Tag: IceRibbon

Categories
Japan Reviews Wrestling

Giulia in Ice Ribbon: Maya Yukihi & Asahi

Pre-WWE, new Women’s US Champion Giulia is best known for her time in World Wonder Ring Stardom.

However I was originally familiar with her primarily from her time in the promotion she was trained and debuted in, Ice Ribbon. Her two years there coincided with when I was regularly making trips to Japan and attending a lot of wrestling shows. It’s always interesting to look back on someone’s early days, and in particular I’d like to focus on two specific matches of hers with personal significance to me.

I’ll be watching these off my DVD collection, as they pre-date Ice Ribbon’s currently maintained various streaming archives. So I’ll try to do as full play-by-play as possible in lieu of being able to direct readers to any easy way to view these.

ICE Cross Infinity Championship: Maya Yukihi (c) vs Giulia – Osaka Ribbon 5/28/19

Giulia’s a year and a half into her career here, having debuted on October 29, 2017. This is a main event challenge for company’s top title.

One fall, 30 min time limit. Time limits in Ice Ribbon title matches have extra weight due to a rule in place that means there’s no champion advantage for time limit draws. If a championship match goes to the time limit, the championship is vacated.

I was at this live and it was among my top matches of that trip (all the pictures here are from my live viewing). But I haven’t watched it in years, and I’m interested to see how it holds up.

Maya is draped in belts. In addition to the ICE Cross Infinity Championship she’s defending, she was reigning Triangle Ribbon Champion, International Tag Ribbon Champion (with Risa Sera as Azure Revolution), and Oz Academy Tag Team Champion (with Saori Anou as Ozaki-gun).

They just stare down each other without leaving their corners for several seconds after the bell starts the match. Crowd’s behind both, which is expected as it’s a rising star against a well loved champ in her second title defense.

Hard lockup as they come to the center. Maya pushes Giulia back into the ropes, but gives a clean break and they circle each other back into another collar and elbow tie up. Giulia gains a little ground but then Maya powers her back into the ropes again. Giulia reverses in the ropes and teases a clean break, but repeatedly forearms the hell out of Maya instead. Maya tries to reverse Giulia into the ropes but the latter spins Maya right back into position for more forearms. Maya tries to respond in kind again but AGAIN Giulia spins right through the reversal and puts Maya into the corer for more forearms. The challenger is being super aggressive to good effect.

Giulia fires up the crowd, then whips Maya into the opposite corner and follows with a running boot. She hits the ropes to try to sustain the offense as Maya stumbles out of the corner but the champ finally strikes back and levels Giulia in the center of the ring with a high kick.

Maya pulls Giulia up several times in a row for hair mares back down, then controls for a bit with a head vice into a Camel Clutch style chin lock. Giulia reaches back with her leg to get the ropes break.

Arm ringer into a Fujiwara arm bar takes Giulia back down. The challenger rolls out but Maya keeps ahold of the arm and tries for a different submission hold. Giulia fights it off and rolls Maya back into a sunset flip style pin for 2. Maya kicks out right into a seated waist lock and grabs Giulia’s arm again. Giulia’s on her back but forces a head scissors to fight off a hammerlock attempt. They keep grappling through reversals until Maya ends up on top of a face down Giulia with Giulia’s legs tied up and Maya pulling back on her arms. Maya transitions to another chin lock from behind and Giulia bites her way out of it. Phenomenal extended stretch of mat wrestling with the challenger finally getting tired of coming up a touch short and bending the rules to escape.

Both back to their feet, but Maya catches Giulia with a kick to the stomach and puts her back down to the mat with a snap mare. Seated position is never great to be in against Maya, and sure enough she lays into Giulia’s back with a stiff kick. Giulia roars in challenge so the next one is right to her chest. Another each to her back and chest and the challenger is in rough shape. Maya paintbrushes Giulia across the face with the bottom of her boot then kicks her challenger out of the ring.

She nails Giulia in the back with a double slap as she hops down from the apron, takes a drink of water from a nearby second, then kicks Giulia across the face again. Champ’s in firm control. They trade overhand chops and are really hammering each other.

After Maya lands a series of chops they separate a bit to different corners, all still on the outside. Giulia drops to her knees to recover and gets a drink of water of her own, then spits water in Maya’s face when the champ comes back over. An enraged Maya goes for a high kick but Giulia ducks and Maya nails the ring post. She crumples to the floor in pain and Giulia is instantly all over the …other leg, stomping away, stepping on the knee, and applying a heel hook. They’re still on the floor though so she has to break to drag Maya back into the ring.

Giulia then immediately drags Maya into the corner, goes back outside herself, and wraps Maya’s leg around the ring post. She pulls and grinds it into the post a bit as the ref yells at her to get back in the ring. When she does Maya is crumpled in a pile in the corner clutching her leg. Giulia pulls her up into a handstand and slams her leg into the mat in a unique bit of viciousness. Giulia slams Maya’s leg against the mat some more then ties her legs up and pulls back on her ponytail. I don’t think that an entirely legal hold. Ref counts to 4 and Giulia breaks.

Back up and Giulia does an elevated shin breaker to Maya’s right leg (the one that originally kicked the ring post). Giulia’s just destroying both legs now so we’re all good.

She ties Maya up in the ropes and instead of pounding on the mat to fire up the crowd she slaps Maya’s back for it. That’s cold. She hits the opposite ropes and comes charging back with a big boot to the back of Maya’s head. Cover gets 2.

Maya blocks a whip out of the corner temporarily, then reverses it when Giulia powers through. But when she charges Giulia in the other corner she eats another boot. Giulia hops up to the second rope into a crossbody for 2.

STF applied but Maya rolls out quickly into one of her own. Giulia counters that with her previously established go-to of biting Maya’s arm. Maya stays on top of Giulia though and fights for a seated Fujiawara (Becky Lynch’s Dis-arm-her). Giulia keeps her arm from extending, then rolls out into a leg lace. She adds a stretch muffler on the other leg and Maya’s in trouble. But Maya is able to grab Giulia’s weakened arm and transitions out into another Fujiwara variation. They been twisting each other in knots all match.

Giulia claws and scrapes to get her leg to the ropes for the break. Maya’s unsteady on her damaged legs but tries a suplex anyway. Giulia fights off, but eats a slap to the side of the head from Maya. Then another. And another. A series of knees put Giulia down against the ropes, but Maya’s a touch slow on the run to the opposite ropes and Giulia dodges the knee strike. Giulia tries a running boot with Maya against the ropes but it’s also dodged. Maya has Giulia’s leg tied in the ropes, and nails her in the face with a kick from the apron. Back in she unties Giulia and covers for 2.

Giulia fights off another suplex attempt and catches a kick. She drops into a leg lace and applies almost a seated cloverleaf variant. Maya fights to the ropes. Giulia breaks immediately and hits the far ropes to wipe Maya out with several big boots to the head as she tries to get up. Cover gets 2.

They fight back and forth over a reverse DDT attempt by Giulia with Maya repeatedly trying to counter into an STO. Giulia prevails and the reverse DDT gets 2. However back up Maya nails the STO for 2.

Maya hits the ropes and lands a hard kick to the face, but she kicked with her damaged foot from earlier so she collapses against the ropes nursing it. She hobbles out and forearms Giulia as the later stands, only to get hit with a forearm when she tries to reverse a Giulia whip attempt. Giulia off the far ropes… into a spin kick to the mid section. Knee lift keeps her stunned, and Maya follows up with a hard big boot. The champ looms over the fallen Giulia, then knees and kicks her head repeatedly when she tries to get up.

Giulia’s out against the bottom rope, and hers the running knee Maya wanted earlier. She goes right through the ropes with it absolutely leveling Giulia (like Sareee and Mizuki do with their against the ropes dropkicks for those familiar with them). Maya tries to shake some feeling back into her leg on the apron, then climbs up top. Missile dropkick folds Giulia in half and gets 2.

Maya hits the ropes for another knee strike but Giulia follows her in for a big boot. Maya returns the favor as Giulia hits the far ropes. Maya hits the opposite ropes again but runs into a big boot in the middle of the ring off the rebound. Cover gets 2 then Giulia goes up to the top turnbuckle.

Maya catches her with a palm strike then hair mares her down. Champ up top … and Giulia catches her with a palm strike. The back and forth in this match is just fantastic. Giulia climbs up and powers the champ into an avalanche power slam for close 2.

Giulia looked for a hammerlock slam but Maya floats out into an arm drag. Another high kick knocks Giulia down but the exhausted champ also collapses. Ref starts counting them both down, but they’re up before 5.

They go into a brutal forearm exchange where they are running at each other for more impact on them. Giulia eventually lands three in a row, then boots Maya when she runs at Giulia to try to return the shots. Maya approaches again and another boot. Third time Maya brushes the foot away, runs behind Giulia to hit the ropes, then runs right into another boot anyway for 2. Giulia’s putting up a hell of a fight.

Giulia up top and a missile dropkick gets 2. Maya’s kickouts at this point are just barely a roll of the shoulder. She’s been through a war and is spent. Giulia goes for the hammerlock spin slam again and hits it for 2. She stays on top of Maya and locks in an STF.

She cranks back on the champ repeatedly as the crowd screams for Maya to claw her way to the ropes. When she gets close Giulia releases and drags her back to the center of the ring. Hammerlock slam set up again, but this time Giulia drops Maya right onto her knees. Man that looked nasty. Back into the STF and she’s cranking the hell out of it. Maya powers to the ropes, but is wiped out.

Giulia pulls her up and reaches for the hammerlock again. Maya pushes away while still holding on to Giulia and just starts kicking her repeatedly in the head. She lets go after a few and backs up for a savate kick. She winds up and nails a side kick in the head for 2. Maya lifts Giulia but the latter floats out and grabs the hammerlock slam position again. This time she drops into a shoulder breaker. I forgot how many variant moves she does from that setup. Closest 2 yet on that cover.

Maya up and swings at Giulia but gets tied up in an octopus hold. Short lived though, as Maya drops into a slam and covers for… barely 1. Shocked awe from the crowd on that quick kickout. Maya just kicks her in the face though and covers again for 2.

Maya’s Crystal of Snow (Iconoclasm, sitout power slam) connects this time and gets 2. She lifts the challenger up one last time and destroys her with a butterfly package piledriver to finally get the 3 count.

Loved this live and love it now. Giulia looked great, especially for so early in her career, and fought like mad for twenty five minutes until the champ was finally able to batter her down. This totally holds up and was a hard hitting war laden with a ton of great grappling to boot.

———-

Giulia vs Asahi – Yokohama Ribbon 9/24/18

This one’s a bit different and significant for a mix of reasons, some admittedly heavy.

Asahi was a wrestler who debuted in Ice Ribbon on August 27, 2017 at the age of 14. She worked for Ice Ribbon until early 2023, then spent the remainder of her career in Actwres girl’Z. Asahi sadly passed away in early 2024 at the age of 21.

She was a personal favorite of mine, as I really enjoyed her style of wrestling and cheering her on. I was at her debut match against the legendary Manami Toyota and was lucky enough to have met Asahi and seen her wrestle numerous times over the years. She is missed.

Asahi was a key rival of Giulia’s in their early careers, as they had debuted just a couple months apart. They had a lot of great encounters and interactions, including during a really unique trios match they were partners in I attended in early 2019 .

So for the second match of this entry I’d like to take a look at a singles encounter between the two from September 2018.

Somehow I’ve never watched this particular match before, so in contrast to the above this’ll be a completely new experience. This is right around a year into the career of both competitors, and roughly six months before Giulia would challenge Maya for the title in the above match. This match was the “semi-final” (second to last match) of the show.

These two had crossed paths in tag matches several times prior to this, mostly as opponents but a couple times as partners. They had also faced in one prior singles contest, that went to a draw.

Hot start to this as Giulia only poses briefly during her entrance, then hurries out of the ring to run up the other path and ambush Asahi behind the curtain before the latter can even be announced or come out. She drags Asahi to the ring by her hair and the match is officially underway.

Asahi gets in Giulia’s face and screams in defiance as they enter the ring but Giulia just tosses her down, kicks her into the corner, and steps on her head. Asahi might have the tiniest bit more experience, but the smaller, younger competitor is being overwhelmed and is definitely the underdog here.

Giulia drags Asahi to the center for a snap mare, then hits the ropes and runs right through her seated opponent with a kick to the head for 2. She then throws Asahi into the corner and chokes Asahi with her foot. That turns into standing face washes with the soles of her boots.

Back to the center and a hair mare puts Asahi down again. Asahi grimaces in pain as Giulia applies a rear chinlock. In short order Giulia opts to release it so she can just mockingly slap Asahi over the head a few times. Slap to the back and a cover for 2. She’s in straight up bully mode.

Dragon sleeper applied and Asahi keeps struggling to repeatedly bridge up until she’s able to inch to the ropes for a break. Giulia drags her up by the hair again and ties her in the ropes. Another slap to the head then more embracing facewashes and slaps to the back follow.

Giulia hits the far ropes and comes running for a boot but Asahi quickly jumps out to the apron and ducks the kick. Asahi pushes Giulia’s leg away, then catches Giulia’s attempted wild punch in an armbar over the rope. After a few seconds she has to break due to the ref’s count and does so by dropping off the apron and snapping Giulia’s arm over the rope. First offense by Asahi of the match.

Asahi goes up top. Giulia catches her and throws her down, but Asahi lands in a roll and quickly gets up, turns around, and dropkicks Giulia back into the corner.

Whip attempt reversed in Giulia’s hammerlock slam position, but Asahi floats out and slaps Giulia across the face. She had that coming at this point. It’s not well received though and Giulia hit Asahi upside the head again, hairmares her down again, and steps on her head again.

Asahi’s had enough and as the ref tries to count to make Giulia get off Asahi the latter speeds up the process by biting Giulia’s leg. Well, her boot at least, but close enough. She finally gives back the abuse she’s been enduring in kind and stomps and steps on Giulia’s face a bit. Although Giulia’s a fast learner and copies Asahi’s counter technique, sinking her teeth into Asahi’s leg.

Once that’s caused some separation, she boots Asahi into the ropes. Off the far ropes and she gets the boot to the back she tried for earlier. Asahi is stretched across the bottom rope and takes more kicks to the face and choking.

Asahi catches Giulia with a faceplant though and stomps on her arm several times. Giulia tries to kick at Asahi from the mat, so Asahi drops into a cover. Giulia immediately kicks out at 1, but the motion swings her arm that Asahi had been working over straight into an armbar. Asahi transitions into a seated Fujiwara, then twists Giulia wrist to apply more pressure.

As Giulia gets closer to the ropes, Asahi suddenly changes her grip and falls backwards still holding Giulia’s arm to switch into a cross arm breaker. Giulia manages to get a foot on the ropes to escape though.

They trade several scoop slams, while slapping, kicking, and shouting at each other in defiance in between them.

After three each Giulia tries to block and counter Asahi’s fourth, but Asahi fights back out and powers through to complete the slam and covers for 2. Back up they lay into each other with forearms. Both give good shots, but the size difference means Giulia’s are more effective and knocking back Asahi more. They proceed to simultaneous forearm shots and Asahi’s eventually laid out while Giulia is affected but able to get up.

She goes over to Asahi and drags Asahi up by her hair, but Asahi drops into a surprise small package for a close 2 count. Asahi hits the ropes with a burst of energy and hits a dropkick, then jumps into a rollup for 2. Deep schoolboy rollup gets another 2.

Asahi goes up top. Giulia runs over and tries to slam her down, but Asahi climbs onto Giulia shoulder. Back towards the center she twists into kind of a crossbody from above. Cover gets 2, but Asahi keeps at repeating the cover several times without letting Giulia up for a series of successively closer 2 counts. I adore when wrestlers fight for a pin like that.

Asahi climbs to the middle turnbuckle and hits a missile dropkick, then repeats it in the opposite turnbuckle and covers for 2. The she kick and slaps at Giulia trying to pull Giulia up, but when Giulia gets to her feet she gathers herself and boots Asahi in the face.

They grab hands and keep swinging at each other with their other arms, but after several mutual blocks Giulia spins Asahi into reverse DDT position and hits a stepover drop. She ties Asahi up tight and the latter barely rolls backwards out of the pin to kickout.

She applies an STF and cranks away until Asahi’s able to drag herself to the ropes for a break. Giulia immediately goes for the hammerlock sideslam and connects, but Asahi kicks out just in time to the crowd’s delight.

Asahi knows she’s in trouble and desperately wraps her arms around the top and middle ropes, struggling to hold on as Giulia tries to pry her away with a waist lock. Some knee strikes and leveraging her bodyweight back eventually rolls Asahi way from the ropes into a facedown position in the middle of the ring. Giulia wraps her legs around the head and shoulder of her screaming, struggling opponent, then pulls back with an armbar and Asahi is forced to tap.

This was thirteen intense minutes of two rookies completely conveying that they had had quite enough of each other. They used their basics well while giving glimpses of the great potential everyone already knew they both had. A little rough around edges at times, which was not only understandable at their level but also completely appropriate for the type of raw battle they were having. There was a good deal of innovation too, and it all came together in a really compelling match. Asahi rocked as the overwhelmed underdog determined to keep clawing and scraping until the end, and after a brutal start fought back to the point of having Giulia in danger. Giulia made the perfect bully who kept at it until she got the win.

It was a treat to be reminded of how much emotion Asahi put into her matches. I’m really glad I watched this, and that’s exactly what the point of wrestling should be.

Overall these were two thoroughly captivating matches and an interesting look back into the early career of today’s Beautiful Madness.

Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts will hopefully be on the way soon.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Cards Japan Wrestling

Collecting Spotlight: BBM Women’s Wrestling 2025 Card Set

BBM releases yearly card sets for a variety of sports, and for a great many years I’ve been collecting their joshi wrestling sets. Here we’ll take a look at the details and differences in their 2025 set.

Known as True Heart until 2020 and simply Women’s Wrestling since then, these yearly sets focus on women wrestlers from all across Japan.

Historically most joshi wrestling companies and freelancers participated, with the main exception being World Wonder Ring Stardom. Stardom roster members have not appeared in these sets for over a decade (Stardom has done occasional card based products on their own in the past). Actwres girl’Z also stopped participating a few years back with their classification switch from a wrestling company to an entertainment company.

This year however there seems to be quite a few more wrestlers absent. The T-Hearts roster as well as some notable freelancers are missing from the set. Also Dream Star Fighting Marigold, the new company run by the founder and former owner of Stardom, isn’t included.

BBM did put out a statement talking about production constraints, and that this year scheduling issues led to some regional wrestlers not making it into the set.

However the base set still features 154 wrestlers with an additional 2 tag team and 3 announcer cards. It’s wild that the set is still pretty massive even with the absences, and while having some favorites missing is less than ideal there being around 200 active women’s wrestlers in Japan and the depth it brings to wrestling is a good problem to have.

Assortment of Kira insert cards.

Keeping with the packing distribution changes made last year, there are 7 cards per pack and 18 packs per box. One of the cards in each pack is one of the 24 “Kira” chase cards, shiny cards which feature a gold facsimile auto of the depicted wrestler.

When there are chase cards in a pack other than the Kira cards, they replace one of the base cards that would otherwise be in the pack. So there are still 7 cards per pack total.

Assortment of SP insert cards.
Assortment of “secret” cards.

The other chase subsets in the 2025 set are a 9 card foil subset (SP1-SP9), and 13 “secret” chase cards. Secret versions have the same numbering as the base card of whoever is depicted. So for example TJPW’s Mifu Ashida (formerly of Ice Ribbon) is card number 008 in the base set. So her secret card is also numbered 008. Only 13 wrestlers have secret variants so the numbering on them jumps around.

The secret subset this year features “plain clothes” photos of certain wrestlers in everyday attire. The base cards and other subsets of course feature them wearing their wrestling gear.

I’m happy to see the return of the plain clothes cards. The last several years of secret inserts have mostly been alternate poses/backgrounds of the wrestlers in their gear. Those cards are nice themselves, but this subset stands out more and seems more fitting for the alternate/secret subset theme. The selection of wrestlers was a nice mix and they got to show off their personal style and personalities.

In my anecdotal experience this year there tends to be 3 SP foil and 2-3 secret cards per box.

Yuki Arai base cards.

There also is a special, unusual “secret base card” variant showcasing a second set of Yuki Arai’s gear. Her signature cards (more on those to come) are split between the two outfits. She’s the only person with a variant base card. This is an attempt to do something a little different/special within the set, and if it’s well received it may be done in future sets as well.

I’m a little mixed on it personally. I don’t mind having a second card for her, and can get behind the idea of having a couple special base cards that aren’t rare chase cards. That said I’d lose the secret numbering for it. Having them both be card 012 is unnecessary complicated for sorting and collecting (the plain clothes cards are a different matter in how distinct they are). Label them 12A and 12B at least if not just giving them separate number in the set. All that said about a minor technical point, both her base cards look cool. Giving them two different background colors to stand out was a nice touch.

The yearly base set varies in size each year to reflect new wrestlers, retirements, cards for tag teams, and so on. As mentioned are a lot of joshi wrestlers active in Japan and these are not small sets. The 2025 base set consists of 159 cards (plus the Arai variant), which is about a box and a half of base cards (if no duplicates are drawn).

Sayuri Namba and Shino Suzuki

One of the most sought after aspects of these sets are the randomly inserted signature cards autographed by the wrestlers. The last couple years these cards have been designed with colored borders down the sides on an otherwise white background likely to draw attention to the wrestlers and the signatures (and to make them distinct from insert autos). Personally I like the simplicity and the look of them, but some collectors prefer the colorful backgrounds of past sets.

The odds seem to be just a touch lower than last year (last year was itself a bit down from previous years). I’ve generally seen 3 autographs per box, with the secret sig cards I drew being a 4th auto in the box. The boxes I’ve seen with a cheki only had 2 base sig cards with it.

Tsukka and Yappy
Kyuri and Kirari Wakana
Totoro Satsuki and Manami Katsu

The signature cards are numbered and there are usually 100 each corresponding to the base set for the wrestlers who did autographs. A majority of the wrestlers in the set do signature cards, but not everyone.

Like last year nearly all of the base signature cards this year are on card autographs. The only stickers I’ve noticed so far were for Hikaru Shida, who is based on the US, and on the Magenta tag team dual auto card where proper spacing is paramount. As usual the insert autos use stickers, presumably for design reasons. The stickers are transparent and barely noticeable, even if you know to look for them.

Wakana Uehara secret version signature card.

As implied above both the secret and SP foil subsets have associated signature cards. Unlike past years, the foil autos are not short printed compared with the base autos.

Base, secret, and foil autos are all generally /100 now. A couple wrestlers have slightly lower base autos numbers, and Yuki Arai and Haruka Umesaki’s foil autos are a bit lower at /85 and /74 respectively.

The insert autos have fully colored backgrounds, which nicely sets them apart from the white backed secret insert subset those correspond to as well as the white with colored borders designs on the base autos.

There are also a few super rare /5 signature cards featuring Suzume, Mizuki, Yuki Arai, Sareee, and Ram Kaicho.

One of my absolute favorite signature cards ever is in this set. Maika Ozaki is a powerhouse and has a cool tag team entrance pose she does where she lifts her partner (and sometimes partners plural) up onto her shoulder. She’s done it most often with her Gekokujo partner Kyuri and her SPiCEAP partner Tae Honma.

This year SPiCEAP got a dual auto signature card, and BBM oriented it vertically and designed it almost as if it was two stacked up horizontal sig cards so that their pose could be featured. It’s stunning and easily one of the coolest cards they’ve done.

Kirari Wakana

Some of the most distinctive chase items in these sets are chekis: mini polaroids of the wrestlers signed and sometimes decorated by them. There are generally 10 for each wrestler who does them (not everyone in the base set does). A few wrestlers are featured in different outfits and have two distinct /10 versions this year.

These are unique collectibles, and some of the harder hits to pull at roughly 2 per case (1 in 6 boxes). They’re a fun additional and some of the centerpieces of my personal collection.

Emi Sakura and Kaho Hiromi

So that’s it for this year’s BBM Women’s Wrestling release. I wish everyone good luck with their pulls and pickups.

Sayaka

Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts should be on the way soon.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Japan Wrestling

Joy in Pro-Wrestling and Kaho Hiromi

Everyone has their own preferences and favorites when it comes to wrestling. Style, presentation, and other factors vary greatly among the large number of wrestling companies in the world and are all a matter of taste among fans.

While in general I tend towards a more athletic event, intensely competitive style of wrestling what I care about most is enjoying what I’m watching. May seem like an obvious statement, but worth explicitly mentioning as in my case it means a wide range of wrestling genres appeal to me. Both nail biting intensity and well done comedic moments can really draw me in to a match when done well.

As I often say in reference to an old favorite, TJPW’s August 26 2017 show: sometimes I want to see my two favorite wrestlers in a promotion tearing the house down for a title…

…and sometimes I want to see Maki Itoh chasing idol lumberjacks around the ring with a squeaky toy hammer.

When any promotion can give me both in the same show and have it feel natural and cohesive I’m as happy as can be.

For me wrestling is at its best when its a mix of light heartedness and intense competition. I want my humorous elements woven into the general framework of wrestlers competing and trying to win, but can go for pretty absurd match premises and gimmicks when internally consistent and done well.

Ice Ribbon and ChocoPro (formerly Gatoh Move) have been always great places for this combination, which is a large reason why they’re two of my absolute favorite promotions.

This year’s Ribbonmania from just a couple weeks ago was a great example of a well paced, thoroughly enjoyable top to bottom show with a variety of aspects to it. ChocoPro’s holiday shows were likewise a blast with a little bit of everything sprinkled throughout.

All of which brings me around to what prompted this particular deep dive into the happy aspects of wrestling: ChocoPro’s most recent roster addition Kaho Hiromi.

Emi Sakura is excellent at developing wrestlers within their own ways to really highlight what they can do while letting them be wholly unique. I’d argue no other environment or trainer could have given us Lulu Pencil, the wonderfully goofy ninja Sayuri, etc.

Over her near 30 year career Sakura has trained a large number of children, including AEW’s first ever Women’s Champion Riho who started at age 9 and is a 18 year veteran at age 27.

Sakura’s most recent wrestling prodigy, reigning Super Asia Champion Mei Suruga, is following in her mentor’s training footsteps as well with similarly excellent results. With Sakura living in the US as part of her participation in AEW, Mei has been the primary teacher for several of the recent roster additions.

Mei runs their casual training program DareJyo in Sakura’s absence, with Sakura being heavily involved as well whenever she’s back in Japan. DareJyo recently shared one of its showcase events on YouTube. It’s a great watch and provides insight on how ChocoPro approaches introducing people to the world of wrestling.

DareJyo is open to women and girls of all ages. Several DareJyo participants have continued on into full training and later officially debuted as professional wrestlers, including Mei herself as well as the energetic and cheerful grade schooler Kaho Hiromi.

Kaho debuted on August 31, 2024 against Ryo Mizunami at Gatoh Move’s return to Korakuen Hall.

The imposing multi-time champion 20 year veteran powerhouse was a mismatch for Kaho is just about every way imaginable. But that was the point. The match was about Kaho’s effort, perseverance, and attitude. She showed all in spades. Her charisma and determination shined and the crowd was behind her even against the super popular Mizunami. The outcome was never in doubt, but I was invested in Kaho’s efforts all the same. She eventually fell to Mizunami’s leg drop, but Ryo carried the little warrior to the back on her shoulders in a show of respect.

Her matches in the months since them have been likewise engaging, but it was specifically her matches around the holidays that brought all this to the forefront in my mind and made me want to write this post. This year was rough for me and I was stuck home alone for the holidays. Being able to watch and enjoy various wrestling shows from my favorite promotions halfway around the world helped my mood a lot. And it struck me how often watching little Kaho do her best with a smile on her face against opponents bigger, stronger, and older than herself was bringing a smile to mine.

ChocoPro’s approach with Kaho has been excellent. Again the company has a lot of experience over the years with wrestlers of vastly different ages, sizes, and experience levels and knows how to showcase people within their limitations as well as the proper tone to establish.

Kaho generally wrestles with veterans and/or her trainers in the matches. If you watch carefully you’ll notice she doesn’t take heavy strikes or generally anything high impact. But you have to watch carefully to notice, as her matches are just plain too much fun and enthralling to be thinking about stuff like that.

And that’s what matters. Sakura’s companies have always been built around the idea that wrestling should be fun for both the wrestlers and fans, and the fun Kaho has in her matches is both obvious and contagious. She’s a plucky underdog trying her best, and her matches are a lighthearted blast to watch. They’ve developed a moveset and strategy that suits her, such as crossing her arms in front of her and charging opponents as a strike instead of traditional chops that would have no impact at her size.

She’s doing great. She moves well, gets the crowd excited, and is naturally incredibly easy to get caught up cheering for. Emi Sakura is one of my top favorite wrestlers in the world, yet I still can’t help but to cheer against her as she smugly taunts Kaho.

While some people may instinctively recoil from the idea of a child in a wrestling match (and/or intergender wrestling, another cornerstone of ChocoPro), there are a lot of great in ring stories to be told involving an opponent completely out of the realm of what a veteran would normally expect. It doesn’t have to be everyone’s thing, there are plenty of other companies and styles to watch, but again it all speaks to me personally as a fan.

Kaho often confounds her opponents a bit with her quickness and size. She’ll counter holds by wrapping herself around their legs in ways others can’t. She can jump around, dodge, and generally frustrate them in ways only a kid can. Usually unfortunately she gets caught and someone like Sakura leverages Kaho’s own attempted holds to force a pin (the boos Sakura has gotten when she essentially sits on Kaho for a victory are huge).

Recent highlights include ChocoPro 314’s triple threat that saw her face Sakura & Sayaka and her participation in the Christmas show’s battle royal. The latter saw her first encounter with DDT’s Chris Brookes, which was a riot (and cemented Chris being evil). She’s also had several fun mixed tag matches recently giving people like Hagane Shinno a new challenge.

Kaho’s been a wonderful addition to the ChocPro roster, and I really just wanted to take the opportunity both to spotlight her and to reminder everyone how important it is just to straight up enjoy wrestling. Whether your thing is desperately wanting a heel vanquished, deathmatches, sports-like presentation, comedy, or like me a mix of several approaches find companies that do what you like well, and have fun experiencing them.

Some other great currently active young and/or rookie wrestlers to watch include, but aren’t limited to, Ice Ribbon’s Kirari Wakana, TJPW’s Uta Takami, SEAdLINNNG’s Miria Koga, and the recently freelance Saran. I hope to keep watching all of them and Kaho for however long wrestling continues to be viable and fun for them all.

Thanks to everyone who’s given this a read. 2024 was a sporadic return for this blog and I hope to have more regular updates going forward in 2025.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Japan Wrestling

Ice Ribbon Ribbonmania 2024

Show aired live December 31, 2024.

Ribbonmania is Ice Ribbon’s big annual year end show, which I’ve been watching since I became a fan of the company in 2015 and have attended several times in the past (pre-pandemic when I could travel).

It’s been ages since I got to sit down and watch much wrestling and longer since I’ve written up thoughts on a show, so I’ve really been looking forward to this one. A lot of the wrestlers here are either new to me or I’ve only seen them a couple times.

In the wake of management changes this is the final show for a good portion of the roster before they move on to other things. I’ll be mentioning some specifics throughout the review (and will recap the remaining roster at the end).

Two roster members who are staying are not on this show: Ice Ribbon ace Tsukasa Fujimoto is on maternity leave, and Infinite Potential Girl Kaho Matsushita is out due to injury.

With all that said, away we go.

1) Kirari Wakana vs. Miria Koga 

Miria, a rookie from SEAdLINNNG, has wrestled in Ice a few times but this is my first seeing her. She faced Kirari singles and tag action previously, with both matches ending in draws.

Kirari debuted last July (with an unusual debut win). I’ve seen a bit of her here and there, and she’s come across as a charismatic rookie with sound basics and excellent potential. She reminds me a bit of Asahi in both look and energy (which is of course bittersweet considering Asahi’s untimely passing in early 2024).

Kirari was sporting awesome new gear here.

This was pretty polished for a match between two wrestlers with under a year and a half combined experience. They made the most of what they were capable of and had several tense exchanges. Determination was absolutely dripping from both and the tangible feel that winning the match is important to them came across well. Was engrossed in this one for the duration.

To my delight Kirari won by rolling Koga up super tight following an extended series of attempts and reversals. Overall Ice Ribbon’s newest roster member showed the heart of a lion.

Great way to open the show. Kudos to both rookies. I’m becoming a huge fan of Kirari, and I also hope Koga keeps coming back.

2) Grizzly Fujitaki, Nanae Furukawa & Mayuka Koike vs. Mifu Ashida, Yuu Hanaya & Yuuki Minami 

The wrestlers in this match were the six participants of the Challenger: Ring of Hope series that made it through and ended up debuting as professional wrestlers. They all debuted on August 26, 2023 at Ice In Wonderland 2023.

Minami left Ice Ribbon to go to Marigold in early 2024 and was making a special appearance. This was the final Ice Ribbon roster appearance for the other five. Koike and Hanaya are retiring. Mifu, Grizzly & Nanae seem to plan on continuing elsewhere, with their destinations unknown at the time of the show. (Mifu has since announced she will be joining TJPW and debuted on their big annual January 4th show.)

It was nice to see Minami appear for this match, giving us one last trios contest with all of them involved. She’s had a complete look overhaul in her new company. This is the first time she’s wrestled here since leaving, and the first appearance of anyone from Marigold in Ice Ribbon.

Mifu is a former International Ribbon Tag Team Champion (with partner Kyuuri) and as such the most accomplished of the six thus far.

Nanae and the returning Minami got in slap fight right away with everything devolving into a brawl, nicely setting the tone of all six having something to prove.

After the hot start there was a little bit of a styles clash / roughness in this at times. Minami seemed to have a little readjusting to do after being retrained in a different company’s style, and they are all still relatively early in their careers. That said they all fought hard and made things work. Minami busted out an awesome, vicious looking arm trap guillotine choke at one point.

Grizzly vs Mifu was the backbone of the match and the two have good chemistry. Highlights included Mifu’s Cutie Special on Grizzly and Grizzly later absolutely wiping Mifu out with a short arm clothesline.

The match came to a surprising end as Nanae tied Mifu in absolute knots and got the submission win. As I mentioned Mifu’s the only former champ of the group and I wouldn’t have bet on her taking the loss.

Hanaya never tagged in, but was involved in multi person team moments, breaking up pinfalls, etc (including a wild spill to the outside when she took a shot on Grizzly from the apron and went flying from the recoil). Both she and the other retiree Koike only ever wrestled sporadically, with under ten matches each for their careers. It was nice to see them involved one last time and get a nice sendoff with the rest of their compatriots.

The match was somewhat rough around the edges at times but I’m really just mentioning it because I noticed it. Nothing detracted much from this fun outing with a lot of energy and some really awesome moments. Overall it clicked was a really good farewell for the Challengers in Ice Ribbon.

They all took a bow together afterwards. Wishing them the best in whatever’s next for each of them.

3) Kyuuri & Yuna Manase vs. Arisa Shinose & Kaori Yoneyama vs. Bad Butts (Yappy & Ancham)

Arisa will be going to Asuka Pro-Wrestling, but seems likely to continue appearing as a guest in Ice Ribbon.Yappy and reigning Triangle Ribbon Champion Kyuuri are staying.Yoneyama, Manase, and Ancham are guest participants.

Bad Butts coming out to Sir Mix A Lot had me dying of laughter. So great.

They brawled all over the place to start, highlighted by Yappy threatening people with the ever present Bad Butts warning sign, and things never really settled down from there. Having a proper, unapologetic, “we’re villains and proud of it” heel team is a nice addition to Ice Ribbon. Good contrast too as Kyuuri leans heel at times as Triangle Champ in more of an impish, faux innocent way. It all adds an extra dimension to things and additional depth to matches like these.

The other teams eventually had enough of Bad Butts and taped them to a ring post outside, neutralizing them for the rest of the match. Things got crazy at the end as Kyuuri accidentally took out her own partner with her attempted shortcuts, and Yoneyama intentionally rammed Kyuuri into Arisa to set up Yoneyama getting the win.

I expected a Bad Butts win, but Yoneyama pinning Kyuuri and the winning partners arguing over who gets to challenge her for her singles belt makes sense too

Not much to say here, but I mean that extremely positively. This was just straightforward chaotic fun.

The live feed became unwatchable due to buffering here and I stopped watching live. Until this point it had frozen about once a match and refreshing quickly corrected things. Ice Ribbon PPVs are usual stable on this platform, so no idea what was going on. Watched the rest from here later on replay.

4) Mio Shirai & Saran vs. Ibuki Hoshi & Unagi Sayakaa 

The semi-retired Mio Shirai and perpetual thorn in her side Unagi Sayaka have been feuding on and off for a bit. Unagi’s a freelance guest, Ibuki is staying with Ice Ribbon, and Mio and Saran are making their final appearance (future plans for both unknown). Extremely curious about where Saran ends up, as she’s really finding her style and has a huge upside for whatever company she works with.

This was the planned last show of a temporary return from maternity leave for Ibuki (although she’s now decided to wrestle for a bit more before returning to hiatus).

As usual for anything involving Unagi and Mio this was extremely antics heavy. Add in the mischievous Saran and hard hitting Ibuki to anchor things and this was exactly what it needed to be. Light and entertaining match with good pacing, amusing undertones, and wild action when they got down to it. Presented at the perfect place in the card to boot.

Saran fought tooth and nail, nearly stole the match a couple times, and kicked out of a lot of close calls. But Ibuki finally put her away with a great crucifix bomb.

Saran was visibly emotional after the match. Looking forward to cheering for her wherever she goes. Really glad Ibuki got to come back a little earlier than expected to be able to wrestle here.

5) Totoro Satsuki & Tsukina Umino vs. Yumiko Hotta & Miku Kanae 

Ice Ribbon vs T-Hearts tag match. Both members of the Ice team are staying on the roster (although Umino was unfortunately injured days later with a broken collarbone and will be out for a while).

Umino debuted in April 2021 as Shizuku Tsukata in Wave, went on hiatus around the end of that year, then redebuted as Umino in Ice Ribbon in December 2022. She’s grown a lot in the last couple years and is really finding her style and persona.

Totoro was sporting her annual year end rainbow braid extensions, which always look awesome.

Never saw Miku wrestle before. She’s really good and I hope to see her more in the future.

This was on formula in best way possible for a match with larger power based veterans teaming with outmatched but resilient less experienced partners. Umino and Miku both showed great fire, both against each other and when they were fighting uphill battles against the vets.

When Totoro and Hotta were in against each other the dynamic completely changed and it became the less experienced Totoro trying to prove something against Hotta in a good old fashion power fight. At one point Totoro hit an unbelievable Finlay Roll on Hotta.

Down the stretch this was all about Umino throwing everything she had at the imposing Hotta until she just couldn’t fight anymore. Hotta finished her with a palm strike after Totoro accidentally wiped her out with a clothesline.

I really dug this. Probably my favorite match on the card up to this point, and it’s all been extremely good.

6) Manami Katsu vs. YuuRI 

Manami Katsu returned to wrestling to join Ice Ribbon a few months ago after a three year hiatus. She’s a 13 year veteran formerly of JWP/Pure-J. I never watched a ton of Pure-J but have been to a few shows and had seen her wrestle there. This is my first real look at her in Ice.

YuuRI is a regular guest wrestler from GanPro, and a former ICE Cross Infinity Champion.

Manami went straight at YuuRI from the jump and this was pretty much 12 minutes of them throwing bombs (and occasionally trying to squeeze the life out of each other) and suffering the effects. It fit well into increasing match intensity throughout the show, which of course is exactly what should happen.

Late match YuuRI survived a tombstone driver, but Manami finally kept her down with a gorgeous straightjacket German suplex for a big win. Respect shown with a big hug between the two afterward.

A hard hitting affair that made Manami look tough as hell to have defeated YuuRI. Completely different than anything else on the card, and all the better for it.

7) International Tag Ribbon Title Match: Hamuko Hoshi & Makoto (c) vs. Yuko Sakurai & Sumika Yanagawa 

This is Hamuko & Makoto’s third reign with the tag titles, and both have also held them with other partners as well. Hamuko had an additional six reigns with other partners and Makoto had an additional two.

Sumika is a former International Ribbon tag champ with Misa Kagura, who we’ll see in the main event. She is also the reigning Queen of JTO champion.

Yuko just recently won her first championship and is half of theWave Tag Team Champions with Yuki Miyazaki. Thrilled for her as Yuko’s a wonderful, sometimes underrated wrestler who’s easy to cheer for.

Makoto is a freelance regular guest (who originally started her 18 year career in Ice Ribbon). Hamuko is staying on the Ice Ribbon roster. Yuko is from COLORS and Sumika from JTO.

The challengers jumped the champs in lieu of handshakes for another appropriate quick start.

Hamuko was in wrecking ball mode, which is when she’s at her most awesome. Makoto has become a fun bully type vet primarily focused on trying to kick her opponents face off.

Sumika’s developed into a great submission wrestler and busted out some wild holds here. Yuko applied one of the most vicious looking dragon sleepers I’ve seen as well. Yuko gave as good as she got throughout. She hit a beautiful bridging suplex and a nice sitout facebuster for close near falls late match.

The champs’ hard hitting double teams ended up being the difference maker. They eventually retained with Makoto nailing a firman’s carry Michinoku driver on Yuko followed by a big top rope splash from Hamuko for the pin.

Yuko & Sumika are a good team and fought with ferocity that had the crowd pumped. This was all about the champs weathering the storm from a team giving them more fight than they might have expected. Excellent semi-main.

The champs strapped each others’ belts on afterwards. It’s a little touch that shows their pride in retaining them and support as a team.

I adored Yuko & Sumika together and definitely need to revisit numerous matches of theirs as a team I’ve missed. Would love to see them have a reign with these titles someday.

8) ICE Cross Infinity Title Match: Yuki Mashiro (c) vs. Misa Kagura 

Reigning champion Mashiro is participating as a freelancer (as of the end of October), and her challenger Kagura is from JTO.

Mashiro has had an incredible transformation over her career, and every stage has been something special. From the rookie who howled in pain when she chopped opponents, to the lovably goofy Gacha King, to the technical wizard who captured Ice Ribbon’s top prize she’s always been one to watch. Mashiro retired from wrestling in 2022 after a year and a half, but came out of retirement in early 2024.

I’ve always been a huge fan of Mashiro and was thrilled to see her return, and am equally thrilled she’s been continuing to appear in Ice Ribbon freelance. She’s also starting appearing in other companies such as Marigold.

Misa has been in tournaments for this title in the past, but this is her first time directly challenging for it. I haven’t seen her much, but remember her being solid from what I have seen of her. She’s one of those people with an infectious smile, and she came out with it beaming for this title match.

They went AT each other right away with a wild forearm exchange. All the matches have started hot without anything feeling repetitive, and the show has been an engaging breeze to stay invested in as a result.

A hilarious moment early on saw Mashiro try to double eye poke Misa, But the latter caught her arm and countered by stuffing Mashiro’s fingers back into her own mouth.

I hadn’t consciously noticed until a really cool shot in this match of Mashiro choking out Misa in the corner, but the camera work had some particularly good work all show. The mentioned low camera angle from the corner was great. They did occasionally cut to/away from it too quickly in succession making it overly noticeable and a bit distracting, but overall it was well done.

The challenger excelled when using her power and slight size advantage for devastating tackles and grinding away at the champ with leveraged submission holds. A brutal sitout spine buster delivered to Mashiro at one point looked absolutely devastating.

In contrast the champ used her explosiveness to create openings, and relied heavily on being tenacious and smart counter wrestling.

Either outcome felt possible, which I appreciate greatly in a main event. In the end Mashiro hit her cross legged suplex with a bridge to retain.

Happy Mashiro will apparently be sticking around.

Hell of a match that had a little bit of everything: heavy strike exchanges, submissions, power wrestling, brawling outside, and so on. Fantastic way to cap off the show.

Katsu came out post match and there’s Mashiro’s next challenger. That’ll work. Intense exchange and they have to be pulled apart. Match set for January 13th.

I see the post show crowd handshakes are back. Mixed feelings watching that from afar as someone dealing with chronic illnesses in a post-pandemic world. But it was always a fun thing and a cool way to show appreciation, and its absence was felt for the years they couldn’t do it.

Overall

This show was everything I like about Ice Ribbon and pro-wrestling in general. Well balanced and paced with a variety of styles done right and the lighter stuff in the undercard giving way to fraught battles for championships to end the show out. Everyone’s commitment and effort was plain to see, and this was an extremely enjoyable watch all around.

As promised here’s a list of the remaining ten woman post Ribbonmania Ice Ribbon roster: Tsukka, Hamuko and Ibuki Hoshi, Manami Katsu, Kyuuri, Totoro, Yappy, Tsukina Umino, Kaho Matsushita, and Kirari Wakana.

Looking forward to seeing what lies ahead.

Thanks to everyone who’s given this a read. 2024 was a sporadic return for this blog and I hope to have more regular updates going forward in 2025.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page.

Categories
Japan Wrestling

Pure Violence: Arisa Nakajima’s Retirement

August 4, 2024

Among near uncountable incredibly talented favorites of mine, there’s perhaps no wrestler who better encapsulates my time as a joshi wrestling fan in Japan than Arisa Nakajima.

Arisa was already a huge star who’d been wrestling for nearly a decade when I traveled to Japan for the first time in late 2015. Though I hadn’t seen any of her matches I was well aware of her reputation. She was already a two-time JWP Openweight Champion (of four eventual total reigns), and her battles with the equally tough as nails Kana (now WWE’s Asuka) were legendary.

I was also familiar with, and a big fan of, her tag partner Tsukasa Fujimoto from Tsukka’s appearance in Shimmer in fall of 2014.

So of all the wrestlers I’d be lucky enough to see live for the first time during that trip, I was far and away most excited about Arisa. Needless to say, she certainly didn’t disappoint.

I saw her wrestle for the first time in the main event of my fifth show in Japan, JWP’s 12/23/15 event . She faced Kayoko Haruyama, and made an immediate and lasting impression against her more veteran, larger opponent.

Arisa exudes self confidence and determination every second she’s in the ring. They beat the hell out of each other in a tremendous battle that confirmed everything I’d heard about Arisa and made her an instant favorite of mine.

Speaking of instant favorites, the same show was also my first time seeing Dash Chisako & Sendai Sachiko (the Jumonji Sisters). They were fantastic and my anticipation levels for their tag title match against Arisa & Tsukka (Best Friends) a few days later at JWP’s Climax 12/27/15 shot through the roof. It was amazing, and remains one of my favorite matches of all time to this day.

All in all I saw 84 matches featuring 144 different wrestlers during that first trip. Arisa was in all 3 matches at the top of my list of favorites (more on the third of those matches to come).

The trend of top tier matches would continue, with Arisa’s intensity and skill making her appearances highlights of every trip.

As luck would have it my next opportunity to see Arisa would come relativity quickly. A few months later I attended her first and only Shimmer weekend. It was her US debut, and it was really cool to see her compete in a different atmosphere against a variety of opponents she’d be unlikely to face anywhere else.

She had four matches over the course of the weekend, and made an immediate splash defeating former Shimmer Champion Nicole Matthews in her first match with the company. She also faced solid Shimmer mainstays Shazza McKenzie and Rhea O’Reilly on later volumes.

The true centerpiece of her weekend though was a Shimmer title match against reigning champion Madison Eagles. It can’t be overstated how special it was at the time to see the reigning JWP Openweight Champion coming into a US promotion and facing their top tile holder. It was a dream match for me, and they absolutely tore the house down.

Arisa’s intensity is ever-present. Her hard hitting style evokes a visceral response that draws fans into her struggles and battles.

Whether she’s displaying her deep technical prowess, breaking out the occasional high flying spectacle, or simply wearing her opponent down with a never-ending onslaught of brutal strikes, Arisa’s always captivating to watch.

Best Friends (Arisa Nakajima & Tsukasa Fujimoto) PSC by Juri H. Chinchilla.

I alluded to another top match from my first trip above, and it had long lasting influence on me in a number of ways. At Ribbonmania 2015 I saw Best Friends defend Ice Ribbon’s International Tag Ribbon titles against Misaki Ohata & Ryo Mizunami (Avid Rival). Misaki was another favorite of mine from her time in Shimmer, and seeing this particular group of wrestlers face off was such a treat. They’re two of the greatest tag teams of all time, and the chemistry they had was incredible.

The match was so special to me and made such an impression that when the teams were slated to wrestle a special three match series a year and a half after their initial encounter I made a specific trip to Japan planned largely around seeing two of the shows they were fighting on. The Ribbonmania match plus the best of three series were the only four times they faced each other, and they are all excellent contests well worth seeking out.

In addition, Misaki was an extremely similar wrestler to Arisa in terms of tenacity, style, and mastery of the German Suplex as a signature move. The rivalry the two had was enthralling, throughout interactions in both tag and singles matches over numerous years.

It’d be impossible to go through every single match of Arisa’s I adored. Just the small sliver of her career I was lucky enough to witness live is a treasure trove of impactful pro wrestling masterclasses.

A few more that are particularly fond memories for me include a war against cocky upstart Mio Momono (SEAdLINNNG 4/18/18), Best Friends against Kyuri & Maika Ozaki (Gekokujo, Ice Ribbon 12/24/17), and an underrated match of unusual pairings where Arisa teamed with Karen DATE against Misaki & Asahi (Ice Ribbon 10/8/18).

I haven’t been able to return to Japan since prior to the pandemic, so while I didn’t know it at the time Arisa’s main event against Yoshiko of SEAdLINNNG’s 1/24/2020 show would be the last time I saw her wrestle live. As far as an in person memory of her career, a big singles match against another major star of her current company is a good note to finish on.

Arisa’s retirement road has been as intense as the rest of her career. Tsukka made a temporary return from hiatus to properly send her partner off, and has been involved in several of Arisa’s last matches.

Getting to see Arisa cross paths with Mio Momono, Dash Chisako, and others one last time has been a blast. Best Friends also wrestled a number of dream matches on Arisa’s way out, including against Chihiro Hashimoto & Yuu (Team 200kg) and opposite Stardom’s ace Mayu Iwatani.

Arisa Nakajima’s final show will be SEAdLINNNG’s 8/23/24 event. She will wrestle twice and her last match is the main event teaming with Tsukka against Hiroyo Matsumoto & Hanako Nakamori.

While I wish Arisa could continue wrestling forever, she’s maintained an incredibly physical style for a long, wondrous 18 year career and no doubt has a long list of accumulated injuries to deal with. Stopping on her own terms is wise.

I’m grateful for all she’s done to entertain us fans and wish her all the best in life after wrestling.

Categories
Cards Japan Wrestling

Collecting Spotlight: BBM Women’s Wrestling 2024 Card Set

BBM releases yearly card sets for a variety of sports, and for over a decade I have been collecting their joshi wrestling sets. Here we’ll take a look at the details and differences in their most recent offering.

Known as True Heart until 2020 and simply Women’s Wrestling since then, these yearly sets focus on women wrestlers all across Japan. Most joshi wrestling companies and freelancers participate. The main exception is World Wonder Ring Stardom, whose roster members do not appear in these sets (Stardom has done occasional card based products on their own in the past).

There are also rare special sets released in addition to the yearly sets, such as the recent 2023 Ambitious. As opposed to the general random nature of packs and boxes, Ambitious 2023 was a box only release. Each box contained a complete 47 card base set, one of nine possible acrylic standee cards, and a small number of random chase inserts and signature cards.

The standard packing numbers for the last several years of Women’s Wrestling releases have been 6 cards per pack, 20 packs per box. Each box had some chase cards in random packs, with the chase card replacing one of the base cards (so you’re always getting 6 cards in a pack).

This release dropped from 20 packs per box to 18, but increased the cards per pack to 7. The seventh card in each pack is a one of the 24 “Kira” chase cards, shiny cards which feature a facsimile auto of the depicted wrestler. It’s a solid move for BBM, as now each pack has something a little special in it.

The other chase subsets in the 2024 set are a 9 card foil subset, and 19 “secret” chase cards (18 base card secret variants plus a secret card for Nanashi (“no name”)). The base cards generally feature two images of the featured wrestler while the various inserts highlight a single pose, headshot, etc. There tends to be 3 foil and 3 secret cards per box.

An assortment of base cards from the 2024 set.

The yearly base set varies in size each year to reflect new wrestlers, retirements, occasional special cards for tag teams, and so on. There are a lot of joshi wrestlers active in Japan and these are not small sets. The 2024 base set consists of 156 cards, which is a little over a box and a half of base cards (if no duplicates were drawn).

One of the main draws of the sets are the special randomly included cards signed by the wrestlers. This year there are 3-4 sig cards per box.

Anecdotally, for several cases I’m aware of, there were exactly 3 boxes in the 12 box case that had 3 sig cards with the remainder having 4. So it seems like a pretty stable 75% of boxes have 4 sig cards and 25% have 3.

These autographed cards are numbered and there’s generally around 100 of each base version. The vast majority of the base sigs cards this year are on card signatures (with stickers only used for included wrestlers currently based overseas), which is great.

The base signature card design this year is very simple, but I personally like them a lot. The focus is firmly on the wrestler and their signature, and having a fair bit of white background on them makes the insert variants with fully colored backs contrast more.

The 2024 set has signed secret variant cards for the wrestlers who have secret base versions. These are limited/numbered to 90. The foil insert subset has associated signature cards numbered to 60 each.

There are also a small number of “super secret” signature cards. Aja Kong has one limited to 30 copies, while five other wrestlers have versions limited to 10.

Stickers were used for all of the insert autos, which isn’t ideal but is understandable as they’re going for a certain look with these and the stickers limit signatures to a confined area on the card. All of the various insert autos this year look stunning.

The last chase items to talk about are chekis: mini polaroids of the wrestlers signed and sometimes decorated by them. There are generally 10 for each wrestler who does them (not everyone in the base set does), with a few wrestlers doing different outfits and having a total of 20 this year.

In past years chekis were generally extremely stable pull rate-wise at 3 per case (or 1 per 4 boxes). This year it has dropped to 2 per case (1 in 6 boxes). While they are among the most rare inserts to try to collect, they’re wonderfully unique and a focus of my personal collection.

So that’s it for my breakdown of this year’s BBM Women’s Wrestling release. I wish anyone who decides to collect some of this fun set good luck with their pulls and pickups.

Categories
Art Wrestling

Ice Ribbon’s Bridge to Dynamic Illustrations: The Art of Yappy

I’ve written a lot about art I collect of several of my favorite professional wrestlers from a variety of artists. A couple years ago, in Another Wonderful Way Pro-Wrestling is Art 3, I briefly talked about an unusual case: one of those wrestlers is a wonderful artist herself. Yappy has done a number of pieces of her coworkers (as well as self portraits) and today I’ll be spotlighting more of her work.

Yappy has been wrestling for a women’s wrestling company in Japan named Ice Ribbon for nearly five years. She has a naturally upbeat and energetic personality that translates into engaging ring charisma and fun matches. She’s a huge part of Ice Ribbon’s interactions with foreign fans, from explanatory videos to spearheading their international store, and has appropriately nicknamed herself Ice Ribbon’s Bridge to the World. Her soon to return Weekly Ribbon Unravel YouTube show highlights general happenings in Ice Ribbon in English for a foreign audience.

Ice Ribbon’s ace Tsukasa Fujimoto.

Yappy’s larger pieces are wonderfully dynamic, with a strong sense of style and motion to them that beautifully captures the personality of her subjects. The above rendition of Ice Ribbon’s ace Tsukasa Fujimoto is also carefully accentuated by metallic highlights that really bring it to life.

Yappy has also done pieces of (now former) regular guest participants such as former ICE Cross Infinity Champion Saori Anou and former multi-time International Tag Ribbon Champion Maika Ozaki.

I adore playing card style art, and Yappy’s Queen of Foxes illustration of Anou is so creatively done. The regal pose is perfect for the concept, and it’s finished with the same type of great shimmering metallic highlights as the Tsukka piece.

Maika’s piece is adorable and colorful, showing the cute side of one of joshi wrestling’s strongest powerhouses.

One of my favorite illustrations Yappy’s done is Ice Ribbon’s Totoro Satsuki with their mascot Ribbonne in a tribute to the wrestler’s namesake, Studio Ghibli’s animated classic My Neighbor Totoro.

Totoro Satsuki and Ribbonne.

One of the coolest things about Yappy’s art is her willingness to experiment and the resulting variety of styles she can work in. Her joyous black and white illustration of Saran feels quite different from her colored work, but is just as engaging.

Another great example of this is her playful, comic strip style depictions of her interactions with former Ice Ribbon wrestler Nao Ishikawa.

Yappy and Nao Ishikawa.
Tequila Saya illustration by Yappy for Charles Short’s second Ice Ribbon book.

Yappy did a series of illustrations for Charles Short’s second book about Ice Ribbon, titled Wonderland. These portrayals show off her range, as the chibi influenced versions still capture the essence of the wrestlers’ likenesses and charisma.

Tsukina Umino
Kaho Matsushita

The last batch of art I’ll spotlight here is Yappy’s art nouveau pieces. Three pieces in total (more on that to come), they are extremely striking and pop with color to make an immediate impression.

Yappy incorporated wonderful detail into these. Ice Ribbon’s Mugendai (“infinite potential”) Girl Kaho Matsushita’s has an infinity motif, and Tsukina Umino’s other job as a murder mystery game GM heavily inspired the theme for her piece.

——-

More information about both Yappy’s art and her wrestling can be found on her social media.

There’s one more wonderful art nouveau piece to discuss, left to last because there’s unfortunately some sad news that now goes along with it. In early February 2024 Actwres girl’Z reported a 21 year old wrestler named Asahi had unexpectedly passed away. Asahi started her career in Ice Ribbon and was a dear coworker and friend to Yappy. She was also a personal favorite of mine, being a joy to watch in the ring and an inspiring presence in general. Yappy’s incredible rendition of the Sunrise of Hope that originally started her art nouveau series is cherished momento of someone gone far too soon.

Rest in Peace Asahi.

Categories
Art Cards Comics Japan Wrestling

Captivating Color: The Art of Miki Okazaki

It’s always exciting for me to discover new artists whose work jumps out and appeals to my personal artistic preferences. Today I’d like to highlight the striking art of Miki Okazaki.

Ghost Spider and Gwen Stacy sketch cards from Upper Deck’s Into the Spider-Verse set, and a recently pulled Rokurokubi sketch card from Iconic Creations’ Yokai Parade set. All by Miki Okazaki.

The first time I saw any of Miki’s art was on sketch cards for Upper Deck’s Into the Spider-Verse card set. It made an immediate impression and had an air of whimsy, and when I followed her on Instagram and found out she was open for commission at the time I jumped at the chance to add more of her work to my collection.

Among the various subjects I collect art of, two of the biggest are joshi pro-wrestlers and Marvel’s Mystique mid-transformation. In my first batch of commissions from Miki I was able to add wonderful pieces to both collections.

For the incredible Mystique as Silk sketch cover she did for me I specified only the subject. The composition and other specifics were left up to Miki, and she knocked it out of the park with a great dynamic pose and overall awesome general feel.

Miki’s Mystique/Silk cover on display with Silk sketch cards by Effix, Fred Ian, Marcia Dye, and Ash Gonzales in a custom light up frame by Dion Divens.

It’s a great example of her general style with coloring that really pops and a bunch of cool small details, like the exact way things are split between Mystique and Silk around the face and hair, that enhance the overall effect.

I am a huge fan of Japanese women’s professional wrestling, and have an extensive collection of personal sketch cards (PSCs) I’ve commissioned of many of my favorites, including quite a number from Juri H. Chinchilla (whose art I’ve discussed extensively in Beautiful Dreams, Beautiful Dreams 2,Beautiful Dreams 3, and Beautiful Dreams 4).

I was thrilled that Miki was open to doing some of these for me, and my first requests were a combination of wrestlers I’d planned on having done for quite a while in Ice Ribbon’s Kyuri & Maika Ozaki, AEW’s Hikaru Shida, and Marvelous’ Mio Momono & Maria, a perennial favorite in WWE’s Asuka, and even a brilliant up and coming rookie in Gatoh Move’s Miya Yotsuba.

She did an outstanding job with the unfamiliar subjects, and this became just the first of several batches of joshi PSCs I would get from her over the course of 2023. The joshi cards really illustrate Miki’s ability to apply her personal style to her art while still really capturing the essence of the subject.

The next batch included Yappy & Banny from Ice Ribbon, Momo Watanabe from Stardom, Emi Sakura and Best Bros (Mei Suruga & Balliyan Akki) from Gatoh Move, and TJPW’s announcer Sayuri Namba. These are all excellent and the coloring and highlighting really stand out in this group. The backgrounds are masterfully vibrant in a complementary way that doesn’t overwhelm the wonderful depictions of the wrestlers.

Finally around the end of the year I had cards done of TJPW’s Free Wi-Fi (Hikari Noa & Nao Kakuta), and Daisy Monkey (Suzume & Arisu Endo), another up and coming Gatoh Move rookie Nonoka Seto, WWE’s reigning Women’s Champion Iyo Sky (formerly Io Shirai), Stardom’s Yuna Mizumori (formerly of Gatoh Move), and freelancer Momoka Hanazono.

The detail on these is particularly fantastic, and it’s was really cool to see how Miki’s style evolved over such a short period. I know I’m repeating myself to the point of sounding like a broken record, but once again the coloring is impeccable and perfectly spotlights the subjects.

The Nonoka Seto card is particularly special from a few reasons, from the awesome way Miki captured her pointed finger pose in shadow even though the arm is out of frame to the fact that it’s a companion piece to the card Miki did for me of her sister, fellow Gatoh Move wrestler Miya Yotsuba.

I greatly appreciate all the art Miki has created for me and I hope to continue collecting her work in the future.

More information about Miki’s wonderful art can be found on her social media pages.

Categories
Japan Reviews Wrestling

Wonderland: The History of Joshi Pro-Wrestling Ice Ribbon 2016-2021 Review

Disclosure: The author of this book is a friend of mine and introduced me to Ice Ribbon years ago. This has had no influence on the opinions in this review, although obviously my status as a fan of the promotion does affect my appreciation of the subject matter.

This is Charles Short’s second book about Ice Ribbon. Please also check out my review of the first, Be Happy.

Ice Ribbon is a women’s professional wrestling company based in Tokyo, Japan that approaches wrestling in an accessible way to be fun for both the audience and performers.

Wonderland opens with a foreword from Ice Ribbon’s ace Tsukasa Fujimoto herself and a solid section of bios with pictures for all of the Ice Ribbon roster members during the covered time period, before heading into the results section that comprises the majority of the book.

The results section is an incredibly detailed chronicle of match outcomes that picks up immediately after last book and goes 5 years and change through Ice Ribbon’s 15th Anniversary show in early August 2021. It not only covers results for all Ice Ribbon events, but also every match members of their roster participated in for other companies.

The amount of specific information provided and the meticulous record keeping it entails is incredibly impressive. Extensive context is included from match times to attendance figures and even things like when originally scheduled matches were changed (due to injury/illness/etc).

The time period covered in Wonderland is particularly interesting to me as I was attending a lot of Ice Ribbon shows live during this period. It’s really cool to revisit a snapshot of this particular time in the company’s existence.

A number of major moments in Ice Ribbon’s history are covered, including Tsukushi’s re-debut and Giulia’s departure. Short approaches everything without sensationalism or rumor, covering things in detail but appropriately keeping to the factual happenings known to the public.

The book features a number of wrestlers who have gone on to wrestle for other companies, which may be of particular interest to those familiar with their later work and wanting to learn about those wrestlers’ history.

Ease of reference and reading is incredibly important when presenting the sheer amount of data contained a volume like this. Like with Be Happy, and perhaps to an even greater extent, the careful formatting, interesting ancillary information, and inclusion of a variety of pictures keep everything accessible and engaging.

There are also several wonderful little touches that make the book special. One of the coolest is stylized section illustrations by Yappy, who is a talented artist in addition to being one of Ice Ribbon’s own wrestlers.

Tsukasa Fujimoto illustration by Yappy.

ThoughWonderland covers five years of the company compared to the first book’s ten, it ended up being longer (including over 150 more pages of content after the results section, compared to Be Happy’s 40). This is due to more context and detail added to returning information sections like title histories, as well as greatly expanded pictorial sections.

A huge variety of event posters, banners, wrestling gear, and merchandise is displayed with explanatory context notes as appropriate. As with Be Happy all of the pictures are in black and white, but that does not diminish the treasure trove of stuff to look through.

The book wraps up with a section featuring career summaries for wrestlers and staff that retired during the subject time period. Like the rest of the book, these are thorough, well presented, and quite informative.

At its heart Wonderland and its predecessor are reference books, and milage will vary with an individual’s interest in this unique little joshi wrestling company. But for anyone with even the smallest bit of curiosity about Ice Ribbon or the wrestlers who worked for it during this time the book is so well done and so overflowing with carefully assembled and interesting information it’s really a must have.

Categories
Japan Wrestling

Eternal Sunrise

Heartbreaking news is not how I intended to return to blogging (and my previously planned posts will be coming soon). But tragedies are all too often completely unexpected, and I feel compelled to share some words of personal remembrance of a wrestler who meant a great deal to me as a fan.

Actwres girl’Z has shared that one of their performers, 21 year old Asahi, has unexpectedly passed away (no other details have been shared: please respect the privacy of her grieving family, friends, and colleagues).

Asahi debuted for a promotion named Ice Ribbon in August 2017. The then 14 year old faced wrestling legend Manami Toyota in her debut match. I was lucky enough to attend that show live, and was impressed with the sense of determination and resiliency Asahi showed.

The wrestler who would eventually be nicknamed The Sunrise of Hope became an absolute favorite of mine, and it was a joy to see her evolve and grow as her career progressed. She put her heart into her matches, was technically skilled, and most importantly was just flat out fun to watch.

One of my favorite memories of the emotion she put behind everything is a bit of an odd inclusion here, as it never really made tape. But it’s such a vivid memory to this day I’d like to share it.

At a show in early 2019 Asahi was part of a P’s Party themed team, alongside fellow rookies Tequila Saya and Giulia, going against then Ice Ribbon veterans Risa Sera, Maya Yukihi, and Akane Fujita. It was an elimination match with special stipulations, and by the end P’s Party had the unlikely advantage as it was down to Asahi and Giulia against Akane. Asahi had Akane on the verge of elimination and was slowly grounding her senior down, only to be shoved away at the last second by a partner who wanted the glory for herself. P’s Party won, but Asahi was betrayed all the same. What followed was intense, and only a tiny snippet made it to the video of the event.

From my recap of the event:

“Asahi stares a HOLE through her so called partner, and then goes CRAZY trying to claw and scrape her way to attack Giulia requiring three others to hold her back until finally Tsukka comes in to calm her down. Fantastic fire from Asahi here, and there was more story and character conveyed in these 30 seconds than I’ve seen in entire shows.”

No matter what type of moment, Asahi always vividly conveyed her emotions with captivating charisma.

Another special memory for me was getting to see her wrestle another of my favorites, Misaki Ohata, at a P’s Party show in a great match seeing Asahi throw everything she could at her vastly more experienced opponent.

I have not been able to return to Japan since before the pandemic, so the final times I was able to see Asahi wrestle live were Ribbonmania 2019 and one dojo show a couple weeks later. Her being victorious in the tag team gauntlet and then later part of Tequilia Saya’s retirement match in the main event are happy memories.

In Spring of 2023 Asahi left Ice Ribbon to go to Actwres girl’Z, a company with a more theatrical based approach to wrestling related entertainment. She was a good fit and I recommend checking out her work there as well.

It’s heart wrenching to try to process the loss of someone so young, with a seemingly bright future ahead of her. Farewell, our dear Sunrise. You will be remembered, and missed.