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Japan Reviews Wrestling

Gatoh Move 12/30/16, 12/31/16, and 1/3/17 Live Thoughts

December 30 and 31, 2016 and January 3, 2017 in Tokyo, Japan

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Awesome keychains featuring Gatoh Move’s core roster. Just missing Riho’s, as it was sold out before I got a chance to get one.

As I mentioned when discussing last year’s Ichigaya shows I was able to attend, these shows from Gatoh Move are unlike anything else I’ve been to, and a lot of fun. The unusual venue and unique atmosphere are something any wrestling fan should check out at least once (preferably more 😉 ).

The Ichigaya events are held in a small room with no ring and two large windows on one wall which are removed for the shows. The crowd itself is effectively the “rope break” marker and the wrestlers will sometimes use the front row to bounce off of for “running the ropes” and the windowsills to jump off of for high risk maneuvers. The limitations of the venue restrict the action in ways compared to “normal” matches, but also provide opportunities for creative variations on standard wrestling elements.

As usual for Gatoh Move all the shows opened and closed with a song/dance performed by Emi, Riho, Kotori, Aasa, and Obi.

Pictures are not allowed during the show but can be taken afterward, so my pics here won’t contain anything from the matches and will only be of the roundtable and dancing following the shows (as well as of some of the great souvenirs I got).

12/30:

First was visiting veteran Kaori Yoneyama against Gatoh Move’s resident rising star in Kotori. Decent pairing, and the story of Kaori trying to dominate and Kotori fighting from underneath provided a nice showing for the developing youngster. Basic but solid. Kotori’s charisma, enthusiasm, and talent stood out during my last trip (as I spotlighted here) and she’s clearly continued to polish and expand her skills  in the intervening year.

Next up was a 3-way featuring Antonio Honda vs Sayaka Obihiro vs Jaki Numazawa. This was a comedy match where after every 2-count the winner got to make a joke using a box of props off to the side. Those that the audience applauded received a point. Most points after a set time won. Pretty much every move done led to a 2-count, as the jokes were squarely the focus here.

Although it’s fair to note that not speaking Japanese put me out of the target audience for this, between not understanding the spoken parts of the jokes and having seen these exact three wrestlers in a similar match last year this fell flat for me and honestly was my least favorite Gatoh Move match of the trip.

Speaking of similarities to last year, the main event of Emi Sakura & Masahiro Takanashi vs Riho & Aasa was amusingly close to the main event of the first show I ever saw at Ichigaya. It was the same except for having Kotori in Aasa’s place.

The rookie looked good here and fit in well among the more experienced competitors. Her pintsized powerhouse gimmick amuses me greatly and she already show flashes of brilliance in the way she uses it. Another solid match with exciting touches.

During the post show roundtable playing cards were drawn to determine teams for the next show’s main event, which ended up being tag team champions Riho & Kotori teaming with Aasa against Emi, Obi, & Mitsuru.

12/31:

Amusing side note: during the opening dance for this show Obi accidentally (and unknowingly) bopped Aasa on the head with her mic. She continued to dance unaware as Aasa rubbed her head and mock scowled for those of us in the window who could see her.

For this show I was sitting in front of the window most often used for jumping off of, etc, which ended up leading to quite a bit of ducking / moving out of the way as all three matches used the window heavily. Kept me on my toes. 😉

The undercard consisted of two mens matches, as all six of the core Gatoh Move roster were in the main event tag match. The opener of Madoka vs Toru Owashi vs Konaka Pehlwan was hard fought but with light touches of humor, mostly involving Toru. It was all kept in the context of everyone trying to win and everything clicked together pretty well. Case in point was the amusing finish. Toru was perched on windowsill (right above me) waiting for an opportunity to jump at one of his opponents who were fighting among themselves, but Madoka rolled Konaka up for the win and the match ended with Toru still in the window. Madoka and Konaka then left and a dumbfounded Toru eventually climbed down and headed out himself.

Masahiro Takanashi vs Cho-un Shiryu was a hard hitting match centered around the vicious strikes both men throw so well. Takanashi in particular thrives in this environment and knows how to make the most of it. Match went for the full ten minute time limit and ended in a draw, staying intense for the duration.

The main event of Emi Sakura, Sayaka Obihiro, & Mitsuru vs Riho, Kotori & Aasa was my favorite Gatoh Move dojo match this trip. Obviously they all know each other extremely well and have great chemistry together, which led to an thoroughly exciting contest with innovative multi person spots and use of the venue. Riho’s double knees to an opponent seated against the wall looks so vicious.

Towards the end Emi and Kotori tumbled out of the window into my (hastily vacated) seat. Kotori held Emi outside to prevent her from making a save as Riho pinned Misturu. Little things like that are excellent uses of the uniqueness of the environment.

This was a more serious show overall, as in contrast to all the other Ichigaya shows I’ve seen the middle match wasn’t a comedy match. I liked the variation, and actually would like to see this as the default rather than the exception.

1/3:

The final Gatoh Move show of my trip started with a singles contest between rookies Aasa and Mitsuru. This was a strong showing and overall I was extremely impressed with both during my trip (especially for their experience). They’re both developing individual styles that suit them and I’ve very interested in seeing them continue to evolve as performers going forward.

 

The formula of a competitive opener and main surrounding a comedy match was back for this show, and in some foreshadowing  Emi Sakura made comments about Antonio Honda and Kaori Yoneyama both being very hungry in her opening comments. This came into play in what I can only refer to as an “orange match,” where in addition to pinfall or submission one could win by placing an orange on a pedestal held by one of the audience members in the front row. Yes, really. There likely is significance I’m missing, but “mechanically” those were the effective rules.

Three oranges were tied up around the room. In between fighting  (which included the wrestlers selling getting hit with the oranges swinging on their ropes like getting punched straight in the face) the oranges were claimed one by one. But as either Yone or Honda went to place it on the pedestal to win, their hunger would get too great and they’d devour the orange instead.

About halfway into the match Aasa quietly came back out and crouched next to the front row, with a fourth orange tied to her head (and a hilariously neutral expression on her face). Later on Honda noticed and took that orange when Yone’s back was turned and stuffed it into his tights. With Yone thinking all the oranges were already eaten, she set Honda up for a splash and turned to get into the windowsill, at which point Honda pulled out the hidden orange and placed it on the pedestal for the win.

So this was BEYOND absurd, but somehow worked and ended up my favorite of all the matches I saw Honda in this trip. It wasn’t trying to be serious, and by embracing its own ridiculousness and being the only comedy match on the show it ended up quite amusing.

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The main event was Riho, Kotori & Madoka vs Emi, Obi & Guanchulo. The latter team was somewhat dismissive of their opponents as well as taking some cheap shots here and there. Guanchulo was a bit over the top, almost cackling with maniacal glee at joining in with the slight heel tendencies employed by Emi. It was a different dynamic than the other six person match with Emi & Obi opposite Riho & Kotori and helped set it apart. It did make the match feel a bit lighter in tone, but it was still suitably competitive and the touches of humor fit and didn’t detract from the action.

Particularly memorable about this match was its creative finish with Madoka and Kotori tying up their opponents in horizontal holds, who Riho then used as stepping stones for momentum to perform a jumping double knee drop on Obi for the win.

Issues between Emi and Kotori continued to build here, including Emi showing disrespect after the match. Their interactions in the two six person tags seems to be leading to a future one one one encounter.

During the post show roundtable Kotori and Riho filled in the eye on a large Daruma (I didn’t catch what goal was achieved), and Honda’s birthday was celebrated with a cake.

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These shows won’t be for everyone, and I understand some of the criticisms I’ve seen of these shows and their matches feeling “samey” due to format limitations and repeated opponents. But I continue to be impressed as to what the wrestlers can do within those restrictions of the venue / style, and for certain fans (like me) there will great appeal in the nuances of each match and strength of the performers to mitigate those potential downfalls and make repeated visits a joy.

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Wall display of some of my Gatoh Move souvenirs, including a sign board I won, polaroids with the wrestlers, signed pictures, and the previously shown keychains.
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Japan Wrestling

The NXT Step for a Legend II: A Great Year for the Empress of Tomorrow

Last year I wrote about my favorite wrestler’s impending signing with WWE in NXT Step for a Legend. A year and a half later and I’m back to look back on her impressive initial period during this new phase of her career.

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At NXT Takeover Brooklyn in August 2015, somewhat in the shadow of the great Sasha vs Bayley NXT Women’s Title match that was about to start, the camera cut to show superstars in the front row and next to Ric Flair was the “World Famous” Kana.  There had been speculation that her announced “hiatus” from wrestling could be foreshadowing a move the the WWE, but surprisingly there had been no real information or clues, so seeing her on camera at a NXT/WWE event was a legitimate shock to most.

At the September 10 NXT tapings Kana made her debut (air date September 23), and took the name Asuka.  Interestingly while WWE announcers themselves have repeatedly pushed the fan speculated theory that the name is an homage to Lioness Asuka, Kana herself stated on Twitter that it wasn’t the case. She said she chose the name for its meaning of “tomorrow/future” and it had nothing to do with the legendary Crush Girl.

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Asuka’s trademark kabuki masks worn during her entrances have become a huge part of WWE’s merchandise efforts for her, with three worn so far and subsequently turned into plastic masks for the fans.

Dana Brooke and Emma crashed her initial interview,  leading to Asuka’s in ring debut for NXT against the former on October 7. She pretty well destroyed Brooke, with a surprising amount of her pre-WWE look, character, and style kept intact which allowed her to make an immediate strong impression on the crowd.

From that strong start Asuka’s continued to dominate and never looked back. About 50 matches and 6 months after her debut match the undefeated Asuka defeated likewise fan favorite Bayley to claim the NXT Women’s Championship. During her title reign she’s continued her string of impressive victories, including a rematch against Bayley and defenses against Nia Jax, Micke James, etc.

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She’s excellent at playing up her mystique, and the choice to keep her undefeated (at over 140 matches and counting) has amplified that advantage considerably. Long term some care will need to be taken to make sure she keeps getting her opponents over as well as herself. In that respect there has been talk among some fans of her as a “division killer,” but I personally haven’t felt that to be the case thus far. People don’t necessarily look bad getting dominated because she’s portrayed as such a insurmountable obstacle, and often her opponents get to hang in with her just enough to look impressive despite the defeat.

Also, there’s potential in varying the formula, such as when Mickie James returned to challenge Asuka at NXT Takeover Toronto and was portrayed as one of the first real threats to the champion to great effect. And whenever someone does finally get a pinfall on her an instant star will be made (as long as it’s not booked in a flukeish manner).

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A sample of the WWE trading and “relic” cards available featuring Asuka.

Having been a big fan of Kana before she signed with WWE (particularly in Shimmer, where among other accomplishments her match with Ayako Hamada was the best in the promotion’s history), it’s been intriguing to watch her evolution in NXT. From things like her improving English to the effect on her ring style.

In interviews and other public statements she’s shared significant insight into the challenges and personal growth that has come with it, such as needing to engage American crowds more fully faster when pacing a match than with Japanese crowds. She’s also talked about her initial reluctance to speak in Japanese at all during matches, only to later realize conveying emotion was more important and even if the crowd couldn’t understand her words yelling at her opponent in Japanese could still be a useful tool to connect with the crowd and tell the needed story.

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I was lucky enough to see her wrestle live at NXT Takeover Brooklyn II and later at an NXT show at Madison Square Garden. Takeover was almost two years after the last time I had seen her live at Shimmer, and in addition to just having the opportunity in general it was a treat to see how things have changed for her during her time in NXT.

It will be interesting to see what the future has in store for the Empress of Tomorrow, as the WWE’s eventual direction with her could go several ways. Her mastery of her craft and uniqueness as an attraction begs a spot on the main roster, but there are huge benefits to having her in NXT to expand the breadth of training of others in addition to the general advantages of having her on those shows.

Although whatever Asuka’s path holds going forward one thing’s for sure: for her opponents, “tomorrow brings danger.” 😉

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Japan Reviews Wrestling

Merry Joshi Christmas! Part 3: Marvelous 12/25/16 Live Thoughts

December 25, 2016 in Tokyo, Japan

Between Christmas Eve and Christmas Day I was lucky enough to see three Christmas shows, all with some celebratory elements. First was Gatoh Move at Itabashi Green Hall at 1 pm on Christmas Eve, and later that night was Ice Ribbon at the IR dojo in Warabi. On Christmas day I headed to Shin-Kiba First Ring for the last of the three, from Chigusa Nagayo’s Marvelous promotion.

 

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The show started off in festive fashion, with Chigusa coming out dressed as Santa and her core roster joining her in various costumes. The highlight was Takumi Iroha as a Christmas Tree (which I sadly didn’t get a good pic of). My meager Japanese skills didn’t catch the meaning of the longish promo / exchanges between the wrestlers, but it seemed well received.

 

 

The opener, Mio Momono vs Mika Shirahime, was great, and if not the match of the night certainly neck and neck with the main event. Incredible instincts and craft shown by both rookies, who built drama expertly through the 15 minutes encounter and had the crowd going crazy at the end. There were a couple awkward spots, such as an instance from each where they essentially forgot to roll up their opponent, forcing the other to kind of roll herself up and wait for the other to get in proper position. But otherwise this was smooth and well executed. And even in the places I mentioned the ability of the other wrestler to adapt and keep things on track was impressive, particularly given their experience.

I was at Mio Momono’s debut in New York, and it’s wonderful to see her capitalizing on the potential she showed even then. Can’t wait to see what the future holds for this extremely talented youngster.

 

 

The show slowed down quite a bit from there. Another Marvelous rookie, Rin Kadokura, wrestled freelancer Konami in the second match. While Konami has a fair amount of experience from wrestling in several different promotions, she’s only been in the business a couple of years herself. Both were fine here, leading to the perhaps expected decent but basic match.

Aki Shizuku came to the ring festively attired to the crowd’s delight, which I unfortunately have to admit was probably the best thing about her match with Yuiga. I understand the style they were using, but there was just way too much stalling that made this match seem much longer than it was. While nothing was really wrong from a technical standpoint, the pacing was way off and it didn’t come together for me.

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Kaoru vs Yako Fujigasaki vs Chikayo Nagashima vs Hamuko Hoshi vs Mochi Miyagi was a reasonably fun match, with lighthearted taunting and antics early on giving way to more competitive sequences as the match progressed. Ice Ribbon’s Lovely Butchers looked good here, and mostly worked together despite the 5-way format. Yako was the target of the other combatants for most of the match, and a specific underlying rivalry between her and Kaoru got a strong focus towards the end. Kaoru’s favorite foreign object, the wooden board of doom, of course became involved. Felt like the underdog should have gone over here, but it appears the feud is still building / ongoing.

 

Tomoko Watanabe didn’t know quite what to make of the eccentric Cassandra Miyagi as their match began, and I don’t think things were any clearer for her by the end. This was my first time seeing Miyagi, who I’d heard a bit about, and she certainly has a unique and rather captivating charisma to her. The match was fine, but did feel like it could have been better and the structure led to an anticlimactic feeling when Miyagi lost.

 

I’d been extremely impressed with Takumi Iroha in her appearances at Marvelous USA’s New York shows, and was happy to see her get this main event opportunity against veteran Kyoko Kimura. I’d seen them interact before as part of an intergender tag team match at Marvelous USA’s third show, so this encounter was a nice followup to that.

This played out as would be expected, with Kimura largely dominating and Iroha toughing it out and fighting from behind. The formula worked well, and Iroha got to show some of her incredible power at points. Solid main and a nice spotlight for the up and comer.

 

 

Chigusa and the core roster came back out after the main to thank Kimura, talk some more, and raffle off a few things to the audience as part of the Christmas celebration.

Middle of the road show overall I think. It had a different feel from the rest of the promotions I saw, with a somewhat more traditional sense of build throughout the card and in the matches. It was great when it worked and cooled the crowd significantly when it didn’t. The things that didn’t excel here were more bland than bad, but it was half the card. That said, the high points were great and they started and ended with the best of the night.

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Japan Reviews Wrestling

Merry Joshi Christmas! Part 2: Ice Ribbon 12/24/16 Live Thoughts

December 24, 2016 in Tokyo, Japan

Between Christmas Eve and Christmas Day I was lucky enough to see three Christmas shows, all with some celebratory elements. First was Gatoh Move at Itabashi Green Hall at 1pm on Christmas Eve. That evening I headed over to the Ice Ribbon Dojo for their Christmas show.

 

During the opening Maya Yukihi sang a (rather spectacular) rendition of “All I Want For Christmas” before the usual welcoming comments by various roster members.

The first match was Uno Matsuya & Kyuri vs Tequila Saya & Maika Ozaki. Everyone except Kyuri was new to me here. As I wrote about in The Future is Now 4, Kyuri really impressed me last year and I’m hoping to see her get more chances to advance. Here she showed even more of the instincts and skill I noticed last year, along with clearly being the veteran lead of the match among the three relative rookies.

All of the newer wrestlers looked good, despite getting a little lost at times (which with Kyuri’s help they recovered from nicely). Uno and Saya are already showing disctinctive styles and personalities, and seemed to be solid additions to the roster. Ozaki showed great flashes of power and has a ton of potential as a wrecking ball style wrestler. She was made to look strong defeating Kyuri for the win.

 

 

On the first show I saw during last year’s trip I was introduced to Miyako Matsumoto by seeing her team unsuccessfully and hilariously with Maruko Nagasaki, so I was extremely amused to find them teaming again here on my first IR show of this trip. Given their opponents were International Tag Ribbon Championship #1 contenders The Lovely Butchers (Hamuko Hoshi & Mochi Miyagi), there seemed little chance of the former team’s record improving.

Sure enough this unfolded exactly as expected, with some self serving antics from the Dancing Queen and and eventual victory for Hoshi & Miyagi. Miyako predictably hit at her opponent in frustration after the loss. The Butchers looked good as a team, keep their own playing around to a minimum and focusing on hard hitting tag team wrestling (which is where I think their strength is). Their performance here definitely increased my excitement for their upcoming title match against my personal favorite team, Avid Rival.

 

 

Tsukasa Fujimoto & Maya Yuhiki vs Kurumi & 235 was an intense tag encounter built entirely around the undercurrents of ICE Cross Infinity Championship semi-finalists Tsukka and Kurumi facing off. Their tense staredowns, one upmanship games, etc all worked well to crank up anticipation for RibbonMania and actually seemed to be teasing a Tsukka vs Kurumi final. Kurumi got to look like a bit of a beast here, using her power to get the better of Tsukka on quite a few occasions. Maya and (the rather underrated) 235 were on here as well, leading to a strong, compelling tag match.

 

 

Rabbit Miu’s last match at Ice Ribbon was the main event, where she faced Tsukushi.  Decent main event and a fitting send off for Rabbit. She was clearly having fun out there wrestling a friend. Both are accomplished wrestlers so action was good too.

 

 

After the matches there was an extended roundtable with Tsukushi giving a goodbye speech to Rabbit in addition to the usual promos/comments.

Seemed to be some bluster from the remaining tourney participants, and that along with the semi-main tag provided good build for RibbonMania. Although the absence of one of the four semifinalists due to Risa performing in a play did hamper that momentum a little.

 

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Overall this was one of the stronger top to bottom dojo shows I’ve seen, with great action and a lot of intriguing underlying stories.

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Japan Reviews Wrestling

Merry Joshi Christmas! Part 1: Gatoh Move 12/24/16 Live Thoughts

December 24, 2016 in Tokyo, Japan

Between Christmas Eve and Christmas Day I was lucky enough to see three Christmas shows, all with some celebratory elements.

 

First up on Christmas Eve was Gatoh Move at Itabashi Green Hall, where the first show of theirs I saw was at in 2015. Still one of my favorite venues. Unlike Gatoh Move’s home base shows their bigger events (like this one) are more traditional in some respect because they take place in a wrestling ring instead of the mats only environment at Ichigaya Chocolate Square. But Gatoh Move is still unique in it’s presentation, with opening and closing dance numbers by the core roster and a mix of comedy and competitive matches up and down the card. As appropriate for the holiday theme the wrestlers came out in different colored Christmas outfits for the dancing.

 

 

The opening match was a mixed tag pitting Hikaru Shida & Madoka against Kaori Yoneyama & Hikaru Sato. This was largely a straight up contest, although there were … “comedic” I guess …. overtones mixed in between Shida and Sato, with Sato creeping on Shida and her wanting nothing to do with him. He tried to refuse to tag in against Madoka but force tagged in whenever she entered the match, stalked around her and bent over to check out her behind instead of hitting her when Kaori held Shida for a double team, climbed on top of her instead of applying submission holds, etc. It did lead to a couple of funny moments, like Shida hitting Kaori with her flying butt attack, him asking for the same, then Shida kneeing him in the face instead. But mostly I personally found it creepy and unnecessary rather than funny. Also, Shida cowering away from him at points seemed really odd for her character, who I thought generally more likely to just haul off and knee him in the first place.

Past that the match was good. In particular when the men did actually face off they absolutely lit into each other with hard strike exchanges. Strong finishing exchanges as time expired too. The Sato / Shida stuff is obviously an ongoing angle, but not one I care for from what I saw here.

 

 

Next was a special stipulation “Drunk Match” between DJ Nira and Masahiro Takanashi, during which the competitors had to stop wrestling to imbibe at random times. Beverages escalated from beer to shochu to champagne. Gags included Nira sneaking more than he was required to drink, both wrestlers getting increasingly wobbly as time progressed, etc. Takanashi begging off from the required drink at one point while Nira ran up to down his was a great little touch. Near the end Takanashi kept trying for a superkick, but Nira couldn’t stand long enough to be hit with it. Nira eventually decided to call a bunch of people out from the back to form a human pyramid, and once he made his way to the top Takanashi finally had Nira in position to hit the superkick for the win. Absolutely ridiculous from start to finish, but that was the point here and it was amusing.

 

 

Team Reina (Makoto, Mari Sakamoto, & Hirori) faced Team Gatoh Move (Emi Sakura, Aasa, & Mitsuru)  in a 6-woman elimination tag (with over-the-top rules in addition to pin/submission). Interesting set up here, with Gatoh Move’s founder and two of her trainees against Reina’s reigning Champion (who also holds GM’s IWA Triple Crown Championship) and two of hers. I’d of course seen Emi and Makoto last trip, and also saw Mari when she came to New York with Syuuri last year. Hirori, Aasa, and Mitsuru were all new to me.

 

 

The story of the match was phenomenal, with both teams showing real desire to prevail in the inter-promotional contest. The seconds on the outside for each team were visibly engaged and cheering their promotion, which really added to the atmosphere and the sense of something important being at stake here, even if it was just bragging rights.

 

 

The action was great too, with everyone looking sharp, things going back and forth nicely, building drama around the eliminations, etc. Makoto’s presence and mannerisms as a cocky heel were several levels better than what I saw of her in a babyface role last year. Aasa got a nice spotlight at the end being the last member of her team left trying to topple Makoto before coming up just short, and her ring style as a pint-sized powerhouse suits her extremely well. I’d like to see more of Mitsuru too in the future, as she looked quite good in the little time she had before being the first elimination.

 

 

 

Antonio Honda, who I saw several times last year and is always good for a chuckle, had a special “Christmas Deathmatch” against Cho-un Shiryu.  This was VERY strange, surprisingly even more so than the drunk match, but still pretty humorous somehow. I do feel it ran long though and would have benefitted from a few less sequences/gags.

Santa made repeated appearances to bring Honda gifts such as a dirty magazine, nunchaku, and a coal miner’s glove, all of which factored into the match eventually. Kaori Yoneyama and DJ Nira were sitting near the “stage” seats and whenever Honda or Cho-un would go up to the top rope one of them had some sort of medical emergency they needed assistance with, forcing the combatant to nobly chose to give up his advantage over his opponent to leave the ring and assist the person in “jeopardy.” Nothing even remotely serious about this match, and the crowd ate it up.

 

 

The main event featured Riho & Kotori challenging Aoi Kizuki & Sayaka Obihiro for the Gatoh Move Tag Team Championships. Aoi is a personal favorite of mine, and this was unfortunately the only chance I’ll have to see her wrestle this trip. Thankfully though it was a main event match in with three other excellent wrestlers, and as such was great.

 

 

 

Both teams were sharp and this was exactly the quick paced, hard hitting main event it should have been. Kotori having a bit of a chip on her shoulder and something to prove was a nice undercurrent, and Riho and Aoi had some fantastic exchanges down the stretch.

It was a shame to see Aoi and Obi lose (I somehow only seem to get to see Aoi drop titles in big matches live) but it wasn’t a surprise the way the buildup was going and with Riho’s role as ace of Gatoh Move. Also, Riho and Kotori are a great team and deserving champions themselves.

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Afterwards there was another song and wrestlers went around the venue shaking hands with the fans and thanking everyone for coming.

 

 

I really liked the feel and flow staggering the comedy matches with the more serious ones gave the show, and when it was time for action everyone gave it their all. As I generally find in Gatoh Move I loved the humor in the straight up comedy matches, and found it fell flatter when they tried to integrate it into a regular contest. The fully competitive matches here (6-woman tag and main event) both had a fantastic sense of urgency and stakes and were simply great.

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Japan Reviews Wrestling

Stardom 12/22/16 Live Thoughts

December 22, 2016 in Tokyo, Japan

I was lucky enough to also be at Stardom’s big year end show in 2015, which was quite unique as it featured Act Yasukawa’s retirement. I was curious to see how this year’s would be different being perhaps a more “typical” year end show for them.

The show started just a couple hours after my arrival in Japan, so while I made decent time from the airport I still unfortunately missed the first two matches of Azumi vs Arisu Nanase vs Ruaka and Konami vs Hiromi Mimura.

So the first match I saw was a three way tag between Oedo Tai (Kris Wolf & Hana Kimura), Jungle Kyouna & Natsuko Tora, and Kaori Yoneyama & Saori Anou. One member of each team (Hana, Tora, and Saori) was new to me.

There was some comedy early on as the teams taunted each other, then things progressed into back and forth between the three teams and some multiple person spots. Wolf is so charismatic the crowd popped for her surprise win despite her heel status.They kept it short and energetic here, leading to a decent, if unremarkable, triple tag.

The NWA Western States Tag Team Titles were on the line next as Twisted Sisterz (Thunder Rosa and Holidead) (c) defended against Queens Quest (HZK and Momo Watanabe). With Queen’s Quest being a new big heel faction associated with Io, I was honestly was hoping for more from them. All four wrestlers were clearly giving good effort and there were some bright spots, but the chemistry between the teams as opponents just generally seemed poor and there was a lot of awkwardness and things not connecting / coming across quite right. I feel like these teams are capable of more. The heel vs heel dynamic also kept the crowd rather tepid, and QQ’s puzzling loss seems to cut off the relatively new team’s momentum.

A pair of dark matches featuring models/actresses against career professional wrestlers were next.

In her debut match Nana Suzuki got to get in the ring against one of Stardom’s aces, Kairi Hojo, in a singles contest. Nana actually played her role as an overmatched but determined underdog quite well and the match was good. Kairi rightly dominated most of this, but the story was well told and Nana got the crowd behind her comeback spots. Nana seems like she could make the transition and wrestle regularly if she wants to.

Stardom’s reigning champion Io Shirai teamed with the other visitor, Mariko Seyama,to face Hiroyo Matsumoto & Jungle Kyouna. To be honest, Mariko did not come across nearly as good as Nana did, seeming awkward in the ring. The vets held it together well enough, but it wasn’t nearly as good as the previous match. Also, dark match or not, it was odd seeing Io try to play face here and her normal heel character later. The result was the crowd just cheered her in both matches, which perhaps took a little away from the story she was telling with Mayu.

In the semi-main Oedo Tai (Kyoko Kimura & Kagetsu) defended their Goddesses of Stardom Titles against former champions Kairi Hojo & Yoko Bito. There was a lot of interference from the Oedo Tai entourage outside the ring, which generated quite the conquering hero reception for Hojo & Bito when they finally overcame it all and took their belts back. Really good match.

In the main event of last year’s Climax Io Shirai claimed the World of Stardom title from  Meiko Satomura in one of the top five matches I saw my entire trip. In this year’s main she defended that same title against her former Thunder Rock partner Mayu Iwatani.

This was a great, pedal-to-the-floor main event with tons of jaw dropping exchanges from two pros extremely familiar with one another. Highlights include Mayu hitting dragon suplexes on the apron and floor (ouch!), trying for one from the top rope only to have Io flip out and LAND ON HER FEET, and a trio of rolling Germans from Io that has to be seen to be believed. Strong back and forth contest and an excellent main event.

I was slightly surprised at the outcome, as once Queen’s Quest lost earlier in the evening I figured we’d get Mayu victorious here to culminate her redemption / revenge story before the heels regrouped and established dominance at a later date. Of course, cocky Io seeming unbeatable is also a compelling story hook.

 

This was an interesting show for Stardom. There were some issues with storytelling, blurry face-heel dynamics, and occasional missed spots and clunky ringwork. Yet there was also some excellent action and overall things came together and I found the show fun and entertaining despite those weaknesses, which is what really matters. Top two matches in particular are well worth seeking out.

Categories
Art Japan Reviews

Holiday Celebration with Glimpses of Past and Future Art Exhibitions

In addition to Tenri Cultural Institute‘s language school and numerous cultural events,  it hosts an art gallery that is always home to a variety of wonderful exhibitions ranging from traditional Japanese techniques to innovative multinational displays of modern art. I previously shared my thoughts on the June 2016 exhibitthe multinational Ink Imagists exhibition, and Chika MacDonald’s Mugen exhibit.

The exhibitions themselves are of course incredible, but Tenri usually also has an opening reception attended by the artists and sometimes featuring extra attractions such as live demonstrations or musical performances. The December 15th opening for Tenri’s Holiday Art Show (which ran from December 10th to the 22nd) was a thoroughly enjoyable evening.

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A special treat at the reception was a fantastic assortment of hand made chocolate by Kanami Chocolate Brooklyn. As impressive visually as in taste and nicely diverse in flavor and texture, the treats were absolutely delicious.

 

 

The exhibition was a great collection of work from a mix of both artists who have had previous shows at Tenri and ones with upcoming exhibitions.

 

 

It was a wonderful snapshot of the diversity of artistic styles featured at the gallery, with numerous different techniques and styles on display. From more traditional art to three dimensional work and even a enclosed relaxation “retreat” there was a multitude of interesting things to see and experience.

 

 

 

Several of the artists were in attendance and happily interacting with visitors. I was happy to have the opportunity to catch up with my friend Chika MacDonald, who in addition to provding two gorgeous pieces for the show in the similar to those showcased in her Mugen exhibit wore a shawl with an beautiful image in the same vein on the back.

 

 

It was also great to meet Alex Kukai Shinohara and discuss his work a bit, which told parallel stories of a gallery exhibit with text elements and striking three dimensional frames forming art pieces within his art pieces.

 

 

Near the end of the reception there was a short shamisen and vocal  performance by Sumie Kaneko. Her music is lovely and I recommend checking out the longer performances she has at Tenri and other venues, such as her Dec 23rd show at Club Bonafide on 52nd street.

 

As always I highly recommend checking out the wonderful art that Tenri Gallery showcases, but in addition if you are able to attend the receptions you’ll enjoy a wonderfully relaxed and fun social event as well.

Categories
Art Japan Reviews

Mythical Dragons Captured on Cloth

In addition to Tenri Cultural Institute‘s language school and numerous cultural events,  it hosts an art gallery that is always home to a variety of wonderful exhibitions ranging from traditional Japanese techniques to innovative multinational displays of modern art. I previously shared my thoughts on the June 2016 exhibit, and the multinational Ink Imagists exhibition. Here I’ll be spotlighting the currently showing Mugen exhibit.

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The centerpieces of artist Chika MacDonald’s textile exhibit are her majestic dragons.

Inspired by a desire to convey feelings of support and hope in dark times in a way that also celebrated Japanese culture and heritage, she embraced the idea of creating art featuring dragons rising or lurking just below some sort of horizon as symbolic guides to a better future. Her dragons are all either looking or moving towards the sun or sky, or facing outward to engage the viewer directly as a reminder and challenge to live in the present while keeping hope for tomorrow.

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MacDonald’s first piece, showing a dragon guiding several monarch butterflies (that could be seen as representing souls) towards the heavens.

The vivd colors and images she achieves are just INCREDIBLE. A lot of her backgrounds are darker colors to both provide great contrast for the subject of the piece as well as represent her previously mentioned themes of hope in the face of despair, yet she still manages to give those dark colors phenomenal vibrance through eye-catching hues.

MacDonald’s dragons are wonderfully distinctive, with carefully done gradations of color in the dyeing and beautiful, intricate details and highlights often in striking metallics that give the tapestries an extra feeling of dimension when they catch the light. They stand out against her deeply colored backgrounds and the combinations come to life in a powerfully evocative way.

I had the privilege of being shown around the exhibit by MacDonald and having her explain various aspects of her art, including some of the details I’ve shared above concerning her inspiration and what she hopes to express through her works. She is extremely friendly and excited about her craft, and it was a joy to discuss it with her. I was quite surprised to discover this is her first exhibit, as the level of detail and vitality achieved in her work belies her level of experience.

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Another highlight Mugen is a gorgeous kimono, the last piece to be finished for this exhibit. It showcases a water element as appropriate to Japanese dragons and has a distinct, powerful horizon separating sea from sky to again emphasize the dragon’s positioning and alignment towards the heavens.

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Beyond just the obvious quality and how visually stunning MacDonald’s pieces are, the exhibit shows an impressive amount of diversity. Differing colors, compositions, and atmospheres highlight each and every piece on display. I love depictions of these types of dragons when done well, and MacDonald’s are fantastic.

In addition, Mugen contains several floral pieces by MacDonald that match the dragons in feel and style and integrate into the exhibit seamlessly. Several of them are done in limited color fashion, which works well in highlighting and conveying the delicate nature of the depicted flowers.

In a fantastic finishing touch, MacDonald decided to supplement her textiles and paintings by asking friends to develop complementary jewelry and scents. A few small vials with delicate scents are placed among the exhibit and can be smelled by visitors, and a pedestal in the center of the gallery show a variety of striking, intricately crafted dragon and floral bracelets and necklaces. These elements, along with a sense of connectivity and progression in MacDonald’s work, bring everything together and give Mugen a real feeling of being a cohesive, complete exhibit.

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Photo with artist Chika MacDonald in front of her (and my) favorite piece of the exhibit.

There is an opening reception tonight (Friday November 4) from 6 to 8pm, and the exhibit will be open until Tuesday November 8.

Definitely catch Mugen at Tenri Cultural Institute in NYC if you can. These works of art need to been seen in person to be properly appreciated, and MacDonald will be present for the entirety of the exhibition. I highly recommend taking advantage of the opportunities to not only see this phenomenal art on to display, but also to meet this gifted artist and gain some insight into her process.

Categories
Japan Reviews Wrestling

RibbonMania 2015 DVD Review

December 31, 2015 in Tokyo, Japan

This was Ice Ribbon’s big year end show, and I thoroughly enjoyed it live.

Roster is introduced to open and champion Aoi Kizuki speaks to hype things up. After everyone heads back tag champions Arisa Nakajima and Tsukasa Fujimoto give a well received singing performance that further fired up the crowd to start the event.

I continue to love the video packages that run before the matches start running down the entire card with a little background for each. It sets the stage for the dvd wonderfully and I wish American wrestling companies would do it.

1) Hiroyo Matsumoto, Makoto and Maruko Nagasaki vs Cherry, Hiroe Nagahama and Mika Iida **3/4

Entrances are skipped as usual and we cut right to the opening bell, with both teams in chicken fight position. Seeing a little of the lead up to that might’ve been a wise inclusion. Still, fun start with an amusing visual as Hiroyo and Makoto with Maruko on their shouldrs charge Cherry and Mika carrying Hiroe. Maruko gets the better of it and shoves Hiroe off balance, toppling her whole group. As Maruko’s team turns to celebrate, Cherry attacks from behind to similarly topple them. And thus the match proper begins. 😉 

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Cherry’s team isolates the only IR roster member in the match and Cherry rips bunches out of Maruko’s hair (while Hiroyo gives thumbs down from the outside) then proceeds to repeated back raking. No mystery as to who the heels are here. Tag to Hiroe who hits a couple dropkicks in the corner then tags out to Iida. Iida gleefully beats on and twists Maruko into knots for a bit then tags out to Cherry, who taunts Hiroyo and Makoto by bringing Maruko’s hand within inches of the tag then pulling back. As much as I like the usual “spirit of competition” feel to most of IR’s matches, it’s nice to see clear, committed heel work like this sometimes too.

Maruko eventually hits a running dropkick to stun Cherry and make it to Hiroyo for the tag. The Lady Destroyer levels Iida and Hiroe with shoulder tackles and powers Cherry into a backdrop suplex from a waistlock, then calls Makoto and Maruko in to climb onto her for extra weight as she drops the double knees to Cherry. Iida and Hiroe drop Hiroyo with a double dropkick however, then Cherry drop toeholds and slams her own partners into a pile on Hiroyo and splashes the top of it. For some reason the ref counts this as a legit cover, but Hiroyo powers a shoulder up from under her three opponents at 2.

Iida tagged in, but Hiroyo clotheslines her and tags Makoto, who goes up top for a crossbody followed by a bicycle kick on Iida for 2. Cherry helps Iida take over, then a tag brings in Hiroe, who wears Makoto out with running dropkicks until Hiroyo grabs Hiroe from the apron to allow Makoto to tag. Maruko’s turn to hit repeated running dropkicks, and they get 2. Forearm exchange ends when Hiroe tries a Northern lights suplex, which Maruko tries to counter into a sunset flip. Hiroe maintains balance until Makoto comes in with a… running double overhead chop I guess to knock Hiroe back and allow Maruko to complete the sunset flip for 2.

Hiroyo splashes Hiroe in the corner and she’s small packaged by Maruko for 2 (broken up by Iida and Cherry). European uppercut by Iida into a … double backhand slap something by Cherry into the previously attempted Northern lights by Hiroe which gets 2 as Makoto and Hiroyo save. Maruko hits a surprise uranage for a close 2 to pop the crowd, but Hiroe responds with a wheelbarrow rollup for the win.

Decent enough opener and an effective way to use numerous non-regular roster members to fill out the card, but this really played like a match on fast forward. Each segment pairing different opponents was maybe thirty seconds. Felt like a really good fifteen minute 6-woman tag crushed into half that. Fine for what they had to work with though. Was my first time seeing any of the winning team. Particularly interested in seeing what Iida can do with more of a spotlight. 

2) Yuuka vs Sareee ***3/4

Teens single match spotlight here. Nice to get a glimpse at a couple of rising stars in an environment like this. Yuuka with a slightly creepy stare towards Sareee during the handshake that she holds a little too long. Nice touch of attempted intimidation there without being disrespectful or heelish. Fun back and forth stalemate sequence to start, with the usual chain wrestling, arm drags, etc. 

Despite both being teens at this point, Sareee has a couple years both in age and experience on Yuuka, as well as a slight size and strength advantage, and definitely plays the “testing out the upstart” mannerisms here and there. Yuuka fires back each time, lending a nice backbone story to the match. After a hairmare and some choking in the corner, Sareee applies a nice Muta lock which Yuuka eventually gets out of by biting Sareee’s hand. The latter isn’t amused and boots Yuuka repeatedly as the she tries to get up. Corner whip is revered by Yuuka and she hits a running dropkick followed by a DDT for 2. Saree bridges out of the pin and hits some dropkicks of her own for 2.

Sareee up top with a missile dropkick for 2. Crowd’s into Yuuka’s resilience. Yuuka reverses  a whip and catches Sareee against the ropes with a forearm, then hits the rebound one to knock Sareee down as she staggers to the center, then the diving one on a prone Sareee for 2. Love that sequence. Yuuka goes up top for her own missile dropkick, then across the ring to the far turnbuckle for a crossbody for 2. Crosslegged fisherman’s suplex attempt fought off, and Sareee responds to a Yuuka forearm to the chest by NAILING Yuuka with one of her own across Yuuka’s face. Big crowd gasps for that. They lay into each other with alternating forearms to the chest, which ends when Yuuka hits the ropes for one and Sareee hits a dropkick. Yuuka’s laying against the ropes and Sareee hits the far side for a running dropkick to the seated Yuuka.

Yuuka counters a German attempt into a wheelbarrow rollup for 2, then catches Sareee as the latter tries a jackknife cover with another pinning combination for 2, then gets her floatover backslide for 2. Sareee waistlock countered into a 120% schoolboy attempt which Sareee tries to counter into a pin but they’re in the ropes. Yuuka leans against the ropes again for a second and eats another running dropkick in that position. Sareee up to the top again, but gets caught and Yuuka brings her down with a super-hurricanrana. Crosslegged fisherman’s connect for a believable nearfall.

Yuuka hits the rope but her forearm is ducked and Sareee finally hits the German for 2. She jaws with the ref for a second about that not being 3. Sareee calls for the and and pulls Yuuka up by her hair. Defiant roar by Yuuka, so Sareee hits another HARD forearm to knock her down. Yuuka back up and charges, but runs right into and overhead uranage for the pin.

Nice showing for both. Haven’t seen much of Sareee, but she looked good here. Yuuka has instincts and skills well beyond her experience, and should be a huge star someday.

3) Miyako and Jun Kasai vs Antonio Honda and Mochi Miyagi vs GENTARO and Yuji Hino ***1/2

Miyako Matsumoto’s band Black DPG provided the second live singing performance of the night as an entrance ceremony of sorts for Miyako and partner Jun Kasai (who amusingly sat on the turnbuckle in the background “encouraging” people to clap). Miyako and company had a “slightly” different feel to their music and dancing than Best Friends’ song. 😉 Entertaining enough. Miyako and Kasai are both wearing a contact in one eye

We cut right to the opening bell after the performance ends, where special ref (and retired IR wrestler) Mio Shirai is checking the participants. Mio, Honda, and Gentaro start, with the two men shaking hands, then Honda offering a hand to Miyako only to draw it back with a Ric Flair “Woooo” when she reaches for it. Miyako responds with her usual good nature and pounds Honda to the mat. Gentaro decides to greet Miyako with a slap to the face. Miyako responds in kind with a hard shot, gets swatted on the head by Gentaro, and this time straight up punches him in the face in retaliation (nice hard shot too).

Gentaro swings back at Miyako, who blocks the shot, hits another slap, then gets a side headlock for a second before being sent to the ropes. Miyako gets the better of him for a few seconds with pose enhanced armdrags, but when she poses in celebration Gentaro double swats the back of her head and she rolls out of the ring. Honda’s back up and he and Gentaro counter wrestle for a bit, then Gentaro trips Honda after agreeing to a square up, so Honda just pokes him in the eyes. Then does the same to Miyako, who of course chose the worst possible time to come back in the ring.

His opponents are outside the ring so Honda hits the ropes for an apparent dive (doubtful) and sure enough his knee “gives out” before he can dive and he tumbles to the mat, then rolls outside clutching his knee. With the original combatants all in disarray outside of the ring their three partners enter it to face off. The crowd is clearly behind Kasai. Mochi takes exception and does the Lovely Butchers’ posing routine to win the crowd back, but halfway through Kasai simply kicks her in the head to a hero’s ovation. Mochi ducks a clothesline and continues the posing, so Kasai kicks her in the head again. I like. Hino has just stood in a corner watching all of this so far. Mochi dodges a Kasai charge into the corner and… more posing. You’d think she’d have learned by now. This time Hino attacks here during the pose with a slap to the back.

Mochi rolls out of the ring and Hino follows, but gets caught by Honda who holds him while Mochi grabs her whip. Hino moves and Honda takes the shot. Not to be deterred, he then grabs Gentaro and holds him for the whip, but of course Gentaro also moves and Honda eats another whip shot from his partner. As stubborn as his partner was with her posing, Honda decides it will surely work on Miyako, and grabs her for yet another attempt. And the same results again as Miyako gets free at the last second. Oh wait, there’s one more opponent to try, so Honda rolls into the ring where Kasai’s been watching from and grabs him. Mochi comes in and do I even have to type it? No? Good. Apparently Honda’s not satisfied with that last hit he took, and has Mochi hit him again as Kasai stands off to the side (with an appropriate WTF? look). Still no good, as he takes the whip from Mochi, hands it to ref Mio, and presents his backside her to hit with the whip. After Mio does so Honda shakes her hand. OK THEN.

Kasai ends the … festivities… by knocking both Honda and Mochi out of the ring, where Miyako attacks them with a giant plastic ball. Yes, really:

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Kasai goes with the slightly more effective weapon choice of a table, and after bonking Mochi square in the head with it goes into the crowd and sets up the table next to a stairwell overhang. He and Miyako drag Hino up and lay him out on the table, then Kasai does a diving splash OVER THE STAIRWAY onto Hino sending him through the table.

After that everyone fights back down to ringside, where Kasai chokes Mochi with hula hoops and Miyako bounces her ball off Honda’s head. Miyako and Kasai lay out Honda and Mochi in the ring and it’s time for posing of the entertaining variety. 😉 Kasai trying to match Miyako’s poses is hilarious. Simultaneous splash gets 2, as Honda kicks out and Gentaro dives in and grabs Mio to prevent Mochi being counted out. Kasai slams Gentaro and he and Miyako don goggles, go up to opposite top turnbuckles, and… Hino crotches Kasai on the turnbuckle while Miyako dives and gets caught with Gentaro’s raised knees.

Hino grabs Miyako and just tosses her over his head from slam position for 2. Honda and Mochi in but Hino reverses a double suplex and suplexes them both at the same time. This leaves poor Miyako alone with Gentaro and Hino. Gentaro holds her for a big Hino chop, which Miyako escapes from and Gentaro eats. Kasai saves Miyako from a Razor’s Edge, then calls for a lariat only to eat one from Hino instead. Hino then stalks Miyako, as the crowd chants their support for her as she panics. Powerbomb attempt and Miyako tries a ran reversal, but Hino is too powerful and pulls her back up, only to have Miyako go up and over into a sunset flip for 2.

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Hino’s had enough and levels Miyako with a chop for 2. Kasai saves by dropkicking MIO, which can’t possibly end well. Mio slaps Kasai, then kicks him low. Well, he certainly had it coming. Honda in and Hino goes to chop him, which Honda keeps blocking / begging off. Finally Honda bows to Hino, says something and salutes Hino. After a moment Hino returns the salute instead of chopping Honda. As they stand there Mochi hits a Thesz press on Hino, who then rolls out of the ring. Reverse DDT from Honda on Miyako sets up a Mochi top rope frog splash for the win. Odd that Miyako’s band never got involved, given the match was no-DQ and they were sitting near the ring the whole time.

That was ridiculous, but in most of the right ways. I didn’t follow (nor like) everything, but overall it was a fun combination of absurdity and intense brawling, and never pretended to be anything else.

4) Tag Team #1 Contendership: Buribato (SAKI and MIZUKI) vs Azure Revolution (Maya Yukihi & Risa Sera)   **1/2

Buribato impressed my quite a bit the first time I saw them (in the main event of a Gatoh Move show), so I was pretty excited to see them here against IR mainstays Risa and Maya with a shot at IR’s tag titles on the line. Handshakes all around before the bell.

Mizuki and Risa start, kind of, as Maya comes back in at the bell and knocks Saki off the apron so Azure Rev can doubleteam. Mizuki’s whipped to the corner and hit with the double running elbow right away, but Saki’s back and “fights off” Maya by kicking her once and having Maya run away outside for some reason as Buribato attacks her partner. Double faceplant on Risa followed by a double arm wringer and they hit their trademark pose.

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NOW the one on one starts between Risa and Mizuki… nevermind again, as Mizuki hits a couple boots and then immediately tags out. Scoop slam by Saki then she locks in an abdominal stretch with headlock on Risa. She lets that go after a few seconds and ties up Risa’s arms and legs and suspends her in the air. Impressive hold that the crowd murmurs in appreciation of.

Once she drops Risa the latter takes the opportunity to trip Saki and apply her suspended Boston crab, likewise drawing crowd noise. Every hold in the match so far has only been kept on for about five seconds each, which makes sense with the supporting your opponent’s weight ones but overall is giving the match an odd feel and pace. Wish the partners were breaking them up or something. Triple running double knees to the back gets 2, but after a little back and forth Saki hits a suplex and tags Mizuki.

Risa’s receives a drop toehold against the ropes and Saki grabs her feet and holds her up for Mizuki to hit WGTT’s old leapfrog move (kind of: Mizuki BARELY cleared Saki and landed on Risa’s legs instead of her back). Mizuki presses the advantage until Risa creates an opening and hits the double running knees in the corner followed by her spinning side slam for 2. Tag and Maya’s in for the first time. Elbow followed by a kneedrop that clearly misses Mizuki’s head gets 2. Mizuki swats away a kick, but gets sent to her knees by one to her legs then one to the chin gets 2.

Mizuki rolls under a clothesline then has one of her own ducked, then kind of staggers in place for a second until Maya remembers to grab her in a waistlock from behind. She fights out and gets an awkward body scissors takedown into a (nice) pinning combination for 2. Mizuki with a wheelbarrow rollup but she rolls right off Maya into the corner, jumps to the middle turnbuckle and twists around to jump into a doublestomp for 2. Nice spot. Tag to Saki who hits a trio of running shoulder tackles for 2.

Saki keeps control and goes for a giant swing, but only gets about a revolution before losing Maya. Don’t know if that was a bad grip on her part or lack of cooperation. She does it again and gets the move for an appropriate length of time, though clearly doing it through power and struggling to keep it going. Gets 2. Scoop slam in the corner and Saki goes to the middle turnbuckle, but Maya rolls out of the way of the Vaderbomb. Risa in and Azure Rev with a couple of doubleteams featuring Maya setting up variations of Risa’s running double knees then Maya hits her standing leg drop for 2.

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Slam by Maya as Risa holds Mizuki back but the swanton misses. Crossbody by Mizuki on both opponents into Saki schoolboying them both gets 2. Mizuki and Risa brawl outside and Saki hits a a pair of Vaderbombs on Maya for 2. Risa back in to intercept and Azure Rev hit a double chokeslam  for 2 (Mizuki saves). Mizuki and Risa back outside and Saki puts Maya down with a shoulder tackle, then tries a suplex but Maya barely goes off the ground. Saki does it again, all power, and hits the move … for 3?!

This was a weird match, with these two teams not having nearly the chemistry they should have. The pacing was off throughout the match, right up to the anticlimactic pin after a vertical suplex. Risa’s exchanges with Buribato were decent, but even those were a little more awkward in parts than I remember them being live. Maya’s timing was off and she also seemed to be literal deadweight for all of Saki’s moves. Now don’t let my criticism give the wrong idea: this was not horrible by any means and there were some fun sequences. But there were also obvious issues and these four are certainly capable of better.

5) Neko Nitta retirement match: Neko Nitta and 235 vs Akane Fujita and Kyuri ***1/2

I feel honored to have been at this event live to see Neko’s last match and retirement ceremony. More thoughts on that here.

Neko and 235’s entrance is shown, as are the ring intros. Neko comes to the ring wearing Pantera Rosa’s mask, which she removes to reveal silver hair for the occasion. Neko gets to play in a lot of streamers during her intro. 🙂

Akane calls for Neko to start, but they refuse and 235 is in for the opening bell. Akane charges her and knocks her back into their corner, and repeats her desire for Neko to come in. Neko obliges and Akane gets the advantage then has Kyuri come in for some doubleteams. They try one too many and Neko takes over, then hits a lungblower on Akane landing essentially into a senton on a prone Kyuri. Tag to 235, but Akane powers her into a slam to take over and Kyuri tags in and applies a nasty submission hold where she’s essentially sitting on the back of a folded in half 235 while pulling back on both arms.

After Kyuri releases she and Akane take turns working over 235 for a while, with Kyuri always going back to the arm and Akane wearing her out with power moves. This ends when Neko breaks another vicious submission hold of Kyuri’s and angrily slaps 235 around a bit to get her back into gear. 235 then hits FOURTEEN of her running crossbodies in succession as the crowd gets more and more fired up the longer she goes. She gets 2 off the last one as Akane breaks by Neko and saves.

An exhausted 235 crawls to her corner and tags Neko, who pulls Kyuri into a camel clutch and scratches her face when she refuses to give up. More face scratching with Kyuri in the ropes, but the latter reverses a scoop slam and tries to make the tag. 235 comes running in to knock Akane off the apron and end that, then she and Neko doubleteam with corner strikes, a 235 crossbody to a seated Kyuri and a Neko senton for 2. Kyuri fights back however with judo throws to both and tags out.

Akane and Neko exchange forearms in a heated sequence that leads to Neko hitting a series of shots with her tail to get the advantage. She goes up to the middle rope and hits a shotgun dropkick then a wheelbarrow rollup for 2. Neko then tours the turnbuckles hitting a middle ropes shotgun dropkick from each on Akane. Last one gets 2. Neko goes up top but Kyuri stalls her enough for Akane to recover and slam Neko off the turnbuckle. Delayed back body drop gets 2. Neko scratches Akane’s eyes then hits the ropes, where Kyuri hits Neko in the back but Neko ignores it, then Neko lightly runs into Akane, who’s halfway to her feet. No bump off that and Neko did no actual strike and seemed to be expecting something else. So she simply beats on Akane a few times and iits the far ropes again, where indeed Kyuri hits her in the back again and this time Akane drops Neko with a double sledge off the rebound. Not usually a fan of repeating blown spots but Neko covered that nicely and the repeat wasn’t as obvious or awkward as it could have been.

Running powerslam by Akane on Neko gets 2. Kyuri hits the fisherman’s then runs over to block 235 as Akane locks in a sharpshooter. 235 gets by Kyuri to break it up, but gets sent outside the ring by Akane. Double whip into the ropes on Neko, but she jumps to the middle rope and comes off it with a double reverse elbow to drop both her opponents. She whips Akane into a corner where 235’s waiting to hit a tornado DDT, then the lungblower gets a close 2 for Neko. Neko picks Akane up and 235 comes off the top with a flying crossbody, then Neko off the opposite corner with a shotgun dropkick for 2 when Kyuri saves.  Kyuri and 235 brawl outside and Neko hits a trio of uppercut palm strikes… for 1. Big pop for Akane’s kickout there.

She wipes Neko out with a shoulder tackle for 2, but Neko reverses a fireman’s carry into a sunset flip for 2 of her own. Another palm strike into another lungblower looks to be it, but Akane kicks out at 2.999. Neko drags Akane into posiition near the corner and finishes her with a moonsault to win her last match. All four wrestlers embrace on the mat and then bow together afterwards and are all understandably emotional.

Solid match that was exactly what it was meant to be: a fitting farewell to Neko during which she got to wrestle with the roster members she learned with.

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Parts of the ceremony where people from Neko’s career came out to present her with gifts and flowers were shown while piano music played. Miyako hitting her over the head with a rose before hugging her was particularly amusing, as was Kasai going for a kiss after shaking Neko’s hand and getting slapped. Then a video message was played from someone who couldn’t attend, and after which Neko stood center ring as the announcer went over career highlights (for which clips played for us dvd viewers), then Neko gave a speech. Neko then received a ten bell salute for the end of career.

Another, greater avalanche of streamers met her at the end of the salute, and once she untangled herself Kyuri, 235, and Akane carried her around the outside of the ring.

The ceremony was an incredible thing to be able to attend love and share with Neko as she retired, and the dvd captured the emotion and highlights of it all wonderfully.

6) Tsukushi vs Ayako Hamada ***3/4

Hamada’s shoulder is heavily taped. Tsukushi looks beyond tiny next to Hamada, who has about 6 inches and 50 lbs on the younger competitor. Collar and elbow tie up to start and Tsukushi really works it trying to back Hamada up, but the latter powers Tsukushi back a couple of steps then pushes her away and into the ropes. They lock up again with similar results, then the third time Hamada finally pushes Tsukushi all the way against the ropes. She breaks clean but Tsukushi grabs her, spins her around, and hits a forearm. Nice show of intensity so far from Tsukushi kind of acknowledging she’s got an uphill battle while not being intimidated and holding her own.

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They go back and forth for a bit with Hamada trying to use her size and power advantage along with her own speed to get the better of Tsukushi, and the latter being just a little quicker and avoiding most of it while getting a couple shots in here and there. Once Hamada catches Tsukushi she hits a trio of slams and goes into a Rings of Saturn variation to wear Tsukushi down. Once Tsukushi reaches the ropes they do a forearm exchange with Hamada leveling Tsukushi each time and shrugging of the retaliations until Tsukushi hits THIRTEEN in rapid succession to stun Hamada briefly. She tries to follow up with a wheelbarrow roll, but Hamada powers her over into a nice wheelbarrow suplex instead.

Another forearm lays Tsukushi out and Hamada goes up for the moonsault, but Tsukushi rolls inside and it misses. Double rotation flying headscissors (during which Tsukushi lost momentum in the middle but they managed to right themselves without being too obvious and finish) sends Hamada outside. Tsukushi climbs the turnbuckles and hits a crossbody to Hamada on the floor. Back in, after a missile dropkick Tsukushi targets Hamada’s leg, including a sweet counter of a Hamada spin kick into a knee bar. Hamada makes the ropes to break but Tsukushi then hits a dropkick as she lays against them.

Tsukushi then hits a tiger suplex(!!), but can’t keep the bridge for the count. So she goes for it again, which makes total sense within the match context and doesn’t come across as a redone spot,  and just nails it with a perfect arch and bridge for 2. Looked crazy impressive on the much larger opponent and the crowd “oooh”ed appreciatively. Hamada fights off a third then sits down on a Tsukushi victory roll attempt for 2. Tsukushi tries another wheelbarrow, but just gets spun away through the air. Tsukushi attempts to counter Hamada’s powerbomb with a hurricanrana, but Hamada’s too strong and lifts Tsukushi back up to complete the move, but Tsukushi goes up and over instead and gets a sunset flip for a very close 2.

A clothesline by Hamada as Tsukushi comes off the ropes ends Tsukushi’s momentum, and Hamada press the advantage with a couple of strikes before putting Tsukushi on the top turnbuckle. The latter fights off the slam attempt however and executes the vistory roll she was going for earlier for 2. Then the wheelbarrow roll for 2. Nice callbacks to her earlier strategies. Tiger attempted again but Hamada counters into a big backdrop suplex.

Tsukushi goes through Hamada’s legs to avoid the powerbomb, but Hamada leg lariats (the general area kind of near) Tsukushi’s head to put her down again. The youngster looks to be out but when the sitout powerbomb finally connects it only gets 2. Big applause for that kickout. Hamada’s shows a mixture of disbelief and respect on her face, but that was all Tsukushi had left and a spin kick to the head puts her down for 3.

Don’t know if it was the taped shoulder or just the passage of time, but Hamada was definitely more methodical here than I remember. The structure was somewhat odd, as Hamada never really paid for taking Tsukushi a little lightly here and there (and in fact won with a lackadaisical cover) and never sold Tsukushi’s legwork. That said, they did build to believable nearfalls to sell a possible upset and the counters and Tsukushi’s going back to things until they worked gave a strong backbone to the action. This played a little better on dvd than I remember it being live.

7) Tag Title Match: Best Friends (Fujimoto and Nakajima) vs Avid Rival (Misaki Ohata and Ryo Mizunami) ****3/4

I adore all four competitors and this was tied for my favorite match out of 84 I saw while visiting Japan. Let’s see how it holds up.

Champions’ entrance is shown, coming out to the same song they sung to open the show. Their wearing all their belts, which is quite the awesome sight. Introductions are shown too, a nice touch for title matches. Knowing Misaki can play the energetic, “bubbly” babyface, it’s highly amusing to see her play the more serious “straight man” in Avid Rival counter to Mizunami’s exuberance. The charisma Mizunami has developed in the couple years since I last saw her is incredible. She was always solid in the ring, but now she’s absolutely captivating in her mannerisms and expressions.

Stern faces on all four during the pre-match portion, but handshakes all around regardless. Tsukka and Mizunami start. They trade waistlocks with Muzunami having a slight advantage due to her power and she takes Tsukka down and trasitions into a front facelock, but Tsukka immediately rolls into one of her own and they trade reversals on that for a few go rounds. Mizunami once agains starts to establish and advantage, so when Tsukka escapes that time she goes back to the waistlock, but Mizunami cinches in a side headlock to counter. Interesting storytelling here early on, as they’re practically even but Mizunami is just getting the slightest little edges here and there to subtlely establish she’s a threat to the champion.

She flips Tsukka over in a side headlock takedown, countered with a headscissors, Mizunami kips out and rushes Tsukka, legs swept and a cover for less than 1, Tsukka rushes Mizunami now, legs swept and a cover for less than 1 as Tsukka bridges out, Mizunami rolls under Tsukka’s kick, and there’s the stalemate square up as they eye each other wearily. Counter wrestling like that is so much fun when done properly, and of course these two did.

Switch on both sides and now it’s Misaki vs Arisa. It’s formulaic but “different sets of opponents facing each other” is always a great way to start big tag matches. In contrast to how their partners started, these two go straight into a collar-and-elbow tie up and simply try to power each other backwards. No go either way so they mutually break after a few seconds. They circle and Misaki gestures for a test of strength, but Tsukka comes in and attacks her from behind (BOO!). The rest of the audience doesn’t mind the illegal assist, as BF’s double dropkick to Misaki gets applause, as does their subsequent double kick to the chest.

Mizunami is intercepted by Arisa trying to come to Misaki’s aid, and BF’s throw Avid Rival into opposite corners. However Avid Rival do-si-do when whipped toward each other and splash BF’s back into the corners. Misaki and Mizunami then do Mizunami’s trademark fire up / pose of kissing their knuckles and splash their opponents again, then criss cross and Misaki nails Arisa with the seated crossbody while Mizunami lariats Tsukka in the opposite corner. Crowd equally happy with that sequence so we’ve got a hot title match here with the audience into whatever awesome wrestling they see and no obvious favorites or heels so far.

Misaki goes up to the top turnbuckle as Mizunami wrangles both BF’s on the outside, but they move and Misaki nails Mizunami with the crossbody to the floor. As AR gets up Arisa hits them both with a dropkick from the apron, then Tsukka follows with her own crossbody from the top to the outside. Amusing side note: this all happened about ten feet from me live, which was so awesome.

Arisa rolls Misaki back in and she and Tsukka go up in opposite corners to hit missile dropkicks in sequence. As Misaki rolls from the impact of Tsukka’s Arisa has already gotten up and grabs Misaki from behind to go straight into a German suplex for 2. The only wrestlers I can think of that throw Germans anywhere near as good as Arisa are Akira Tozawa, and Arisa’s opponent here in Misaki. I could watch any of the three of them hit nothing but German variations for an entire match (although I probably wouldn’t want that to happen to their poor opponents). Arisa kicks at Misaki’s face, which fires the challenger up and she catches one, gets to her feet, and starts a STIFF forearm exchange. They’re laying into each other gloriously. Misaki eventually ends the back and forth with a flurry of around ten rapid fire shots, but when she hits the ropes to press her advantage Arisa catches her with a Cutie Special for 2.

Then Arisa hits the ropes, but this time Misaki counters and levels her with the spinning double sledge for 2. The energy level of this back and forth is incredible, and the crowd is loving it. Another switch in momentum, and Arisa slips behind Misaki and hits a release German, but when she charges Misaki afterwards the latter swats away a kick and hits her own release German. Shotgun dropkick sends Arisa into AR’s corner, and Misaki follows with the seated crossbody to finally establish a little bit of a sustained advantage. Tag to Mizunami.

The powerhouse stalks Arisa and nails her with a spear. She then picks Arisa up into running powerslam position, but Arisa drops down behind Mizunami, ducks a clothesline, then hits the ropes… to run right into a powerslam for 2. Nice sequence. Running Guillotine Drop misses, and Arisa goes for a German, but Ryo sets her weight to block, then hits a back elbow to break the waistlock. This leads to a forearm exchange to each others’ faces and the crowd is WAY into it since Mizunami’s hitting even harder than Arisa does. She eventually hits a flurry for the advantage, but Arisa ducks the last one and Tsukka slips in and hits her rollup into the kick to the chest. Arisa follows with the rollup into a doublestomp, then they hit their version of 3G’s Hangover for 2.

Back to just Arisa and Ryo, and the latter fights off a full nelson, but then eats SIXTEEN rapid fire forearms from Arisa. Arisa backs up for a big clothesline, which Mizunami ducks, but Arisa spin right around into another forearm shot that ROCKS Ryo. STRAIGHTJACKET GERMAN!!! Love that move, and Arisa nails a beauty here. Gets 2 as Misaki saves.

Tag to Tsukka and she sprints along the apron to a neutral corner and climbs for a missile dropkick, then nails the running dropkick in the opposite corner (which Mizunami rolled into from the impact of the missile). Misaki interrupts a suplex attempt and AR whips Tsukka into the ropes, but she catches them both with a dropkick on the rebound. Exquisitely done too, catching each opponent with one of her feet square in the center of their chests. Tsukka does a forward rollup kip up and plays to the roaring crowd for a second, then hits a trio of hard kicks to a seated Mizunami’s back. Rebound kick to the chest is ducked, but Arisa’s in and plants a savate kick right to Mizunami’s jaw as she gets to her feet.

Best Friends with a double whip to the ropes, but Mizunami levels them both with a double spear off the rebound. She calls Misaki in to knock Arisa out of the ring, then Mizunami ties Tsukka up in the ropes and AR take turns splashing her. When she stumbles into the center Mizunami hits the running Guillotine Drop for 2.

Mizunami lifts Tsukka into torture rack position, but when she looks to turn it into a burning hammer Tsukka does a beautiful flip off Mizunami’s shoulders to counter and lands on her feet. She hits the ropes, but Mizunami catches her and spins her up into a torture rack while Misaki dashes along the apron to a neutral corner. Sitout burning hammer  sets up a diving splash from the top by Misaki (on a perpendicular Tsukka, so Misaki does a sweet turn in mid-air to land properly).

Misaki blocks Arisa and Mizunami nails the lariat on Tsukka for 2. Mizunami seems to signal the end and gets a full nelson, but when she tries to suplex Tsukka the latter breaks the holds and whips Mizunami into a yakuza kick by Arisa (who broke free of Misaki). Hurricanrana rollup gets 2 for Tsukka. She hits the far ropes for momentum and run right into a HUGE lariat from Mizunami. Gets 2, with Arisa just BARELY getting free of Misaki in time to break up the pin. Great stuff.

Misaki sends Arisa out and runs back to her own corner to tag in and give Mizunami a breather, and hits Tsukka with a sweet deadlift German with a perfect bridge for a close 2. Tsukka fights off a fisherman’s suplex, but Misaki whips her to the ropes and Mizunami comes back in to help hit a 3D on Tsukka for 2. Great dramatic moment there as Arisa was trying to run around the ref and Mizunami and couldn’t make it in time, but Tsukka kicked out at the last second anyway to keep the match alive.

Ohata hits the ropes as Tsukka rises but gets caught with a double dropkick by both member of Best Friends. She ends up sitting against the ropes and Arisa hits a running kick to the face followed by a dropkick from Tsukka. They both go up and Misaki stumbles to her feet and eats a double missile dropkick (with Arisa clearly hitting first and hard but Tsukka still mostly connecting so it still looked good overall) for 2.

Tsukka calls for the Venus Shoot, but Misaki steps into the corner to block and hold up Tsukka for a second for Mizunami to knock Tsukka down with a nasty right hand from the apron. Misaki hits a trio of rolling bridging Germans (and I have to put her up neck and neck with Arisa on her execution of them all match) and holds the last one for 2.999 as Arisa breaks free of Mizunami and hits Misaki out of the bridge with a dropkick to save the titles.

Misaki directs her partner to take care of Arisa, then gets a fisherman’s buster on Tsukka for another extremely close 2. Tsukka just willed her right arm / shoulder up at the last second there. Misaki pulls a largely lifeless Tsukka up and gets into crucifix position, then Mizunami seems to be about to pick them both up like that, but Arisa comes flying in with a missile dropkick to Mizunami to stop it. Misaki drops off Tsukka and tries to attack Arisa, but takes a release German for her troubles.

Misaki tries to block another German from Arisa by settign into wheelbarrow position, but Tsukka hits a sliding kick to Misaki’s face THROUGH ARISA’S LEGS, then rolls out out the way as Arisa uses that momentum to complete the deadlift German. Since Tsukka’s legal, as Arisa holds the bridge Tsukka flips over Misaki into a jackknife cradle for 2. AWESOME sequence. Tsukka jumps into crucifix position and converts into the Infinity. Misaki’s going NOWHERE but Mizunami saves the match.

Tsukka hits a strike combination and jumps into code red position, but Mizunami LEVELS her with a lariat to counter. Misaki with a floatover rollup for 2. Both up, Misaki hit a trio of spinning double sledges, but Tsukka follows her into the ropes and surprises her with the Tsukadora! Mizunami saves at the last second and the crowd’s going nuts. Arisa runs in with a release German to take Mizunami out of the equation. Enzugiri by Tsukka on Misaki sets up the Venus Shoot! 1, 2… kickout! Crowd erupted for that unexpected escape and Tsukka’s selling complete shock. Arisa calls for the end though, and a release dragon suplex from her leads to the Tsukka-chan Bomb (Code Red) by Tsukka to retain.

Yeah, this held up big time. Four fantastic wrestlers going all out in a championship match and really embracing and taking advantage of the tag team format. So many awesome doubleteams, reversals, back and forth spots, etc. Everything I love about pro-wrestling, and a MOTYC for me.

8) Ice Cross Infinity Title Match: Aoi Kizuki (c) vs Hamuko Hoshi ****

Big fan of defending champion Aoi, but the challenger hadn’t impressed me much leading up to this, so my expectation were middling.

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Full entrances for both competitors for the first time tonight. Don’t know if that’s because it’s the main or a telegraph of the finish.

Tentative circling to start then they lock up hard only to stalemate. Hoshi baits Aoi and she charges, only to have Hoshi roll under the clothesline and start her posing. Well, at least were getting that out of the way early. Aoi slaps Hoshi’s hand in annoyance during the routine and hits the ropes, but eats a lariat on the rebound for 2. Hoshi with a bunch of overhand chops, which Aoi absorbs as she flexes and walks forward to back Hoshi up a bit. She then responds with her windmill double chops, then sends Hoshi into a corner for machinegun chops. Double claw to the belly and she tries to toss Hoshi, but the latter send Aoi spinning away instead. I think that’s the first belly spot from Hoshi I’ve actually found amusing.

Aoi with a nice cartwheel out of a hairmare attempt, then lands a dropkick. Hoshi catches Aoi charging into the corner with a kick to the gut, then goes up for her belly rub to the face spot. She whips Aoi to the opposite corner, follows with a splash, then hits the buttblocks (which honestly look particularly ridiculous here since Aoi’s so much taller Hoshi’s impacting her thighs instead of her midsection), but Aoi explodes out of the corner with a faceplant as Hoshi celebrates. Senton followed by a twisting splash gets 2.

Both up, and after a Hoshi clothesline is ducked Aoi forces her back in STO position over Aoi’s knee for a submission attempt. Aoi reverses direction and tosses Hoshi away to break. Aoi attempts the crossbody in the corner, but Hoshi runs out to meet her Vader vertical splash style and Aoi’s knocked out of the air. Running belly to the face gets 2. Hoshi hits a shotgun missile dropkick and a folding press for 2, then converts right into a STF when Aoi kicks out.

Aoi reverses by rolling over into her own STF (nice counter I don’t think I’ve ever seen before). It’s in for a while until Hoshi claws to the ropes to break. Aoi ducks a clothesline and gets a wheelbarrow drop toehold to go right back into the STF. Good strategy. Aoi tries to grab Hoshi’s hand when she gets close to the ropes to prevent the break but can’t do so without losing the hold, so Hoshi does indeed make the ropes again to break.

Aoi sets Hoshi against the ropes and hits the opposite side for momentum for the crossbody, then gets a Northern lights suplex with a bridge for 2. She goes up to the top turnbuckle and Aoi’s swivel splash gets 2. She pulls Hoshi to her knees and turns to hit the ropes, but Hoshi grabs Aoi’s ankle to block. Aoi fights free, kicks Hoshi, and hits the ropes, but Hoshi catches her with a lariat for 2. Samoan drop lays out Aoi for Hoshi to go up top, but Aoi rolls inside of the splash attempt and Hoshi eats canvas.

Hoshi to her feet and “bongs” her tummy to indicate she’s fine. Aoi with a leaping clothesline, but Hoshi doesn’t move. Hoshi hits the ropes and Aoi takes the clothesline and rolls right back up to show her own toughness, then ducks another and hits a release German on Hoshi(!!). Hoshi responds in kind and they’re both slow to get up. Simultaneous clotheslines and neither goes down, then Aoi hits the ropes and does a spinning leaping clothesline for 2. Both are down and the ref gets to 9 before they both get back up.

Nice forearm exchange on their knees as both sell exhaustion yet not backing down or giving up. They stumble to their feet and Hoshi hits standing back and forth clothlines to Aoi’s chest and back to get the advantage. Aoi ducks the big one though and nails a beautiful bridging German for 2. Scoop slam and Aoi goes up for the Happiness Splash, but Hoshi moves and the champ hits the mat hard (looks like harder than she thought too: might have been the first few time she’s missed that move and it seems she smacked her face on the landing).

Hoshi follows up with an exploder, then puts Aoi on the turnbuckles. They exchange shits as Hoshi climbs up with her, then Hoshi gets Aoi on her shoulders and gets a super Samoan drop from the second turnbuckle. Hoshi goes up and hits a splash fro mthe top turnbuckle for 2.999. Live I thought that was it. Aoi ducks a clothesline but Hoshi adjusts and hits one to Aoi’s back, but when she goes to the ropes to capitalize Aoi catches her with a small package off the rebound for 2. Aoi tries to spin Hoshi around into a rollup, but Hoshi sets down on her for 2. Hoshi does her roll over downed opponent, but instead of getting a cover out of it Aoi leverages herself up just enough to put Hoshi’s own shoulders down for a close 2.

Aoi calls for the end and looks for a straightjacket German, but Hoshi gets a hard short lariat instead. But Aoi kicks out at 1. Hoshi hits the ropes and another lariat but Aoi kicks out at 1 AGAIN, then unloads with forearms to Hosi’s face, then a slap. Aoi’s playing this like she’s using any and all of her reserves / remaining energy. She goes for the ropes, but jumps into a spinebuster and Hoshi gets 2. Another lariat gets 2. One final lariat and the champ is done. Hoshi gets 3 and the IR title.

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This was much better than I expected live, and I think it plays ever better on disc. It felt off formula, with them going for some signature moves early and then just pulling out all the stops as they pounded on each other back and forth until someone couldn’t get up. Great, well told story. Wish Aoi had retained, but given her subsequent leaving of IR the outcome obviously makes sense (wonder which decision was made first though…). Easily the best match I’ve seen from Hoshi, and I definitely would like to see more lariat throwing, tough as nails Hoshi and less Lovely Butcher belly wielding Hoshi going forward.

Mochi attacks Hoshi as the latter basks in her moment to make a point and challenge her for a title match. Seems like a competition thing and not a full heel turn / breakup of the team though. Weird.

Footage is shown of the roster going through the crowd shaking hands and thanking everyone for coming. They announce their biggest attendance ever for the show, and the champ leads the “Happy Ice Ribbon” cheer to finish up.

Overall

Suitably awesome show for IR’s biggest of the year with a fun undercard, an emotional retirement ceremony, and two great matches on top. As I mentioned in my live thoughts, when the only criticism I have of a show is that given the talent involved I know a few undercard matches could have been even better I’d say things went well. 🙂

Categories
Film Japan

Japan Society Talks+: Gifu, The Heartland of Japan

Japan Society’s Talks+ program features a variety of lectures and events throughout the year that provide wonderful examinations of numerous aspects of Japanese culture. Currently there are several related events running that provide a spotlight on the Gifu prefecture, which began with a lecture and reception entitled “Gifu, The Heartland of Japan.”

 

 

The lecture portion of the evening was introduced by Japan Society president Motoatsu Sakurai and had opening remarks by The Honorable Hajime Furuta, Governor of Gifu, who gave historical context to Gifu and talked about his current US trip and some exciting new developments in terms of cooperation towards tourism and historical preservation and recognition between Gifu and parts of the US.

 

 

Moderator Susan Miyagi Hamaker then explained the basics and traditions of Jikabuki, including audience participation and the amateur nature of the performers, and introduced an abbreviated ten-minute performance by the Tono Kabuki Nakatsugawa Preservation Society. It was fun to watch and a nice spotlight on this form of Kabuki theater that is most active in Gifu.

 

 

After the performance Graeme Howard, Coordinator for International Relations for Gifu Prefecture’s Tourism Promotion Division, gave the longest section of the lecture in which he talked about some of the wonderful places and things to see and experience in Gifu as well as their culinary and artistic specialties.

 

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Following Graeme’s presentation the lecture concluded with a personal tale from Dr. Sylvia W. Smoller, whose parents survived the Holocaust due to the decision of humanitarian Chiune Sugihara, who issued transit visas to Jewish refugees during the Holocaust despite his government’s orders. In addition to the emotional tale of her family’s journey and Sugihara’s selfless actions, her talk including interesting thoughts about the character behind such important acts and the environment needed to foster them.

 

 

The entire lecture was wonderful, highlighting everything from the history to the art and culture to the food of Gifu, as well as the people themselves.

 

 

But that was only half the evening, as afterwards attendees were treated to a sampling of incredible dishes featuring Gifu’s famous Hida Wagyu beef and sake brewed using Gifu’s pristine waters as well as an exhibition of some of Gifu’s pottery and a chance to meet and gets pictures with the Jikabuki performers.

 

 

Excellent even above Japan Society’s Talks+ already high standards, “Gifu, The Heartland of Japan” was a great evening that provided a multitude of information and experiences related to the subject province.

 

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