfall. Everyone gets up at 2.

Shimizu and Kaho’s rush at their opponents is ducked and they’re momentarily rolled up, but they get right back up and hit dropkicks. They try to whip Vaquer and Dalys into opposite corners but end up reversed into the corners themselves. Vaquer and Dalys run by each other across the ring and hit Kaho and Shimizu with a double knee strike and flying hip attack respectively.

Dalys applies a sharpshooter to Shimizu as Vaquer ties Kaho into a pretzel and viciously cranks back on her arm. Kaho immediately gives up and this one is over.

Dominant first impression from Vaquer and Dalys. They immediately came across as stars, while their less experienced opponents still looked good putting up what fight they could. The action they all packed into seven and a half minutes was crazy. Couple rough spots, but nothing too distracting and overall this was a really good, extremely faced paced tag match that was quite enjoyable.

———-

Stephanie Vaquer vs Ibuki Hoshi – Ice Ribbon 8/28/22

Ibuki Hoshi is a second generation wrestler, and her mother Hamuko Hoshi also wrestles for Ice Ribbon. The two have both fought on a number of occasions and been International Tag Ribbon Champions together.

Ibuki debuted on June 11, 2017 at the age of 14. At the time of this match she had been wrestling for 5 years and was 19, and was a rising star who would hold the company’s top title about a year after this.

Hype package seems to show Ibuki getting a big surprise pin on Vaquer then challenging her to this singles match. Looked it up and Ibuki & partner Maika Ozaki were victorious over Vaquer & Ibuki’s mother Hamuko in tag action with Ibuki pinning Vaquer just a couple weeks before this (pretty much right in the middle between the above match and this one). Should be quite interesting.

(Special guest appearance by this blog for this one, as I’d sponsored Yuuki Mashiro’s banner which is visible in the background.)

Ibuki starts hot with a running dropkick on Vaquer in the corner while the latter is removing her ring robe. Ref calls for the bell and we’re officially underway.

Still in the corner, Ibuki lays in several hard chops. Vaquer ducks under a double chop attempt and charges back towards Ibuki in the corner with a boot, but Ibuki dodges out.

We finally have some separation and the two stare each other down and jaw a bit in the center of the ring.

Ibuki grabs the hair for intimidation but Vaquer latches onto that arm into a top wristlock. She forces Ibuki down towards the mat with it but Ibuki uses her other arm to trip Vaquer and break the hold. Side headlock by Vaquer is transitioned into an arm wringer as they stand up. She yanks on Ibuki’s arm then settles into a standing wristlock.

Ibuki quickly reverses into one of her own, which becomes a momentary hammerlock before Vaquer does the sweet counter from the above match to break out of it and go back to a wristlock of her own.

Ibuki carefully pulls her hand free then grabs a side headlock. Vaquer back her up into the ropes and then we’re off to the races as the pace considerably quickens for a few moments. Ibuki’s shot into the far ropes. Vaquer drops down on the rebound then charges at Ibuki off her second rebound, but Ibuki sidesteps and pushes Vaquer along into the ropes herself. Ibuki arm drag off the rebound, Vaquer holds on, kips up, and hits an arm drag of her own.

Ibuki kips up and there’s a momentary face off before Ibuki lands a kick to the midsection. She follows it up with several forearms to the kneeling Vaquer’s back. Once Vaquer drops to all fours Ibuki sits on her back and lands more forearms. Vicious.

Vaquer reverses an attempted whip and faceplants Ibuki out of the air when the latter tries a crossbody of the rebound. She angrily pulls Ibuki up by the hair then faceplants her right back down.

Vaquer stands behind a seated Ibuki for a moment, so I expected a Devil’s Kiss, but instead she pulls Ibuki up and sends her headfirst into the corner. She trips Ibuki down into seated position and steps onto Ibuki’s chest, hanging off the top rope and putting all her weight on her opponent. She breaks on 3 of the ref’s count.

Back into the center of the ring Ibuki kicks at Vaquer, but gets kneed in the midsection when she hits the ropes. Snapmare into the canter of the ring and NOW we get the Devil’s Kiss. A groggy Ibuki rolls right out of the ring to the floor afterwards.

Vaquer follows her out and throws her into the ringpost. She beats Ibuki around outside a bit. No barricades for Ice Ribbon shows so this is all happening inches from the front row crowd.

Vaquer rolls Ibuki back in, hits a nice snap suplex, and immediately goes into a rear chinlock. Ibuki makes the ropes with her foot, so Vaquer backs them up and applies a wicked dragon sleeper variant (she used her leg to immobilize Ibuki’s arm, and linked her hands behind her own back to apply more pressure). Ibuki struggles to the ropes again for another break.

Vaquer ties Ibuki up in the ropes, pulls on her trapped arms to keep her in place, and lifts her foot into choke position. Crazy flexibility. Breaks on the ref’s count of 3 and whips Ibuki off the far ropes but gets caught by a crossbody. Ibuki sends Vaquer into the corner, splashes her, then brings her out with a faceplant for 2.

Vaquer pushes away when Ibuki pulls her up and they go into a forearm exchange. After a few Ibuki lands a big one so Vaquer knocks her back into the ropes with a nasty headbutt. So Ibuki starts a chop exchange. The pace has slowed a little as the effects of the big hits are felt, which is great. Ibuki is giving as good as she’s getting and rocking Vaquer as much as vice versa. Eventually Ibuki blocks a big right hand coming in and just unloads on Vaquer with numerous slaps to the head.

Ibuki hits the ropes but gets tripped, and Vaquer applies a Japanese stranglehold with Ibuki stretched back across her knees. Ibuki floats over pretty quickly and reverses the hold. She can’t quite keep Vaquer across her knees so keeps rolling about with it looking for a definite advantage. Vaquer forces them up to their feet and twists around until she can kick out of it. Ibuki lands in the corner and Vaquer chokes her again for a second, then runs to the opposite corner to come back charging. Ibuki dodges but Vaquer stops herself before crashing into the corner and catches Ibuki in the midsection with a kick.

A few head slams into the corner and several headbutts later and Ibuki’s seated down in the corner again. Back to the opposite corner and Vaquer nails the running double knees this time. She drags Ibuki into the center and a deep cover gets 2.

Vaquer jumps up to the top rope and goes for a double stomp. Vaquer rolls through the miss after Ibuki got out of the way, but when she turns back around Ibuki hits a kick to the head. Thrust kick knocks Vaquer back against the ropes, and Ibuki hits the far ropes for a running facewash kick. Ibuki throws Vaquer back into the center of the ring and covers for 2.

Ibuki goes up to the top turnbuckle and needs a couple extra seconds to get her balance but then successfully hits a crossbody for 2. Vaquer hits a chin breaker as Ibuki pulls her up, but her followup kick is ducked and Ibuki double chops her back down. Samoan Drop gets 2. She sets up for what looks like a Lightning Spiral attempt, but Vaquer twists out and swings for a clothesline. Ibuki ducks it and levels Vaquer with a falling clothesline off the ropes. Lightning Spiral gets 2.

Ibuki tries an octopus hold but Vaquer elbows out. Vaquer sends Ibuki into the ropes and catches her on the rebound into a rolling takedown that ends up with Ibuki in a triangle choke variant. Ibuki refuses to give up but quickly passes out in the hold. Three arm drops later and Vaquer wins due to ref stoppage. Vaquer holds on a few extra seconds for emphasis before the ref pulls her off.

Great, hard hitting match with a ton of impressive technical wrestling to boot from both. Ibuki was very much up to the task of keeping pace with Vaquer. This was action packed and felt longer (in a good way) than the eleven minutes it went.

Stephanie Vaquer’s always a joy to watch, and these were a solid pair of matches. Fun stuff.


Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts will hopefully be on the way soon.

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Categories
Books Comics

Goodbye, Writer of Stuff

“There are no such things as happy endings. Never. They’re totally manufactured by fiction writers who choose to end the story on a high point.”

Peter David was self described a Writer of Stuff, and it’s really the perfect epithet. He was a mainstay in comics for decades, also a prolific writer of novels and short stories, and shared opinions of all sorts over the years in essays, blog posts, and his But I Digress column.

Peter was one of my favorite writers and I’ve read a ridiculous amount of his stuff, starting pretty early on in his career.

I was an avid comic reader when I was young, and I am one today. In between my interest and ability continue with them waned, except for Peter’s work. There was a period where his comic were pretty much all I was reading, remaining thoroughly engrossed in titles like Aquaman, Supergirl, X-Factor, and Young Justice.

While he did great work on a number of popular characters, one of the things Peter is known for was taking second string characters and making something special with the freedom such things involve.

One great example of this was his work on X-Factor, spanning three different conceptual iterations featuring different lineups of misfits over the course of years. During his first run on X-Factor, he’d write one one of the most interesting and beloved single issue stories of all time. X-Factor #87 portrayed his government sponsored X-Factor team going to mandated therapy sessions in the aftermath of an X-men crossover event. It was an unusual aspect of Earth shaking events in comics that was captivating to see explored. Peter dug deep into the characters and created an enduring, compelling tale will little more than 36 pages of characters talking to each other.

The Incredible Hulk itself, the comic Peter’s best known for, was a low selling title before he originally took it over leading to an award winning run. During that run he notably explored the concept of Hulk as an aspect of Banner’s fractured psyche, leading to his creation of the Banner Hulk combined version of Hulk that would eventually inspire MCU’s “Smart Hulk.”

One of my favorite stories of all time is David’s two part Future Imperfect from 1994, showing the Hulk faced with his own dark potential.

Echos of his work also reverberate through the stories that followed and adaptations, such as Miguel O’Hara’s appearance in Across the Spider-Verse. Peter co-created and was the primary writer of Spider-Man 2099.

Peter pushed boundaries in his work, willing to test limits of subject matter, creative direction, and format.

One of his early comic stories that groundbreaking at the time and helped establish Peter as a writer, The Death of Jean DeWolff, created waves off the bat by proclaiming its intention to kill a popular supporting character in the title of the story.

His work crossed and combined genres and styles. Sometimes his over the top humor with mountains of wordplay and puns inundated the reader. Sometimes drama and heavy topics anchored his stories. And often those elements are more combined in ways no one else would dare.

His approach and convictions sometimes led to controversy and conflict, and occasionally didn’t land in the stories themselves, but Peter always kept trying and overall things came together into an incredible catalog of writing that will endure.

Another of Peter’s strengths was fitting stories within past continuity without heavy reconning, attempts to add context and depth between existing stories. Several of his well loved Star Trek novels took this approach.

A lot of his later work also focused on this concept, including writing stories that fleshed out Spider-Man’s time unknowingly wearing the alien symbiotic costume that would later become Venom. Given Peter’s start as a comic writer was in the aftermath of the original symbiote comics (when Peter was wearing a cloth replica of the black suit), it was nice bookend to an incredible career.

Peter had been facing severe health issues for quite some time, and passed away on May 24, 2025.

Thank you for a lifetime of stories Peter. Rest in Peace.