December 29, 2017 in Tokyo, Japan
My second Gatoh Move at Ichigaya Chocolate Square of my most recent trip was a particular blast for a multitude of reasons.
As I like to explain to start my Gatoh Move reviews, the Ichigaya events are held in a small room with no ring and two large windows on one wall which are removed for the shows. The crowd itself is effectively the “rope break” marker and the wrestlers will sometimes use the front row to bounce off of for “running the ropes” and the windowsills to jump off of for high risk maneuvers. The limitations of the venue restrict the action in ways compared to “normal” matches, but also provide opportunities for creative variations on standard wrestling elements. I’ve greatly enjoyed the previous events I’ve seen seen there.
Pictures are not allowed during the show but can be taken afterward, so my pics here won’t contain anything from the matches and will only be of the roundtable and dancing following the shows (as well as of some souvenirs).
As usual for Gatoh Move all the shows opened and closed with a song/dance performed by the core roster, in this case Emi, Riho, Mitsuru, and Obi. Aasa was sick and missed all of the GM shows I saw this time. Hope she feels better soon.
For this show I was right outside the window the wrestlers usually use for “high risk maneuvers” and sometimes fight right out of, leading to a need to be ready to scramble out of the way at a moment’s notice. Of note for this show, there a was a couple with a baby seated right next to me. This will become highly relevant. 😉 During the opening dance and introduction the wrestlers were all (rightfully) infatuated with the baby and waving to her.
Mitsuru Konno is my favorite Gatoh Move wrestler (among an incredibly talented roster in the first place) so I was extremely excited to see her get a singles opportunity against Gatoh Move’s Ace, the reigning Super Asia champion Riho. Riho is a 12 year veteran at age 20, and her smoothness in everything she does and general instincts properly reflect her experience and skills. This was fantastic, with both making full use of the environment and telling a strong story of Mitsuru getting aggressive in trying to prove herself but coming up a bit short against GM’s superstar. A lot of this happened near (or through) my window, which was a particularly fun bonus for me. Mitsuru’s spot where she spills out of the window then later propels herself back in to attack her opponent using an audience stool to launch from appears to be a regular part of her matches now, and is always awesome.
A flashback to last year for me saw Antonio Honda vs Sayaka Obihiro vs Jaki Numazawa in a comedy skit match. Whenever someone got a 2 count they were allowed to take a prop from a provided basket and make a joke. The referee would then decide if a point was scored (based on whether it was funny, usually indicated by audience laughter). Most points at the end of the time limit wins. The previously mentioned baby’s presence had a big impact here, as Honda stopped a couple of times to reassure her when they were fighting, and during the comedy portions her booming, delighted laughter was absolutely contagious.
Overall this was probably my favorite comedy match ever in Gatoh Move so far, as the gist was usually easy to pick up despite not understanding the spoken portions of the jokes, as were other themes like Obi’s attempts generally not going over well (to the point where she stopped mid-joke once frustratingly declaring “it’s not funny!” and just went back on the attack). Fun stuff.
The main event was another great tag match from the Asia Dream Tag Team Champions Emi Sakura & Masahiro Takanashi, with opponents Kazuhiro Tamura & Baliyan Akki who were totally up for the challenge. My first look at Akki was a really good one here, as he fit in well with his much more experienced compatriots and is adapting nicely to GM’s home venue’s unique environment and its constraints and strengths. Overall this was simply a well worked, highly enjoyable main event. Of special note was Emi amusingly reaching out to try to tag the baby when in a submission hold, as well as directly leading me in (successfully) trying to start a “Sa-ku-ra” chant at one point.
One of the best Ichigaya events I’ve seen here, with just enough that felt different from GM’s (admittedly awesome) usual formula, in addition to my personal experience being elevated by my lucky seat position and the antics around me.