Categories
Japan Reviews Wrestling

SEAdLINNNG 8/24/17 Live Thoughts

August 24, 2017 in Tokyo, Japan

 

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During my first trip to Japan in 2015 my favorite match (well tied with one other) featured two incredible tag teams going full throttle competing for Ice Ribbon’s International Tag Ribbon Championships at Ribbonmania. When a best of three series of rematches (one hosted by each wrestler’s home promotion) was announced I was beyond excited, and ended up lucky enough to be able travel to see two of those three starting with here at my first ever SEAdLINNG show.

Although despite it being my first show under the SEAdLINNNG banner, I had previously seen all but two of the wrestlers live before, and that includes several personal favorites. On the other hand, one of the new to me in ring competitors is someone I have a large issue with watching/supporting and I feel I need to say something here. I had (and still have) mixed feelings about attending shows Yoshiko’s on, and I’m even more conflicted on her return to wrestling after eerily similar recent events with Sexy Star. There are a number of different angles and components that get into this (that I won’t expand upon here because it’d be longer than the review I’m trying to write), but for now I’ve chosen not to skip shows/matches she’s on in favor of supporting the other wrestlers on the shows (and for admittedly selfish reasons of not wanting to miss certain matches).

 

Alright, on to the show:

 

1) High Speed Match: Manami Toyota vs Maruko Nagasaki vs Kaho Kobayashi 

 

 

This was an amusing opener centered around the legend having some difficulty with the match concept (super quick counts and covers only valid after some sort of running move from what I could tell) and getting annoyed with special referee Natsuki Taiyo. She eventually adapted and outlasted the youngsters, picked up the win, then sold being exhausted from so much running. Amusing, particularly in watching Toyota’s protege Tsukka crack up at ringside at the various antics. 

 

2) Ultra U-7 Semi-Final: Yoshiko vs Mio Momono 

 

 

I hate to admit it given my previously mentioned personal bias, but Yoshiko was awesome here and this was easily the second best match of the night. She was a perfect monster for Mio attempt to outlast while just refusing to stay down under the larger, more experienced wrestler’s onslaught. The crowd was evenly split between heavy home promotion support for Yoshiko and visiting Marvelous fans (like me) going nuts for Mio. They went to time limit, then overtime where only a two count was needed. The heat for the nearfalls during that final portion was insane.

As I’ve previously gushed about, Mio is just incredible and shines even among the impressive crop of current Joshi rookies across all companies. Her timing, mannerisms, and technique are all well beyond normal for her experience level and she just keeps getting better every time I see her. Sky’s the limit if she keeps on this trajectory.

 

3) Ultra U-7 Semi-Final: Takumi Iroha vs Sareee 

 

 

The second semi-final also featured a Marvelous wrestler against a SEAdLINNG talent. Iroha’s incredible power eventually overwhelmed Sareee to send the former to the finals for another interpromotional match. This was quite good, but I do feel like they have a better match in them. I hope this rivalry continues and we get to see many more contests between the two.

 

4) TLC Match: Nanae Takahashi vs The Great Sasuke 

 

 

I found out about this match just a couple of days before the show, and what a treat it was to be there for. It exactly what it should have been: a spotfest featuring two honored veterans. I have to say even with all the crazy stunts and complicated ladder/chair spots, my favorite was a comedy one. Nanae was in the corner under a ladder and Sasuke essentially played whack a mole with a chair trying to hit her head whenever she poked it up between the rungs, only to have her duck back down and Sasuke hurt his own hands as the chair hit the ladder.

 

5) Best Friends (Tsukasa Fujimoto & Arisa Nakajima) vs Avid Rival (Misaki Ohata & Ryo Mizunami) 

 

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So here we are – the reason for this trip. Going into this match Avid Rival was up 1-0 in this series of 3 (having won at Wave on 8/12 in a match I haven’t seen), and things were tied between the teams overall if the first match in 2015 was considered.

 

 

As expected, this was excellent. The lack of finish (time limit draw) and time spent on some comedy put this just a touch below the other match I had seen from them, but that’s mild criticism. Best of the night and exactly what I was hoping for from two of the greatest teams in all of wrestling.

 

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Neither team was happy with the lack of resolution, and there was tension between the specific pairs of Ryo & Tsukka and Misaki & Arisa afterwards building to the final match at Ice Ribbon a few days later.

 

Main event) Ultra U-7 Final: Yoshiko vs Takumi Iroha

 

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It was fitting to have this main, given Best Friends vs Avid Rival didn’t have a finish and how over Yoshiko is in SEAdLINNNG. Her essentially being a heel who plays to the crowd is so uncomfortable. Don’t know if it was because of how engrossing Mio’s matches are or just the general structure, but I found it harder to look past my personal feelings on Yoshiko in this one. They still put on a hell of a match though. Good showing for Iroha in defeat in a back and forth power match. I wish Iroha had won for a multitude of reasons, one of the most relevant of which is a young outsider taking the tournament seems like a better story. Strong finish to the tournament regardless, and a large portion of the crowd was thrilled.

 

 

Great show overall, and an extremely good first impression made for SEAdLINNNG. Of course my favorite parts involved outside talent (and the resulting atmosphere, due to the rabid support of the Marvelous contingent), but the core roster members are also great wrestlers and a solid base to build around. Will be interesting to see more in the future.

 

Categories
Japan Reviews Wrestling

Gatoh Move 8/26/17 Live Thoughts

August 26, 2017 in Tokyo, Japan

Gatoh Move’s Ichigaya shows are always unique and interesting given the venue (with small space and lack of ring) and how the performers use and adapt to it. For more detail see my previous reviews. Being summertime the building was a hotbox, but a slight cross breeze from the open window frames and cold packs handed out as the show began helped a lot (Gatoh Move is incredibly considerate and thoughtful of its fans in things like that).

As usual for Gatoh Move the show opened and closed with a song/dance, but Emi sat out this time. The opening was a solo by Aasa and the closing performed by her, Riho and Kotori. The card looked interesting, with a big tournament main event, a men’s match to open, and several “outside” guests (perhaps in place of Obi, who’s out injured, and Mitsuru, who couldn’t make this event – hope to see both back soon).

Pictures are not allowed during the show but can be taken afterward, so my pics here won’t contain anything from the matches and will only be of the roundtable and dancing following the shows.

 

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First was Masahiro Takanashi  against Yamada Taro. This was a great example of the different styles that can work in Ichigaya Chocolate Square’s unique environment. It was near entirely grapple based, with the combatants trying to out power each other on the mat. Solid, interesting opener.

Up next was a tag match of Kaori Yoneyama & Emi Sakura vs Riho & Saki. Little touches like Emi’s glare as Riho was introduced as Gatoh Move’s Ace and somewhat of a heel edge shown by Kaori & Emi gave this additional depth. This was a hard hitting, back and forth encounter with some ref involvement in the finish as he was out of place and used to trip Saki into a pin by the crafty veterans, giving an out to Riho & Saki and seeming to set up additional angles during the roundtable.

 

 

 

The main event was the second semi-final of Gatoh Move’s title tournament to determine who would face Riho in the finals at their September Greenhall show.  Kotori vs Aasa was appropriately treated like a big deal and felt important. The outcome was never really in doubt with Kotori on a march to face her tag partner in the finals, but they did an excellent job building drama for near falls regardless and put on a main event that is a testament to their skill even at relatively short times in wrestling.

They went right for each other from the first second in another match that made good use of the environment yet felt different from the other two on the show. I continue to love Aasa’s gimmick, and her energetic onslaught trying to overwhelm the more experienced Kotori was a perfect story for the match as the latter was forced to get creative in countering Aasa’s exuberance. One particularly great spot involved them fighting out the window then running around the building back through the door. Kotori entered first and tried to ambush Aasa, but the latter just BARRELED through Kotori with one of her Vader splashes instead. As expected Kotori eventually prevailed, and she beamed pride throughout the roundtable and even during the meet and greet afterward while Aasa did likewise with little spots of disappointment and despondence. Great touches from both. Koroti vs Riho to crown a champion should be great.

 

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I enjoyed this from top to bottom as it had three diverse, very good matches. Fun time.

 

 

Categories
Film Japan

Japan Cuts 2017: In This Corner of the World Review

Japan Society’s annual Japan Cuts Film Festival for 2017 started on July 13th and ran through July 23rd. My thoughts on 2015’s festival can be read starting here and on last year’s starting here. This year I’ve previously seen and reviewed Mumon, Tokyo Idols, and The Tokyo Night Sky is Always the Densest Shade of Blue.

 

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Town of Evening Calm, Country of Cherry Blossoms is one of my favorite manga of all time. Fumiyo Kōno’s tale of life in the shadow of the nuclear bombs during the following decades is thoughtful, informative, and masterfully told. So I was extremely interested when I found out that her other work about the war was being adapted into an animated movie, and pleased when I found out Japan Cuts would be screening it.

The scope of In This Corner of the World is likewise how the war affected everyday life in Japan, but this time Kōno presents a picture of gradual effects and changes, as well as point of view of average people, leading up to and during the war.

The focal point is a young woman named Suzu who goes through school, gets married, and joins a new family against the backdrop of increasingly dire world events. There’s a wonderful use of time passage to illustrate key aspects of the story. The viewers are given little glimpses of both significant and mundane experiences to establish the status quo of Suzu’s life at different stages. The careful balance of light, amusing moments and interactions of normal life, the adjustments forced by the background war, and the more heartbreaking, “gut punch” events and realities of war combine to form a genuine feeling, important look at a dark time in world history.

The knowledge of what’s going to happen to Suzu’s hometown of Hiroshima tensely looms over the movie and the lives observed. Seeing their everyday concerns and normal worries (including arranged marriage, growing up, self-doubt, etc) intermixed with those of life and death makes the war less abstract in an important way. As such there are certain things that can predicted (yet still have enormous impact when they happen) and others that are still complete shocks and upend the viewers’ expectations. The film is frank in its depictions without anything feeling exaggerated or exploitive. The reality of the war and dropping of the atomic bombs is more than horrific enough. The numerous effects, physical, emotional, societal, etc, all creep into Suzu’s life in harsh ways that are allowed to resonate with the viewer due to the film refusing to shy away from showing the impact they have on the attitudes and outlooks of those affected. The actual violence shown differs in graphicness, often focusing more on the aftermath yet occasionally presenting graphic details for emphasis in certain situations.

The animation is gorgeous and perfectly captures Kōno’s drawing style and adapts it for film and motion. The color palate is beautiful and helps to draw viewers completely into the narrative. Producer Taro Maki mentioned it was well researched to be historically accurate in the representation of scenery.  The contrast of soft visuals depicting often horrific and tense events and situations works quite well to highlight the themes and emotions the film means to convey.

 

Producer Taro Maki was excellent during the post viewing Q&A, responding well to sensitive topics (including the fact that the everyday citizens of Japan would have been informed by propaganda and not aware of larger world events, leading to the presence of points of view in the film some audience members incorrectly took as biased endorsements of Japan’s side) as well as sharing interesting insight into the crowdfunding aspects of the film’s production. His appearance was somewhat of a full circle for me, as I saw a screening of Millennium Actress many years ago that he also attended and held a Q&A at.

 

In This Corner of the World is opening for limited theater release in the US on August 11. It’s both excellent and important. I highly recommend seeing it if you can.

Categories
Japan Reviews Wrestling

Japan Trip 2016: Top 10 Matches Part 2 (Live)

Like last year, I was lucky enough to spend two and a half weeks in Tokyo to close out 2016 / start 2017. Here I’ll be going over my top 5 matches from this year’s trip. See part 1 for some general info and stats about what I saw, honorable mentions for this top 10 list, and matches #6-10.

Match reviews copied/modified from my show specific blogs when possible/appropriate.

I’m pleasantly surprised at how many rookies made this top 10. I did a spotlight on several of them, all of which have bright futures ahead. Check it out here.

 

5. Mio Momono vs Mika Shirahime – Marvelous 12/25/16

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I mentioned this match when talking about Mio’s performance in the 7-way at Ribbonmania (#7 on this list, featured in part 1). It was a perfect storm of excellent chemistry between opponents and both performing at a level far beyond their experience levels. Incredible instincts and craft were shown by both rookies, who built drama expertly through the 15 minute encounter and had the crowd going crazy at the end. There were a couple awkward spots, such as an instance from each where they essentially forgot to roll up their opponent, forcing the other to kind of roll herself up and wait for the other to get in proper position. But otherwise this was smooth and well executed. And even in the places I mentioned the ability of the other wrestler to adapt and keep things on track was impressive.

I was at Mio Momono’s debut in New York, and it’s wonderful to see how much she’s capitalized on the potential she showed even then. Her progression in 10 months was incredible. Can’t wait to see what the future holds for this extremely talented youngster.

 

4. International Ribbon Tag Championship: Avid Rival (Misaki Ohata & Ryo Mizunami) (c) vs The Lovely Butchers (Hamuko Hoshi & Mochi Miyagi) – Ice Ribbon 12/31/16

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Photo by Oliver Saupe.

 

I was a bit trepidatious headed into this match, as I generally don’t care for the Butchers’ gimmick, and signs seemed to be pointing towards them dethroning my current favorite tag team for IR’s tag team titles. Mizunami won Wave’s (her home promotion) singles title the night before, and Misaki was declared her #1 contender. Between the roll the Butchers had been on and the new status quo in Wave, it would have made sense for AR to begin dropping their tag titles here (they held the Wave tag titles too).

But I find Hamuko and Mochi vastly more entertaining when they get serious, which they did here to great benefit. They went toe-to-toe with Misaki and Ryo, leading to an excellent match. A particular highlight was an intense lariat exchange between Hoshi and Mizunami, who both throw them with incredible force.

In a pleasant surprise for me, Avid Rival persevered and retained their International Ribbon titles when Misaki hit her beautiful Sky Blue Suplex (bridging half wrist clutch tiger suplex) on Mochi. Kudos to all four here. Fantastic stuff.

 

3. IWGP Heavyweight Championship: Kazuchika Okada (c) vs Kenny Omega – NJPW 1/4/17

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The so called “Six Star Match” was admittedly fantastic, if not quite what the hype suggests. Okada and Omega built to a tremendous crescendo while telling a solid story of the cocky Omega being assured victory if he could hit the One Winged Angel, with the champion avoiding it at every turn until he simply outlasted the challenger and beat down Omega until he just couldn’t continue. They had a good first half of a match that felt largely unconnected to the phenomenal second half once they really kicked into gear.

Again still excellent overall though (which should be an obvious opinion with it here at #3 of 71 matches I saw), it’s just I personally don’t think it was the best match of all time up to that point, considering I didn’t even think it was the best of that show…

 

2. World of Stardom Championship: Io Shirai (c) vs Mayu – Stardom 12/23/16

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In the main event of last year’s Climax Io Shirai claimed the World of Stardom title from  Meiko Satomura in one of my top five matches from that trip. In this year’s main she defended that same title against her former Thunder Rock partner Mayu Iwatani.

This was a great, pedal-to-the-floor main event with tons of jaw dropping exchanges from two pros extremely familiar with one another. Highlights include Mayu hitting dragon suplexes on the apron and floor (ouch!), trying for one from the top rope only to have Io flip out and LAND ON HER FEET, and a trio of rolling Germans from Io that has to be seen to be believed. Strong back and forth contest and an incredible main event.

 

1. IWGP Intercontinental Championship: Tetsuo Naito (c) vs Hiroshi Tanahashi – NJPW 1/4/17

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… so here it is. In what I’m sure will be a largely disputed opinion I enjoyed the semi-main of Wrestle Kingdom 11 a bit better than the main. Naito and Tanahashi built an amazing back and forth struggle from start to finish. The tension gradually ramped to build to a perfect crescendo. Naito is in such command of his character now and the little touches he brings to his performances are a joy to see. Tanahashi is as always wrestling’s rock star. Definitive win for Naito too, which was 100% the right call.

 

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That does it for this trip. Hope you enjoyed reading about these great matches. Everything I’ve mentioned is well worth seeking out if possible.

Categories
Japan Reviews Wrestling

Japan Trip 2016: Top 10 Matches Part 1 (Live)

Like last year, I was lucky enough to spend two and a half weeks in Tokyo to close out 2016 / start 2017. During this trip I saw 12 shows from 7 promotions with 71 matches featuring 148 wrestlers.

Slightly less shows and matches than the first trip, but interestingly because of adding in NJPW Wrestle Kingdom (with it’s 11 matches and entirely filled with wrestlers I wouldn’t otherwise see during my Joshi-centric schedule) I actually saw a few more different wrestlers this time.

Here’s a breakdown of matches by company: Gatoh Move: 14 matches, Ice Ribbon: 19 matches, Marvelous: 6 matches, New Japan Pro Wrestling: 11 matches, Pro Wrestling Wave: 8 matches, Tokyo Joshi Pro: 7 matches, and World Wonder Ring Stardom: 6 matches.

Happily, once again the vast majority of what I saw was extremely good. So it was VERY difficult to choose my favorite matches. In fact, things were so close this year I’m doing a Top 10 instead of 5. Even then there are still a lot of worthy wrestlers and matches that won’t be mentioned here, and the order is highly subject to change.

Match reviews copied / modified from my show specific blogs when possible/appropriate.

I’m pleasantly surprised at how many rookies made this list. I did a spotlight on several of them, all of which have bright futures ahead. Check it out here.

This entry will cover honorable mentions and #6-10.

 

Honorable mentions:

Survival Ribbon – Ice Ribbon 1/3/17 

Ice Ribbon’s entire 1/3/17 event gets a mention here, as everything was connected and the appeal was in the whole concept and execution rather than an individual match. Two teams of six were formed, split based on time in IR, with opposite team members randomly paired off in singles matches with the winners advancing to a tag main event. The atmosphere was incredible, with both teams at ringside cheering their side vocally and some fun pairings. Fantastic themed show.

 

Kairi Hojo vs Nana SuzukiStardom 12/22/16

In her debut match model Nana Suzuki got to get in the ring against one of Stardom’s aces, Kairi Hojo, in a singles contest. Nana actually played her role as an overmatched but determined underdog well and the match was quite good. Kairi rightly dominated most of this, but the story was well told and Nana got the crowd behind her comeback spots. Nana seems like she could make the transition and wrestle regularly if she wants to.

 

Misaki Ohata 10th Anniversary Match: Misaki Ohata & Mayumi Ozaki  vs Hiroyo Matsumoto & DASH Chisako – Wave 1/2/29/16

As no Sendai Girls shows fit my schedule, it was a real treat to see Dash chosen to be a part of this match (which I was already excited for as Misaki’s a favorite of mine) and thus give me one opportunity to see her wrestle. This was a fitting and fun “tribute” match.  All four wrestlers were clearly enjoying themselves, particularly Misaki having an absolute blast playing heel alongside Ozaki.

 

Top 10:

10. Ice Cross Infinity Title Tournament Finals: Tsukasa Fujimoto vs Risa Sera – Ice Ribbon 12/31/16

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Technically speaking, I thought this was a great match. It would likely be even higher on the list if not for the atmosphere and lack of crowd heat, as I thought it was pretty much the epitome of the “wrong match for the wrong crowd.” More specifically, it was the wrong match for the story they chose to tell.

It was instead exactly the match they should have had under the original trajectory of Tsukka’s title reign. This match would have been PERFECT as the end of Tsukka plowing through everyone else on a quest to best her own defense record just to run into a determined Risa dead set on proving she could reclaim her title from the woman who dethroned her.

However without Tsukka’s streak still in tact to add drama and uncertainty not one person in arena bought a Tsukka win here. The tournament was sold on the possibility of the unexpected, which made a back and forth contest between determined rivals the wrong framework for the finals. Both competitors should have been conveying desperation here (or better yet someone else should have advanced to face Risa, or the whole tourney been skipped). All that said, the wrestling itself again was great. And this will likely play better on disc.

 

9. Gatoh Move Tag Team Championship: Aoi & Obi (c) v Riho & KotoriGatoh Move 12/24/16

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Aoi is a personal favorite of mine, and this was unfortunately the only chance I had to see her wrestle this trip. Thankfully though it was a main event match in with three other excellent wrestlers, and as such was great.

Both teams were sharp and this was exactly the quick paced, hard hitting main event it should have been. Kotori having a bit of a chip on her shoulder and something to prove was a nice undercurrent, and Riho and Aoi had some fantastic exchanges down the stretch.

 

8. Team REINA (Makoto, Mari Sakamoto, & Hirori) vs Team Gatoh Move (Emi Sakura, Aasa Maika, & Mitsuru Konno) – Gatoh Move 12/24/16

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This 6-woman tag was elimination style, with over-the-top rules in addition to pin/submission. Interesting set up here, with Gatoh Move’s founder and two of her trainees against Reina’s reigning Champion (who was also GM’s IWA Triple Crown Championship) and two of hers. I’d of course seen Emi and Makoto last trip, and also saw Mari when she came to New York with Syuuri last year. Hirori, Aasa, and Mitsuru were all new to me.

The story of the match was phenomenal, with both teams showing real desire to prevail in the inter-promotional contest. The seconds on the outside for each team were visibly engaged and cheering their promotion, which really added to the atmosphere and the sense of something important being at stake here, even if it was just bragging rights.

 

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The action was great too, with everyone looking sharp, things going back and forth nicely, building drama around the eliminations, etc. Makoto’s presence and mannerisms as a cocky heel were several levels better than what I saw of her in a babyface role last year. Aasa got a nice spotlight at the end being the last member of her team left trying to topple Makoto before coming up just short, and her ring style as a pint-sized powerhouse suits her extremely well. I’d like to see more of Mitsuru too in the future, as she looked quite good in the little time she had before being the first elimination.

 

7. 7-Way: Hiroe Nagahama vs Kyuri vs Maika Ozaki vs Mio Momono vs 235 vs Tequila Saya vs Uno Matsuya – Ice Ribbon 12/31/16

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This was originally scheduled to be a six-woman tag match, but shortly before the event Mio Momono was added to the match and it became a 7-way contest where eliminations could happen by pin, submission, or being thrown over the top rope to the floor. I’d been at Mio’s pro wrestling debut in NYC as well as seeing her in a fantastic opening contest at Marvelous’ Christmas Eve show (more on that later 😉 ), so was quite excited for her Ice Ribbon debut.

It was an extremely fortuitous change, as they really made the most of the format and this was much more interesting than IR’s traditional random 6-man would have been. EVERYONE got a chance to shine at various points, including Ozaki showing off her strength with a double torture rack, innovative multi-person moves and pin attempts, and an incredible sequence where Uno was thrown to the apron and went crazy trying to stay in the match running halfway around the ring on the apron while everyone inside tried to knock her off. The effort from all seven wrestlers was phenomenal, and they really got the crowd fired up for several sequences.

Excellent match overall, and one of my favorites of my trip. In the end Saya got to look strong somewhat surprisingly hanging in until the final two competitors, but the expected (and rightful) wrestler won when Kyuri pinned her with the Fisherman suplex. Great showings for all involved. Really hope to see Mio continue to wrestle in IR.

 

6. Emi Sakura, Sayaka Obihiro, & Mitsuru Konno vs Riho, Kotori, & Aasa Maika  – Gatoh Move 12/31/16

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This was my favorite Gatoh Move dojo match of the trip. Obviously they all know each other extremely well and have great chemistry together, which led to an thoroughly exciting contest with innovative multi person spots and use of the venue. Riho’s double knees to an opponent seated against the wall looks so vicious.

Towards the end Emi and Kotori tumbled out of the window into my (hastily vacated) seat. Kotori held Emi outside to prevent her from making a save as Riho pinned Misturu. Little things like that are excellent uses of the uniqueness of the environment.

 

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I  was blessed to have such a great opportunity to visit Japan and see so much phenomenal wrestling. I hope you’ve enjoyed my look at some of the best of the best. Will be back with Part 2 featuring my top 5.

Categories
Film Japan

Japan Cuts 2017: Over the Fence Review

Japan Society’s annual Japan Cuts Film Festival for 2017 started on July 13th and is ran through July 23rd. My thoughts on 2015’s festival can be read starting here and on last year’s starting here. This year I’ve previously seen and reviewed Mumon, Tokyo Idols, and The Tokyo Night Sky is Always the Densest Shade of Blue.

 

Divorcé Yoshio Shiraiwa (Joe Odagiri) has settled into days spent at a vocational school learning carpentry as part of his unemployment benefits agreement. When a fellow student invites him out to pitch something better, an unusual bar hostess (mating) dances into his awareness.

 

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Over the Fence is another adaptation of Yasushi Sato’s short stories of the northern port city of Hakodate. I’ve previously seen one of the other two, The Light Shines Only There, which was one of my favorite films of 2015’s Japan Cuts. This is another story about two broken people coming together, but it feels quite different. We learn less about what causes the leads’ character flaws here, and the situations and personalities involved are simultaneously more low key and stranger. It also seems a bit lighter overall, despite heavy themes and volatile dramatic scenes.  The humor’s well integrated and the acting superb, particularly from both leads. Yu Aoi (playing the eccentric Satoshi Tamura) has numerous intense and/or weird scenes and traits to convey, and her devotion and skill in doing so makes even absurd spectacles like her frequent recreating of bird mating dances captivating.

Unfortunately the plot doesn’t quite do justice to her masterful performance. More background was needed for Satoshi to help explain her point of view and actions. It wasn’t enough to demonstrate that she’s (partially) crazy, that she knows it, and it deeply bothers her (all of which were done quite explicitly and appropriately).  Some context was needed as to how she got to that point for the conflicts between her and Yoshio to resonate properly, and to make her a fully formed character instead of being defined by a single, negative characteristic (even if it manifests in a few different ways). What should have been powerful scenes often seem like weirdness and conflict for its own sake. Aoi did an amazing job with what she was given, but the plot let her character down.

The core story and its unique perspective were interesting, the acting excellent, and the key scenes filled with emotion. But there are some slow parts, and again the film’s main weakness is not giving the viewers enough background to truly connect to the characters and empathize with their struggles. As such this was a decent movie that could have been great with tweaks to the pacing and writing.

 

Actor Joe Odagira received Japan Cut’s Cut Above award before the screening and had a Q&A afterwards. The questions were varied this time, with honestly a lot of stuff that would have been more appropriate to ask a director, not the lead actor. He broke out laughing a couple of times as he tried to process what he was being asked, but generally responded well and made the most of each to say something interesting (or at least a polite acknowledgement, as in a gracious response to someone who raised their hand to complain about the editing).

 

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I’ll be back later with thoughts on two more films from this year’s festival.

Categories
Film Japan Uncategorized

NYAFF 2017: Mrs. K Review

Last year at New York Asian Film Festival I went to a screening of the wonderful anime film Miss Hokusai. This year’s NYAFF is winding down and yesterday I saw the Malaysian action movie Mrs. K.

 

Note: I general try to keep reviews relatively spoiler free, but I will be addressing some general trends and developments in the plot here.

 

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Although admittedly previously unfamiliar with star actress Kara Wai, it’s easy to immediately recognize the experience and skill she possesses once she takes the screen. Her portrayal of the titular housewife with a secret past is nicely nuanced and shines in the early portions of the film when she’s confidently displaying a dangerous edge lurking below cheerful, comedic moments. If this is indeed her last action role, in a lot of ways is an appropriate one to go out on. Particularly affecting are the downright BRUTAL fight scenes, loaded with hatred and really feeling like the characters are trying to kill each other instead of the dance like choreography sometimes used that would have been horribly out of place in this film. They’re uncomfortable to watch in parts, but perfect for the story and extremely well done.

The acting is excellent in general, with the supporting cast matching Wai’s level in their portrayals of both friend and foe. I’d like to give special mention to young actress Siow Li Xuan, portraying Mrs. K’s daughter in a role that required a delicate balance of determination and fear. She’s does an incredible job and seems like a big star in the making. Her perilous situations and the accompanying danger is one part of the tense atmosphere the movie generates and maintains with intimidating villains, slow building dread, and harsh confrontations.

The plot is where I think the previously mentioned excellent elements are let down. Specifically in the lead role. The idea seemed to be a return to her old ways for the titular Mrs. K when her past comes back to haunt her. Several descriptions of the movie talk about “a woman who will do anything to protect her husband and daughter.” The problem is she’s entirely reactive in her efforts to deal with the threat (which she initially underestimates, somewhat causing the problem in the first place), and largely ineffective in what she does attempt. In a lot of ways she’s as much a victim as her kidnapped daughter. Yes, she puts up a hell of a fight at every turn and shows great devotion to trying to set things right, but her daughter is a hundred times more proactive in trying to get away than her mother is in trying to rescue her and the biggest hero moments of the film are given to Mrs. K’s husband (a gynecologist who’s only previous familiarity with guns or violence came from being taught by his wife).

I’ll stop there to avoid even more explicit plot details, but the story progression seemed off overall and changes to either a few of the resolutions or more explanation of why characters acted as they did would have done wonders. There were also few instances of the antagonists’ actions not making a whole lot of sense, seemingly for the sake of having a cool scene, and the pacing felt uneven to the point of distraction in places.

It’s a bit of a shame, as again things like the daughter’s personal arc, the visceral, brutal fights, and imaginative, striking visuals are excellent. And Wai’s performance as Mrs. K’s is fantastic. I just can’t help but think of how much better this could have been with some tweaks to give her more to work with and make the main character’s story and struggle as strong as the actress playing her.

 

Categories
Film Japan

Japan Cuts 2017: Tokyo Idols and The Tokyo Night Sky is Always the Densest Shade of Blue Review

Japan Society’s annual Japan Cuts Film Festival for 2017 started on July 13th and is running through July 23rd. My thoughts on 2015’s festival can be read starting here, on last year’s starting here, and on the opening film Mumon: The Land of Stealth here.

 

Tokyo Idols

 

tokyoidols

 

“This isn’t a fad. It’s a religion.”

Man, there’s a lot to unpack with this one, and a good deal of it is unsettling. Kyoko Miyake’s documentary of Japan’s idol culture provides a stark examination that is as fascinating as it is thought provoking.

Miyake’s camera and even handed approach isn’t judgmental when dealing with individuals and their stories, giving them room to share their views and answer questions as they see fit. But she’s more than willing to put subjects on the spot with pointed questions, and the general structure and flow of the movie provide a critical viewpoint.  She knows there are troubling aspects and issues to explore and lets a matter of fact approach to documenting her subjects bring them to light.

One of the most interesting things about the movie is how much there is to it. It continued past several seemingly natural stopping points to present numerous new layers for consideration. Using one idol’s story as an anchor throughout the movie while interspersing looks at other groups and fandoms gives her film excellent scope and structure . The narrative form is fantastic, with extremely powerful points often made in simple manners such as by translating select portions of the lyrics the idols are singing to their fans.

From an outsider’s perspective some of the scenes we’re extremely uncomfortable, even though things are set up to be safe for the performers. I’m tending towards the apparent tilt of the movie that there’s more negative than positive, but it presents a lot to think about on both sides. Comments from stars, their families, and fans as to the culture and what they think the positives are interweave nicely with societal experts’ comments about the negative effect they think it’s having on Japan’s society and gender dynamics. The careful tightrope Miyake walks along with her excellent sense of how to put everything together makes this a real gem.

 

The Tokyo Night Sky is Always the Densest Shade of Blue

 

nightsky

 

The Tokyo Night Sky is Always the Densest Shade of Blue, a story of two eccentric loners stumbling into each others spheres of existence was interesting but odd. The filmmaking is front and center in a way that often calls attention to itself. Characters’ points of view and emotional states are reflected with an often blurring camera, extreme close ups of object and unusually cut off frames, and even some sections of animation. Some of it works really well and adds a lot to the movie, and some of it doesn’t and simply breaks any building immersion.

The two leads (Sosuke Ikematsu and Shizuka Ishibashi) were excellent and their acting raised this above the interesting but uneven execution. They imbued their characters with something extremely endearing, major flaws and all. This wasn’t a favorite of mine, but I think I liked it overall.

Categories
Film Japan

Japan Cuts 2017: Mumon: The Land of Stealth Review

“I know everyone is expecting to see cool ninjas. These are not those ninjas.”

Japan Society’s annual Japan Cuts Film Festival for 2017 started on July 13th and is running through July 23rd. My thoughts on 2015’s festival can be read starting here, and on last year’s starting here.

Mumon’s home of Iga is a territory of mercenary ninjas who care little of anything but practice and pay, and certainly not about each other. Mumon’s among the best and greediest (in attempts to impress and satisfy his bride), and sees little value in anything outside his immediate sphere. But an ambitious warlord’s son’s hopes to complete domination of the countryside will have repercussions for everyone.

 

mumon

 

Not being previously familiar with the director nor the star, I came into Japan Cuts 2017’s opening movie without any framework or preconceptions. It’s an engrossing tale that both embraces and subverts the conventions of being a period piece and ingeniously blends a variety of tones, themes, and genres. It develops at a excellent pace, keeping things moving with humor and action while deeper themes and schemes are slowly formed and revealed.

The balance is pitch perfect throughout and the juxtaposition of intense, visceral scenes of drama and violence and a light touch of comedic moments. I was really impressed with how it all came together and with the heavy themes of money, duty, and what’s really important that were expertly woven within the overlaying war conflict plot and often over the top (and amusing) battles. Even some individual conflicts  turn on a dime from humor to poignant, unsettling drama seamlessly and effectively.

One of the key successes of the movie is that both sides of the conflict have characters with complex motivations and goals that change throughout as said personal considerations come into conflict and new points of view and information are presented to each of them. It’s wonderfully acted, with a handful of key people on each side anchoring the story and providing logical progression for each film’s major changes in direction.

Director Yoshihiro Nakamura introduced the film (including the wonderful quote I opened with), participated in a Q&A afterwards, and met with fans during the after party. He was friendly and approachable, and seemed genuinely excited to be there. His answers during the Q&A were quite interesting and gave some nice further insight into the film.

Really enjoyed this one overall. Great start to the festival.

 

Update: There is a Japanese translation of this review. Thanks to Junko Czerny!

Categories
Japan Reviews Wrestling

Ice Ribbon Vol. 740 & 741 DVD Review

This is another disc where I don’t know much about the results and sought it out based on a few matches of particular interest. Should be interesting.

 

Vol 740: August 6, 2016 in Tokyo, Japan

 

 

1) Miyako Matsumoto & Tequila Saya vs 235 & Maika Ozaki **1/2

Straight to the action this time, with no opening promo shown. Maika’s wrestling in red shorts and a yellow t-shirt that look like workout clothes, which leaves me wondering if she hadn’t established her regular gear this early into her time at Ice Ribbon or just didn’t have it for this show. 

Miyako was amusingly the theme for the whole match, as even when she wasn’t in the ring or on offense more often than not someone was doing something mimicking her. Early on Saya makes 235 do the Mama Mia pose in honor of her partner, but doesn’t know what to do next. Miyako yells instructions (or possible just complaints) at her while 235 gets free and slams her. Later 235 executes the Mama Mia on Miyako herself. Mio’s the ref here, and another amusing moment saw her refusing to help Miyako balance for the Super Mama Mia, leaving the Dancing Queen a sitting duck on the top rope for Maika to grab for a torture rack.

There was an interesting mini-story for Miyako and Saya here, as early in the match the usual theme of Miyako never quite being able to do teamwork right is prevalent, but near the end it’s their opponents who miscommunicate and they actually work well together to take advantage. 

After a shining wizard for 2, Miyako absolutely SPIKES Maika with Angel’s Wings for the win. That’s always been one of my favorite finishers, and Miyako winning is always a pleasant surprise.

There were a couple awkward exchanges, but this was solid overall. The action was kept pretty basic, particularly involving Maika, but everyone fit their roles and strong effort plus Miyako related antics made this fun.

 

 

2) Maruko Nagasaki vs Kaho Kobayashi ***

Should be a good contest here, as both wrestlers show skills beyond their experience (three years for Kaho and one for Maruko). QUICK, crisp exchange of leapfrogs, trips, and rolls to open that already has the crowd oohing and aahing. Kaho takes over with some hard strikes and keeps control for a while, including a sequence of whipping Maruko back and forth between opposite corners and following each time with a running dropkick five times. Kaho makes Maruko claw and scrape to get to the ropes to break a half crab.

Forearm exchange fires Maruko up, and she takes over with three consecutive running dropkicks. Boston Crab of her own transitioned into half crab and now Kaho has to pull all of Maruko’s weight to the ropes. She’s SCREAMING here to sell the pain and it really helps emphasis her struggle.

Ripcord elbow by Kaho for 2. Missile dropkick for 2. fisherman countered into a small package for 2. Kaho headlock takeover and has one of Maruko’s arms trapped with her legs. They’re both working this and making it seem like a legit submission attempt instead of the usual control opponent on the mat type of thing. Maruko strains and just barely gets a foot on the ropes. After some back and forth pinfall reversals, Kaho reverses Maruko’s signature rollup for the win.

They did a lot here with the time given. Both have a lot of natural ability and potentially big careers ahead of them.

 

 

3) Misaki Ohata vs Kyuri ***1/2

It’s a long time favorite of mine here against my favorite rising star, so this is one of the matches I was most excited about when getting this DVD. Also interesting is the fact that these two were partners in main event of the previous volume.

Misaki dominates an opening mat wrestling exchange, constantly switching to a new hold whenever Kyuri tries to free herself or reverse. When Kyuri finally manages to tie Misaki up, the latter pulls her hair for leverage to reverse into a pinning combination for 2. They square up again to applause.

Collar and elbow tie up is immediately turned into a headlock by Misaki. Kyuri fights out of this one with forearms instead of continuing the counter wrestling, but after she sends Misaki to the ropes she eats a shoulder tackle on the rebound. Misaki hits the ropes again and Kyuri drops down, but Misaki holds on to stop herself then just stomps on Kyuri’s back. Kyuri gets up and Ohata charges with a clothesline. Kyuri ducks then rebounds off the ropes with a crossbody for her first real offensive move of the match. It only gets 1.

Kyuri follows with a snapmare then steps over Ohata’s shoulder with one leg and pulls back on both arms. Ohata seems trapped and in pain, which is an important detail. Odd bit follows where Kyuri puts her foot on the rope for leverage (or possibly to keep her balance) and ref Mio counts, but when Kyuri removes her foot she’s allowed to keep the hold on. A couple seconds later Misaki gets her foot on the ropes and this time Kyuri has to completely break.

Back to the center, Misaki’s face down and Kyuri gets on her back for a camel clutch. Misaki hides her arms beneath her to block it, so Kyuri slaps her back hard and grabs an arm when Misaki flinches. Repeat for the other arm. Nice bit. Kyuri signals for the cheek pinch taunt, but Misaki’s having none of it, as she frees herself by sliding backwards through Kyuri’s legs, tripping her in the process into position so Misaki can apply her own camel clutch and execute the intended taunt on Kyuri instead.

She smacks Kyuri upside the head as she breaks, hits a couple strikes as Kyuri gets up, then hairtosses her across the ring a couple times. Kyuri’s seated in corner and Misaki stands on her to choke. Scoop slam in the center and Misaki covers for 2 with just one knee across Kyuri’s chest. Hard curbstomp follows and Misaki sits on Kyuri’s chest this time in another cocky cover for 2.  Mocking, dismissive kicks to the back of the head as Kyuri tries to stand. Great arrogant touches being shown by Ohata that suit the story they’re telling. As mentioned she’s one of my favorite wrestlers and yet after these last couple of minutes I want to see Kyuri kick her ass.

Misaki hits the ropes and charges Kyuri but runs right into a beautiful judo takedown. Kyuri capitalizes with a trio of slingblades for 2, and when Misaki kicks out Kyuri uses the momentum to apply an armbar. I can’t stress enough how much I adore that spot. Misaki rolls through but Kyuri hangs on and reapplies it, but they’re too close to the ropes and Misaki simply extends her leg to reach them for the quick break.

Fisherman attempt by Kyuri countered with a knee to the gut followed by a DDT. Kyuri’s down in the corner, which means it’s time for Misaki’s crossbody. It connects and Misaki goes up and sits on the top turnbuckle. Kyuri clearly hasn’t scouted Misaki enough, as when the latter taunts Kyuri she runs straight towards Misaki going for a forearm, which Misaki of course catches and leans back with Kyuri’s arm for her trademark rope suspended armbar.

Mio reaches 4 on the count and Misaki releases, taking a moment while still upside down to start a clap to fire the crowd up. She then sits back up to a standing position on the middle turnbuckle and hits a missile dropkick. Misaki then goes right for a cross armbreaker. Kyuri gets her hands clasped and tries to roll Misaki over, so Misaki slams Kyuri’s arm into the mat instead. Both wrestlers trying to shake their arms out from the damage done so far.

Misaki hits the ropes and goes for the crossbody to the seated Kyuri. Kyuri rolls through though, and in a great move doesn’t stop once she’s in cover position but keeps rolling a little more until Misaki’s arm is exposed and applies a key lock. Misaki’s going CRAZY trying to get to the ropes and screaming in pain. She makes it but as soon as Kyuri breaks she goes for the arm trap submission. Misaki counters with a rollup for 2. As they get up from that Kyuri grabs a small package for 2.

Kyuri ducks a clothesline and kicks at Misaki’s arm, then hits the ropes … and Misaki lands the spinning double sledge on the rebounding Kyuri and the latter falls like a chopped down tree. Misaki covers for a close 2.

Misaki’s looking for the cross armbreaker again, which Kyuri beautifully counters into a stretch muffler. Ohata’s screaming again and flailing around to try to escape, and ends up forcing Kyuri down by getting a leg around her head. She uses it to get free, grabs an arm and rolls Kyuri over and stretches out behind her shoulders.

That position can only mean one thing, and it’s bad news for Kyuri. Indeed, one arm gets locked up by Misaki’s right leg, the other trapped and over extended by Misaki’s arms, Misaki’s left leg goes around Kyuri’s head and that’s the Fairy Lock completed which quickly gives Misaki a submission victory.

 

This contest was all about Kyuri being largely outmatched by the crafty veteran but resilient and still dangerous because of her submission skills. I wish she was portrayed more evenly in matches like this because she has the ability to be credible in that role, but her career is still relatively young so this is how it goes sometimes.

That said, despite me wanting this to be something a bit different the story was a solid one and as expected these two worked it wonderfully. Misaki was dominant early which gave her a reason to be cocky in the middle, but throughout Kyuri still looked like a credible threat because Misaki completely freaked out every time Kyuri got her in a submission. That was so important and kudos to both for hitting that point hard a few times during the match.

I’m also a big fan of good counter mat wrestling with cool submissions and they definitely provided that here. Great little match overall. Would love to see something longer between these two in the future.

 

 

4) Risa Sera & Tsukushi vs Maya Yukihi & Ryo Mizunami ***

Intriguing teams with normal partners Azure Revolution (Risa and Maya) on opposite sides, and they start against each other. Tentative counter wrestling to open, which eventually leads to a stalemate spot, but instead of giving room Maya kicks Risa in the face. Big “ooh” from crowd but Risa looks amused. That doesn’t last long though as Maya tags Mizunami and the latter just pounds on Risa for a bit, building up to wiping Risa out with one of her monster shoulder tackles.

On getting up Risa manages to push Ryo into the corner and tag Tsukushi. The little imp tries to hairtoss Mizunami, and when that doesn’t work due to Ryo’s short hair she grabs Mizunami’s EARS instead to throw her across the ring by. I hope Mizunami spears the brat out of her boots. Tsukushi tries to followup with a scoop slam, but the much larger Mizunami just set her weight to block, then picks up Tsukushi, holds her in the air with one arm, fires up the crowd, does a squat, walks around, and finally slams her. Go Ryo! Jumping legdrop gets 2.

Tag to Maya and after a few strikes Mizunami comes back in for a double submission. Once they break that Maya picks Tsukushi up but gets surprised with a scoop slam, Tsukushi runs over to land a shot on Mizunami on the apron for some retribution and then tags out to Risa. Hairtoss by Risa and then she chokes her regular partner in the corner while Tsukushi helps from the apron. That’s just mean.

Azure Revolution fight each other over a scoop slam until Maya finally gets it and tags Mizunami. She knocks Risa off the apron and has Maya hold Risa in the corner for her power up, “kiss the fist” shot, but spends so much time taunting Tsukushi recovers and dropkicks Mizunami as she starts to run. Maya tries to hold both opponents against the ropes for Mizunami, but they get free and Ryo knocks her own partner to the floor instead.

Risa and Tsukushi hit the far ropes and run at Mizunami, then Risa stops just shy of Ryo as Tsukushi hits a dropkick. Seemed like Risa and Ryo were too close together for Risa to do her half of a double dropkick and she decided against trying (or she was expecting to do a different doubleteam and stopped herself when Tsukushi jumped). Looked odd but much better than doing something haphazardly, and Tsukushi connected so it came off ok.

Back to just Tsukushi and Ryo, and the former ties the latter up in the ropes and abuses her for a bit. Ryo’s down in the center and Tsukushi and Risa alternate doing Tsukushi’s “run on opponent’s back” spot, but in a great moment when Tsukushi goes for her second turn Ryo stands up and sends Tsukushi flying. Then she wipes out Risa with a running forearm for good measure.

Tsukushi tries to get the wheelbarrow roll, but the powerhouse just sets herself and holds Tsukushi in midair as the latter flails, then reverses into a gorgeous release German. Trio of rapid fire legdrops gets 2. Ryo calls for the lariat, which is ducked and Tsukushi looks really proud of herself for the hard forearm she lands… until Ryo responds in kind and she tumbles to her knees.

They continue in this vein and I love variations on the standard forearm exchange where like this they really emphasize the individuals involved. Tsukushi is hitting hard but can’t really budge the larger Mizunami, where every shot Mizunami lands knocks Tsukushi over. Tsukushi switches it up with seventeen in a row and a slap to the face, which Mizunami absorbs and levels Tsukushi again. ANOTHER fourteen and a slap from Tsukushi as Ryo just yells back at her in between. But she has worn down the monster a bit and Ryo’s up against the ropes for support.

Tsukushi’s whip attempt is reversed and when she rebounds off the far ropes Mizunami tilt-a-whirls her… up into a torture rack?! I’ve never seen that transition before, and it’s really sweet. Tsukushi reverses into a wheelbarrow and gets the roll into the doublestomp this time. Missile dropkick to follow and she gets 2, then tags Risa.

Mizunami fights off Ayers Rock, lands a few forearms, turns towards the ropes… then turns back around and hits Risa a few more times. Ryo covered well but I bet someone was out of position. After the extra strikes Ryo does go to bounce off the ropes she looked at earlier and wouldn’t you know it Tsukushi’s back up in her corner now and nails Mizunami with a kick to the back from the apron, then grabs her head and drops her across the ropes to set up a 619 from Risa. Risa’s suspended Boston Crab follows, then the double knee drop to the back for 2.

Mizunami whipped to the corner. Running hip check drops her down for the running double knees and another 2 count. As Risa picks Mizunami up the latter spins Risa up onto her shoulders but Risa drops behind into a waistlock. Elbows from Mizunami to break. Risa blocks a forearm and hits one of her own, then a running one, but Mizunami responds with a flurry of them ending with the fist kiss shot. Hard clothesline against the ropes. Risa catches her with a dropkick when she tries to follow up, but then charges into a powerslam for 2. Mizunami tags out and Maya hits a knee and a standing kick to Risa’s chest for 2.

Forearm exchange leads to Maya hitting several as Risa dares her for more, then when Maya hits the ropes Risa drop toeholds her into a pinning combination, then slickly goes right into an octopus hold when Maya kicks out.

Mizunami blasts by Tsukushi and attacks Risa to break it up. Risa takes exception and knocks Ryo off the apron as she exits, then hits the ropes but runs right into a leg lariat for 2. Maya kick blocked, Risa picks her up, swings her around to be across Risa’s back, and drops her down in a side slam for 2. Tag to Tsukushi. Corner dropkick, hits the ropes and runs into a tilt a whirl backbreaker by Maya. Sharpshooter, but Risa fights past Mizunami just enough to kick Maya in the head to break.

Another forearm exchange, rather lopsided this time as Tsukushi’s still laying them in so hard the audience gasps which makes Maya’s look a little weak in comparison. Tsukushi hits a stunner that send Maya backwards into the ropes. Risa double knees followed by Tsukushi dropkick to the seated Maya.

Risa up to the second turnbuckle. Tsukushi climbs the top behind her. Now up on Risa’s shoulders … double stomp from there to Maya. Mizunami saves at 2. Tsukushi hits the ropes and Ryo pushes Maya out of the way and levels Tsukushi with a lariat. Kick to the face from Maya for 2. Maya hits the chokslam but Risa saves at 2. Maya lifts Tsukushi up into lawn dart position but she wiggles free down Maya’s back, rolls through, and gets La Magistral cradle for a close 2. Maya rolls Tsukushi up, but Risa kicks out from where Ryo’s holding her to break it at 2.

Tsukushi overhand backslide position, jumps up into a sunset flip and floats over for a pin, but Maya immediately counters back the other way for 2. During this kickout Risa kicks at Maya and doesn’t quite connect so she kicks again, but by this time they’re already in a different position so Risa accidentally kicks her partner in the back and breaks up her own team’s pin. Tsukushi and Maya roll through that into another pin attempt for Maya for 2.

Risa and Ryo are completely wrapped up with each other in the corner. Maya hits the ropes and runs into a basement dropkick by Tsukushi. Tsukushi then stands behind Maya’s head and rolls her forward for a pin. She doesn’t get a hold of Maya’s legs and can’t reach them once they’re on the mat, so Maya essentially has to pull her own legs up into Tsukushi’s hands to be held down for the 3 count.

This was a good match that had some awkwardness but also some really great sequences. They generally covered pretty well for the imperfections and thus nothing was too jarring. All four had moments to shine, although the best sections featured Mizunami vs Tsukushi.

 

Roundtable features the usual promos and hype, plus Tsukushi being a brat to Avid Rival. She gives Misaki a hug but makes faces while she does, then offers one to Mizunami but slaps her in the face instead when she goes to accept.

 

Vol 741: August 13, 2016 in Tokyo, Japan

 

 

1) Hamuko Hoshi & Maika Ozaki vs Mochi Miyagi & Tequila Saya **3/4

Like last volume this opens with Maika (again in t-shirt and shorts) and Saya on opposite sides of a tag team contest. The difference here (beyond just different partners) is their respective partners are themselves a regular tag team.

Early story was Hammy and Maika dominating Saya with their size and power, with spots of the latter countering with speed. Saya’s developing great instincts for playing the underdog babyface, and it suits her ring style and charisma too as she’s really able to fire the crowd up.

They had some fun with the Lovely Butchers’ trademark posing as Maika applied a camel clutch on Saya while Hammy poses in front of her to taunt, then it was reversed and repeated with Saya holding Maika and Mochi posing. Later on the one segment where the Butchers faced off against each other was pretty much all them doing their signature moves to each other.

Mochi really had her working boots on here so to speak. Everything she did looked impactful and crisp, particularly during an extended working over of Maika that included Alex Shelley’s thrusting pushup facebuster and a trio of HARD Earthquake splashes.

The finish came with the Butchers fighting outside. After fighting out of the torture rack and getting a rollup for 2, Saya blocks a clothesline and looks like she’s going to duck under and use Maika’s arm for leverage for her trademark side rollup. But Maika goes down a touch early and takes Saya tumbling with her. Both roll through and right back up like it was exactly what they planned, and Saya grabs a tight inside cradle variation for the win. Nice save there by the (relative) rookies.

Again Maika largely stuck to the basics and looked fine. These outings almost felt like tryouts for her. Looking it up she had about 5 matches in Ice Ribbon prior to these. I’ve seen matches from her later in the year where she’s powering people around more and looking like a monster, so it’s interesting to go back a bit and see her development. Decent match overall, with Mochi and Saya standing out the most.

 

 

2) Tsukushi vs Kyuri ***3/4

Counter wrestling to start with the veteran largely getting the better of Kyuri, similar to her match with Misaki last volume. The difference here is even the small Kyuri makes Tsukushi look tiny, so the visuals and general dynamic are different.

They do some nice back and forth with their signatures spots. First Tsukushi does her running on her downed opponent’s back sequence, but on the third attempt Kyuri trips her and returns the favor. Then Kyuri goes for a camel clutch and her pinching cheeks taunting, but like Misaki did Tsukushi backs out, trips Kyuri, applies her own camel clutch and does it to Kyuri instead. Then she transitions into her own standard taunt of pulling back on her opponent’s nose. Tsukushi then ties her up in the ropes but as she claps to get the crowd fired up Kyuri breaks free, ties up Tsukushi instead, and finally gets the taunt. Kyuri hits the far ropes and dropkicks the tied up Tsukushi.

The match continues in the same vein to great effect. At one point Tsukushi goes for her dropkick with Kyuri sitting against ropes, but Kyuri moves and Tsukushi lands across bottom rope half outside of the ring. Tsukushi does a similar crossbody to seated opponent as Misaki, and when she went for that Kyuri countered same way she did Misaki by rolling through into a keylock.

In contrast Kyuri connected with most of her signature moves when attempted. The judo throw, triple slingblades, the armtrap submission, etc. When she did the rolling Fishermans Tsukushi tried to counter the third into a rollup, but Kyuri rolled right back the other way and powered her over to complete it.

So faced with an opponent that was largely countering Tsukushi’s moves and landing her own, the veteran was forced to get creative with rollups and holds, and wait for the right moments to try her trademarks again. In one great bit she backslides Kyuri into position for a triangle choke that the latter spends a long time in before making the ropes. They also have a wonderfully fierce forearm exchange at one point. Both throw them with the force of someone several times their size.

Towards the end Kyuri flashes her own deadly submission skills, with Tsukushi appropriately screaming when Kyuri cranked on her arm.

Tsukushi eventually takes control by drop toeholding Kyuri into the ropes and manages to NAIL the seated dropkick she missed earlier. Kyuri looks done and Tsukushi goes up and hits a top rope double stomp, but Kyuri barely kicks out to stay alive to a big ovation. Tsukushi goes for reverse triangle to put the upstart away, but the time limit expires and we have a draw.

 

This is exactly the competitive showing I wanted Kyuri to get. It had a great story, and the time limit draw was a pleasant surprise as I expected a Tsukushi victory. Excellent ten minute match. Like with Kyuri and Misaki, I’d love to see a longer rematch sometime.

 

 

3) Kurumi Hiiragi & Maya Yukihi vs Risa Sera & Maruko Nagasaki **1/2

Another match with Azure Revolution opposite each other. Risa’s team won last time, let’s see if Maruko’s as successful a partner for her as Tsukushi was. I’m guessing not, as of these four Maruko’s the most likely to take the pin.

Back and forth criss cross, arm drags, etc between Maya and Maruko to open, but Maruko quickly becomes face in peril after that. Kurumi and Maya have nice chemistry as team, and the sections of them in control were quite good.

There was an odd spot where Maruko tries to call Risa in to help once she has control on Kurumi, and Risa just moves down the ring apron and looks at Maruko instead (as if she thought Maruko just wanted her to stand in a different corner). I don’t get the joke there. I guess it seemed like a “Risa doesn’t understand what’s going on” joke (which is quite silly for someone of her experience). Maruko ends up attacking Kurumi without Risa and shoots the latter a look of disbelief as she tags out. Then Risa comes in, gets leveled by a couple shoulder tackles, and looks shocked and uncertain what to do next each time. Whatever character beat Risa’s trying to play in this match I’m not digging it. On the plus side, her more serious stuff was cool, including later getting the hanging Boson Crab on Kurumi in an admittedly cool show of strength.

Generally every time someone started to get better of Kurumi, she used her own strength to take back over. She’s really portrayed as a force of nature, and it suits her.

Azure Revolution had a nice sequence in middle against each other featuring good back and forth countering, etc. The more I see them in make-shift tag matches like these the more I think I like them as opponents much more than as partners. They have better chemistry when wrestling against each other than they do as a team.

Maruko did a good job getting the crowd behind her both with resilience in the face of Kurumi’s assaults and moves like a perfectly timed surprise rollup nearfall when getting beat on by Maya and a swank slingshot elbow from the apron.

Kurumi eventually wore Maruko down with summersault sentons and hit a top rope splash to for the win (although Maruko clearly got a shoulder up before 3, which was hidden from ref’s view by Kurumi’s body).

Fine match, despite a couple missteps. I left this wanting to see more of Maya and Kurumi as a team.

 

 

4) ICE Cross Infinity Championship Match: Tsukasa Fujimoto (c) vs Uno Matsuya ****1/4

Tsukka was starting a fighting champion type angle, and this was her 2nd defense. Potentially a big opportunity to shine for the rookie Uno, who normally wouldn’t get a title match this soon into her career.

Uno’s quite fired up to start, to Tsukka’s amusement. They trade arm wringers and counters, then hammerlocks, then Tsukka moves to strikes to take over. Once she has the advantage, she keeps control for a while with a variety of holds. At one point she draws a chorus of boos for raking Uno’s shoulder with her fingernails. The rest of the Ice Ribbon roster is LOUD at ringside encouraging Uno, which gets the crowd involved too. Tsukka kicks at the ropes in irritation of the other wrestlers cheers for her opponent.

Tsukka gets more boos for something off camera (the shot was on Uno recovering in the corner) involving her and the ref. I was NOT expecting an almost heel Tsukka here, and the dynamic’s interesting. Now a choke in the corner, and the brilliance of the work done so far (and of Uno’s selling) materializes, as that spot is in every match I’ve seen in Ice Ribbon featuring a veteran against a rookie it’s generally treated as just part of the match, but here it gets more loud boos.

Uno tries to put on the brakes when whipped to the ropes, so Tsukka nonchalantly dropkicks her against the ropes instead of off the rebound. Uno tied up for the dropkick to the back, which gets 2. Uno counters a whip with a shoulder tackle off the rebound, then hits two more for 2. Uno tries a scoop slam but Tsukka sets herself to block then slams Uno instead for 2.

Tsukka locks in a crossface, which Uno eventually reverses into pin for 2 (the ref was a bit slow to notice it was a cover and start counting here). Tsukka kicks at Uno then hits the ropes, but Uno counters with a spear for 2 then applies a Boston Crab. Amusing bit follows as Tsukka motions for the crowd to cheer her efforts to get to the ropes and is met with silence. She then bangs the mat to start a clap and the crowd goes along with it, but chants for Uno. They’ve obviously done a superb job getting the audience into the story of the match.

Scoop slam for 2. Uno tries to pick Tsukka up over her shoulder but Tsukka fights it off and hits a dropkick in the corner, then the seated version. Scoop slam follows for 2, then Tsukka applies another crossface. Uno’s in for a long time and claws for the ropes, so Tsukka tries to convert into the stranglehold. In a great counter, Uno rolls over and over on the mat between Tsukka’s legs to prevent Tsukka from grabbing her, and as the champ frantically tries to figure out what to do Uno stops spinning and converts into a sunset flip for a close 2. Crowd’s going nuts. Fantastic sequence.

Tsukka kicks Uno and goes up for a missile dropkick, which is swatted away and Uno gets a schoolgirl rollup for 2. As Tsukka gets up after kicking out Uno gets another for another 2. A third for 2. A fourth for 2. A fifth for 2.999. Each was closer and closer to a finish, and the structure of this match is superb. Tsukka with a double chop to Uno’s back to stop her momentum.

Perhaps the most gentle snap mare I’ve ever seen sets up Uno seated on the mat for HARD kicks to the back. The rebound one to the chest gets 2. Tsukka signals for the end, but as she jumps to the top rope Uno’s already on her feet and intercepts. She tries to schoolgirl Tsukka from the top. Tsukka hangs on, so Uno supports herself sideways on the middle rope to put all her weight into it, eventually breaking Tsukka’s grip and completing the rollup off the turnbuckles for 2. But as Tsukka kicks out, Uno holds on and rolls her over again for another 2.999. Tsukka comes up with a great scared, “what on Earth is happening here” look on her face, and the crowd is SOLIDLY behind the underdog Uno’s effort.

Uno’s got Tsukka over her shoulder, and connects with the faceplant this time for 2. Uno hits the ropes, Tsukka on her back and pushes Uno back with her legs and spins around for her trademark rollup, but off the rebound Uno rolls forward onto Tsukka for a cover and another incredibly close 2. Uno whips Tsukka into the ropes and gets caught in a wheelbarrow rollup off Tsukka’s rebound. Instead of rolling through for the kick Tsukka cinches down for a tight cover using both her arms and legs to trap Uno’s legs over her shoulders … and gets the 3. Tsukka comes up looking extremely relieved, then cheerfully reclaims her belt.

 

This was a masterclass in storytelling. Tsukka, Uno, and the wrestlers outside did EVERYTHING they could to get the crowd behind the outmatched challenger. The dynamic of Tsukka working almost heel with literally the entire roster cheering against her was a refreshing way to add layers to what could have been a squash otherwise. Then the match structure of having a resilient Uno get closer and closer nearfalls as the match went on built wonderfully until the champ, who never should have been in any danger, felt vulnerable.

As I talked about in my spotlight on exceptional Joshi rookies, Uno has great natural ability to engage the crowd and was already showing flashes of that talent here, a mere couple of months and under 15 matches into her career. Most of her offense wasn’t anything more complicated than slams and rollups, and yet this was a fantastic match with a lot of drama. I’ve said many times I think Tsukka’s one of the best and most versatile wrestlers in the world, and performances like this only serve to strengthen that opinion.

 

Couldn’t understand much from the roundtable but Maruko was really emotionally choked up about something, and Risa and Kurumi had a bit of a face off.

 

Overall

I really enjoyed this DVD. Each show had about 40 minutes of wrestling, but as I often find myself saying about Ice Ribbon’s dojo shows the quality of action and pace are such that the shows never feel short. There was good variety with several visiting wrestlers on vol 40, the mix and match tag team encounters all had points of interest, and the four singles matches were a nicely diverse bunch and all varying levels of very good to excellent. Cap it all off with a sleeper hit of a title match and this disc is an easy recommendation.