Categories
Food Japan Wrestling

In the Blink of an Eye: Past Japan Trips

Today marks exactly 10 years since the first time I ever set foot in Japan. Crazy how time flies. It was a trip I’d wanted to do for ages and led to an extremely fortunate run of making several visits until early 2020.

Due to my particular mix of significant chronic health issues and the realities of a post pandemic world, I haven’t been back since and won’t be able to travel for the foreseeable future. I do hope to go back someday. Fingers crossed.

So on this anniversary I’d like to spotlight some strong memories of my trips. There’s of course way more than I’ll cover here in detail, so forgive me if I overlook something (also this will obviously be public facing stuff and certain highlights and memories involving friends and family are outside of its scope).

My first trip

Between exploring Tokyo for the first time and seeing 17 shows from 8 different promotions over the course of the two and a half weeks I was there my first trip was both a blast and a complete blur.

From my first show, an Ice Ribbon dojo show, on things just kept going in a franticly fun time. This trip would also introduce me to Gatoh Move (now ChocoPro) and their incredibly unique home venue.

I got to see wrestlers I had come to adore through Shimmer in their home promotions for the first time, including Tsukasa Fujimoto (Ice Ribbon), Misaki Ohata (Wave), and a number of others.

I was introduced to an incredible number of new to me wrestlers as well, a mix of discovering new people to cheer for and getting a look at stars I’d heard a lot about but never seen.

One particular treat was seeing Io Shirai (now Iyo Sky) vs Meiko Satomura headline Korakuen. Another was a pair of Best Friends matches, against the Jumonji Sisters and Avid Rival respectively, that remain two of my favorite matches of all time and had a great impact on the shape of my wrestling fandom going forward.

Meeting wrestlers

One particular memorable aspect of attending joshi shows was the opportunity to meet the wrestlers to purchase merchandise and get autographs and/or photos with them. There are far too many wrestlers I had the privilege to see wrestle live and meet to list. I was incredibly fortunate to meet a large number of my favorites during those trips.

One extremely significant set of memories for me involve meeting a young wrestler named Asahi. I was at her debut against the legendary Manami Toyota. She was a joy to watch wrestle and always nice to talk to, and is very much one of my favorite Ice Ribbon wrestlers of all time.

Asahi passed away in early 2024 at the age of 21. She is greatly missed.

Rest In Peace, Sunrise of Hope

Meet and greets done differently nowadays, but still remain a key part of joshi wrestling. One aspect that is done a lot less now, if at all, that I remember fondly was the chance to get group and roster photos.

Retirement shows

When farewell shows are done for retiring wrestlers in Japan they are full of pomp and circumstance. There are often career highlight video packages, a farewell ceremony, and if the wrestler is able a final match of some personal significance. One final show of support via throwing streamers in their colors often engulf the ring as they take their last bow.

I lucked into seeing three retirement shows during my first trip, for Act Yasukawa, Kayoko Haruyama, and Neko Nitta. They were all interesting shows and nice to have the opportunity to be at.

I was unfamiliar with Haruyama but she impressed me in the few matches I saw and it was cool to see her sendoff. Neko I had heard a lot about as she was a good friend’s favorite wrestler. It was great to see her last few matches.

Anyone with even passing familiarity with joshi wrestling at the time had heard of Act. She was retiring due to injuries resulting from an infamous incident (that it should be noted is well in the past and has been moved on from by all involved). It was a relief that she was well enough to come back for a farewell match, and even more so that she eventually returned to the wrestling world years later as part of Actwres girl’Z where she participates to this day.

During subsequent trips I would bid farewell to several of my personal favorites at their last shows live including Mika Iida, Aoi Kizuki, Misaki Ohata, and Tequila Saya.

Aoi’s retirement show and several of her retirement road shows preceding it were particularly special as I planned that trip around her retirement. Aoi was a blast to watch and it’s been awesome to see her return to wrestling related activities recently as ChocoPro’s GM and a DareJyo trainer. She also had a one time special return to the ring as part of Emi Sakura’s 30th Anniversary match a couple months ago.

There is one show noticeably absent from this list I was supposed to be at that I’ll be discussing later on.

Anniversary shows are also often unique, special events and things like getting to see Naomichi Marufuji vs Hikaru Shida at Shida’s 10th Anniversary Show was really cool.

That time I got the flu in Japan

Not all strong memories are entirely positive.

My aforementioned health issues left me susceptible to coming down with illnesses during my trips, and one particularly unlucky turn saw me catching the actual flu. Influenza A left me completely isolated in my hotel outside of leaving to get food and medicine/treatment for 10 straight days during my 2019-2020 holiday trip.

In fact I caught it on New Year’s Eve, throwing a wrench into some big plans I had for the end of my trip including a New Year’s Eve concert and Wrestle Kingdom.

Which brings us back to the conspicuous absence from the retirements section. I had tickets to the Tokyo Dome to see a childhood favorite of mine, Jushin Thunder Liger, have his last match on 1/5/20. Needless to say that didn’t happen.

My luck wasn’t all horrible though. I was fortunate enough to make the retirement show of another favorite of mine, Tequila Saya, shortly before getting sick. I caught a different concert of the flautist I was supposed to see on New Year’s (and had heard years prior in NYC) once I recovered, and Wrestle Kingdom being Wrestle Kingdom I was able to stream it and watch while resting. Not the same as being there live, but sometimes it’s about making the best of things as they come.

Non-wrestling wrestling events

Some of the most unique and fun activities I was able to participate in were non-wrestling events involving wrestlers. These varied from restaurants and bars that had wrestlers hosted events, holiday parties, and so on.

I had missed some events I planned on attending from time to time due to health or scheduling conflicts, but still managed a few really fun ones including a Sendai Girls New Year’s party and an Ice Ribbon party/rally event going into one of their big shows.

I adored both Tequila Saya’s bar After Party and the DDT run bar Swandive and visited each several times. Both are unfortunately long closed now but were excellent places to relax and have a drink while they were around.

Easily the most unusual wrestling adjacent experience I had was an Ice Ribbon collaboration with Fuerza Bruta WA! I had seen Fuerza Bruta and their mind blowing combination of music, dance, and acrobatics in NYC prior and really enjoyed it. Getting to see their Tokyo show while hanging out with a handful of other Ice Ribbon fans and Tsukka and Maya was really awesome.

Sightseeing and so on

Strange as it may seem to point out this deep into the post, wrestling *wasn’t* in fact the only thing I did in Japan. Wrestling and the Tokyo area were undoubtedly the focal points of my trips in general, but I was fortunate enough to do a lot of other things and see a lot of Japan as well.

In addition to being based in Tokyo over the course of various trips I traveled to Hokkaido, Kyoto, Sendai, Nara, Osaka, Nagoya, and a number of other areas of Japan. Not a lot of specifics to share but all the sightseeing I did was just full of gorgeous scenery to look at.

When I waist full blown tourist attraction mode I did things like visiting Tokyo Tower, riding the Tokyo Dome coaster, checking out things like the Snoopy and Studio Ghibli museums (which both rocked), and of course spending a ridiculous amount of time in Akihabara. Hey I’m an anime and game nerd at heart.

And last but not least I adore Japanese food as well as fusion variations, so suffice to say I ate extremely well while I was over there.

 

——-

Thanks to anyone who took this trip down memory lane with me. It’s been an interesting decade.


Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts will hopefully be on the way soon.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Japan Wrestling

Final Boss: Meiko Satomura’s Retirement

Recently we all said goodbye to who was in my opinion simply the best wrestler in the world.

Meiko Satomura debuted April 15, 1995, and was already a 20 year veteran when I was first fortunate enough to see her wrestle live at the end of 2015. I had of course heard of her, as she was already well on her way to being a legend, but I hadn’t seen her wrestle until then. I was in for a treat.

As it happens that show was one of the first shows I ever saw live in Japan at all, Stardom Year End Climax 2015. It was headlined by Meiko defending the Wonder of Stardom title as an outsider champion against company ace Io Shirai (now WWE’s Iyo Sky). It was a hell of an introduction to two truly incredible wrestlers.

Meiko wrestled Io 1-on-1 a total of five times (twice each before and after the above match). As luck would have I managed to attend another of their battles at Senjo’s April 2018 show. It was another excellent, engrossing encounter and it was fascinating to see how two already extremely accomplished wrestlers kept evolving in the couple years that had passed.

In retrospect it also ended up being their final singles encounter. Rather surprising given their overlap time in WWE, and the fact WWE never ran the match is insane.

Everything Meiko did in the ring had meaning, with great attention paid to the little details of her craft. So every match felt special, and battles against opponents with skill levels like Io’s were always jaw dropping.

Meiko’s intensity was always on full display. She dismantled her opponents with hard hits and unmatched mastery of wrestling fundamentals. She brought out the best in her everyone she fought and forced them to rise to her level. Japan’s “Final Boss” was the wrestler everyone wanted to test themselves against.

Some of my personal favorite matches of Meiko’s involved her facing up and coming stars. These were almost never about whether or not Meiko’s opponent could win. It was about the fight they put up.

Throughout my trips to Japan I saw a total of eight of Meiko’s matches. Her promotion, Sendai Girls (Senjo), had a schedule that didn’t always match up with when I was there. But I did see her four times in Senjo and as many in other promotions.

Five of those were singles matches, and in addition to the pair of Io matches I was lucky enough to have been at two matches of Meiko’s at TJPW (Tokyo Joshi Pro Wrestling) shows where a couple of that company’s top stars got to test their mettle against the legend.

The first was in August of 2017, against TJPW’s ace in waiting Miyu Yamashita. It was exactly the breakout performance I’d been waiting for from Miyu at that time, and it’s no surprise it came against someone the caliber of Satomura.

From my review of that show:
“Miyu wrestled like someone with something to prove from the very first second and really took it to Meiko, believably smothering the veteran at points with relentless offense, but just couldn’t put the larger, more experienced wrestler. Meiko of course is an artist in the ring and always a joy to watch.”

That same show was headlined by my two favorite TJPW roster members battling it out for the Princess of Princess Championship. A couple years later a personal dream match happened as the victor of that match, Reika Saiki, got her own one on one encounter with Meiko on TJPW’s 1/4/2019 show. As always with my highly anticipated matches of Meiko’s, it was exactly what I expected and hoped for.  

The fifth singles match of Meiko’s I saw live left to talk about was legend vs legend. On my first Senjo show she wrestled Ayako Hamada in a #1 contender ship match for the Sendai Girls World Title that was simply phenomenal. The two beat the hell out of each other and it was my top match of the entire trip.

Outside of the matches of hers I was lucky enough to see live, one particularly cool experience I had was the opportunity to attend was a Sendai Girls New Year’s Party fan event in early 2019. It was a fun chance to meet and hang out with Senjo wrestlers and other fans, and of course an honor to meet Satomura.

Meiko, DASH Chisako, and Millie McKenzie

Meiko could do it all, and never shied away from a fight. Moving on from stuff I personally saw live, I want to specifically point out her intergender matches. She waged war against a number of male opponents over the years, including wrestlers who would go on to appear for WWE or AEW and may be quite familiar to foreign fans such as Pete Dunne and Konosuke Takeshita. The entire feud she had alongside fellow Sendai Girls wrestlers Chihiro Hashimoto and DASH Chisako against DDT Pro’s faction All Out was wild and well worth seeking out.

Speaking of WWE, as I alluded to above Meiko regularly appeared for WWE for a while later in her career. She appeared in the Mae Young Classic 2018, making it to the semi finals with victories over Killer Kelly, Mercedes Martinez, and Lacey Lane before being eliminated by Toni Storm.

She returned in 2021 and made most of her appearances as part of the roster on NXT UK, and was NXT UK Women’s champion from 6/2021 to 9/2022.

She made a few NXT appearances early 2023 after NXT UK was wound down, and last appeared for WWE during their Japan tour in July 2024. While I lamented that WWE never ran an Iyo vs Meiko singles, they did cross paths in a WWE ring during this tour.

Meiko teamed with Bayley, Bianca Belair, and Jade Cargill to face Damage Control (Iyo, Asuka, Kairi Sane, and Dakota Kai) on two shows. On the final show of the tour Meiko challenged her previous teammate Bayley for the WWE’s Women’s Title.

Her April 2025 retirement had been announced right before that title match. Going into 2025 I wondered if one final appearance might happen at the Royal Rumble or possibly during Wrestlemania weekend (which was shortly before her final show). There were also rumors of her being in attendance of NXT Roadblock in NYC. But as it turns out the match against Bayley was her final WWE appearance in retrospect, and a championship match isn’t a bad bookend for her time there.

Meiko’s retirement tour was a gauntlet of tough opponents and challenging contests as she bid farewell to the ring. She faced DASH, Chihiro, Saori Anou, Minoru Suzuki, Yuki Arai, Nanae Takahashi, Takumi Iroha, Sareee, and a great number of other significant opponents in emotional matches. Sadly a challenge from Emi Sakura never materialized into a match, but otherwise it was a series of great farewell matches featuring near everyone fans could have hoped to see challenge the Final Boss one last time.

Meiko’s final show was on April 29, 2025 at Korakuen Hall. In the main event she teamed with Manami against Senjo ace Chihiro and another legend, Aja Kong.

Manami’s inclusion in this match was special and significant. Trained by Meiko and having debuted at the age of 13, she’s now 20 and a 7 year veteran charismatic rising star in Senjo. I saw her wrestle live early on in her career and her potential was immediately obvious.

I’d also seen her and Meiko team opposite Kong once before. On Senjo’s 1/6/2019 show The Senjo roster team of Meiko, Manami, Mika Iwata, & Cassandra Miyagi face Aja, Hiroyo Matsumoto, Alex Lee, & Mikoto Shindo. Manami was fed to the wolves, with Meiko at one point refusing a tag and demanding the relative rookie get back to the center of the ring and put up more of a fight against the monstrous Kong. She was pushed to her limits, rose to the occasion, and the audience went nuts when she eventually secured the victory for her team.

Meiko & Manami would prove successful one last time, winning Meiko’s retirement match when Meiko pinned Kong with Scorpion Rising.

But that wasn’t quite the end. Post match Aja wanted to fight alongside Meiko one last time and throws out a challenge. Five wrestlers argued about who was going to accept but the vets don’t care about the handicap. So Meiko Satomura’s true final match ended up being a five minute time limit draw in which she and Kong fended off Chihiro, Iwata, Iroha, YUNA & Senka Akatsuki (and Sakura Hirota doing Sakura Hirota things). All told Meiko’s final show was a fitting an appropriate goodbye.

Farewell Final Boss. Thanks for an incredible 30 years and best wishes in whatever comes after wrestling.


Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts should be on the way soon.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Cards Japan Wrestling

Collecting Spotlight: BBM Women’s Wrestling 2025 Card Set

BBM releases yearly card sets for a variety of sports, and for a great many years I’ve been collecting their joshi wrestling sets. Here we’ll take a look at the details and differences in their 2025 set.

Known as True Heart until 2020 and simply Women’s Wrestling since then, these yearly sets focus on women wrestlers from all across Japan.

Historically most joshi wrestling companies and freelancers participated, with the main exception being World Wonder Ring Stardom. Stardom roster members have not appeared in these sets for over a decade (Stardom has done occasional card based products on their own in the past). Actwres girl’Z also stopped participating a few years back with their classification switch from a wrestling company to an entertainment company.

This year however there seems to be quite a few more wrestlers absent. The T-Hearts roster as well as some notable freelancers are missing from the set. Also Dream Star Fighting Marigold, the new company run by the founder and former owner of Stardom, isn’t included.

BBM did put out a statement talking about production constraints, and that this year scheduling issues led to some regional wrestlers not making it into the set.

However the base set still features 154 wrestlers with an additional 2 tag team and 3 announcer cards. It’s wild that the set is still pretty massive even with the absences, and while having some favorites missing is less than ideal there being around 200 active women’s wrestlers in Japan and the depth it brings to wrestling is a good problem to have.

Assortment of Kira insert cards.

Keeping with the packing distribution changes made last year, there are 7 cards per pack and 18 packs per box. One of the cards in each pack is one of the 24 “Kira” chase cards, shiny cards which feature a gold facsimile auto of the depicted wrestler.

When there are chase cards in a pack other than the Kira cards, they replace one of the base cards that would otherwise be in the pack. So there are still 7 cards per pack total.

The other chase subsets in the 2025 set are a 9 card foil subset (SP1-SP9), and 13 “secret” chase cards. Secret versions have the same numbering as the base card of whoever is depicted. So for example TJPW’s Mifu Ashida (formerly of Ice Ribbon) is card number 008 in the base set. So her secret card is also numbered 008. Only 13 wrestlers have secret variants so the numbering on them jumps around.

The secret subset this year features “plain clothes” photos of certain wrestlers in everyday attire. The base cards and other subsets of course feature them wearing their wrestling gear.

I’m happy to see the return of the plain clothes cards. The last several years of secret inserts have mostly been alternate poses/backgrounds of the wrestlers in their gear. Those cards are nice themselves, but this subset stands out more and seems more fitting for the alternate/secret subset theme. The selection of wrestlers was a nice mix and they got to show off their personal style and personalities.

In my anecdotal experience this year there tends to be 3 SP foil and 2-3 secret cards per box.

Yuki Arai base cards.

There also is a special, unusual “secret base card” variant showcasing a second set of Yuki Arai’s gear. Her signature cards (more on those to come) are split between the two outfits. She’s the only person with a variant base card. This is an attempt to do something a little different/special within the set, and if it’s well received it may be done in future sets as well.

I’m a little mixed on it personally. I don’t mind having a second card for her, and can get behind the idea of having a couple special base cards that aren’t rare chase cards. That said I’d lose the secret numbering for it. Having them both be card 012 is unnecessary complicated for sorting and collecting (the plain clothes cards are a different matter in how distinct they are). Label them 12A and 12B at least if not just giving them separate number in the set. All that said about a minor technical point, both her base cards look cool. Giving them two different background colors to stand out was a nice touch.

The yearly base set varies in size each year to reflect new wrestlers, retirements, cards for tag teams, and so on. As mentioned are a lot of joshi wrestlers active in Japan and these are not small sets. The 2025 base set consists of 159 cards (plus the Arai variant), which is about a box and a half of base cards (if no duplicates are drawn).

Sayuri Namba and Shino Suzuki

One of the most sought after aspects of these sets are the randomly inserted signature cards autographed by the wrestlers. The last couple years these cards have been designed with colored borders down the sides on an otherwise white background likely to draw attention to the wrestlers and the signatures (and to make them distinct from insert autos). Personally I like the simplicity and the look of them, but some collectors prefer the colorful backgrounds of past sets.

The odds seem to be just a touch lower than last year (last year was itself a bit down from previous years). I’ve generally seen 3 autographs per box, with the secret sig cards I drew being a 4th auto in the box. The boxes I’ve seen with a cheki only had 2 base sig cards with it.

The signature cards are numbered and there are usually 100 each corresponding to the base set for the wrestlers who did autographs. A majority of the wrestlers in the set do signature cards, but not everyone.

Like last year nearly all of the base signature cards this year are on card autographs. The only stickers I’ve noticed so far were for Hikaru Shida, who is based on the US, and on the Magenta tag team dual auto card where proper spacing is paramount. As usual the insert autos use stickers, presumably for design reasons. The stickers are transparent and barely noticeable, even if you know to look for them.

Wakana Uehara secret version signature card.

As implied above both the secret and SP foil subsets have associated signature cards. Unlike past years, the foil autos are not short printed compared with the base autos.

Base, secret, and foil autos are all generally /100 now. A couple wrestlers have slightly lower base autos numbers, and Yuki Arai and Haruka Umesaki’s foil autos are a bit lower at /85 and /74 respectively.

The insert autos have fully colored backgrounds, which nicely sets them apart from the white backed secret insert subset those correspond to as well as the white with colored borders designs on the base autos.

There are also a few super rare /5 signature cards featuring Suzume, Mizuki, Yuki Arai, Sareee, and Ram Kaicho.

One of my absolute favorite signature cards ever is in this set. Maika Ozaki is a powerhouse and has a cool tag team entrance pose she does where she lifts her partner (and sometimes partners plural) up onto her shoulder. She’s done it most often with her Gekokujo partner Kyuri and her SPiCEAP partner Tae Honma.

This year SPiCEAP got a dual auto signature card, and BBM oriented it vertically and designed it almost as if it was two stacked up horizontal sig cards so that their pose could be featured. It’s stunning and easily one of the coolest cards they’ve done.

Kirari Wakana

Some of the most distinctive chase items in these sets are chekis: mini polaroids of the wrestlers signed and sometimes decorated by them. There are generally 10 for each wrestler who does them (not everyone in the base set does). A few wrestlers are featured in different outfits and have two distinct /10 versions this year.

These are unique collectibles, and some of the harder hits to pull at roughly 2 per case (1 in 6 boxes). They’re a fun additional and some of the centerpieces of my personal collection.

Emi Sakura and Kaho Hiromi

So that’s it for this year’s BBM Women’s Wrestling release. I wish everyone good luck with their pulls and pickups.

Sayaka

Thanks to everyone who’s given this a read. Derailments of Thought currently updates sporadically, but more regular posts should be on the way soon.

If you enjoy the blog any support is appreciated, including shares on social media and simply continuing to read. If you happened to be inclined and able to help out monetarily please see my  Ko-fi page. Every little bit helps.

Categories
Art Cards Comics Japan Wrestling

Imagined Reality: The Art of Veronica O’Connell

Psylocke sketch card by Veronica O’Connell

I’ve had a surprisingly difficult time finding the proper words to open this look at the work of a truly special artist. There’s something indescribable that jumps out of Veronica O’Connell’s art and demands attention. So I decided to let the stunning depiction of Psylocke above make the first impression.

Ghost Spider, Spider-Woman, & Silk AP by Veronica O’Connell

I honestly don’t recall when I first saw Veronica’s work, but I do remember being blown away with her versions of Marvel characters and immediately putting her art on my collection list.

There is an incredible balance of realism and the fantastic in her illustrations. Her takes on comic characters simultaneously look like they could step right off into the real world while still feeling appropriately larger than life.

The qualities that initially caught my eye are on full display in the above gorgeous Spider-Women triptych, which is mind boggling. All the art I’ll be showing in this blog is directly drawn on blank trading cards. So each of the three characters shown above (Spider-Gwen, Spider-Woman, and Silk) is drawn on a third of a 3.5″ x 2.5″ work area. The detail and impact she’s able to achieve under such conditions is phenomenal.

There is so much style infused into Veronica’s work. Her use of color and lighting is exquisite and a big part of what makes her art so eye catching. It also underlies her emphasis of mood and atmosphere, making the same subjects feel different in different pieces depending on what she’s chosen to convey while retaining their core essence.

I have multiple cards by her of some of my favorite comic heroines, including Psylocke, Emma Frost, and Spider-Gwen, and the contrast between equally captivating depictions of the same character is fascinating to see.

Spider-Gwen PSC by Veronica O’Connell

My discovery of Veronica’s art through her Marvel work eventually led to the great opportunity to get some Personal Sketch Cards (PSCs) done as part of another key subset of my card collection.

I have followed and enjoyed Japanese women’s professional wrestling (joshi wrestling) for over a decade and collect related art in a number of forms. Veronica is the third artist to create PSCs for this collection, along with Juri H. Chinchilla and  Miki Okazaki

Kairi Sane PSC by Veronica O’Connell

Veronica’s renditions of the wrestlers she’s drawn for me are absolutely stunning. She achieves an amazing level of detail, capturing the subtleties of her subjects expressions and doing an exceptional job representing their intricate wrestling gear.

Perhaps most impressive is her ability to create such incredible likenesses on such small workspaces. From a distance these precise works could be mistaken for photographs, while up close the aspects that make the depictions hyper realistic elevate them even further.

Over time I’ve gotten 24 wrestling PSCs from Veronica, featuring a total of 30 wrestlers. Only 8 of those wrestlers had been drawn for me before on PSCs by other artists, meaning 22 of the wrestlers she drew for me were first time subjects for my sketch card collection.

All of the repeats were drawn in different gear and/or with different partners than the other cards I have, and it was a treat to get Veronica’s take on recurring collection subjects like WWE’s Asuka, AEW’s Riho and Hikaru Shida, and Sendai Girl’s DASH Chisako. Likewise awesome was adding in wrestlers I’d been meaning to have drawn like Asuka’s tag partner Kairi Sane and Stardom’s Starlight Kid.

Juria Nagano PSC by Veronica O’Connell

The vast majority of the wrestlers I had drawn for the first time were a large number of roster members and regular guests from two of my favorite promotions.

From Tokyo Joshi Pro Wrestling (TJPW), Veronica did wonderful cards of now former roster members Juria Nagano and Sakisama (with Mei Saint-Michel), tag teams Miyu Yamashita & Maki Itoh (121000000) and Himawari & Wakana Uehara, long time roster members Mizuki and Yuki Kamifuku (Kamiyu), and the Up Up Girls Hikari Noa, Miu Watanabe, Raku, & Shino Suzuki.

Veronica’s encapsulation of that Up Up Girls lineup is a particularly nice memento for me given the recent departure of my favorite member, Hikari Noa, from both TJPW and the Up Up Girls.

The other big focus among the joshi wrestling cards Veronica’s done for me is a company called Ice Ribbon. One of my most watched promotions, it was a privilege to get Veronica to do related cards for me.

The core IR lineup I got includes brief former roster member Amu Yumesaki, and current roster members featuring second generation wrestler Ibuki Hoshi and impressive newer wrestlers like Tsukina Umino, Mifu Ashida, and Kaho Matsushita.

I was also happy to add former IR regular guests Ram Kaicho (from Triple Six), Saori Anou (now of Stardom), and Tae Honma & Maika Ozaki (SPiCEAP, both freelance), and reigning ICE Cross Infinity Champion YuuRI (from GanPro) to the collection.

As with the comic art, Veronica’s vivd colors, stunning lighting and shading, and delicate touches make all of her wrestler illustrations simply gorgeous. I could not be happier with how they all turned out.

I’m extremely thankful to Veronica for all the fantastic art she’s created for me. I hope to continue collecting more in the future.

Asahi PSC by Veronica O’Connell

To wrap up I’d like to talk about a particularly special card Veronica’s done for me, although there is unfortunately tragic news attached to it. Early this year Actwres girl’Z reported a 21 year old member of their roster named Asahi had unexpectedly passed away. Asahi started her career in Ice Ribbon and was a personal favorite of mine. Nicknamed the Sunrise of Hope, she was always a joy to watch and is greatly missed. Veronica’s remembrance piece of Asahi is absolutely breathtaking and a cherished keepsake.

Rest in Peace Asahi.

Categories
Cards Japan Wrestling

Collecting Spotlight: BBM Women’s Wrestling 2024 Card Set

BBM releases yearly card sets for a variety of sports, and for over a decade I have been collecting their joshi wrestling sets. Here we’ll take a look at the details and differences in their most recent offering.

Known as True Heart until 2020 and simply Women’s Wrestling since then, these yearly sets focus on women wrestlers all across Japan. Most joshi wrestling companies and freelancers participate. The main exception is World Wonder Ring Stardom, whose roster members do not appear in these sets (Stardom has done occasional card based products on their own in the past).

There are also rare special sets released in addition to the yearly sets, such as the recent 2023 Ambitious. As opposed to the general random nature of packs and boxes, Ambitious 2023 was a box only release. Each box contained a complete 47 card base set, one of nine possible acrylic standee cards, and a small number of random chase inserts and signature cards.

The standard packing numbers for the last several years of Women’s Wrestling releases have been 6 cards per pack, 20 packs per box. Each box had some chase cards in random packs, with the chase card replacing one of the base cards (so you’re always getting 6 cards in a pack).

This release dropped from 20 packs per box to 18, but increased the cards per pack to 7. The seventh card in each pack is a one of the 24 “Kira” chase cards, shiny cards which feature a facsimile auto of the depicted wrestler. It’s a solid move for BBM, as now each pack has something a little special in it.

The other chase subsets in the 2024 set are a 9 card foil subset, and 19 “secret” chase cards (18 base card secret variants plus a secret card for Nanashi (“no name”)). The base cards generally feature two images of the featured wrestler while the various inserts highlight a single pose, headshot, etc. There tends to be 3 foil and 3 secret cards per box.

An assortment of base cards from the 2024 set.

The yearly base set varies in size each year to reflect new wrestlers, retirements, occasional special cards for tag teams, and so on. There are a lot of joshi wrestlers active in Japan and these are not small sets. The 2024 base set consists of 156 cards, which is a little over a box and a half of base cards (if no duplicates were drawn).

One of the main draws of the sets are the special randomly included cards signed by the wrestlers. This year there are 3-4 sig cards per box.

Anecdotally, for several cases I’m aware of, there were exactly 3 boxes in the 12 box case that had 3 sig cards with the remainder having 4. So it seems like a pretty stable 75% of boxes have 4 sig cards and 25% have 3.

These autographed cards are numbered and there’s generally around 100 of each base version. The vast majority of the base sigs cards this year are on card signatures (with stickers only used for included wrestlers currently based overseas), which is great.

The base signature card design this year is very simple, but I personally like them a lot. The focus is firmly on the wrestler and their signature, and having a fair bit of white background on them makes the insert variants with fully colored backs contrast more.

The 2024 set has signed secret variant cards for the wrestlers who have secret base versions. These are limited/numbered to 90. The foil insert subset has associated signature cards numbered to 60 each.

There are also a small number of “super secret” signature cards. Aja Kong has one limited to 30 copies, while five other wrestlers have versions limited to 10.

Stickers were used for all of the insert autos, which isn’t ideal but is understandable as they’re going for a certain look with these and the stickers limit signatures to a confined area on the card. All of the various insert autos this year look stunning.

The last chase items to talk about are chekis: mini polaroids of the wrestlers signed and sometimes decorated by them. There are generally 10 for each wrestler who does them (not everyone in the base set does), with a few wrestlers doing different outfits and having a total of 20 this year.

In past years chekis were generally extremely stable pull rate-wise at 3 per case (or 1 per 4 boxes). This year it has dropped to 2 per case (1 in 6 boxes). While they are among the most rare inserts to try to collect, they’re wonderfully unique and a focus of my personal collection.

So that’s it for my breakdown of this year’s BBM Women’s Wrestling release. I wish anyone who decides to collect some of this fun set good luck with their pulls and pickups.

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Art Cards Comics Japan Manga Video Games Wrestling

Beautiful Dreams 4: More Art of Juri the Dreamer

It’s been almost two years (wow 2020 threw off my sense of time) since my last spotlight on the work of my favorite artist, and I’d like to share and talk about more of her incredible work and some of the inspirations behind the pieces. See Beautiful DreamsBeautiful Dreams 2, and Beautiful Dream 3 for more about Juri H. Chinchilla’s art, including past pieces I’ll be mentioning in this write up.

Juri’s Personal Sketch Cards (PSCs) have been a great opportunity to request particular subjects and design elements. One of the more unique requests I’ve made was a card featuring one of my favorite professional wrestlers, and I adored it so much that I’ve followed up with several more since. Juri’s done an AMAZING job depicting these previously unfamiliar to her subjects and these are in many ways the pride of my entire art collection. See Another Wonderful Way Pro-Wrestling is Art 3 for more about the above works featuring Jenny Rose & Sareee and retired Ice Ribbon wrestler Tequila Saya.

Gatoh Move is one of my favorite wrestling companies, and it’s so wonderful to see the roster represented in absolutely stunning form on the above six card PSC puzzle by Juri. The top row of cards feature Sayaka Obihiro & Mitsuru Konno, Emi Sakura & Riho, and Chie Koishikawa & Tokiko Kirihara. The bottom row has Yuna Mizumori & Mei Suruga, Sayuri & Sayaka, and Lulu Pencil & Rin Rin.

The timing on these cards ended up being suitable in many ways. They were completed shortly after Sakura’s 25th Anniversary in wrestling and shortly before a personal favorite of mine, and the wrestler I’ve requested Juri draw the most, Mitsuru Konno retired.

Riho is Gatoh Move’s former ace, and shortly after she left to go freelance the company the core roster doubled in size with the debut of six rookies (Chie, Tokiko, Sayuri, Sayaka, Lulu, & Rin Rin). I love the encapsulation of the company’s past, present, and future around that time on this batch of cards and Juri knocked this out of the park. As usual I only specified the subjects and an occasional small detail like particular gear. The layout, poses, and incredible way these all fit together into a larger scene is all Juri and I couldn’t possibly be happier with how it all came together.  

One of the first PSCs I got from Juri was an incredible depiction of the Darkstalkers “sisters” Morrigan and Lilith, two of my favorite fighting game characters to play. In the last Beautiful Dreams feature I showed a larger, equally amazingly done drawing of the former. Later on Juri revisited and completed a wonderful Lilith companion piece I am very happy to add to my collection.

Juri’s range in styles and subjects is highlighted in striking renditions of video game, comic, and movie characters such as Nakoruru from Samurai Showdown, X-men’s Psylocke & Emma Frost, and DC’s Enchantress.

I discovered Perna Studios‘ high quality card sets through Juri’s art, and her work for them continues to be incredibly perfect for the subject matter. Her hauntingly beautiful black and white ghost from the Hallow-Ink set and fantastically playful Alice in Wonderland Artist Proof (AP) from Classic Fairy Tales 2.

Iconic Creations (which I hope to write about in more detail soon) has been releasing incredible card sets based around literature and legends. Juri’s sketch cards for the sets have been wonderfully evocative of the subject matter, particularly the stunning Snow Queen and swordswoman APs I got from the Christmas Literature and Way of the Sword sets.

Iconic’s sets feature a variety of way to showcase the stunning art they include, including special cards like wood sketch cards and other inventive variants. The prize centerpieces of their sets are the oversized wooden “box toppers.” I was lucky enough to have an opportunity to get Juri’s box topper AP from the Christmas set, and pull her box topper sketch card from Treasure Hunters. Both my requested Ghosts of Christmas AP and Juri’s mermaid are absolutely breathtaking.

I mentioned another favorite company of mine, Ice Ribbon, above in relation to Tequila Saya. Their ace is featured on one of the newest PSCs I’ve gotten from Juri. It’s part of a duo of cards I’ve had planned for a while. During my first trip to Japan I saw a match between two phenomenal teams that remains one of my favorites of all time, and Juri’s renditions of the two pairs are simply incredible.

SEAdLINNNG’s Arisa Nakajima & Ice Ribbon’s Tsukasa Fujimoto, known as Best Friends, are two top tier singles competitors who are even more fearsome as a team. I adore Juri’s illustration of the pair with Ice Ribbon’s International Tag Ribbon Championship Belt.

The Jumonji Sisters, consisting of the since retired Sendai Sachiko & her sister Dash Chisako, were the epitome of poetry in motion. It was a privilege to get to see them in action live a couple of times before Sachiko retired, and the casual confidence and closeness Juri captured in their card is absolutely perfect.

Dash still wrestles for Sendai Girls and is simply incredible. She was previously featured in a solo PSC by Juri mid flight of her jaw dropping Hormone Splash (top rope frog splash).

Tokyo Joshi Pro is an incredibly fun promotion filled with a wide variety of characters and styles. I’m a huge fan of Hikari Noa, and Juri captured both her idol and wrestler aspects showing off the wonderfully cute side of the deathmatch loving Up Up Girl.

Yuka Sakazaki is arguably the best high flyer in all of wrestling, and always a joy to watch. I love the sense of motion Juri achieved in her beautifully detailed depiction of TJPW’s Magical Girl.

The last card I’ll talk about here card is special, as well as sad. Hana Kimura was an incredible young wrestler who tragically passed away last year due to suicide amid a myriad of online harassment and other factors. Hana was one of my favorite performers in her home promotion and had striking charisma. She was always fun to watch in the ring and always seemed to go out of her way to be friendly to fans and make sure everyone was having a good time

Juri wonderfully captured Hana in a gorgeous card that is a great remembrance to someone dearly missed.

Rest in Peace Hana.

More information about Juri’s art can be found on her artist page. I hope to continue to follow and collect her wonderous creations for a long time to come. 🙂

Categories
Japan Reviews Wrestling

Sendai Girls 5/18/19 Live Thoughts

May 18, 2019 in Sendai, Japan

DASH Chisako opened with an apology that she would miss her first Sendai show in her career due to injury. She had a mild concussion, and has thankfully since recovered and returned.

1) Mikoto Shindo vs Manami 

Mikoto is from Marvelous and one of a trio of rookies there that have been making a strong impression as they wrestle for a variety of different companies gaining experience. Manami’s been honing her own skills here in Sendai Girls, and the two proved nicely complimentary foils for each other. Solid match between two rookies that should both have bright futures ahead.

2) Hiroyo Matsumoto vs Hikaru Shida vs KAORU

This was a fun triple threat, with good action and underlying issues playing up having Dash’s two regular partners against each other (she teams with Karou in Marvelous as Riot Crown and Hiroyo elsewhere as Reiwa Utima Powers). Dash was ringside and involved in some of the antics as much as she was able, which was nice to see.

The match ended with a really cool double pin on Karou (Hiroyo in sunset flip position on Karou while Shida small packaged her). The ref awarded match to Shida, over Hiroyo’s protests.

3)  Sakura Hirota vs Alex Lee

Hirota, in honor of Dash, tried to be hardcore here. That worked about as well as one might expect. Alex picked up the eventual win in a fine for what it was encounter.

4) MeikoMei (Meiko Satormua & Mei Suruga) vs Sareee & Yuu 

I was excited about just about every aspect of this encounter: my first time seeing MeikoMei team, wrestling’s biggest rising star against one of its greatest established veterans AND one of its brightest rookies, another chance to see how Yuu is evolving her craft since going freelance, etc. This is exactly the type of unusual mix of wrestlers and styles I hope to see with all the cross promotion that has been happening lately.

And for a full twenty minutes they delivered. Everyone was one point, every matchup was different and interesting, and this was a thoroughly enjoyable, hard hitting affair right up until the time limit expired and the match was declared a draw. Would love to get to see any pairing of these four as a singles contest sometime.

5) Beauty Bear (Chihiro Hashimoto & Mika Iwata) vs Medusa Complex (Millie McKenzie & Charli Evans) 

I was previously familiar with and a fan of both Millie (from Sendai’s 1/6/19 show) and Charli (from Shimmer), but this was my first time seeing them as a team. Side note: I adore their team name.

Big match for them in the main event against Sendai mainstays and reigning tag team champions Mika & Chihiro (who was also Sendai’s reiging world champion). Solid tag team wrestling all around and a good main event. Medusa Complex’s (upset) victory in this non-title encounter and a resulting challenge set up Beauty Bear’s first title defense at a future date (despite holding the belts for over a year).

I always enjoy Sendai Girls, and this was certainly no exception. While I did miss seeing Dash in the ring I’m glad she took the time she needed to recover and am happy it wasn’t serious in the end. Really good show overall.

Categories
Japan Reviews Wrestling

Sendai Girls 4/27/19 Live Thoughts

April 27, 2019 in Sendai, Japan

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I’ve seen Sendai Girls’ shows a handful of times in Tokyo and their stars here and there in other promotions (including Dash’s debut for Shimmer a month before) and am a big fan, so am always wishing for more opportunities to catch their shows. This was the first time I was lucky enough to be able to go out to Sendai and seen them in their home base, and my first show of this trip to boot. Great way to start.

1) Mikoto Shindo vs Hiroyo Matsumoto 

Mikoto is from Marvelous and one of a trio of rookies there that have been making a strong impression as they wrestle for a variety of different companies gaining experience.

Hiroyo against rookies is always fun in general, as she knows how to rightfully dominate the match overall without making her opponent look weak. Mikoto showed good fire and determination before being put away by the veteran. Good opener.

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2) Alex Lee & Sakura Hirota vs Hikaru Shida & KAORU

Hirota and Karou on opposite sides of the ring means ridiculousness abound, and this was no exception. Entirely built around Hirota’s antics, specifically trying to get Shida to participate in posing, etc. Things never quite went as she wanted, and not being on the same page as partner Lee by the end caused Hirota to be rolled up and pinned by Karou. Amusing for what it was.

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3) DASH Chisako vs Sareee

This is the match that prompted me to go out to Sendai. Arguably wrestling’s biggest rising star against my personal favorite. Sareee challenged Sendai’s Champion in an incredible match at their 1/6/19 show in Tokyo, and while she came up just short there she defeated Meiko Satomura herself shortly before this match and seemed on course for another shot. Dash is another top veteran in Sendai Girls and was in position to play spoiler to those plans here.

This was everything I hoped for, and Sareee picked up another big singles victory on her way to another date with destiny against Chihiro in an awesome match. Sareee is on absolute FIRE lately, combining incredible in-ring work with real star presence, and it’s always something to behold when Dash gets the opportunity to go all out. They hit the hell out of each other here while build a logical, escalating flow to the match. Fantastic.

4) Beauty Bear (Chihiro Hashimoto & Mika Iwata) vs Manami & Yuu 

Beauty Bear were the Sendai Girl’s Tag Champions at the time, with Chihiro also holding Sendai’s top singles title. Yuu had recently signed with Pro Wrestling Eve in London after leaving Tokyo Joshi Pro, and was teaming with Sendai’s resident rookie.

This was surprisingly awkward early on, as Mika and Yuu was a styles clash and they took a while to get on the same page. To be honest they both need to work on their improvisation, as when things went a little off they didn’t cover very well and ended up drawing more attention to what should have been small, barely noticeable mistakes.

Interestingly, tagging the match’s least experienced wrestler in is what smoothed things out, as Manami is a Sendai trainee and as such has a lot of familiarity and comfort wrestling Iwata & Chihiro. Manami trying to put up a fight against more her experienced compatriots made a great anchoring story for the match.

And it was all on point from there on.  Chihiro vs Yuu was just a splendid spectacle of them trying to shoulder tackle each other into oblivion, and the next go around for Iwata and Yuu they concentrated on strikes and found a rhythm to great effect. This became really good after the awkward start. Really awesome to see Manami getting this kind of opportunity too. The champs eventually pinned Manami to win this non-title affair.

It’s impressive the level of show Sendai Girls was able to put on overall even with their legend missing (Meiko was absent from the show due to traveling to Europe), and a treat to see them out in their home area. Would love to go out there again.

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Categories
Japan Reviews Wrestling

Sendai Girls 1/6/19 Live Thoughts

January 6, 2019 in Tokyo, Japan

Because of the timing of my trips and usually staying in Tokyo I don’t get to see a whole lot of Sendai Girls shows. But I adore several members of the roster and the opportunities I do get to attend live are always great. This is my third show of theirs, after 1/6/18 headlined by a battle of legends and 4/19/18 featuring those two legends in separate singles matches against two of today’s hottest stars. This card looked a bit different than those on paper, but no less interesting.

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The show opened with a short match that saw Marvelous’ rookie Mei Hoshizuki against veteran DASH Chisako. Marvelous has a strong track record training up and comers, from Maria Takeda looking good the previous day at Ice Ribbon at only two weeks experience to the absolute star Mio Momono has become, among others. Sixteen year old Mei was at about a month and a half here, and looked decent against the aggressive, dominating veteran. Dash is a favorite of mine and one of the best high flyers in the world, and it’s always a treat to see her wrestle in any capacity.

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From a rough welcome for a visiting rookie we go to absolute ridiculousness in a 4-way between Eiger, Sakura Hirota, Hikaru Shida, and KAORU. Exactly the type of match one would expect from a pair of comedy wrestlers in with two weapon wielding opponents, and was quite amusing and held together with some creative spots and the occasional flash of wrestling prowess. Eiger surprisingly won by pinning everyone, including reigning Oz Academy champion Shida. Bonus amusement was had in the form of Eiger going over to the concentrated Chihiro cheering section (more on them later) a few times to spook them.

Aja Kong, Hiroyo Matsumoto, Alex Lee & Mikoto Shindo vs Meiko Satomura, Cassandra Miyagi, Mika Iwata, & Manami was an exciting 8-woman tag with a solid central story and various nice undercurrents.

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Manami was absolutely fed to wolves here, including a point at which she went for a tag and Meiko told her in no uncertain terms to get back to the center of the ring to face her monstrous opponents some more. It didn’t seem like she had been in for too short a time, but Meiko was clearly pushing the rookie (and perhaps teaching some match pacing at the same time). They all also played it up well (Meiko spun to the crowd and see to dare them to defy her judgement in a great moment), and with the specters of Hiroyo and Kong bearing down on the Manami throughout it ending up getting the crowd behind her even more. Which lead to a great finish that saw her eventually getting the win for her team to a strong pop. There was also tension between former partners Alex Lee and Mika Iwata, my last time seeing Cassandra Miyagi in Sendai Girls, and general strong work from all involved.

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I was not familiar with rookie Ayame Sasamura prior to this trip, and was impressed with what I saw from her at SEAdLINNNG on 12/28 in a triple threat against Sakura Hirota and Ayame’s own reigning SEAdLINNNG Tag Team Championship partner Arisa Nakajima. That isn’t the only title she held either, and here she defended her Sendai Girls Junior Championship against Millie McKenzie (who I saw at Tokyo Joshi Pro two days prior). Excellent work here from two wrestlers with under a year and half experience each. Both have a lot of potential and bright futures ahead of them (not to dismiss what each has already accomplished of course). Millie scores a bit of an upset and becomes the new SG Jr Champion in a great match.

Since this show Ayame was injured and required foot surgery (forfeiting her SEAdLINNNG tag title as a result). I really hope to see here recover in full and make a return to the ring when able.

I also tend to get too few opportunities to see DIANA’s Sareee wrestle, so I was really excited for this main event. She was particularly fantastic here, going tooth and nail with the dominant Sendai Girl’s Champion Chihiro Hashimoto in a surprisingly visceral title match. Incredibly impressed with the performances of both wrestlers here, which was no surprise. Chihiro is an incredible wrestler with equally incredible presence, and it’s a joy to hear her dedicated cheering section go wild for her during her matches. Sareee pushed the champs limits, but Chihiro persevered and kept her title. Would love to see a rematch down the line.

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Another really fun, engrossing show from Sendai Girls. My next opportunity to see them live can’t come soon enough.

Categories
Anime Art Cards Comics Manga Video Games Wrestling

Beautiful Dreams 3: More Art of Juri the Dreamer

It’s been a year and change since my last spotlight on the work of my favorite artist, and I’d like to share and talk about more of her incredible work and some of the inspirations behind the pieces. See Beautiful Dreams and Beautiful Dreams 2 for more about Juri H. Chinchilla’s art, including past pieces I’ll be mentioning in this write up.

 

 

Juri’s Personal Sketch Cards (PSCs) have been a great opportunity to request particular subjects and design elements. One of the more unique requests I’ve made was a card featuring one of my favorite professional wrestlers, and I adored it so much that I’ve followed up with several more since. Juri’s done an AMAZING job depicting these previously unfamiliar to her subjects and these are in many ways the pride of my entire art collection. See Another Wonderful Way Pro-Wrestling is Art 2 for more about the above works featuring WWE’s reigning Smackdown Women’s Champion Asuka, Sendai Girls’ phenomenal high flyer Dash Chisako, and the recently retired Happy Maker Aoi Kizuki.

 

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Misaki Ohata PSC by Juri H. Chinchilla.

 

Another favorite of mine also retired in 2018, and Juri’s strikingly posed Misaki Ohata with a wonderful background of venue lights is a great keepsake.

 

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Reika Saiki PSC by Juri Chinchilla.

 

Tokyo Joshi Pro’s Reika Saiki is known as the “Muscle Idol,” and all aspects of her strength and charisma as a wrestler, idol, and body builder are gloriously highlighted in Juri’s drawing.

 

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Mitsuru Konno PSC by Juri Chinchilla.

 

The last wrestler in this batch was also the first of all. Juri’s first rendition of Mitsuru Konno from Gatoh Move for me featured a great action pose capturing and combining Mitsuru’s strength, determination, grace, and beauty in a remarkable rendition. Equally wonderful is Juri’s quite different recent depiction, featuring Mitsuru in her newer wrestling outfit with a palpable sense of celebration and excitement captured.

With the exception of Dash doing her trademark frog splash, I didn’t specify poses and the layouts, details, and way Juri captured each subject are just wonderful. I couldn’t be happier with how these all turned out.

 

 

Juri’s work have are as diverse in creation method as they can be in subject matter. I’ve added a pair of wonderful paintings of hers to my collection, including a striking abstract and an atmospheric, haunting image of night in Rainy Gotham.

Another unique piece is Aquatica, which shows off Juri’s wonderful use of color in a gorgeous image of an original character.

 

 

As always Juri’s work for Perna Studios‘ high quality card sets is pitch perfect for the subject matter. I was lucky enough to get some Artist Proofs (APs)  from her for their most recent sets. For Witchcraft, I requested a female grim reaper from several artists, and I adore the delicate yet powerful feel Juri brought to her version. In the past I got a witch from Juri with some amazing ravens, so loved the idea of getting Celtic goddess Morrigan for her Classic Mythology III metal AP. Rounding out this group is a graceful moonlight scene featuring my favorite Greek goddess, Artemis, with just a touch of lurking menace as she hunts.

 

A very different Morrigan was part of one of the Personal Sketch Cards I got previously from Juri, an incredible depiction of the Darkstalkers character with her “sister” Lilith. Morrigan’s an old favorite and one of my most played fighting game characters ever, so I was thrilled to add this larger, equally amazingly done drawing of her to my collection.

 

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Continuing the video game theme are three new PSCs from some of my favorite game series. Makoto from Persona 5 joins my previous PSC of Elizabeth from the third game in that series, with a bold red background complimenting the deep blues of the other card. The wonderful balance of a sense of motion while still posing is a wonderful touch not only in the two Persona cards, but also accentuates Juri’s drawings of Fire Emblem’s Tharja, and Valkyria Chronicles 4’s Riley, as well as the Bombshells version of DC’s Raven and Clare from the manga/anime Claymore. Finally for this time around is a beautiful depiction of two of Juri’s original characters. The cards are all excellent and unique works showcasing Juri’s attention to detail and mastery of color in their own different ways

 

 

More information about Juri’s art can be found on her artist page. I hope to continue to follow and collect her wonderous creations for a long time to come. 🙂