Category: Japan

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Japan Reviews Wrestling

Yokohama Festival: SEAdLINNNG 5/3/18 & Marvelous 5/5/18 Live Thoughts

May 3 and 5, 2018 in Yokohama, Japan

I saw four events in Yokohama during Golden Week, two each on May 3 and 5 (with Mika Iida’s retirement show and Gatoh Move on May 4 in Tokyo in between). Here I’ll be talking about the two later in the day shows I saw in Yokohama.

 

SEAdLINNNG Golden Go! Go! 5/3/18

In was great to see Nanae Takahashi return to competition after a scary neck injury in a hardcore match earlier in the year. She eased back into things with a five minute time limit exhibition match against Takashi Sasaki to open the show.

After that Dragon Libre won a 4-way against (Wave’s) ASUKA, Nagisa Nozaki, and Shunsuke Wakayama which I primarily remember for Nagisa trying to kick people’s heads off.

 

 

 

I’m mentioned Yoshiko’s not a favorite for personal reasons, but bias aside she’s good in general and admittedly excellent in the right role. As with the fantastic match I saw her have against Mio Momono in August 2017, her playing the monster versus a determined smaller rookie is certainly the right role.

 

 

 

Asahi is fast becoming a personal favorite of mine, and with all the opportunities she’s getting to wrestle veterans and champions from other promotions in singles matches she’s just going to continue to evolve and improve that much quicker. She played the fiery underdog perfectly and survived a bit under fifteen minutes before the larger, more experienced wrestler put her away. They drew me into a match I had some disposition to be disinvested in, and that speaks very highly of the skill of both.

 

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The last two matches of the card were part of the first round of the ULTRA U-21 tournament to crown tag team champions for Seadlinnng. In a nice, rare (for me) chance to see Kaho Kobayashi, she and Makoto advanced over the visiting Ice Ribbon team of Hamuko & Ibuki Hoshi. Solid tag action from everyone, with the less experienced of the four (Kaho and Ibushi) actually looking the best.

 

 

 

The main event featured more Ice Ribbon talent as well as a visitor from Wave, as Akane Fujita & Ryo Mizunami faced Best Friends (Arisa Nakajima & Tsukasa Fujimoto). This was one person removed from Best Friends vs Avid Rival, my favorite tag rivalry of all time. And while Akane isn’t Misaki Ohata she’s an strong, underrated talent who fit right in with her more experienced compatriots. As expected with the four involved and a nice amount of time to perform in a main event role this was excellent.

 

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They wrestled to a 15 minute time limit draw, and in Seadlinnng tournaments that meant they then continued under 2-count rules. I love that approach. It allows a lot of booking leeway, and the atmosphere and sense of desperation in the overtime is always palpable. Best Friends prevailed after another five minutes of intense action.

 

Three good to great matches out of five and nothing actively bad made this an easy watch and a fun time.

 

Marvelous 5/5/18

Marvelous’ offerings are often a “tale of two shows” within the show for me. I find about half the card fine but perhaps a bit bland, while a couple of key matches (usually involving Mio Momono, Takumi Iroha, and/or visiting wrestlers) blow me away. This show was that template personified.

 

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W-Fix had pretty standard outings featuring the expected heel shenanigans as KAORU & Chikayo Nagashima opened against Super Momoe Chan (Aja Perara) & Sahara 7 and Megumi Yabushita later faced Tomoko Watanabe. W-Fix is  a good heel stable and these matches were fine, but their match quality does take a bit of a noticeable hit when Dash isn’t around. She brings out the best in the rest of them and elevates everything she’s involved in. Tomoko was fierce in trying to overcome the odds against her, and Momoe & Sahara looked good and clearly made a favorable impression on the crowd.

 

 

 

And to be perfectly honest I don’t recall anything about Leo Isaka & MIKAMI vs Wild Bear & Tomohiko Hashimoto, which means nothing stood out as particularly exciting nor particularly bad. Yuki Miyazaki and Sakura Hirota also brawled with each other throughout the show, leading to Chigusa putting straightening them out at one point and Yuki getting the better of Hirota in the middle of the show while Chigusa and others stood around them in the ring making comments.

 

 

 

Which brings us to the highlights of the evening in the form of a pair of excellent tag matches. The third match of the five match card saw NEW-TRA (Rin Kadokura & Takumi Iroha) against Ibuki Hoshi & Tsukasa Fujimoto from Ice Ribbon. I.e. each company’s ace paired with one of their respective brightest rookies. Ibuki looked right at home here and kept up well, and they got a nice amount of time to play with. This was tons of fun and  I’d love to see a rematch sometime.

 

 

 

In the main event  Kyuri & Mio Momono (accompanied to the ring by a bubble machine, which amused me to no end) faced off against LEVEL5 (Maki Natsumi & Yuu Yamagata). Like with Saori Anou and Tae Honma last December I thought this was my first look at Maki when watching live, but I had actually seen all three of them in a random tag match at Reina early in their careers.

 

 

 

I remarked that the match was nothing spectacular but featured decent work from those involved. And I honestly promptly forgot about them among the incredible number of new wrestlers I was introduced to that trip (as they didn’t appear in other promotions I was watching at the time) and didn’t connect that match to the names when I later started hearing about rising stars in the ActWres promotion.

 

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The progress of all three in the passing couple years is fantastic. Maki looked great here, and I am beyond psyched to see her challenge Riho for her Super Asia Championship at Gatoh Move in a couple weeks. Great stuff, and the countout victory makes sense to put Mio & Kyuri over without being definitive. However I share Maki’s expressed confusion (pictured above) over losing by countout when people were rolling in and out of the ring during the count. As much as I adore Mio & Kyuri, Maki & Yuu were robbed here. Minor complaint though, and the match was excellent overall.

 

 

 

So solid shows from both promotions with some admittedly forgettable stuff yet also several highlights that definitely push into highly recommended territory. I had a great time, which is of course always the goal. 🙂

 

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Japan Reviews Wrestling

Ice Ribbon 4/28/18 Live Thoughts

April 28, 2018 in Tokyo, Japan

Late in 2017 Shutter Ribbon (the one Ice Ribbon dojo show a month where pictures are allowed) was moved from last show of month to the first show of the month, so no action pictures for this one. This was a cool looking show on paper that I was hyped up for.

 

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Karen DATE vs Giulia was a really good opener, with both showing progression and skills beyond years in terms of experience. Karen picked up the win in a nicely competitive contest.

 

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The second match was an interesting mix-and-match tag with Hamuko Hoshi & Kyuri vs. Maika Ozaki & Miyako Matsumoto. It featured regular partners Kyuri and Maika on opposites sides teaming with Hammy and Miyako respectively, who were trios partners at the time while Hammy was also gunning for Miyako’s Ice Cross Infinity title. This was my favorite match of a strong show. It had a wonderful feeling of escalation throughout and a real, palpable sense of desperation as time ran down and everyone became frantic to win. This was as fine a worked time limit draw as I’ve ever seen.

 

The semi-final saw Ibuki Hoshi facing Maya Yukihi. The outcome was never in doubt, but with under a year of experience at the time Ibuki might have gotten the best match I’ve ever seen out of Maya. They clicked, and Ibuki’s portrayal of the fiery underdog was the perfect foil for Maya’s confidence. Maya’s ringwork has improved greatly since over time, particularly in last year, and she looks more and more comfortable in the ring and closer and closer to the top level competitor Ice Ribbon has been trying to make her.

 

 

The main event was a six-woman tag of Akane Fujita, Mochi Miyagi, & Risa Sera vs Uno Matsuya, Nao DATE, & Tsukushi. Good back and forth match with the expected trios based style that’s still quite satisfying. Formulas become formulas for a reason. Nao stood out to me, and Akane is quietly becoming a force to be reckoned with and is somewhat of an under-appreciated presence in IR.

 

The post show roundtable this time set up matches for a “Young Ice” (based on experience, not age) vs veterans series at the 5/5 Yokohama show. In absentia Asahi was chosen to face off against champion Miyako, first by Tsukka’s announcement then via rock, paper, scissors (with Kyuri subbing for her) after Ibuki and Karen both objected, trying to get another shot at the champ for themselves. Karen and Ibuki then settled for challenging Ibuki’s mother Hamuko and her regular partner Mochi to a tag match. Giulia requested a rematch with Tsukka, who had destroyed the rookie in under three minutes the last time they faced, and perhaps the star of the rookie class and winner of the Young Ice tournament Nao Date wanted to go one on one with former champion Risa Sera. That left Uno, Totoro, & Hana vs Akane, Kurumi, & Maya to round out the series.

It was a solid, interesting lineup that seemed well structured at the time. I expected Giulia to give Tsukka more trouble but still come up short, the Butchers to dispatch the youngsters, Nao to continue her ascent by beating Risa, and the rookie trio to prevail leading to the series being on the line with Asahi vs Miyako, something that could go either way with the type of champ Miyako was. I’d get something different, but more on that when I review that show.

 

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This is exactly the kind of fun show IR does best. The mix of spotlight on younger talent and interesting matchups featuring vets was excellent. Across the ring from me was a person at their first Ice show gasping and cheering whole night, which was great to see and a perfect reflection of how I felt myself.  Pro-wrestling should be fun and enthralling, and that’s precisely what we got here. 🙂

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Japan Reviews Wrestling

Gatoh Move 4/29/18 & 5/4/18 Live Thoughts

April 29 and May 4, 2018 in Tokyo, Japan

As I like to explain to start my Gatoh Move reviews, the Ichigaya events are held in a small room with no ring and two large windows on one wall which are removed for the shows. The crowd itself is effectively the “rope break” marker and the wrestlers will sometimes use the front row to bounce off of for “running the ropes” and the windowsills to jump off of for high risk maneuvers. The limitations of the venue restrict the action in ways compared to “normal” matches, but also provide opportunities for creative variations on standard wrestling elements.

Pictures are not allowed during the show but can be taken afterward, so my pics here won’t contain anything from the matches and will only be of the roundtable and dancing following the shows (as well as of some souvenirs).

 

4/29/18:

With Aasa out indefinitely, Kotori retired, and Obi injured, Gatoh Move’s core roster was a bit depleted around the time of this show. Emi joked about welcoming the crowd to “Joshi Puroresu,” as this particular show featured seven men and just three women. Still, the heart of Gatoh Move is Emi’s approach and the atmosphere it creates, and this show was pure Gatoh Move.

 

 

 

Cho-un Shiryu, who I’ve seen at Ichigaya several times, opened the show with a victory over new-to-me Yu Iizuka. Pretty standard, decent opener.

 

Antonio Honda was up second, which always means comedy time at Ichiagaya. My favorite up and comer Mitsuru Konno was his opponent this time, in what can only be properly described as a pictionary match. Whenever one of them achieved a count on the other, the referee gave them a person to draw and if they could get judge Obi to correctly guess who it was they’d get a point. After the 10 minute time limit elapsed the person with the most points would win the match. Totally ridiculous, and yet a lot of fun.

Both were pretty good with the sketches (Mitsuru routinely draws pictures on autograph boards that audience members can get the right to purchase via audience wide rock, paper, scissors games), and the subjects were a mix of famous people and wrestlers, which made this engaging even with me being unable to read the clues. And it’s great to see a rare Mitsuru victory no matter the format. 😉 The sketch pad would be relevant again later…

 

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As I’m mentioned before, it’s quite impressive that Gatoh Move can do six-person tags in such a limited space and unique environment. Even more so is the fact that they’re always great. In this one the Tag Team Champions Emi Sakura & Masahiro Takanashi  teamed with One and Only Champ Golem Thai to face Baliyan Akki, Sawasdee Kamen, & Super Asia Champion Riho. Non-stop, exciting action with the all champ team coming out on top.

 

 

After the show Emi held another balloon drill in leiu of the regular talking/promos, likely as a nice consideration to having foreigners like me in the audience. The great part is that in addition to it being a fun thing to watch, they incorporated a couple of angles into it. Akki pinned Gatoh Move One and Only champion Golem Thai during the Go Go Green Curry Cup tournament the day before and tensions between them were high. Akki pointed at Golem and said “your face” before DESTROYING his balloon with a dropkick that also leveled poor Emi holding the strike pad. She got up complaining “His face?! MY face!!!”

When it was Golem’s turn he had Akki help Emi hold the pad, then instead of throwing a dropkick he simply ran through the balloon, pad, Emi and Akki with a shoulder tackle. Add in little things like Riho blocking her ears from the popping noises and playing with balloons that people failed to pop and this was a really cool little epilogue to the show.

 

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After the balloon drill and ending dance, Mitsuru took the pad from her match out again and revealed a pre-drawn announcement of her starting a twitter account. It’s a minor thing, but tying it back to the comedy match like that was a cool little touch.

 

 

5/4/18:

During my second (and only other) Ichigaya show of this trip Emi was traveling to appear for Pro Wrestling Eve in Europe so was unfortunately missing in action.

 

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It was fun to see Cherry at Ichigaya for my first time. Ok opener during which she played mind games with her opponent Taro Yamada and picked up the win by taking advantage of the ref (another wrestler) getting involved.

 

The second match was Baliyan Akki vs Emi Sakura W, and was bit more serious than the other Sakura W matches I’ve seen. As a result I really liked the feel of this one, with W’s antics still there but a little more controlled. Akki’s fantastic and is always a treat to see wrestle. Nice five minute match that didn’t feel short and, as expected with his feud with Golem ongoing, saw Akki pick up the victory.

 

 

The main event saw a match reminiscent of the Go Go Green Curry Cup first round with the team of Gatoh Move’s two singles champions Golem Thai & Riho facing Mitsuru and a partner, in this case Madoka. As usual with Gatoh’s tag main events this was fast paced, exciting, and a lot of fun. As I’ve mentioned before I adore seeing Mitsuru against Gatoh’s vets, and her and Riho have great chemistry. Golem’s a monster and was an imposing figure for Mitsuru and Madoka to try to overcome. But while they brought a strong fight, the pair of champions prevailed with Riho eventually getting the pin on Mitsuru. This was action packed and a great match to wrap up my Gatoh Move shows for this trip.

 

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A few days before this show Mitsuru had announced on Twitter that replica’s of her mask from the Go Go Green Curry Cup, made by the original mask maker (the incredible Demonio Blanco / Bacchanales Tokyo), were available for special order. I put in an order but expected to have to pick it up during my next trip (whenever that ended up being). In a wonderful, greatly appreciated gesture a point was made of finishing it for this show so it could be delivered before I returned home and Mitsuru surprised me with it after the show. It’s a wonderful keepsake of amazing quality and a centerpiece addition to my collection.

As a final fantastic bit of amusement, Mitsuru had her own mask with her and had us both wear them when I got a pic with her later on, then signed with “we are heroes!” It was fun to a be a sidekick for a moment. 😉

 

Mitsuru Konno replica Hero mask.

 

I always enjoy my time at Gatoh Move, and these shows were no exception, with engaging matches as well as some additional cool moments and memories for me personally.

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Japan Wrestling

A Ray of Light Gone Too Soon

Before my first trip to Japan in late 2015, my initial exposure to most Joshi wrestlers I was familiar with came via Shimmer Women Athletes. In 2012 Shimmer announced Leon would be debuting at the company’s March tapings, along with her tag team partner Ray. I wasn’t familiar with either, so my first glimpse at their work was via highlight clips as I looked into Shimmer’s newest Joshi visitors. Both were impressive, talented veterans and fantastic additions to the Shimmer roster. But with all due respect to Leon, it’s Ray who immediately captured my attention and a few short clips were all it took to make her an instant favorite of mine.

 

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Ray combined innovative offense, like her fantastic Cartwheel-Bomb, with a crispness and smooth execution that made her an absolute delight to watch. Already being nearly a ten year vet when I started watching her, she was at the top of her game and incredibly precise in everything she did. She came to Shimmer twice, covering a total of eight matches taped over two different weekends set two years apart. I spotlighted her and Leon’s title match against Ayako Hamada & Ayumi Kurihara on volume 47 as a shining example of Shimmer’s tag division looking back during Shimmer’s 10th Anniversary, and they were always a treat to watch.

It was during Ray’s second trip in 2014 that I was lucky enough to attend live, seeing her & Leon tear the house down in tag matches against three different teams that all had or would hold Shimmer’s tag belts at some point (the Canadian Ninjas (Nicole Matthews & Portia Perez), 3G (reigning tag champs at the time Kellie Skater & Tomoka Nakagawa), and the Kimber Bombs (Cherry Bomb & Kimber Lee)), as well as a singles encounter for Ray against Mia Yim. Again, every match was a treat to see and Ray was incredible.

In December of 2015 I made my first trip to Japan and saw several excellent shows and matches. One of my most anticipated things was getting to see Ray again, and it was nice to get to talk to her again and see her tag with Alex Lee against Takako Inoue & Karou at Marvelous’ 12/20 show. Unfortunately this would turn out to be one of Ray’s final matches, as to start JWP’s Climax a week later she came out to announce she was pulled from the show due to illness. That illness would sadly later be revealed to be a malignant, inoperable brain tumor.

Ray fought her cancer emphatically, and there was always a tiny bit of hope and prayer in everyone’s minds of a recovery and comeback for her. Unfortunately Ray succumbed recently and passed away. In the ring and out she was an inspiration, and she will be greatly missed.

 

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Japan Reviews Wrestling

Wave 5/4/18 Live Thoughts

May 4, 2018 in Tokyo, Japan

 

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In addition to hosting the finals of this year’s Catch the Wave tournament this was Mika Iida’s retirement show. I already discussed some of it a bit in my look back on her career, but here I’d like to go into more detail / take a look at the rest of the card.

 

1. Mika Iida vs Hiroe Nagahama

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During the week leading up to her final show, amid numerous appearances scheduled across various promotions, Iida unfortunately dislocated her shoulder during a gauntlet match. She realigned it and managed one more portion of that match in a crazy display of toughness, but then had to acquiesce and withdraw from the match and most of her remaining appearances to recover. She always still intended to complete in this final show however, and twice in fact. In a 6-woman tag to close it, and this five minute exhibition to open.

In a wonderful sign for her recovery (and of course her fortitude and perhaps stubbornness), she took the microphone right away and declared she was ok and turned this into a full match to a large ovation. It was a good contest and a nice callback for me to the match between the two I had seen a few months prior. Unsurprisingly Iida put the up and comer over and the latter was particularly choked up.

 

2. ASUKA, Miyuki Takase & Sakura Hirota vs Moeka Haruhi, Arisa Nakajima & Cherry

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Of course as this is a Wave review hopefully it’s obvious I’m talking about their Asuka, and not the former Kana. With just four minutes to work with these six hit the comedy (a given with Hirota in there), ran through some quick action, and wrapped it all up in short order. It was fine, but there wasn’t much to it. Seeing Arisa on a card in any capacity is always a treat though.

 

 

3. 3-Way Tag Match: BOSS to Mammy (Yumi Ohka & Mio Momono) vs Avid Rival (Misaki Ohata & Ryo Mizunami) vs Fairy Nipponbashi & Yako Fujigasaki

 

This kind of had the opposite impression of the last match in some ways. Seven minutes isn’t a ton of time for a three way tag encounter, but they made the most of time allotted and format and this didn’t feel short or limited at all.

Light overtones and humor were well integrated, and Fairy actually amused me quite a bit for a change. She had a running bit where she was getting in Ohka’s face making motions to indicate she wanted a title shot, with Ohka reacting to her attitude in kind and ignoring the message. Of course Ohka lost the belt MONTHS prior back to Ohata, who helplessly tried to intervene and explain she was the champion.

There was also another funny section where Mizunami tried to “defend” Ohka and got herself into trouble with whatever she was saying (likely comments about Yumi’s age), with Misaki running over to cover her partner’s mouth to try to minimize the damage. Really well executed, where I understood what was happening even without understanding exactly what was said.

 

 

I saw the formation of Boss to Mammy last August but since Ohka was involved in the singles title picture during my holiday visit this was my first opportunity to seem them wrestle as a team. I really love the pairing and am thrilled they are now the reigning tag champions. This was before their push however, and with two of my favorite teams facing a thrown together team of two who honestly don’t usually impress me very much you can probably guess who came out on top. BOO! Jokes and personal preferences aside, this was an extremely good match and a lot of fun.

 

4. WAVE Tag Team Championship Match: Kuso Onna Night (Yuki Miyazaki & Nagisa Nozaki) (c) vs NEW-TRA (Takumi Iroha & Rin Kadokura)

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I saw these two teams face for these same titles at Thanksgiving Wave, in honestly what was a much better match. I was excited for this rematch with reversed roles, but the approach robbed it of the impact it should have had. The team stripped of their championship due to injury to Iroha were facing a team they previously beat who claimed the titles in their absence. There should have been a sense of urgency to reclaim the belts on one side and a desperation to prove themselves on the other. Instead this was heavy on antics early and never reached the level of tension it needed, ending up rather perfunctory. It wasn’t a bad match, but considering the situation and what the teams are capable of it was unfortunately a bit disappointing.

 

5. Catch the WAVE Final: Ayako Hamada vs Rina Yamashita

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When the Violence Block came down to a three way playoff match I had expected Arisa to take it and continue her feud with Misaki. Once Hamada took hit instead I fully expected her to win here. In retrospect Wave was quite lucky they made the other choice.

The match was a fantastic twenty minute battle, and since it seems to have been Hamada’s last it was a high note to finish on. I hope things improve for her and she’s able to put her demons behind her. The victory meant Rina won her second Catch the Wave in a row looked like an absolute world beater putting down the legend.

 

 

Afterwards awards were given for the whole tournament, including Misaki vs Shida getting best bout, Asuka getting a Technique award for competing with a broken ankle (O_o wow), Hiroe getting a special award for upsetting champion Misaki, etc.

Arisa walked out on her semifinalist medal, so Gami wore it instead in a picture with other semifinalists Nagisa and Misaki. Rina of course got the spotlight as the tourney winner, with runner up Hamada sitting in the corner to sell the grueling match and clapping for Rina’s victory from there.

 

 

6. Mika Iida Retirement Match: Rina Yamashita, Kaho Kobayashi & Natsu Sumire vs Mika Iida, Yumi Ohka & Hiroe Nagahama

 

After the ceremony it was time for the main event and Mika Iida’s last match. Rina wasn’t done, as she came right back out for this, visibly emotional the whole way. I’d seen her team here across the ring from Iida before in a 3-way trios from Thanksgiving Wave 2016. Natsu’s return for this saw her the biggest heel in building, getting massive heat and playing into it the whole way. Even her partners were joining in the crowd’s jeering at points and when she started flipping the audience off for their reaction her partner Rina flipped her off on the audience’s behalf. Amusing stuff. The outside brawling was a particular highlight for me, as my seat was wiped out (twice) by the woman of honor herself being whipped around ringside.

 

 

Iida was teaming with her opponent from the opener as well as one of Wave’s cornerstones. The match was the appropriately enjoyable spectacle, including “traditional” retirement spots like whipping all of the roster (and then some) into Iida in the corner with amusing variations like Rina interrupting Gami’s turn and allowing Iida to wipe out the boss instead. Special guests also got in on the action, including Ice Ribbon’s Tsukasa Fujimoto coming in to hit an Ace Crusher on Iida for a near fall at one point. Tsukka was one of the wrestlers who was supposed to face Iida in between her injury and this last show, so this was a nice way to work in a little of what that could have been. Just a ton of fun all around. Rina got a second huge honor in the same night as becoming the first ever back to back Catch the Wave winner, pinning Iida to end her career.

 

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The gift presentation and final ceremonies were touched by humor, perhaps highlighted by Yuki Miyazaki and Sakura Hirota brawling around Iida as she stood in the center of the ring while her career highlights were read. Something noticeable was a sense of Iida really enjoying everything and having a joyous goodbye (despite of course it all being very emotional).

 

 

Strong show, and all in all everything came together in a way that really felt like the perfect farewell for Iida that reflected her unique, infectious charisma throughout. I’m sad to see her go but happy to have seen her wrestle during her time in the ring and wish her the best in whatever comes next.

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Japan Reviews Wrestling

Gatoh Move 4/28/18 Live Thoughts

April 28, 2018 in Tokyo, Japan

 

 

This promised to be an extremely interesting show for me as it held Gatoh Move’s 6th Annual Go Go Green Curry Cup from here abbreviated as GGGCC), a single day mixed tag team tournament, along with a handful of non-tourney matches. The tournament included several unique combinations, as well as the reigning tag team champions.

 

1) Yuna Mizumori vs Hanako Nakamori

 

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The show opened with the Pure-J champion against a Gatoh Move rookie with about two months experience. This was my first glimpse of Hanako’s newer look, and it helps her stand out as befitting Pure-J’s ace and champion.  Yuna had an extremely good showing here against the more experienced competitor, and she’s a great addition to the Gatoh roster. Well structured match that let the rookie shine a bit before the visiting champion put her down.

 

 

 

2)  GGGCC Round 1: Riho & Golem Thai vs Mitsuru Konno & Sawasdee Kamen (Sawasdee Mask) 

 

 

Mitsuru got fully into the superhero spirit, coming to the ring in a great mask styled like Sawasdee’s but incorporating her crane motif (more on the mask in my upcoming write up of Gatoh Move 5/4). They had a tall order in front of them in the form of a team of title holders: GM’s Super Asia Champion Riho and their Thailand branch’s One and Only Champion Golem Thai.

As much as I adore Riho and was incredibly impressed with my first look at Golem, I find myself a bit biased towards Mitsuru and was really hoping for a stunning upset. It wouldn’t happen here however, and after an incredibly competitive, intense match the powerhouse team would prevail and move on. There were six teams in the tournament, so Riho and Golem would move on to face one of the two teams who randomly drew a first round bye.

This was a great way to open the tournament and in some ways a “proof of concept.” Gatoh Move excels at intergender wrestling, and everything here was logical and believable, with the smaller athletes using speed and fire to counter the strength advantage and Golem periodically responding by bulldozing people. As expected with the close knit roster and unique environment they train and often perform in, Riho and Mitsuru have particularly great chemistry and it’s always a treat to see them face off.

 

 

3) GGGCC Round 1: Emi Sakura & Masahiro Takanashi vs Saki & Ryuichi Sekine

 

 

In another case of one of the apparent tourney favorites drawing a first round match, Gatoh’s reigning tag champs were up next. Emi and Takanashi are absolute maestros in the ring and had an energetic back and forth match here in which Saki and Ryuichi got to take the champs to the limit and force a time limit draw. The tie breaker was amusingly a game of rock, paper, scissors, and Saki and Ryuichi’s corner woman Obi came in to do the honors for them. It didn’t work out so well, and Emi & Masahiro moved on.

 

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4) Minoru Fujita vs Sakura Emi W

 

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Minoru had no idea what to make of Emi Sakura’s doppelganger, and this was half action and half (intentionally) awkward comedy. The humor wasn’t really to my tastes, but this was fine light filler to break up the rounds of the tournament.

 

 

5) GGGCC Semi-Finals: Kaori Yoneyama & Baliyan Akki vs Riho & Golem Thai

 

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I’m running out of various ways to say “great, back and forth encounter,” so I’ll simply say this was another one. I will add however that while that general statement might make it sound like the tourney matches were similar, they were in fact all quite unique and tailored to the skills of the participants. Akki & Yone were another excellent, complementary team, and this built to a huge crescendo with Akki getting the upset pin on the One and Only champion to send his team on as well as putting himself in line for a future singles shot at Golem’s title.

 

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6) GGGCC Semi-Finals: Emi Sakura & Masahiro Takanashi vs Aoi Kizuki & Antonio Honda

 

 

I’m always thrilled with opportunities to see Aoi wrestle (particularly in light of her imminent retirement), and after seeing her and Honda face off in a ridiculously amusing match at Gatoh Move’s New Year’s show their pairing here seemed pitch perfect.

As expected, this was the comedy match of the tourney, with the exciting action and double teams all four are certainly capable of interspersed with over the top hilarity of the best kind. The tag champs displayed their versatility, proving they’re just as good at being silly as they are at precision wrestling, and these four were clearly having as much fun as the audience. Perfect point in the show for this style of match, and it was a blast. The champs persevered as things got serious near the end and advanced to face Akki & Yone in the finals.

 

 

7) Hikaru Sato vs Chikara

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The last non-tourney match provided another decent change of pace to separate the semis from the finals. Some hard strike exchanges highlighted this interlude, which Sato eventually won.

 

 

8) GGGCC Finals: Baliyan Akki & Kaori Yoneyama vs Emi Sakura & Masahiro Takanashi

 

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So the quasi-heelish tag champs who keep finding ways to pull out the win faced the conquering heroes who overcame the tourney’s superteam in a fitting final in the main event of the show. Excellent way to cap off the day seeing the two teams engaged in spirited battle for a full 15 minutes (about double what most of the other matches ran). Paced and structured perfectly, this was a wonderful contest that saw Akki and Yone come just short of another spectacular upset as the champions took the tourney and basked in the feeling of being alone at the top (for now).

 

 

This show was a delight from top to bottom. Emi & Takanashi winning was actually a bit of a surprise for me, since I expected someone to upset them at some point to earn a future title shot. But it was a surprise that put the masters in a match in every round, and the champs reigning supreme leaves things open for a new team to emerge determined to knock them down.

I can’t stress how well booked and executed the whole tournament was. The teams were all fun and interesting, one team battled through three rounds to the finals while one of the bye teams capitalized on it, different styles were spotlit at different times, etc. The variety of course means not everything will appeal to everyone and of course not every match is meant to steal the show, but for me this was a fantastic show all around with tremendous effort from everyone and I adored it.

 

 

Categories
Art Japan Reviews

Remembering the Past to Avoid Repeating It

“Let us learn from the destructive past, and walk together towards a peaceful future.”

 

Tenri Cultural Institute, in addition to its language school, concerts, and various other cultural events, hosts an art gallery that is home to a variety of excellent exhibitions ranging from demonstrations of traditional Japanese techniques to innovative displays of multinational modern art. I’ve written about several past showings, and two of my absolute favorites where the textile based Chika MacDonald’s “Mugen” and Nobuko Tsuruta’s “12 Years.”

Here I’d like to spotlight an important and thought provoking exhibit, the annual and currently showing “Atomic Bomb Panel & Peace Art Exhibition.”

 

 

 

 

The Peace Exhibit is a wonderful combination of works, across numerous mediums, aimed at education and reflection. It includes posters created by the Hiroshima Peace Memorial Museum, calligraphy pieces, sculptures, origami, and more (please see the full list of works and artists). The message of examining past events, including horrific ones, to reach for understanding of how best to proceed in the future is a great one, and there is great significance and meaning to the various pieces and the insights, emotions, and messages of hope they contain.

 

 

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The opening reception was held on the anniversary of the Nagasaki bombing, and was a lively evening in celebration of peace, a meaningful reminder of the weight of the past, and perhaps most importantly a glimpse at how that weight can be turned into hope for a better future.

 

 

The reception added further depth to the already impressive exhibit, with a striking and captivating calligraphy and dance performance, prayers of remembrance given across several faiths, and a heartfelt musical performance to close the evening.

 

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“Atomic Bomb Panel & Peace Art Exhibition 2018” is running until August 14, 2018, and I highly recommend going to take in this collection and the meaning and messages behind it in person.

 

Categories
Japan Reviews Wrestling

P’s Party 2 4/25/18 and Kani KING Produce 4/27/18 Live Thoughts

April 25 and 27, 2018 in Tokyo, Japan

 

P’s Party 2

This Spring Ice Ribbon’s Tequila Saya started producing a series of biweekly shows called P’s Party (“short” for Peace Party… somehow…) focusing on talent with less than three years experience. I adore the concept (which is similar to what Wave sometimes does with Young OH! OH!) and with all the promising rookies in Ice and other Joshi promotions Saya chose a great time to start it up. Like with Young OH! OH! there are a few veterans sprinkled in but generally every match has at least one competitor that matches the promotion’s brief. This was their second official show (they had one preview show as well) and had a nice looking lineup with one match I was particularly psyched for.

 

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The crowd was about 50 people, feeling about half full for the dojo but still providing a good atmosphere and seemed a decent turnout for what’s in a lot of respects a developmental product that was just starting up.

The show opened with Tsukushi & Ibuki Hoshi vs Giulia & Maika Ozaki. Tsukushi re-debuted in a “career reset” at Ribbonmania after a hiatus due to legal issues last summer. Ice Ribbon and Tsukushi herself have been fully behind the idea that she’s starting over, so she’s been routinely involved in things like this that feature rookies despite previously having eight years experience. I applaud all involved with how they are proceeding, and am happy Tsukushi’s both getting a second chance and taking it seriously.  I also personally think having a few veterans in these matches helps the others gain experience, so her not actually being under three years experience isn’t an issue for me.

 

 

The was a really fun tag match with Tsukushi being her usual bratty self (and I say that with respect and appreciation for the character), Maika looking wonderfully comfortable and confident in flashing her impressive strength to great effect, and their respective partners doing their best to counter and derail their opponents’ tactics.  Tsukushi’s partner Ibuki Hoshi, a second generation wrestler whose mother also wrestles for Ice Ribbon, already shows incredible instincts for her age and experience and gets better and better every time I see her. Maika’s partner Julia has a striking charisma and is nicely developing her own style in the ring and getting more and more comfortable as a performer. Strong start to the show.

 

 

Asahi is one of Ice Ribbon’s youngest and newest rookies. She debuted last August against Manami Toyota and immediately made a big impression on me. She plays a phenomenal underdog and makes the absolute most of her limited moveset, drawing the audience in and getting them behind her to the point where a simple dropkick garners a strong reaction. I’ve really enjoyed every opportunity I’ve had to see her and think she has huge potential as she continues to learn and refine her craft in the years to come.

It would seem that Ice Ribbon management hold similar opinions, as including her previously mentioned debut against a legend she’s been fairly regularly put in singles matches with decorated veterans. Here she faced Misaki Ohata, a twelve year vet and a personal favorite of mine who was Pro Wrestling Wave’s reigning Regina di Wave Champion at the time.

 

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I was thrilled to see this match on the card, and it was exactly what I hoped for. Misaki was perfect in largely dominating the rookie while gradually selling getting more of a fight than she expected and showing just the right amount of vulnerability to make Asahi look good while keeping things believable within the story framework. Asahi showed great fire, knowing her role was to go full bore whenever an opportunity presented itself and as such she really succeeded in coming across as someone who knew she was outmatched but was determined to win anyway. Misaki of course eventually prevailed, but she made Asahi look great in the process. At seven minutes the match was just the right length for the story they were telling, and I adored this from start to finish.

 

 

The main event saw P’s Party producer Tequila Saya and her partner Uno Matsuya take on Satsuki Totoro and another visitor from Wave in Hiroe Nagahama. The grouping of Ice Ribbon wrestlers in this match was a treat. Saya and Uno’s alternating rival / partner relationship has been really interesting to follow as time goes on, and watching Totoro play wrecking ball is a joy.

 

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The match was a great proof of concept for P’s Party, with less experienced wrestlers getting a longer match time and more of a spotlight than they normally would on the main shows. It let them experiment with pacing and storytelling, pepper humor and playfulness in with the action, etc. Not everything’s going to work perfectly, but having the freedom to risk that is the entire point and given the talent level of Ice Ribbon’s rookies it will all come together more often than not. And it largely did here, resulting in a solid, enjoyable main event.

 

 

This show was exactly what it should have been, and Saya’s endeavor has a lot of upsides both for the wrestlers involved and Ice Ribbon as a company. I had a ton of fun and hope to see more of these in the future, although since they so far seem to be live only my opportunities to do so will likely be few and far between.

 

 

Kani K☆ING Produce

Two days after P’s Party I went to another somewhat unusual show in Ice Ribbon’s home base. Kani (Crab) King’s show featured a variety of Joshi from numerous promotions, and had an attendance similar to that of P’s Party.

 

 

The show opened with an “offer match” from Ice Ribbon, featuring two wrestlers I discussed at length above. Asahi had another good singles showing against a vastly more experienced competitor as she took on Tsukushi in a really fun match that was brisk and exciting for the full six minutes and change it ran. I’d love to see this matchup revisited periodically as Asahi’s career progresses.

 

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Two wrestlers I was familiar with in Makoto and Pure-J’s Yako Fujigasaki teamed in the next match to take on two I was seeing for the first time in Koharu Hinata & Shiori Akiba.

 

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This was pretty paint-by-numbers and did have a bit of awkwardness here and there, but also had some highlights and spots that really came across well and made an impact. Fine overall. I’d like to see more of Hinata in particular if I get a chance.

 

 

After that was another wrestler I was previously unfamiliar with in Actwres Girlz’ Hikari Shimizu facing another I knew from Pure-J in Raideen Steel (Raideen Hagane). This was fine on a technical level and I’d hope to see Shimizu again in the future. But while Raideen is quite capable of exciting matches against the right person, in cases like this where she’s in a dominating role against an overmatched opponent I find the results … well, a bit boring to be honest.

 

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I adored Nao Kakuta in my only previous time seeing her as both she played a wonderful heel and defeated a character that annoys me in a wonderful application of poetic justice. So it was nice to see her challenge the “Crab World Champion” Yuiga for her title in the main event here.

 

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This was mostly played for comedy, and the action was kept pretty basic. But it was fine for what it was, and the character interactions were the main point. Nao sadly did not become the Crab World Champion.

 

 

Honestly the Ice Ribbon offer match overshadowed everything else a bit from the get go, and overall this wasn’t quite up to the level I’m used to from my Joshi shows. But that’s a relatively high bar and in some ways it wasn’t trying to be.  I got a nice look at some new wrestlers for me, thought the opener was great, and enjoyed just enough of the rest to call it a fun and worthwhile evening all in all.

Categories
Japan Reviews Wrestling

SEAdLINNNG 4/18/18 Live Thoughts

April 18, 2018 in Tokyo, Japan

I was pleasantly surprised to discover that I’d have just enough time on the day I arrived in Japan for my Spring trip to catch this SEAdLINNNG show featuring numerous favorites of mine and headlined by Best Friends. Then a bit of rescheduling happened due to Arisa missing some shows because of a concussion (which thankfully wasn’t severe and she recovered quickly from), and my anticipation for this event shot even further through the roof.

 

1- Catch the WAVE Tournament Match: Arisa Nakajima vs Mio Momono

 

 

As referenced above, I was beyond thrilled when I found out this matchup from Wave’s annual Catch the Wave tournament was rescheduled to this show, and that I would make it to Tokyo just in time to see it. Mio’s incredible for her experience and, in my opinion, the brightest star among any rookies in the business (in an extremely strong field to boot). Arisa is simply one of the best wrestlers in the world. 

 

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With Arisa also scheduled for the main event I suspected this might be kept on the shorter side, resulting in a good back and forth match under 10 minutes. Instead these two waged war for just under 15. This had overtones of the dismissive veteran dealing with a cocky upstart who was perhaps more of a fight than expected. Both played their roles perfectly, and the action itself was the excellent affair expected from these two. One of my favorite matches of the entire trip.

 

2- Sae Nomura & Saki Akai vs Rina Yamashita & Kaori Yoneyama 

 

 

There were a couple of cute spots in this based around Sakai’s height advantage, and watching Rina pound on people is always fun, but otherwise this was pretty much an inconsequential filler tag match. Nothing particularly great or bad here, and a bit long for what it was.

 

3- Misaki Ohata, Aoi Kizuki, & Hiroyo Matsumoto vs Makoto, Nagisa Nozaki, & Ryo Mizunami 

 

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So every 3 minutes the rules of this 6-woman tag switched from a regular match to high speed rules, where pinfalls could only be attempted after hitting the ropes or specific kinds of quick rollups and high speed referee Natsuki counted such pin attempts super-fast. It initially sounded overly complicated, but they went long enough for several switches to really get across the format and take full advantage of it leading to a wonderfully enjoyable contest that was absurd in all the best possible ways. The level of talent involved was key in making everything click together smoothly. Avid Rival is perhaps the greatest pair in all of wrestling right now, either as partners or opponents, and Misaki’s trio here was somewhat of a dream team of favorites of mine. To be honest Nagisa and Makoto were slightly overshadowed by the others, but still fit in reasonably well and contributed to some highlights such as Nagisa regularly trying to kick peoples’ heads off.

 

 

Natuski’s tradition of getting involved in the matches she refs continued, with Hiroyo her frequent victim this time. The Lady Destroyer did a great job with selling resentment and annoyance at Natsuki’s antics, right up through the post match celebration with her partners accepting Natsuki raising their arms and Hiroyo eyeing her with distrust instead and threatening to strike her. Following through with little details like that is so important for achieving maximum potential and impact.

The action was excellent, including a particularly fantastic spot where 3 rollups were happening simultaneously and constantly being reversed during a high speed section with Natsuki counting everything, leading to all 6 wrestlers plus her eventually being wiped out on the mat with exhaustion.

 

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After the show I spoke briefly with four of the six wrestlers in this match. Amusingly all commented about being especially tired and a couple expressed a desire to never do high speed rules again. I made sure to thank them for their effort and express my sympathy for their sacrifice and appreciation for the match. 🙂 Loved this all around.

 

 

Main Event- Best Friends (Arisa Nakajima & Tsukasa Fujimoto) vs YOSHIKO & Command Bolshoi

 

 

Earlier I called Avid Rival perhaps the best pair in wrestling, and it’s “perhaps” because if it’s not them it’s Best Friends. Tsukka and Arisa are both masters of their craft and make a truly incredible team that’s always a joy to watch. With their opponents here consisting of Arisa’s current rival as well as the head of the promotion she left to join Seadlinnng there’s a lot of added depth and tension.

As I’ve discussed before Yoshiko’s often hard to watch for personal reasons, but man she’s admittedly fantastic in certain roles. Everyone was great here in an aggressive, hard hitting match where the storyline issues and action were seamlessly integrated.

 

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Phenomenal show overall, with numerous excellent talents from outside promotions shoring up Seadlinnng’s solid but minimal roster. First show of this trip, and was one of the best.

 

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Categories
Film Japan

A Day in Mori’s Garden, and The Impending End of Innocence

Japan Cuts 2018: Mori: The Artist’s Habitat and Hanagatami

 

Japan Society’s annual Japan Cuts Film Festival for 2018 ran from July 19th through July 29th. I saw previously saw and wrote about Ramen Shop and Night is Short, Walk on Girl, and here I’d like to share thoughts on the centerpiece and closing films.

Also check out my features on films from 2015’s, 2016’s, and last year’s festivals.

 

Mori: The Artist’s Habitat

 

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This year’s CUT ABOVE Award winner for Outstanding Performance in Film was actress Kirin Kiki, who was a joy to listen to in the Q&A following the centerpiece screening of Mori: The Artist’s Habitat. Kiki plays the tolerant wife of eccentric artist Mori, who’s barely left his home in thirty years and spends his time intensely studying life in his overgrown garden. In between a constant comedic stream of visitors and delicate, incredible cinematography featuring Mori’s garden and sharing his fascination with the viewers are encroaching themes about an intruding outside world and the passage of time. A decent movie with some interesting things to say and flashes of absolute brilliance in its techniques.

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Hanagatami

I usually discuss the main feature of a showing first and then offer brief closing comments on any accompanying shorts  that preceded the film. I take that approach to place the spotlight as seems appropriate as since while often quite good and complimentary accompaniments, they are also non-essential sidebars to the viewing / discussion of the full feature.

 

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Not so in this case. The 6 minute How Can You Know Where to Go If You Do Not Know Where You Have Been stop motion short not only held it’s own being as striking and memorable as the 3 hour film that would follow, but also served as a wonderful primer for the kind of lens through which the topics of both films could (and perhaps should) be viewed. I feel that having this in front of Hanagatami had a direct impact on my viewing experience of that film in a meaningful way.

In some ways a “simple” conversation with her grandmother about the past set to animation, director Mizuki Toriya’s short contains a powerful message about remembering and sharing the past delivered through an equally important demonstration of that practice.

 

 

Having Toriya at the screening in person to introduce the short and share thoughts about she made this film was an additional bonus. She humbly apologized in advance for the limited nature of the animation, but it was in fact perfectly paired with the conversation it accompanied and impactful in a touching, genuine way. It’s not entirely fair to compare shorts with full length films, but in the interest of full honesty and credit where credit is due this was my favorite film of anything I saw at Japan Cuts this year.

 

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I have to admit I don’t think I’ll ever fully know what to make of director Nobuhiko Obayashi’s epic examination of fleeting youth as war looms. Between nonlinear storytelling, hyperrealistic visuals that are as relentless as they are striking and gorgeous, adults playing teenagers, and numerous other creative and off kilter approaches there’s a lot to absorb from Hanagatami, and it’s often overwhelming. Nothing is spelled out (save for one short unfortunate immersion breaking monologue where the film seems to realize the layers of symbolism are getting too deep and simply states what a few things represented), and I left the theater far from close to unraveling the meanings and messages beneath the strange happenings I’d just witnessed. Also, the film felt every bit of it’s length, and as I tried to process the scenes at face value, the underlying subtext that was the real point of everything, the complex emotions of all the characters as their lives forever changed, the shifting relationships and love… octagon … that seemed to be going on, etc the movie did seem to strain under its own weight at time.

And yet, I still enjoyed the movie and feel it’s an extremely good one overall. The acting, anchored by star Shunsuke Kubozuka who was present to share valuable insight into the film’s creation in a post screening Q&A, was exquisite. Kubozuka’s performance was exaggerated in a way that fit with Obayashi’s kinetic visuals and gave depth and a captivating edge to his character without going too far. Everyone around him likewise had to push certain characteristics and traits within their performances while staying grounded and they all nailed it. I felt the anxiety of wanting to see how it all turned out and wanting to understand more and more of what was happening and the movie’s message every step of the way. I didn’t get all the way there, but what I did take from the film was affecting.

 

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Imperfections and all, Hanagatami is a film I’m glad I saw that will be pulling at my mind for a long time to come. It’s a collaboration between a director and cast that were all unafraid to push boundaries the craft on display itself is as worth seeking out as the important topics and themes addressed.

 

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That’s all for this year’s Japan Cuts from me. As usual I’m extremely happy to have been able to attend and thankful to all involved. Start counting down to next year. 😉